Neo Kotsiubiiv (Нео Коцюбіїв)

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The interior of the building features much art nouveau decoration, but is more subdued than the exterior. The vestibule is decorated with curved archways supported on marble columns, with short stairways leading to an apartment (now a dentist's office) on one side and to the main stairway on the other. The stairway is the central decorative of the interior; the entrance has a door decorated with wrought iron and glass, and the railing of the stairway is made up of undulating iron work in exotic vegetal forms. The ground floor also features finely-crafted stonework and sculptural detail. The walls of the stairway are decorated with art nouveau floral designs in subdued browns, golds and reds. At the top of the stairway, another smaller stairway leads to the rooftop terrace. A covered passage on the street level leads to a small interior courtyard, which is more simply decorated than the facade, but has sculpted art nouveau lintels around the windows.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The present-day Louvre Palace is a vast complex of wings and pavilions which, although superficially homogeneous in scale and architecture, is the result of many phases of building, modification, destruction and reconstruction. Its apparent stylistic consistency is largely due to conscious efforts of architects over several centuries to echo each other's work and preserve a strong sense of historical continuity, mirroring that of the French monarchy and state; American essayist Adam Gopnik has written that "The continuity the Louvre represents is the continuity of the French state."[18] For example, from the 1620s to the 1650s Jacques Lemercier thoroughly replicated the Lescot Wing's patterns for his design of the northern half of the western wing of the Cour Carrée. In the 1660s Louis Le Vau echoed Lemercier's Pavillon de l'Horloge for his redesign of the central pavillon of the Tuileries Palace further west (burnt in 1871 and demolished in 1883), and mostly continued Lescot's and Lemercier's pattern for the completion of the Cour Carrée. A separate design a few years later, that associated with Claude Perrault for the Louvre Colonnade.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: These Haitian monuments date from the beginning of the 19th century, when Haiti proclaimed its independence. The Palace of Sans Souci, the buildings at Ramiers and, in particular, the Citadel serve as universal symbols of liberty, being the first monuments to be constructed by black slaves who had gained their freedom. The ensemble was embellished with gardens, basins and fountains. Inaugurated in 1813, the Palace Sans-Souci was looted at the death of the king in 1820. Since then, abandoned, it was seriously damaged by the earthquake of 1842. Nevertheless, by its size, it remains an impressive and coherent ruin, owing its bizarre beauty to an exceptional harmony with the mountainous setting, as well as its recourse to diverse and yet reputedly irreconcilable architectural models. The Baroque staircase and the classical terraces, the stepped gardens reminiscent of Potsdam and Vienna, the canals and basins freely inspired by Versailles, impart an indefinable hallucinatory quality to the creation of the megalomaniac king.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Ulysses sits atop the PAM-S and IUS combination
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theater

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Neo-futuristic architecture with Art Deco is a design style that combines futuristic and innovative elements with the glamour and luxury of Art Deco design. This type of architecture often features bold geometric shapes, sleek lines, and the use of materials such as glass, steel, and concrete. Art Deco elements are often incorporated into the design through the use of decorative motifs, such as sunburst patterns, chevron shapes, and stepped forms. These motifs can be seen in features such as the building's façade, entranceways, and interior design elements like lighting fixtures and furnishings. The combination of Art Deco with neo-futuristic design creates a unique and visually striking look. The futuristic elements can provide a sense of innovation and progress, while the Art Deco elements add a touch of elegance and luxury. This style of architecture can be used in a variety of buildings, such as commercial buildings, hotels, and residential buildings. The use of Art Deco elements can add a sense of sophistication and glamour to these buildings, while the futuristic elements make them cutting-edge and innovative.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theater

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Neo-futurism with biomimetic architecture is a style that takes inspiration from the natural world to inform its designs. This style is characterized by its use of organic shapes, biomorphic forms, and a focus on creating spaces that mimic the natural environment. Neo-futurism with biomimetic architecture often incorporates innovative materials and technologies, such as 3D printing and advanced modeling software, to create complex, intricate shapes that are inspired by the natural world. The result is a futuristic aesthetic that blends seamlessly with the environment, creating a sense of harmony between the built environment and the natural world. In some cases, Neo-futurism with biomimetic architecture may also incorporate elements of sustainable design, such as energy-efficient technologies and green roofs, to further emphasize this connection to the natural world. Overall, this architectural style is a bold departure from traditional forms, showcasing the potential for a harmonious relationship between the built environment and the natural world through the use of innovative design and technology.