Prompt: Ukrainian embroidery occupies an important place among the various branches of Ukrainian decorative arts. Embroidery has a rich history in Ukraine, and has long appeared in Ukrainian folk dress as well as played a part in traditional Ukrainian weddings and other celebrations. Appearing all across the country, Ukrainian embroidery varies depending on the region of origin. From Poltava, Kyiv, and Chernihiv in the east, to Volyn and Polissia in the northwest, to Bukovina, and the Hutsul area in the southwest, the designs have a long history which defines its ornamental motifs and compositions, as well as its favorite choice of colors and types of stitches.
Prompt: The Horezu Monastery or Hurezi Monastery was founded in 1690 by Prince Constantin Brâncoveanu in the town of Horezu, Wallachia, Romania. It is considered to be a masterpiece of "Brâncovenesc style", known for its architectural purity and balance, the richness of its sculpted detail, its treatment of religious compositions, its votive portraits, and its painted decorative works. The Brâncovenesc style, which can be found at several other churches and monasteries in Wallachia, is the only true and original Romanian style and is called "Brancoveanu art" by the name of the ruler who, in a period of constant battles between the world powers of that time, put cultural development of the country above everything and made it the goal of his life.
Prompt: Fountains are used today to decorate city parks and squares; to honor individuals or events; for recreation and for entertainment. A splash pad or spray pool allows city residents to enter, get wet and cool off in summer. The musical fountain combines moving jets of water, colored lights and recorded music, controlled by a computer, for dramatic effects. Fountains can themselves also be musical instruments played by obstruction of one or more of their water jets. Drinking fountains provide clean drinking water in public buildings, parks and public spaces.
Prompt: Brackets are used in traditional timber framing, including the support of a jettied floor which can be carved. Magdalene Street, Cambridge, England. Sixteenth century
Prompt: Fontana dei Quattro Fiumi (Fountain of the Four Rivers) is a fountain in the Piazza Navona in Rome, Italy. It was designed in 1651 by Gian Lorenzo Bernini for Pope Innocent X whose family palace, the Palazzo Pamphili, faced onto the piazza as did the church of Sant'Agnese in Agone of which Innocent was the sponsor.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: A gravity-based structure (GBS) is a support structure held in place by gravity, most notably offshore oil platforms. These structures are often constructed in fjords due to their protected area and sufficient depth.
Prompt: Victorian Architecture. This style of architecture refers to buildings that were constructed during the reign of England’s Queen Victoria. Unlike other styles, Victorian architecture is not limited to a single particular design but is used as a broad term that saw the revival of Gothic, Romanesque, and Tudor elements. The Victorian style was applied to residential house designs during the industrial revolution. Many homes in the UK, US, and Australia utilised this style. One characteristic that most Victorian homes share is the “dollhouse” look having elaborate trims, vivid colours, and asymmetrical designs.
Prompt: Neo-futurism is an avant-garde movement and a futuristic rethinking of aesthetics and functionality of design in growing cities, with its origins in the mid-20th-century structural expressionist work of architects such as Alvar Aalto and Buckminster Fuller ⁽¹⁾. It incorporates urban design that is in touch with human emotions, eco- sustainability, ethical values, and the use of new materials and technologies ⁽²⁾. It is a highly imaginative and exciting style, which can often challenge the boundaries of more traditional structures, and articulates a clear enthusiasm for technology and the space age ⁽³⁾. It is a late 20th to early 21st century movement in the arts, design, and architecture, which could be seen as a departure from the attitude of post-modernism and represents an idealistic belief in a better future and “a need to periodize the modern rapport with the technological”
Prompt: When viewed through the lens of both an Atlantis fantasy and a water fantasy, the Neo-futurism building might appear as a spectacular underwater palace, crafted entirely from shimmering aluminum grids and delicate, undulating sheets of glass. As visitors approach the palace, they might be greeted by schools of colorful fish and playful dolphins, who dart and swoop around the building's intricate façade. The aluminum grids would be arranged in a complex pattern that evokes the twists and turns of a coral reef, and the glass would be tinted with a soft blue hue, as if the entire building were submerged in a calm, tranquil sea. Inside the palace, visitors would find themselves in a world of wonder and magic. The use of innovative materials and technologies, such as curved glass and lightweight metals, is also an important aspect of this style. The result is a futuristic, organic aesthetic that is both visually striking and highly functional. In some cases, Neo-futurism with the architectural element of shells may also incorporate elements of biomimicry, using natural forms and processes as inspiration for design.
