Prompt: Masada is a rugged natural fortress, of majestic beauty, in the Judaean Desert overlooking the Dead Sea. It is a symbol of the ancient kingdom of Israel, its violent destruction and the last stand of Jewish patriots in the face of the Roman army, in 73 A.D. It was built as a palace complex, in the classic style of the early Roman Empire, by Herod the Great, King of Judaea, (reigned 37 – 4 B.C.). The camps, fortifications and attack ramp that encircle the monument constitute the most complete Roman siege works surviving to the present day. Masada is a dramatically located site of great natural beauty overlooking the Dead Sea, a rugged natural fortress on which the Judaean king Herod the Great constructed a sumptuous palace complex in classical Roman style. After Judaea became a province of the Roman Empire, it was the refuge of the last survivors of the Jewish revolt, who chose death rather than slavery when the Roman besiegers broke through their defences. As such it has an emblematic value for the Jewish people.
Prompt: Ukrainian neo-futurism architecture is a unique architectural style that emerged in Ukraine in the early 21st century. It is characterized by its asymmetry, organic forms, and use of modern construction technologies. The style combines elements of Ukrainian folk art and modernist design principles, resulting in a distinctive and unconventional aesthetic. The style features the use of bright colors and bold forms, as well as the incorporation of natural materials such as wood and stone. Ukrainian neo-futurist buildings often have irregular shapes, with sweeping curves and angular facets. The buildings often integrate organic elements such as vegetation and water features, blurring the line between the built environment and natural surroundings.
Prompt: A fantasy Biopunk architecture with Neo-futuristic sensibilities would be a striking and innovative vision of a living, breathing ecosystem, where technology and design intersect with biology and ecology. This architecture would feature an intricate network of living organisms serving as building materials, structural elements, and environmental systems, with a focus on futuristic, digital technologies incorporated into the building’s design. The exterior of the building would be a blend of organic forms, such as those seen in plant and animal life, and striking geometrical shapes that evoke a futuristic, technological landscape.
Prompt: When the Roman Empire became Christian (after having extended eastwards) with its new capital at Constantinople, its architecture became more sensuous and ambitious. This new style with exotic domes and richer mosaics would come to be known as "Byzantine" before it traveled west to Ravenna and Venice and as far north as Moscow. Most of the churches and basilicas have high-riding domes, which created vast open spaces at the centers of churches, thereby heightening the light. The round arch is a fundamental of Byzantine style. Magnificent golden mosaics with their graphic simplicity brought light and warmth into the heart of churches. Byzantine capitals break away from the Classical conventions of ancient Greece and Rome with sinuous lines and naturalistic forms, which are precursors to the Gothic style.
Prompt: The ELC are four un-pressurized attached payloads, some designed by the Brazilian Space Agency, for the International Space Station (ISS) that provides mechanical mounting surfaces, electrical power, and command and data handling services for science experiments on the ISS. The ELCs have a deck size of about 14 feet by 16 feet and spans the width of the space shuttle's payload bay. They are made of steel, coated with UV paint. Each one is capable of providing scientists with a platform and infrastructure to deploy experiments in the vacuum of space without requiring a separate dedicated Earth-orbiting satellite. Each carrier is capable of carrying 9,800 lbs. to orbit and will also serve as parking fixtures for spare ISS hardware (ORUs) which can be retrieved when needed. Experiments are mounted on ExPRESS payload adapters (ExPA) which are about the same size as the FRAMs that hold ORUs.
Prompt: Scleractinia, also called stony corals or hard corals, are marine animals in the phylum Cnidaria that build themselves a hard skeleton. The individual animals are known as polyps and have a cylindrical body crowned by an oral disc in which a mouth is fringed with tentacles. Although some species are solitary, most are colonial. The founding polyp settles and starts to secrete calcium carbonate to protect its soft body. Solitary corals can be as much as 25 cm (10 in) across but in colonial species the polyps are usually only a few millimetres in diameter. These polyps reproduce asexually by budding, but remain attached to each other, forming a multi-polyp colony of clones with a common skeleton, which may be up to several metres in diameter or height according to species.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: Mars Outpost is a concept for a human base on the planet Mars that was developed by the United States in the 1980s.[1] The components and design were based on an earlier lunar test bed outpost.[1] Development would go through several phases over four years, from an 'Emplacement Phase' to a 'Consolidation Phase', after which full use by its crew could commence.[1] Components of the base would include a habitat module, pressurized rover dock/equipment lock, airlocks, and a 16 meters (17 yards) constructed habitat.[1] The 16 m habitat would be constructed in situ.[1] Other technology for the base design includes a meteorological balloon, unpressurized rover, storage/work area, an area for geophysical experiments, and an area antenna.[1] The Mars Outpost would be designed for a crew of 7 astronauts.[1] Their main tasks would be to do research on mining of Mars and Phobos, life sciences, technology, and Solar System exploration.[1] The Office of Space Exploration did case studies that include establishing a human presence on another planet in 1988 and 1989.[2] An objective of the Mars Evolution 1989 study was, "Emplace a permanent, largely self-sufficient outpost on the surface of Mars.
