Prompt: The spacecraft features four solar-electric ion thrusters for propulsion called μ10, one of which is a backup. These engines use microwaves to convert xenon into plasma (ions), which are accelerated by a voltage applied by the solar panels and ejected out the back of the engine. The simultaneous operation of three engines generates thrusts of up to 28 mN. Although this thrust is very small, the engines are also extremely efficient; the 66 kg (146 lb) of xenon reaction mass can change the speed of the spacecraft by up to 2 km/s. The spacecraft has four redundant reaction wheels and a chemical reaction control system featuring twelve thrusters for attitude control (orientation) and orbital control at the asteroid. The chemical thrusters use hydrazine and MON-3, with a total mass of 48 kg (106 lb) of chemical propellant.
Prompt: In adding the dome to the Florence Cathedral (Italy) in the early 15th century, the architect Filippo Brunelleschi not only transformed the building and the city, but also the role and status of the architect.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: The Wedgwood Institute is a large red-brick building that stands in Queen Street, in the town of Burslem, Stoke-on-Trent, Staffordshire, England. It is sometimes called the Wedgwood Memorial Institute, but it is not to be confused with the former Wedgwood Memorial College in Barlaston. It achieved listed building status (Grade II*) in 1972. The style of architecture chosen was Venetian Gothic, which had been popularised by John Ruskin. The basic design is by an architect called Nichols, but the elaborate decorations which form an integral part of the facade were designed by Robert Edgar and John Lockwood Kipling. Kipling, the father of the famous writer Rudyard Kipling, emigrated to India in 1865 while the building was still under construction, and the façade was not completed until 1871.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: Kyoto roofs reflecting sunlight inspired the whitish silver color of the outside.[19] Likewise, the roof-like shape that defines the building derives from the distinctive roofs of old Japanese temples.[19] The roofs of these monuments, Kikutake says, differentiate them from other structures while simultaneously cohering with the landscape.[19] The four legs were erected first, followed by the cantilevers.[17] The first elevated floor is supported on the legs' 19.7' deep bottom chords, while a second set of chords supports the other floors.[17] Each of the four composite steel with reinforced concrete legs is a 46' deep "H" shape.[17] From the plaza to the first raised floor, they are 63' tall.[17] The building is cantilevered 119' over the legs on the North and South sides.[17] Fluorine resin-coated square panels cover the building.[20]
Prompt: National Kaohsiung Center for the Arts, also known as Weiwuying, (traditional Chinese: 衛武營國家藝術文化中心; simplified Chinese: 卫武营国家艺术文化中心; pinyin: Wèiwǔyíng Guójiā Yìshù Wénhuà Zhōngxīn), is located in Fengshan District, Kaohsiung, Taiwan and has been acknowledged as the largest performance arts center under one roof in the world while owning the largest pipe organ in Asia.[1] The site was originally a military compound and was reconstructed as an arts centre. With its 14,000 square meter complex, the arts centre contains four indoor performance halls and an amphitheater for outdoor performances.[2]
Prompt: The trajectory requires high launch energy, so the probe was launched on a Delta IV Heavy class launch vehicle and an upper stage based on the Star 48BV solid rocket motor.[30] Interplanetary gravity assists will provide further deceleration relative to its heliocentric orbit, which will result in a heliocentric speed record at perihelion.[4][35] As the probe passes around the Sun, it will achieve a velocity of up to 200 km/s (120 mi/s), which will temporarily make it the fastest human-made object, almost three times as fast as the previous record holder, Helios-2.[36][37][38] Like every object in an orbit, due to gravity the spacecraft will accelerate as it nears perihelion, then slow down again afterward until it reaches its aphelion.
Prompt: Kyi, Shchek and Khoryv were three legendary brothers—often mentioned along with their sister Lybid —who, according to the Primary Chronicle, founded the medieval city of Kyiv, which eventually became the capital of Kievan Rus' and present-day Ukraine. There is no precise and historically established information about the rule of Kyi and the establishment of the city of Kyiv.
Prompt: Venetian Gothic is the particular form of Italian Gothic architecture typical of Venice, originating in local building requirements, with some influence from Byzantine architecture, and some from Islamic architecture, reflecting Venice's trading network. Very unusually for medieval architecture, the style is both at its most characteristic in secular buildings, and the great majority of survivals are secular. The best-known examples are the Doge's Palace and the Ca' d'Oro. Both feature loggias of closely spaced small columns, with heavy tracery with quatrefoil openings above, decoration along the roofline, and some coloured patterning to plain wall surfaces. Together with the ogee arch, capped with a relief ornament, and ropework reliefs, these are the most iconic characteristics of the style. Ecclesiastical Gothic architecture tended to be less distinctively Venetian, and closer to that in the rest of Italy.
