Prompt: Located at the northern end of the Adriatic Sea on the Natissa (Natiso) River, the property includes the Archaeological Area and the Patriarchal Basilica of Aquileia. The Roman city dates to 181 BCE and became one of the largest and wealthiest cities in the early Roman Empire until it was sacked and destroyed in 452 by the Huns led by Attila. The city was a major trading centre connecting the Mediterranean to Central Europe. Aquileia’s wealth and status within the empire was reflected in its magnificent public buildings and private residences many of which survive as archaeological remains. The archaeological area, covering 155 hectares, includes part of the forum and its Roman basilica (courthouse), the late antique horrea, one of the sets of baths, and two luxurious residential complexes. Outside the late Roman city walls, the entire course of which has been located and part of which stills survives, excavations have also revealed a cemetery with some impressive funerary monuments. Below ground archaeological remains of the amphitheatre and the circus have also been preserved.
Prompt: This L-shaped house goes to extreme lengths to preserve the pre-existing trees on the wooded lot by incorporating them quite literally into the building’s footprint. The house includes a series of small courtyards that interweave pre-existing vegetation and offer ample privacy for each section of the building. Meanwhile, the faded smooth paneled concrete quietly blends in with the house’s stone walls, adding to the house’s peaceful harmony with the surrounding forest.
Prompt: Mantua and Sabbioneta offer exceptional testimonies to the urban, architectural and artistic realizations of the Renaissance, linked through the visions and actions of the ruling Gonzaga family. Mantua, a town whose traces stem from the Roman period, was renovated in the 15th and 16th centuries - including hydrological engineering, urban and architectural works. The participation of renowned architects like Leon Battista Alberti and Giulio Romano, and painters like Andrea Mantegna, makes Mantua a prominent capital of the Renaissance. Sabbioneta represents the construction of an entirely new town according to the modern, functional vision of the Renaissance. The defensive walls, grid pattern of streets, role of public spaces and monuments all make Sabbioneta one of the best examples of ideal cities built in Europe, with an influence over urbanism and architecture in and outside the continent. The properties represent two significant stages of territorial planning and urban interventions undertaken by the Gonzagas in their domains.
Prompt: St Mark's Campanile (Italian: Campanile di San Marco, Venetian: Canpanièl de San Marco) is the bell tower of St Mark's Basilica in Venice, Italy. The current campanile is a reconstruction completed in 1912, the previous tower having collapsed in 1902. At 98.6 metres (323 ft) in height, it is the tallest structure in Venice and is colloquially termed "el paròn de casa" (the master of the house).[1] It is one of the most recognizable symbols of the city.[2]
Prompt: Neo-futurism architecture is a contemporary architectural style that emphasizes technology, innovation, and futurism. It often features bold geometric forms, clean lines, and a combination of materials such as glass, steel, and concrete. With regards to crater form in Neo-futurism architecture, it is a unique design element that adds a dramatic and futuristic touch to buildings. The crater form is inspired by the idea of creating a space that mimics the natural formation of a crater or volcanic area. This results in a building with a concave or bowl-like shape, with a depression in the center. The use of crater form in Neo-futurism architecture is often seen in buildings such as museums, cultural centers, and public spaces. The design creates an immersive experience for visitors, drawing them into the center of the space where they can interact with the environment in a unique and engaging way.
Prompt: Neo-futuristic architecture with Art Deco is a design style that combines futuristic and innovative elements with the glamour and luxury of Art Deco design. This type of architecture often features bold geometric shapes, sleek lines, and the use of materials such as glass, steel, and concrete. Art Deco elements are often incorporated into the design through the use of decorative motifs, such as sunburst patterns, chevron shapes, and stepped forms. These motifs can be seen in features such as the building's façade, entranceways, and interior design elements like lighting fixtures and furnishings. The combination of Art Deco with neo-futuristic design creates a unique and visually striking look. The futuristic elements can provide a sense of innovation and progress, while the Art Deco elements add a touch of elegance and luxury. This style of architecture can be used in a variety of buildings, such as commercial buildings, hotels, and residential buildings. The use of Art Deco elements can add a sense of sophistication and glamour to these buildings, while the futuristic elements make them cutting-edge and innovative.
Prompt: Neo-futurism with biomimetic architecture is a style that takes inspiration from the natural world to inform its designs. This style is characterized by its use of organic shapes, biomorphic forms, and a focus on creating spaces that mimic the natural environment. Neo-futurism with biomimetic architecture often incorporates innovative materials and technologies, such as 3D printing and advanced modeling software, to create complex, intricate shapes that are inspired by the natural world. The result is a futuristic aesthetic that blends seamlessly with the environment, creating a sense of harmony between the built environment and the natural world. In some cases, Neo-futurism with biomimetic architecture may also incorporate elements of sustainable design, such as energy-efficient technologies and green roofs, to further emphasize this connection to the natural world. Overall, this architectural style is a bold departure from traditional forms, showcasing the potential for a harmonious relationship between the built environment and the natural world through the use of innovative design and technology.