Prompt: As a growing scientific object, nature represents modernity at the end of the 19th century. A model of perfect beauty, nature is therefore widely exploited as a theme by the Art Nouveau movement, but going beyond traditional naturalism. Although many Art Nouveau artists came out of their studios to see nature more closely, they also made extensive use of numerous scientific publications which describe and represent the fauna and flora as precisely as possible so as not to reproduce their image as faithfully as possible, but to find a new aesthetic form. Moreover, a number of Art Nouveau creators have studied scientifically and published in university journals47. Thus, this idea of going beyond traditional representations of nature by exploiting above all the forms offered by fauna and flora appears very early via the Arts and crafts movement and is theorized by several figures of the movement such as Owen Jones or van de Velde. The artists largely took over Ernst Haeckel's work Artistic forms of nature which, published between 1899 and 1904, is for them like an immense repertoire of forms. Josef Maria Olbrich thus declares: “What is there more likely to awaken in us feelings of l
Prompt: Rainforests are characterized by a closed and continuous tree canopy, moisture-dependent vegetation, the presence of epiphytes and lianas and the absence of wildfire. Rainforest can be classified as tropical rainforest or temperate rainforest, but other types have been described. Estimates vary from 40% to 75% of all biotic species being indigenous to the rainforests. There may be many millions of species of plants, insects and microorganisms still undiscovered in tropical rainforests. Tropical rainforests have been called the "jewels of the Earth" and the "world's largest pharmacy", because over one quarter of natural medicines have been discovered there.Rainforests as well as endemic rainforest species are rapidly disappearing due to deforestation, the resulting habitat loss and pollution of the atmosphere.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: A series of industrial heritage sites, focused mainly on the Kyushu-Yamaguchi region of south-west of Japan, represent the first successful transfer of industrialization from the West to a non-Western nation. The rapid industrialization that Japan achieved from the middle of the 19th century to the early 20th century was founded on iron and steel, shipbuilding and coal mining, particularly to meet defence needs. The sites in the series reflect the three phases of this rapid industrialisation achieved over a short space of just over fifty years between 1850s and 1910. The first phase in the pre-Meiji Bakumatsu isolation period, at the end of Shogun era in the 1850s and early 1860s, was a period of experimentation in iron making and shipbuilding. Prompted by the need to improve the defences of the nation and particularly its sea-going defences in response to foreign threats, industrialisation was developed by local clans through second hand knowledge, based mostly on Western textbooks, and copying Western examples, combined with traditional craft skills. Ultimately most were unsuccessful. Nevertheless this approach marked a substantial move from the isolationism of the Edo period.
Prompt: Neo-futurism with the architectural element of shells is a style that incorporates organic, shell-like forms into its designs. This style is characterized by its use of curved lines, biomorphic shapes, and a focus on creating fluid, dynamic spaces. The use of innovative materials and technologies, such as curved glass and lightweight metals, is also an important aspect of this style. The result is a futuristic, organic aesthetic that is both visually striking and highly functional. In some cases, Neo-futurism with the architectural element of shells may also incorporate elements of biomimicry, using natural forms and processes as inspiration for design. Overall, this architectural style is a bold departure from traditional forms, showcasing the potential for a harmonious relationship between the built environment and the natural world.
Prompt: Church architecture refers to the architecture of buildings of churches, convents, seminaries etc. It has evolved over the two thousand years of the Christian religion, partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions. From the birth of Christianity to the present, the most significant objects of transformation for Christian architecture and design were the great churches of Byzantium, the Romanesque abbey churches, Gothic cathedrals and Renaissance basilicas with its emphasis on harmony. These large, often ornate and architecturally prestigious buildings were dominant features of the towns and countryside in which they stood. However, far more numerous were the parish churches in Christendom, the focus of Christian devotion in every town and village. While a few are counted as sublime works of architecture to equal the great cathedrals and churches, the majority developed along simpler lines, showing great regional diversity and often demonstrating local vernacular technology and decoration.
Prompt: It is said that the characteristic shape of the hotel building was inspired by shapes Japanese temples and pine trees.[5] Despite some metabolist-like features the object itself cannot be seen as representative of metabolist movement - as designed long after the slow breakup of the metabolists group in late 70. of XXc. The object referenced traditional Japanese architecture, which is characteristic of mature and late works of K.Kikutake (Edo-Tokyo Museum, Izumo Grand Shrine Administration Building, Toukouen Hotel).
Prompt: An oil platform (or oil rig, offshore platform, oil production platform, and similar terms) is a large structure with facilities to extract and process petroleum and natural gas that lie in rock formations beneath the seabed. Many oil platforms will also have facilities to accommodate the workers, although it is also common to have a separate accommodation platform bridge linked to the production platform.[1] Most commonly, oil platforms engage in activities on the continental shelf, though they can also be used in lakes, inshore waters, and inland seas. Depending on the circumstances, the platform may be fixed to the ocean floor, consist of an artificial island, or float.[2] In some arrangements the main facility may have storage facilities for the processed oil. Remote subsea wells may also be connected to a platform by flow lines and by umbilical connections. These sub-sea facilities may include of one or more subsea wells or manifold centres for multiple wells.