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A chapter house or chapterhouse is a building or room that is part of a cathedral, monastery or collegiate church in which meetings are held. When attached to a cathedral, the cathedral chapter meets there. In monasteries, the whole community often met there daily for readings and to hear the abbot or senior monks talk. When attached to a collegiate church, the dean, prebendaries and canons of the college meet there. The rooms may also be used for other meetings of various sorts; in medieval times monarchs on tour in their territory would often take them over for their meetings and audiences. Synods, ecclesiastical courts and similar meetings often took place in chapter houses.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: If you’ve spent some time in online architectural forums recently, maybe you’ve stumbled upon images of “Solarpunk architecture.” Generally characterized by grand, swooping biophilic structures replete with vertical forests and solar panels, and in which people live in happy harmony with nature, these renderings evoke a utopian future that might be mistaken for science fiction. But the impressive graphics belie a serious political and social movement intent on taking architecture into a radically greener, more sustainable direction.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Neo-futurism and biomimetic architecture are two distinct architectural styles that can offer a fascinating combination when merged together. By integrating the best of both styles, we can create a harmonious blend of innovative technology and sustainable design inspired by nature. Below is a description of this combined architectural approach. Just as ecosystems in nature are interconnected, Neo-Biomimetic architecture seeks to create buildings that are in harmony with their surroundings and function as a part of a larger system. This can include designing buildings that support local ecosystems, creating urban parks and green spaces, and promoting walkability and public transportation. n keeping with the Neo-futuristic approach, cutting-edge technology is seamlessly integrated into the building design. This can include advanced building systems, automation, and the use of digital fabrication techniques, such as 3D printing, to create complex and intricate forms. Neo-Biomimetic architecture incorporates organic shapes and structures that mimic natural forms. This can include buildings with flowing, curvilinear lines or structures resembling plants, animals.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The local communities have adapted themselves to this seemingly rough and inhospitable environment by living in compact settlements on the coast or in small hamlets on the hillsides (e.g. Volastra, Groppo, Drignana, San Bernardino or Campiglia), erected directly on the rock with winding streets. The general use of natural stone for roofing gives these settlements a characteristic appearance. They are generally grouped around religious buildings or medieval castles. The terraces are also dotted by innumerable tiny stone huts isolated or grouped together (e.g. at Fossola, Tramonti, Monestiroli or Schiara) used for temporary shelter during the harvest. The main five villages of Cinque Terre date back to the later Middle Ages. Starting from the north-west, the first is the fortified centre of Monterosso al Mare, that is a coastal town grown along two short valleys and facing one of the few beaches that exist in the area. Vernazza has developed along the Vernazzola water-stream on the slopes of the rocky spur protecting the village from the sea. Corniglia is the only village which has not been built on the coast itself but on a high promontory projecting to the sea.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: 330 North Wabash (formerly IBM Plaza also known as IBM Building and now renamed AMA Plaza) is a skyscraper in downtown Chicago, Illinois, United States, at 330 N. Wabash Avenue, designed by the architect Ludwig Mies van der Rohe (who died in 1969 before construction began). A small bust of the architect by sculptor Marino Marini is displayed in the lobby. The 52-story building is situated on a plaza overlooking the Chicago River. At 695 feet (212 meters), 330 North Wabash is the second-tallest building by Mies van der Rohe, the tallest being the Toronto-Dominion Bank Tower at Toronto-Dominion Centre. It was his last American building.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Some floors were designed with smaller footprints to attract prospective lessees, so the building's height was increased to meet Sears's floor-area requirements.[17] Architect Bruce Graham and structural engineer Fazlur Rahman Khan, both of whom were partners with SOM, proposed a tower with 55,000-square-foot (5,100 m2) floors in the lower part of the building, as well as a series of setbacks with gradually tapering floor plates, giving the tower its distinctive look.[18] During the design process, one of the architects reportedly pulled out nine cigars and staggered them vertically until the pair both agreed to the arrangement.[18][19] This allowed Sears to occupy the large lower stories, while providing more conventional office space that could be rented out on the upper stories.[20] The firm of Saphier, Lerner, Schindler was responsible for determining Sears's space requirements and designing furniture for the company.[14][21] It conducted a year-long study to determine how 16 of the company's departments should be laid out within the building.