Prompt: The inscribed site corresponds to four large groups of megalithic circles located in the extreme western part of West Africa, between the River Gambia and the River Senegal. These sites, Wassu, and Kerbatch in Gambia, and Wanar and Sine Ngayene in Senegal, represent an extraordinary concentration of more than 1,000 stone circles and related tumuli spread over a territory of 100 km wide and 350 km in length, along the River Gambia. Together, the four groups comprise 93 circles and associated sites, some of which have been excavated, some of which have revealed archaeological material and human burials, from pottery to iron instruments and ornamentation dating between the 1 st and 2nd millennia to our era. These four megalithic sites are the most dense concentration in the zone and have Outstanding Universal Value, representing a traditional monumental megalithic construction spread out over a vast area, with more than 1,000 stone circles scattered along one of the major rivers of Africa.
Prompt: The site consists of four large groups of stone circles that represent an extraordinary concentration of over 1,000 monuments in a band 100 km wide along some 350 km of the River Gambia. The four groups, Sine Ngayène, Wanar, Wassu and Kerbatch, cover 93 stone circles and numerous tumuli, burial mounds, some of which have been excavated to reveal material that suggest dates between 3rd century BC and 16th century AD. Together the stone circles of laterite pillars and their associated burial mounds present a vast sacred landscape created over more than 1,500 years. It reflects a prosperous, highly organized and lasting society.
Prompt: Here is a possible description of a Neo-futurist architecture: The building has a distinctive triangular or diamond shape structure, with sharp angles and facets. The outer skin is made of steel, aluminum and reinforced glass, with solar panels integrated into the facade. The reflective, metallic surface gives it a sleek, spaceship-like appearance. The interior has an open-plan, minimalist design with modular components that can be reconfigured. Interactive displays and environmental controls allow inhabitants to customize their space. Furnishings are contemporary and multifunctional, converting between living, work and social uses. The interior is flooded with natural light from floor-to-ceiling windows. LED lighting is also prominently integrated into the architecture, giving a sense of futuristic technology. The top of the building may incorporate rooftop terraces, gardens and green spaces, bringing nature into the urban, high-tech environment.
Prompt: Amiens Cathedral, in the heart of Picardy, is one of the largest 'classic' Gothic churches of the 13th century. It is notable for the coherence of its plan, the beauty of its three-tier interior elevation and the particularly fine display of sculptures on the principal facade and in the south transept. Located in the Hauts-de-France region, in the Department of the Somme, Amiens Cathedral is one of the largest churches in France and one of the most complete 13th century Gothic churches. The rigorous coherence of its plan, with the perfect symmetry of the nave and choir on either side of the transept, the beauty of its three-tier interior elevation, the audacious lightness of its structure that marks a new stage towards the conquest of luminosity, the wealth of its sculpted decoration and its stained glass makes it one of the most remarkable examples of medieval architecture.
Prompt: Fontana dei Quattro Fiumi (Fountain of the Four Rivers) is a fountain in the Piazza Navona in Rome, Italy. It was designed in 1651 by Gian Lorenzo Bernini for Pope Innocent X whose family palace, the Palazzo Pamphili, faced onto the piazza as did the church of Sant'Agnese in Agone of which Innocent was the sponsor.
Prompt: Fountains are used today to decorate city parks and squares; to honor individuals or events; for recreation and for entertainment. A splash pad or spray pool allows city residents to enter, get wet and cool off in summer. The musical fountain combines moving jets of water, colored lights and recorded music, controlled by a computer, for dramatic effects. Fountains can themselves also be musical instruments played by obstruction of one or more of their water jets. Drinking fountains provide clean drinking water in public buildings, parks and public spaces.
Prompt: A gravity-based structure (GBS) is a support structure held in place by gravity, most notably offshore oil platforms. These structures are often constructed in fjords due to their protected area and sufficient depth.
Prompt: When viewed through the lens of both an Atlantis fantasy and a water fantasy, the Neo-futurism building might appear as a spectacular underwater palace, crafted entirely from shimmering aluminum grids and delicate, undulating sheets of glass. As visitors approach the palace, they might be greeted by schools of colorful fish and playful dolphins, who dart and swoop around the building's intricate façade. The aluminum grids would be arranged in a complex pattern that evokes the twists and turns of a coral reef, and the glass would be tinted with a soft blue hue, as if the entire building were submerged in a calm, tranquil sea. Inside the palace, visitors would find themselves in a world of wonder and magic. The use of innovative materials and technologies, such as curved glass and lightweight metals, is also an important aspect of this style. The result is a futuristic, organic aesthetic that is both visually striking and highly functional. In some cases, Neo-futurism with the architectural element of shells may also incorporate elements of biomimicry, using natural forms and processes as inspiration for design.