Prompt: The entirety of the Island of Okinoshima, with its geomorphological features, the ritual sites with the rich archaeological deposits, and the wealth of votive offerings, in their original distribution, credibly reflect 500 years of ritual practices held on the Island; the primeval forest, the attendant islets of Koyajima, Mikadobashira and Tenguiwa, along with the documented votive practices and the taboos associated with the Island, the open views from Kyushu and Oshima towards the Island, altogether credibly reflect that the worship of the Island, although changed in its practices and meanings over the centuries, due to external exchanges and indigenisation, has retained the sacred status of Okinoshima. Munakata Taisha is a shrine that consists of three distinct worship sites – Okitsu-miya on Okinoshima, Nakatsu-miya on Oshima, and Hetsu-miya on the main island of Kyushu, all of which are located within an area that measures some 60 kilometers in breadth. These are the living places of worship that are linked to ancient ritual sites. The form of worshipping the Three Female Deities of Munakata has been passed down to the present day in rituals conducted mainly at the shrine.
Prompt: Neo-futuristic architecture with Art Deco is a design style that combines futuristic and innovative elements with the glamour and luxury of Art Deco design. This type of architecture often features bold geometric shapes, sleek lines, and the use of materials such as glass, steel, and concrete. Art Deco elements are often incorporated into the design through the use of decorative motifs, such as sunburst patterns, chevron shapes, and stepped forms. These motifs can be seen in features such as the building's façade, entranceways, and interior design elements like lighting fixtures and furnishings. The combination of Art Deco with neo-futuristic design creates a unique and visually striking look. The futuristic elements can provide a sense of innovation and progress, while the Art Deco elements add a touch of elegance and luxury. This style of architecture can be used in a variety of buildings, such as commercial buildings, hotels, and residential buildings. The use of Art Deco elements can add a sense of sophistication and glamour to these buildings, while the futuristic elements make them cutting-edge and innovative.
Prompt: Neo-futurism architecture is a contemporary architectural style that emphasizes technology, innovation, and futurism. It often features bold geometric forms, clean lines, and a combination of materials such as glass, steel, and concrete. With regards to crater form in Neo-futurism architecture, it is a unique design element that adds a dramatic and futuristic touch to buildings. The crater form is inspired by the idea of creating a space that mimics the natural formation of a crater or volcanic area. This results in a building with a concave or bowl-like shape, with a depression in the center. The use of crater form in Neo-futurism architecture is often seen in buildings such as museums, cultural centers, and public spaces. The design creates an immersive experience for visitors, drawing them into the center of the space where they can interact with the environment in a unique and engaging way.
Prompt: Biomimetic architecture. Though a contemporary concept in a technological age, biomimicry does not entail the incorporation of complex technology in architecture. In response to prior architectural movements biomimetic architecture strives to move towards radical increases in resource efficiency, work in a closed loop model rather than linear (work in a closed cycle that does not need a constant intake of resources to function), and rely on solar energy instead of fossil fuels. The design approach can either work from design to nature or from nature to design. Design to nature means identifying a design problem and finding a parallel problem in nature for a solution. An example of this is the DaimlerChrysler bionic car that looked to the boxfish to build an aerodynamic body. The nature to design method is a solution-driven biologically inspired design. Designers start with a specific biological solution in mind and apply it to design. An example of this is Sto's Lotusan paint, which is self-cleaning, an idea presented by the lotus flower, which emerges clean from swampy waters.
Prompt: The site consists of four large groups of stone circles that represent an extraordinary concentration of over 1,000 monuments in a band 100 km wide along some 350 km of the River Gambia. The four groups, Sine Ngayène, Wanar, Wassu and Kerbatch, cover 93 stone circles and numerous tumuli, burial mounds, some of which have been excavated to reveal material that suggest dates between 3rd century BC and 16th century AD. Together the stone circles of laterite pillars and their associated burial mounds present a vast sacred landscape created over more than 1,500 years. It reflects a prosperous, highly organized and lasting society.
Prompt: Preserved by its long isolation, the Upper Svaneti region of the Caucasus is an exceptional example of mountain scenery with medieval-type villages and tower-houses. The village of Chazhashi still has more than 200 of these very unusual houses, which were used both as dwellings and as defence posts against the invaders who plagued the region. Preserved by its long-lasting geographical isolation, the mountain landscape of the Upper Svaneti region is an exceptional example of mountain scenery with medieval villages and tower houses. The property occupies the upper reaches of the lnguri River Basin between the Caucasus and Svaneti ranges. It consists of several small villages forming a community that are dominated by the towers and situated on the mountain slopes, with a natural environment of gorges and alpine valleys and a backdrop of snow-covered mountains. The most notable feature of the settlements is the abundance of towers.
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Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
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