Prompt: Neo-futurism is all about combining futuristic elements with modern design, so incorporating a triangular grid graph into this aesthetic can be an interesting way to add a cutting-edge, high-tech feel to your project. One way to use a triangular grid graph in a neo-futuristic design is to incorporate it into the architecture of a building. For example, a building's facade could feature triangular panels arranged in a grid pattern, creating a futuristic, almost sci-fi look. You could also bring a triangular grid graph into your interior design, perhaps by using it as a pattern for a rug or wall art. The geometric shapes of the triangles would add an interesting visual element to the space while also emphasizing the futuristic theme. Another way to use a triangular grid graph in a neo-futuristic design could be to create furniture with triangular shapes, such as a triangular coffee table or bookshelf. This would again emphasize the futuristic theme, while also adding a touch of uniqueness and creativity to the space.
Prompt: Intersectionality is an analytical framework for understanding how a person's various social and political identities combine to create different modes of discrimination and privilege. Intersectionality identifies multiple factors of advantage and disadvantage. Examples of these factors include gender, caste, sex, race, ethnicity, class, sexuality, religion, disability, weight, and physical appearance. These intersecting and overlapping social identities may be both empowering and oppressing.
Prompt: Antoni Gaudi and Shukhov carried out experiments with hyperboloid structures nearly simultaneously, but independently, in 1880–1895. Antoni Gaudi used structures in the form of hyperbolic paraboloid (hypar) and hyperboloid of revolution in the Sagrada Família in 1910.[4] In the Sagrada Família, there are a few places on the nativity facade – a design not equated with Gaudi's ruled-surface design, where the hyperboloid crops up. All around the scene with the pelican, there are numerous examples (including the basket held by one of the figures). There is a hyperboloid adding structural stability to the cypress tree (by connecting it to the bridge). The "bishop's mitre" spires are capped with hyperboloids.[citation needed]
Prompt: In order to increase the offer of housings in Paris, the « Honeycomb Towers » propose to double the height of theses HBM by an architecture leading to the construction of individual mini-houses interlocked the ones to the others. Such as a honeycomb with hexagonal alcoves, this urban implant will offer to the new inhabitants vegetable gardens and suspended orchards repatriating thus in the city the advantages of a rural individual house. Structurally, this hive is supported by a steel structure that descends the loads vertically through the existing chimney ducts crossing the buildings.
Prompt: The Basilica of Notre-Dame de Fourvière (French: Basilique Notre-Dame de Fourvière) is a minor basilica in Lyon, France. It was built with private funds between 1872 and 1896 in a dominant position overlooking the city. The site it occupies was once the Roman forum of Trajan, the forum vetus (old forum), thus its name (as an inverted corruption of the French Vieux-Forum). The design of the basilica, by Pierre Bossan, draws from both Romanesque and Byzantine architecture, two non-Gothic models that were unusual choices at the time. It has four main towers, and a belltower topped with a gilded statue of the Virgin Mary. It features fine mosaics, superb stained glass,[4] and a crypt of Saint Joseph. Fourvière actually contains two churches, one on top of the other. The upper sanctuary is very ornate, while the lower is a much simpler design. Work on the triumphant basilica was begun in 1872 and finished in 1884. Finishing touches in the interior were not completed until as late as 1964. Bossan's first sketches for the basilica seem to date from 1846. At the time he was in Palermo. The basilica has acquired the local nickname of "the upside-down elephant".
Prompt: Founded in the 5th century and spread over 118 small islands, Venice became a major maritime power in the 10th century. The whole city is an extraordinary architectural masterpiece in which even the smallest building contains works by some of the world's greatest artists such as Giorgione, Titian, Tintoretto, Veronese and others. In this lagoon covering 70,176.4 ha, nature and history have been closely linked since the 5th century when Venetian populations, to escape barbarian raids, found refuge on the sandy islands of Torcello, Jesolo and Malamocco. These temporary settlements gradually became permanent and the initial refuge of the land-dwelling peasants and fishermen became a maritime power. Over the centuries, during the entire period of the expansion of Venice, when it was obliged to defend its trading markets against the commercial undertakings of the Arabs, the Genoese and the Ottoman Turks, Venice never ceased to consolidate its position in the lagoon.