Prompt: The Woolworth Building was designed to be 420 feet (130 m) high but was eventually raised to 792 feet (241 m).[10][a] Several different height measurements have been cited over the years, but the building rises about 793.5 feet (241.9 m) above the lowest point of the site.[17] The Woolworth Building was 60 stories tall when completed in 1913,[12] though this consisted of 53 usable floors topped by several mechanical floors.[21][22][b] The building's ceiling heights, ranging from 11 to 20 feet (3.4 to 6.1 m), make it the equivalent of an 80-story building.[17] It remained the tallest building in the world until the construction of 40 Wall Street and the Chrysler Building in 1930, both in New York City.[24] The building is assigned its own ZIP Code, 10279; it was one of 41 buildings in Manhattan that had their own ZIP Codes as of 2019.[25]
Prompt: Neo-futuristic architecture with Art Deco is a design style that combines futuristic and innovative elements with the glamour and luxury of Art Deco design. This type of architecture often features bold geometric shapes, sleek lines, and the use of materials such as glass, steel, and concrete. Art Deco elements are often incorporated into the design through the use of decorative motifs, such as sunburst patterns, chevron shapes, and stepped forms. These motifs can be seen in features such as the building's façade, entranceways, and interior design elements like lighting fixtures and furnishings. The combination of Art Deco with neo-futuristic design creates a unique and visually striking look. The futuristic elements can provide a sense of innovation and progress, while the Art Deco elements add a touch of elegance and luxury. This style of architecture can be used in a variety of buildings, such as commercial buildings, hotels, and residential buildings. The use of Art Deco elements can add a sense of sophistication and glamour to these buildings, while the futuristic elements make them cutting-edge and innovative.
Prompt: The Cilento is an outstanding cultural landscape. The dramatic groups of sanctuaries and settlements along its three east–west mountain ridges vividly portray the area's historical evolution: it was a major route not only for trade, but also for cultural and political interaction during the prehistoric and medieval periods. The Cilento was also the boundary between the Greek colonies of Magna Graecia and the indigenous Etruscan and Lucanian peoples. The remains of two major cities from classical times, Paestum and Velia, are found there. Cilento is a cultural landscape of outstanding value that has evidence of human occupation dating from 250,000 years ago. It has been successively occupied over time by farmers during the Neolithic period, by Bronze and Iron Age societies, Etruscans, Greek colonists, Lucanians, and was eventually incorporated into the Roman territory inthe 3rd century BC. Roman road networks replaced the earlier tracks, but after the collapse of the Western Roman Empire, these roads fell into disrepair and the ancient network was revived during the Middle Ages, as is evident in the feudal castles and religious establishments built along routes.
Prompt: The boundaries of the serial property cover the key values of the property and are well designed. The zonation and the legal protection provide an appropriate framework, while the boundaries of Ogasawara National Park serve as a functional overall buffer zone. Marine protected areas are partly included, contributing to more effective management of the terrestrial-marine interface and thus integrity. Integrity issues are mostly related to external threats, most importantly invasive alien species. The effects of invasive alien species and historic logging have already altered many of the archipelago's habitats. Future invasions have the potential to compromise the very values the Ogasawara Islands have been recognized for and therefore need careful and continuous attention. Possible future air access, as well as increased visitation and corresponding development potentially have strong and even irreversible effects in a fragile island environment. Control of access to the islands and of alien invasive species, two in part overlapping issues, is of critical importance for the conservation of the archipelago.
Prompt: Hemendra Kumar Ray’s "Meghduter Morte Agomon" (The Ascension of God’s Messengers on Earth), a work inspired by Wells’ "The War of The Worlds", describes the first contact between two sentient species. Ray's Martians, instead of invading a metropolis like Calcutta or London, descends at a rural Bengal village called Bilaspur. Though the superstitious villagers were calling the new arrivals creatures of supernatural chaos, the protagonist, Binoy-babu, a person of scientific temper, had said, “This is neither the work of ghost nor human. This is the work of an unknown force like you will not find on this Earth. That power which scientists all over the world have been seeking has made its very first appearance here, in this Bengal! Oh, Kamal, you cannot imagine how happy I am!” (Rachanabali 1, 113–114). As the father of Bengali adventure fiction, Ray puts the reader through Binoy's narrative. Divided into two parts, while the first one is a futuristic, indianized take on Fermi paradox, the second one is a prehistoric adventure inspired by Wells’ "The Time Machine". In his later novels, Roy also indianized Doyle's "The Lost World" as "Maynamatir Mayakanon" (The Surreal Gar
Prompt: There are many different types of facilities from which offshore drilling operations take place. These include bottom-founded drilling rigs (jackup barges and swamp barges), combined drilling and production facilities, either bottom-founded or floating platforms, and deepwater mobile offshore drilling units (MODU), including semi-submersibles and drillships. These are capable of operating in water depths up to 3,000 metres (9,800 ft). In shallower waters, the mobile units are anchored to the seabed. However, in deeper water (more than 1,500 metres (4,900 ft)), the semisubmersibles or drillships are maintained at the required drilling location using dynamic positioning.