Prompt: The Cilento is an outstanding cultural landscape. The dramatic groups of sanctuaries and settlements along its three east–west mountain ridges vividly portray the area's historical evolution: it was a major route not only for trade, but also for cultural and political interaction during the prehistoric and medieval periods. The Cilento was also the boundary between the Greek colonies of Magna Graecia and the indigenous Etruscan and Lucanian peoples. The remains of two major cities from classical times, Paestum and Velia, are found there. Cilento is a cultural landscape of outstanding value that has evidence of human occupation dating from 250,000 years ago. It has been successively occupied over time by farmers during the Neolithic period, by Bronze and Iron Age societies, Etruscans, Greek colonists, Lucanians, and was eventually incorporated into the Roman territory inthe 3rd century BC. Roman road networks replaced the earlier tracks, but after the collapse of the Western Roman Empire, these roads fell into disrepair and the ancient network was revived during the Middle Ages, as is evident in the feudal castles and religious establishments built along routes.
Prompt: ESP-2 was detached from its Keel Yoke Assembly (which remained in the Orbiter) and installed with the assistance of Space Shuttle Discovery's robotic arm and two spacewalkers during the STS-114 mission. It is much larger than ESP-1 with eight FRAM sites creating room for up to eight spare parts (ORUs). Like ESP-1, it is powered by the Unity Module. However, unlike ESP-1, ESP-2 is attached to the Quest Joint Airlock using a specialized ESP Attachment Device (ESPAD). ESP-2 and ESP-3 are deployable versions of the integrated cargo carrier and have the same dimensions, approximately 8.5 feet (2.6 m) long and 14 feet (4.3 m) wide.
Prompt: Metaphoric architecture is an architectural style that showcases structures that are designed to represent something beyond their physical form. It relies on the use of visual metaphors to express an idea, theme or concept through the architectural design of the building. Metaphoric architecture is often used to convey deeper meanings or to make a statement about a particular place, time or culture. For example, the Sydney Opera House is an iconic building that is designed to look like a series of sailboats, representing Sydney's maritime history and culture. Another example is the Guggenheim Museum Bilbao, which is designed to look like a ship emerging from the water, symbolizing the city's industrial past and its rebirth as a cultural center. By using metaphors in architectural design, it allows people to connect with the building and understand its deeper meaning or purpose. It also creates a strong visual impact that can become an iconic structure that is recognized and appreciated by people from all over the world.
Prompt: The boundaries of the serial property cover the key values of the property and are well designed. The zonation and the legal protection provide an appropriate framework, while the boundaries of Ogasawara National Park serve as a functional overall buffer zone. Marine protected areas are partly included, contributing to more effective management of the terrestrial-marine interface and thus integrity. Integrity issues are mostly related to external threats, most importantly invasive alien species. The effects of invasive alien species and historic logging have already altered many of the archipelago's habitats. Future invasions have the potential to compromise the very values the Ogasawara Islands have been recognized for and therefore need careful and continuous attention. Possible future air access, as well as increased visitation and corresponding development potentially have strong and even irreversible effects in a fragile island environment. Control of access to the islands and of alien invasive species, two in part overlapping issues, is of critical importance for the conservation of the archipelago.