Prompt: The Draco tavern is located in Siberia, near the Mount Forel spaceport. The tavern was created after a race of sentient aliens called Chirpsithra landed on Earth. The Chirpsithra stand 11 feet tall with salmon-pink exoskeletons. All of them appear to be female. They enjoy mild electric currents, whose effect on them is similar to that of alcohol on humans. They originated on tidally locked planets around red dwarf suns. Eventually, they had control over every single red dwarf sun in the galaxy, or so they claim. They enjoy the company of other sentient beings, and are extremely intelligent. Units of currency used for Chirp-Human commerce are the "svith" and trade markers, mentioned in the story "Cruel and Unusual". When they first put their mile-wide bubbleships into orbit around the Moon and landed in Siberia, they brought a host of aliens with a desire to eat, drink and socialize, thus the Draco Tavern was designed to cater to their individual, very diverse, and often conflicting interests.
Prompt: The Ukrainian People's Republic (UPR)[d][e] was a short-lived state in Eastern Europe. Prior to its proclamation, the Central Council of Ukraine was elected in March 1917 as a result of the February Revolution, and in June, it declared Ukrainian autonomy within Russia. Its autonomy was later recognized by the Russian Provisional Government. Following the October Revolution, the Central Council of Ukraine denounced the Bolshevik seizure of power and proclaimed the Ukrainian People's Republic with a territory including the area of approximately eight Russian imperial governorates (Kiev, Volhynia, Kharkov, Kherson, Yekaterinoslav, Poltava, Chernigov and Podolia). It formally declared its independence from Russia on 22 January 1918.
Prompt: Cologne Cathedral is a High Gothic five-aisled basilica (144.5 m long), with a projecting transept (86.25 m wide) and a tower façade (157.22 m high). The nave is 43.58 m high and the side-aisles 19.80 m. The western section, nave and transept begun in 1330, changes in style, but this is not perceptible in the overall building. The 19th century work follows the medieval forms and techniques faithfully, as can be seen by comparing it with the original medieval plan on parchment.
Prompt: The term, especially in popular parlance, has come to be associated quite widely with odd-looking buildings including Frank Gehry's Guggenheim Museum Bilbao (1997) and the Experience Music Project (2000).[11] These, in the narrower sense, are not blob buildings, even though they were designed by advanced computer-aided design tools, CATIA in particular.[12] The reason for this is that they were designed from physical models rather than from computer manipulations. The first full blob building, however, was built in the Netherlands by Lars Spuybroek (NOX) and Kas Oosterhuis. Called the Water Pavilion (1993–1997), it has a fully computer-based shape manufactured with computer-aided tools and an electronic interactive interior where sound and light can be transformed by the visitor.
Prompt: The Chrysler Building is an Art Deco skyscraper on the East Side of Manhattan in New York City, at the intersection of 42nd Street and Lexington Avenue in Midtown Manhattan. At 1,046 ft, it is the tallest brick building in the world with a steel framework, and it was the world's tallest building for 11 months after its completion in 1930. As of 2019, the Chrysler is the 11th-tallest building in the city, tied with The New York Times Building.
Prompt: A fantasy neo-futuristic architecture with organic forms found in nature would be one that is heavily inspired by the natural world. Buildings would be designed to reflect the forms, shapes, and textures of nature, using materials that are either organic or appear to be so. The structures would be seemingly alive, with sweeping curves and organic shapes that evoke both elegance and power. Natural light would be incorporated throughout the space, creating an ethereal quality that transports visitors to a dreamlike world. The blend of technology and nature would be seamlessly integrated throughout the architecture. Transportation would be integrated with the environment, allowing people to move effortlessly from place to place in harmony with nature. The outer shell of the buildings would feature a range of natural materials such as wood, stone, and earth. The architectural elements would resemble everything from petals to whole plants, with shapes shifting from fluid and smooth curves to sharp angles. The interior spaces might feature walls that curve and expand like the inner walls of a seashell or flow like a wave’s crest.