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The building’s iconic profile becomes visible when gliding down from the top of the ski slopes, as its shape resembles the dynamic movement of a soaring skier against the all-white background. Specially selected building materials have warm, mainly wood-like attributes, and are aimed at providing an atmosphere for visitors looking forward to a short break, or after enjoying a long day on the slopes.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The fresco cycles housed in eight complexes of buildings within the old city centre of Padua illustrate how, over the course of the 14th century, different artists, starting with Giotto, introduced important stylistic developments in the history of art. The eight building complexes are grouped into four component parts: Scrovegni and Eremitani (part 1); Palazzo della Ragione, Carraresi Palace, Baptistery and associated Piazzas (part 2); Complex of Buildings associated with the Basilica of St. Anthony (part 3); and San Michele (part 4). The artists who played a leading role in the creation of the fresco cycles were Giotto, Guariento di Arpo, Giusto de’ Menabuoi, Altichiero da Zevio, Jacopo Avanzi and Jacopo da Verona. Working for illustrious local families, the clergy, the city commune or the Carraresi family, they would – within buildings both public and private, religious and secular – produce fresco cycles that gave birth to a new image of the city.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Jesuit Missions of the Chiquitos. Between 1696 and 1760, six ensembles of reducciones (settlements of Christianized Indians) inspired by the ‘ideal cities’ of the 16th-century philosophers were founded by the Jesuits in a style that married Catholic architecture with local traditions. The six that remain – San Francisco Javier, Concepción, Santa Ana, San Miguel, San Rafael and San José – make up a living heritage on the former territory of the Chiquitos.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Kikutake's Expo Tower was situated on the highest hill in the grounds and acted as a landmark for visitors. It was built of a vertical ball and joint space onto which was attached a series of cabins. The design was to have been a blueprint for flexible vertical living based upon a 360m3 standard construction cabin clad with a membrane of cast aluminium and glass that could be flexibly arranged anywhere on the tower. This was demonstrated with a variety of cabins that were observation platforms and VIP rooms and one cabin at ground level that became an information booth.[73]
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Lutherans the world over know of the castle as the very place where Martin Luther made his translation of the Bible. The veneration of Saint Elizabeth, which extends far beyond the frontiers of Germany, includes Wartburg Castle where she lived and worked. The patronage of Hermann I, Landgrave of Thuringia, occupies an extraordinary place in the creation of a national literary tradition. In poetry and in legends, Wartburg Castle, the medieval Court of the Muses, bears an undying reputation through the names of Walther von der Vogelweide and Wolfram von Eschenbach. While these authors represented the first steps in German literature, and Martin Luther's translation of the New Testament marked the creation of a unified and accessible written German language, Wartburg Castle is also associated with the beginnings of a bourgeois and democratic nation, through the content and effects of the Wartburg festival of German students' associations. From the very earliest days of its existence, this fortress of the Landgraves of Thuringia has repeatedly acted as a venue for and witness of historic events and activities worthy of renown as a monument to national and world history.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Combining Neo-futurism and Art deco architecture with boundless, endless, or larger than any natural number would result in a stunning and futuristic building that is technologically advanced and highly stylized. The use of geometric shapes, bold colors, and streamlined designs of Art deco architecture would be seamlessly blended with the fluid lines, minimalism, and functionality of Neo-futurism. The building’s height and scale would be boundless, reaching higher than any previous structure, and the materials used would be space-age and highly sustainable. The structure would be built with the latest technology and incorporate energy-saving features like solar panels and wind turbines. Inside the building, the open spaces would be vast, with seemingly endless corridors leading to rooms and suites that go beyond any natural number. The decor would be a mix of Art deco and Neo-futurism, with sleek furnishings and high-tech gadgets.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Exterior details of the 200-foot-long (61 m) by 134-foot-wide (41 m) building were executed in red sandstone; the entrance doors, windows, and skylights were of glass. Floors, stairs, doors, window sills, partitions, desk tops and plumbing slabs were used with magnesite for sound absorption. For floors, cement was mixed with excelsior and poured, over a layer of felt to impart its resiliency. Magnesite was also used for sculptural decoration on the piers surrounding the light court and for panels and beams around the executive offices at the south end of the main floor. Wright designed much of the furniture, the chairs were made out of steel and hung from the tables to make cleaning the floors easy. The interior walls were made of semi-vitreous, hard, cream colored brick. A 76-foot-tall (23 m) light court was located in the center of the building which provided natural sunlight to all of the floors. Between its support piers ran fourteen sets of three inspiration words each, such as: GENEROSITY ALTRUISM SACRIFICE, INTEGRITY LOYALTY FIDELITY, IMAGINATION JUDGEMENT INITIATIVE, INTELLIGENCE ENTHUSIASM CONTROL, CO-OPERATION ECONOMY INDUSTRY.
  • Using base image: Yes