Prompt: When it comes to biomimetic architecture with water design, the goal is to create structures that mimic the natural patterns and processes of water in order to create buildings that are not only visually stunning but also highly functional and sustainable. One example of biomimetic architecture with water design is the use of water harvesting systems that mimic the way that plants capture and store water. These systems can be designed to collect rainwater and use it for irrigation, or even to provide drinking water for the building's occupants. Another example is the use of natural water filtration systems, which employ the same techniques that plants use to absorb and filter water. These systems can be used to purify wastewater and graywater, turning it into clean, reusable water that can be used for irrigation or other purposes. In terms of aesthetic design, biomimetic architecture with water design often incorporates elements such as waterfalls, fountains, and other water features that mimic the natural patterns and shapes of water in nature. These elements can be used to create a sense of calm and tranquility, as well as to regulate the temperature and humidity of the building.
Prompt: The Mozu and Furuichi groups of kofun provide a cohesive narrative of the kingly power expressed through the clustering of the 49 kofun, the range of types and sizes, the grave goods and haniwa, and the continuing ritual uses and high esteem that these sites hold within Japanese society. The integrity of the serial property is based on the rationale for the selection of the components and their ability to convey the Outstanding Universal Value of the kofun. The intactness of the individual components, the material evidence of the mounds and their context, and the state of conservation are also determinants of integrity. Issues that impact on the integrity of the serial property include loss of some features (such as moats), and changes to the uses and settings of the components due to the close proximity of urban development. Despite changed uses and landscape treatments, and the high degree of 20th century urbanisation of the Osaka region, the kofun are a significant visible and historical presence within the present-day landscape. The authenticity of the selected kofun is demonstrated by their forms, materials and extensive archaeological contents.
Prompt: Radial gates are rotary gates consisting of cylindrical sections. They may rotate vertically or horizontally. Tainter gates are a vertical design that rotates up to allow water to pass underneath. Low friction trunnion bearings, along with a face shape that balances hydrostatic forces, allow this design to close under its own weight as a safety feature.
Prompt: Neo-futurism with biomimetic architecture is a style that takes inspiration from the natural world to inform its designs. This style is characterized by its use of organic shapes, biomorphic forms, and a focus on creating spaces that mimic the natural environment. Neo-futurism with biomimetic architecture often incorporates innovative materials and technologies, such as 3D printing and advanced modeling software, to create complex, intricate shapes that are inspired by the natural world. The result is a futuristic aesthetic that blends seamlessly with the environment, creating a sense of harmony between the built environment and the natural world. In some cases, Neo-futurism with biomimetic architecture may also incorporate elements of sustainable design, such as energy-efficient technologies and green roofs, to further emphasize this connection to the natural world. Overall, this architectural style is a bold departure from traditional forms, showcasing the potential for a harmonious relationship between the built environment and the natural world through the use of innovative design and technology.
Prompt: The Great Barrier Reef is the world's largest coral reef system[1][2] composed of over 2,900 individual reefs[3] and 900 islands stretching for over 2,300 kilometres (1,400 mi) over an area of approximately 344,400 square kilometres (133,000 sq mi).[4][5] The reef is located in the Coral Sea, off the coast of Queensland, Australia, separated from the coast by a channel 100 miles wide in places and over 200 feet deep.[6] The Great Barrier Reef can be seen from outer space and is the world's biggest single structure made by living organisms.[7] This reef structure is composed of and built by billions of tiny organisms, known as coral polyps.[8] It supports a wide diversity of life and was selected as a World Heritage Site in 1981.[1][2] CNN labelled it one of the Seven Natural Wonders of the World in 1997.[9] Australian World Heritage places included it in its list in 2007.[10] The Queensland National Trust named it a state icon of Queensland in 2006.[11]
Prompt: These Haitian monuments date from the beginning of the 19th century, when Haiti proclaimed its independence. The Palace of Sans Souci, the buildings at Ramiers and, in particular, the Citadel serve as universal symbols of liberty, being the first monuments to be constructed by black slaves who had gained their freedom. The ensemble was embellished with gardens, basins and fountains. Inaugurated in 1813, the Palace Sans-Souci was looted at the death of the king in 1820. Since then, abandoned, it was seriously damaged by the earthquake of 1842. Nevertheless, by its size, it remains an impressive and coherent ruin, owing its bizarre beauty to an exceptional harmony with the mountainous setting, as well as its recourse to diverse and yet reputedly irreconcilable architectural models. The Baroque staircase and the classical terraces, the stepped gardens reminiscent of Potsdam and Vienna, the canals and basins freely inspired by Versailles, impart an indefinable hallucinatory quality to the creation of the megalomaniac king.