Prompt: Darkover is the planet that gives its name to the Darkover series of science fiction-fantasy novels and short stories by Marion Zimmer Bradley and others published since 1958.[1] According to the novels, Darkover is the only habitable planet of seven orbiting a fictional red giant star called Cottman. Bradley describes Cottman's Star as a red giant, around which seven planets orbit. Among these, Cottman IV, known to its inhabitants as Darkover, is the only habitable planet. The three inner planets and two outer planets are not habitable. Cottman V is an ice planet that while not toxic to humans, cannot naturally support a self-sustaining human population. Like Cottman V, Darkover is a planet stuck in a permanent ice age. Only one small equatorial strip of its single smallish continent is warm enough to support limited agriculture, fishing, and livestock. Similar in size to Earth, Darkover has a lower gravity due to its relative lack of metals; it also has a higher percentage of oxygen in the atmosphere. The planet's period of rotation is 28 hours (Star of Danger, Chapter 2). One Darkover year is roughly equal to fifteen Earth months.
Prompt: The Chicago Building or Chicago Savings Bank Building is an early skyscraper, built in 1904–1905. It is located at 7 W. Madison Street in Chicago. Designed by the architecture firm Holabird & Roche, it is an early and highly visible example of the Chicago school of architecture. The building's features characterize this style through the use of large "Chicago windows", metal frame construction, distinctive bays, and terra cotta cladding. The combination of the north side projecting bay windows, and the east side rectangular "Chicago windows" with movable sashes is representative of the two typical Chicago school window types. The building is prominently located on the southwest corner of State Street and Madison Street, with visibility increased by an offset in the alignment of State Street. The building is a critical component of a grouping of significant structures, including Carson Pirie Scott and the former Mandel Brothers Store, at what was once labeled the "World's Busiest Corner". The building was designated a Chicago landmark on March 26, 1996. In 1997, it was converted to a dormitory for the School of the Art Institute of Chicago.
Prompt: Þingvellir (Thingvellir) is the National Park where the Althing, an open-air assembly representing the whole of Iceland, was established in 930 and continued to meet until 1798. Over two weeks a year, the assembly set laws - seen as a covenant between free men - and settled disputes. The Althing has deep historical and symbolic associations for the people of Iceland. The property includes the Þingvellir National Park and the remains of the Althing itself: fragments of around 50 booths built from turf and stone. Remains from the 10th century are thought to be buried underground. The site also includes remains of agricultural use from the 18th and 19th centuries. The park shows evidence of the way the landscape was husbanded over 1,000 years.
Prompt: Biopunk (a portmanteau of "biotechnology" or "biology" and "punk") is a subgenre of science fiction that focuses on biotechnology. It is derived from cyberpunk, but focuses on the implications of biotechnology rather than mechanical cyberware and information technology. Biopunk is concerned with synthetic biology. It is derived of cyberpunk involving bio-hackers, biotech megacorporations, and oppressive government agencies that manipulate human DNA. Most often keeping with the dark atmosphere of cyberpunk, biopunk generally examines the dark side of genetic engineering and represents the low side of biotechnology.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: Sea ice arises as seawater freezes. Because ice is less dense than water, it floats on the ocean's surface (as does fresh water ice, which has an even lower density). Sea ice covers about 7% of the Earth's surface and about 12% of the world's oceans.[1][2][3] Much of the world's sea ice is enclosed within the polar ice packs in the Earth's polar regions: the Arctic ice pack of the Arctic Ocean and the Antarctic ice pack of the Southern Ocean. Polar packs undergo a significant yearly cycling in surface extent, a natural process upon which depends the Arctic ecology, including the ocean's ecosystems. Due to the action of winds, currents and temperature fluctuations, sea ice is very dynamic, leading to a wide variety of ice types and features. Sea ice may be contrasted with icebergs, which are chunks of ice shelves or glaciers that calve into the ocean. Depending on location, sea ice expanses may also incorporate icebergs.
Prompt: Combining Neo-futurism and Art deco architecture with using heat, cold, vacuum, pressure results in a striking and sophisticated style that is both innovative and historic. This style emphasizes the use of advanced systems for regulating temperature and pressure while incorporating the bold lines and ornate details of Art deco and the fluid shapes of neo-futurism. Buildings designed in this style use heating and cooling systems such as geothermal and solar power to regulate internal temperature with high efficiency. At the same time, pressure systems are used to control humidity levels and achieve the optimized air circulation. These building automation systems form the backbone of this style, allowing for a completely customizable and comfortable interior environment to be created. This style also features elaborate design elements inspired by Art deco, including bold geometric shapes, symmetrical arrangements, and intricate ornamentation. On the other hand, fluid and organic shapes inspired by neo-futurism architecture are integrated into this style, manifesting the feeling of sleekness, flow, and dynamism.