Prompt: Neo-futurism with liquid forms is a modern architectural style that is characterized by its fluid and organic shapes, which are inspired by natural forms such as water, waves, and clouds. This style is also known as "blob architecture" or "organic architecture", and it emphasizes the use of new materials and construction techniques to create buildings that are both aesthetically pleasing and functional. One of the key features of neo-futurism with liquid forms is the use of curves and undulating shapes. These forms are often created using parametric modeling software, which allows architects to design complex shapes that would be difficult to create using traditional methods. The resulting buildings have a unique, sculptural quality that sets them apart from more conventional architecture. Another important aspect of neo-futurism with liquid forms is the use of new materials and construction techniques. This often includes the use of lightweight materials such as fiberglass or carbon fiber, which can be molded into complex shapes with relative ease. These materials also tend to be more environmentally friendly than traditional building materials.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: A fantasy Biopunk architecture with Neo-futuristic sensibilities would be a striking and innovative vision of a living, breathing ecosystem, where technology and design intersect with biology and ecology. This architecture would feature an intricate network of living organisms serving as building materials, structural elements, and environmental systems, with a focus on futuristic, digital technologies incorporated into the building’s design. The exterior of the building would be a blend of organic forms, such as those seen in plant and animal life, and striking geometrical shapes that evoke a futuristic, technological landscape.
Prompt: The building is cruciform in plan and has a steel-framed superstructure with a braced mechanical core. It consists of the office tower on the west side of the land lot as well as four-story podium on the east side. Its facade is largely composed of a glass curtain wall, in front of which are ceramic rods that deflect heat and glare. The steel framing and bracing is exposed at the four corner "notches" of the building. The New York Times Building is designed as a green building. The lower stories have a lobby, retail space, and the Times newsroom surrounding an enclosed garden. The other stories are used as office space.
Prompt: Neo-futurism with biomimetic architecture is a style that takes inspiration from the natural world to inform its designs. This style is characterized by its use of organic shapes, biomorphic forms, and a focus on creating spaces that mimic the natural environment. Neo-futurism with biomimetic architecture often incorporates innovative materials and technologies, such as 3D printing and advanced modeling software, to create complex, intricate shapes that are inspired by the natural world. The result is a futuristic aesthetic that blends seamlessly with the environment, creating a sense of harmony between the built environment and the natural world. In some cases, Neo-futurism with biomimetic architecture may also incorporate elements of sustainable design, such as energy-efficient technologies and green roofs, to further emphasize this connection to the natural world. Overall, this architectural style is a bold departure from traditional forms, showcasing the potential for a harmonious relationship between the built environment and the natural world through the use of innovative design and technology.
Prompt: The solitary, often snow-capped Mount Fuji (Fujisan), rising above villages and tree-fringed sea and lakes, has inspired artists and poets and been the object of pilgrimage for centuries. Fujisan is a solitary strato-volcano, around 100 km south-west of Tokyo that rises to 3,776 meters in height. The base of its southern slopes extends to the sea shores of Suruga Bay. The awe that Fujisan’s majestic form and intermittent volcanic activity has inspired was transformed into religious practices that linked Shintoism and Buddhism, people and nature, and symbolic death and re-birth, with worship ascents and descents to and from the summit, formalised in routes and around shrines and lodging houses at the foot of the mountain. And the almost perfect, snow-capped conical form of Fujisan inspired artists in the early 19th century to produce images that transcended cultures, allowed the mountain to be known around the world, and had a profound influence on the development of Western art. From ancient times, pilgrims carrying a long staff, set off from the compounds of the Sengenjinja shrines at the foot of the mountain to reach the crater at its summit.
Prompt: The Zollverein industrial complex in Land Nordrhein-Westfalen consists of the complete infrastructure of a historical coal-mining site, with some 20th-century buildings of outstanding architectural merit. It constitutes remarkable material evidence of the evolution and decline of an essential industry over the past 150 years. The Zollverein XII Coal Mine Industrial Complex has a high level of authenticity. The individual industrial components have inevitably lost their functional authenticity. However, a policy of sensitive and imaginative adaptive reuse has ensured that their forms survive intact, with significant items of the industrial plant preserved, and that their interrelationships remain visible in a clear and logical manner. In particular, the authenticity of the important group of industrial buildings designed for Zollverein XII by Fritz Schupp has been carefully conserved.
Prompt: The first public thermae of 19 BC had a rotunda 25 metres across, circled by small rooms, set in a park with an artificial river and pool. By AD 300 the Baths of Diocletian would cover 140,000 square metres (1,500,000 sq ft), its soaring granite and porphyry sheltering 3,000 bathers a day. Most Roman homes, except for those of the most elite, did not have any sort of bathing area, so people from various classes of Roman society would convene at the public baths. Roman baths became "something like a cross between an aqua centre and a theme park", with pools, exercise spaces, game rooms, gardens, even libraries, and theatres. One of the most famous public bath sites is Aquae Sulis in Bath, England.
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Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
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