Prompt: The present-day Louvre Palace is a vast complex of wings and pavilions which, although superficially homogeneous in scale and architecture, is the result of many phases of building, modification, destruction and reconstruction. Its apparent stylistic consistency is largely due to conscious efforts of architects over several centuries to echo each other's work and preserve a strong sense of historical continuity, mirroring that of the French monarchy and state; American essayist Adam Gopnik has written that "The continuity the Louvre represents is the continuity of the French state."[18] For example, from the 1620s to the 1650s Jacques Lemercier thoroughly replicated the Lescot Wing's patterns for his design of the northern half of the western wing of the Cour Carrée. In the 1660s Louis Le Vau echoed Lemercier's Pavillon de l'Horloge for his redesign of the central pavillon of the Tuileries Palace further west (burnt in 1871 and demolished in 1883), and mostly continued Lescot's and Lemercier's pattern for the completion of the Cour Carrée. A separate design a few years later, that associated with Claude Perrault for the Louvre Colonnade.
Prompt: Public baths originated when most people in population centers did not have access to private bathing facilities. Though termed "public", they have often been restricted according to gender, religious affiliation, personal membership, and other criteria. In addition to their hygienic function, public baths have also been social meeting places. They have included saunas, massages, and other relaxation therapies, as are found in contemporary day spas. As the percentage of dwellings containing private bathrooms has increased in some societies, the need for public baths has diminished, and they are now almost exclusively used recreationally.
Prompt: A chapter house or chapterhouse is a building or room that is part of a cathedral, monastery or collegiate church in which meetings are held. When attached to a cathedral, the cathedral chapter meets there. In monasteries, the whole community often met there daily for readings and to hear the abbot or senior monks talk. When attached to a collegiate church, the dean, prebendaries and canons of the college meet there. The rooms may also be used for other meetings of various sorts; in medieval times monarchs on tour in their territory would often take them over for their meetings and audiences. Synods, ecclesiastical courts and similar meetings often took place in chapter houses.
Prompt: The interior of the building features much art nouveau decoration, but is more subdued than the exterior. The vestibule is decorated with curved archways supported on marble columns, with short stairways leading to an apartment (now a dentist's office) on one side and to the main stairway on the other. The stairway is the central decorative of the interior; the entrance has a door decorated with wrought iron and glass, and the railing of the stairway is made up of undulating iron work in exotic vegetal forms. The ground floor also features finely-crafted stonework and sculptural detail. The walls of the stairway are decorated with art nouveau floral designs in subdued browns, golds and reds. At the top of the stairway, another smaller stairway leads to the rooftop terrace. A covered passage on the street level leads to a small interior courtyard, which is more simply decorated than the facade, but has sculpted art nouveau lintels around the windows.
Prompt: Culzean Castle (/kʌˈleɪn/ kul-AYN, see yogh; Scots: Cullain[1]) is a castle overlooking the Firth of Clyde, near Maybole, Carrick, in South Ayrshire, on the west coast of Scotland. It is the former home of the Marquess of Ailsa, the chief of Clan Kennedy, but is now owned by the National Trust for Scotland. The clifftop castle lies within the Culzean Castle Country Park and is opened to the public. From 1972 until 2015, an illustration of the castle was featured on the reverse side of five pound notes issued by the Royal Bank of Scotland.
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Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
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takes more iterations than the one before.
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