Prompt: The Mozu and Furuichi groups of kofun provide a cohesive narrative of the kingly power expressed through the clustering of the 49 kofun, the range of types and sizes, the grave goods and haniwa, and the continuing ritual uses and high esteem that these sites hold within Japanese society. The integrity of the serial property is based on the rationale for the selection of the components and their ability to convey the Outstanding Universal Value of the kofun. The intactness of the individual components, the material evidence of the mounds and their context, and the state of conservation are also determinants of integrity. Issues that impact on the integrity of the serial property include loss of some features (such as moats), and changes to the uses and settings of the components due to the close proximity of urban development. Despite changed uses and landscape treatments, and the high degree of 20th century urbanisation of the Osaka region, the kofun are a significant visible and historical presence within the present-day landscape. The authenticity of the selected kofun is demonstrated by their forms, materials and extensive archaeological contents.
Prompt: Neo-futurism is an architectural style that often incorporates water as a key element, creating a unique and dynamic aesthetic. Water features such as fountains, reflecting pools, and waterfalls can be used to enhance the organic shapes and curves of neo-futurist buildings. In some cases, water may even be used as a structural element or to create a floating effect. This stunning structure, designed by Iranian architect Fariborz Sahba, is in the shape of a blooming lotus flower and is surrounded by nine reflective pools, which create a tranquil and serene environment. ts unique bubble-like exterior is made up of translucent ETFE panels that allow natural light to filter through, creating a stunning visual effect. The interior of the building is home to an Olympic-size swimming pool and other aquatic facilities.
Prompt: It forms part of the project, it is constructed of three skyscrapers of 308, 266 and 220 m. The project has been put on hold and the possibilities that it will be finished are seen by many as doubtful. Yet the Valencian architect Santiago Calatrava is facing legal action from his home city of Valencia because parts of the opera house roof at his City of Arts and Sciences complex are falling off just eight years after completion. He has been heavily criticized for the cost of the City of Arts and Sciences complex and was accused of ‘bleeding Valencia dry’ over alleged fees of €100 million for the showpiece cultural center, despite the coming in four times over budget at over €1 billion.
Prompt: Tōshō-gū (東照宮) is any Shinto shrine in which Tokugawa Ieyasu (1543–1616) is enshrined. Ieyasu was the founder of the Tokugawa shogunate (1603–1868), which is the third and last of the shogunal governments in Japanese history. He was deified with the name Tōshō Daigongen (東照大権現), the "Great Gongen, Light of the East" (A Gongen is believed to be a buddha who has appeared on Earth in the form of a kami to save sentient beings), and this is what gives Tōshō-gū shrines their name. Tōshō-gū shrines are found throughout Japan. The most well-known Tōshō-gū is the Nikkō Tōshō-gū is located in Nikkō, Tochigi Prefecture. It is one of Japan's most popular destinations for tourists and is part of Shrines and Temples of Nikkō UNESCO World Heritage Site. Ieyasu's son, the second shōgun Hidetada, ordered the construction of the Nikkō Tōshō-gū. Later, the third shōgun Iemitsu had the shrine greatly enlarged and lavishly decorated.
Prompt: ESP-2 was detached from its Keel Yoke Assembly (which remained in the Orbiter) and installed with the assistance of Space Shuttle Discovery's robotic arm and two spacewalkers during the STS-114 mission. It is much larger than ESP-1 with eight FRAM sites creating room for up to eight spare parts (ORUs). Like ESP-1, it is powered by the Unity Module. However, unlike ESP-1, ESP-2 is attached to the Quest Joint Airlock using a specialized ESP Attachment Device (ESPAD). ESP-2 and ESP-3 are deployable versions of the integrated cargo carrier and have the same dimensions, approximately 8.5 feet (2.6 m) long and 14 feet (4.3 m) wide.
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Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
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takes more iterations than the one before.
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Deep Dream
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Deep Dream
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