Prompt: Neo-futuristic architecture is a contemporary architectural style that combines futuristic design elements with sustainable and eco-friendly building practices. When it comes to squares, this design style often incorporates the use of geometric shapes and patterns, including square forms and motifs. In neo-futuristic architecture with squares, one of the most prominent design features is the use of repeating, patterned squares. These can appear in a variety of ways, from a grid of windows on a building facade to a series of square columns supporting a structure. The repetition of square shapes creates a sense of order and symmetry in the design. Another common feature of neo-futuristic architecture with squares is the use of clean lines and sharp angles, which further emphasize the geometric shapes in the design. This can include square-shaped building materials, such as tiles or panels, as well as sharp corners and edges. Finally, neo-futuristic architecture with squares often incorporates elements of technology and innovation into the design. This can include features like energy-efficient materials or smart home technology, as well as futuristic lighting and other high-tech.
Prompt: The building is designed with a mixture of diamond-shaped glass facades to signify the diversity of Malaysians. The design was made to resemble and inspired by Tunku Abdul Rahman's outstretched hand gesture while chanting "Merdeka!",[24] when he proclaimed the independence of Malaysia on 31 August 1957. The building's cladding will comprise 18,144 panels, 114,000 square-meter of glass, and 1,600 tonnes of window frame extrusions. It will contain the 118 Mall, Grade-A offices, hotels, and residential areas. The structural engineers are Leslie E. Robertson Associates and Robert Bird Group while the civil and structural engineer of record for this tower is Arup.[25][26] The building will be equipped and illuminated at night with 8.4 km of LED light strips which would gradually move from one corner to another.[27] The Neapoli Group, an environmental design and engineering firm, was employed to provide consultancy services towards achieving platinum rating with three Green Building certification bodies: Leadership in Energy and Environmental Design (LEED), Green Building Index and GreenRE.[28]
Prompt: 520 Park Avenue is a skyscraper on East 60th Street near Park Avenue on the Upper East Side of Manhattan, New York City.[1] It was designed by Robert A.M. Stern Architects and completed in 2018.[2] The building was funded through a US$450 million construction loan from The Children's Investment Fund.[3] At 781 feet tall, it is the 36th tallest building in New York City and the tallest on the Upper East Side.[4]
Prompt: Inca architecture is the most significant pre-Columbian architecture in South America. The Incas inherited an architectural legacy from Tiwanaku, founded in the 2nd century B.C.E. in present-day Bolivia. Inca buildings were made out of fieldstones or semi-worked stone blocks and dirt set in mortar; adobe walls were also quite common, usually laid over stone foundations. The material used in the Inca buildings depended on the region, for instance, in the coast they used large rectangular adobe blocks while in the Andes they used local stones. The most common shape in Inca architecture was the rectangular building without any internal walls and roofed with wooden beams and thatch. There were several variations of this basic design, including gabled roofs, rooms with one or two of the long sides opened and rooms that shared a long wall. Rectangular buildings were used for quite different functions in almost all Inca buildings, from humble houses to palaces and temples. Even so, there are some examples of curved walls on Inca buildings, mostly in regions outside the central area of Peru.
Prompt: Mystical machine steampunk Complex shadow play silhouette in motion, bokeh, sinister shadows in the background, Dissolution into many small parts and particles, noir coloration, photorealistic style, high detailed, Unbelievable acrylic speedpaint, by Mike Campau, Kim Jung Gi, Amr Elshamy art, Johnson Tsang, speedpaint, paint strokes, detailes by Greg Rutkowski, hyperdetailed, hypertextured, Arrangement by Weta Digital, perfect composition, Art of Illusion 3D shading, hyperdetailed, ZBrush, cel-shaded, golden ratio
Prompt: Reflections at Keppel Bay in Singapore is luxury waterfront residential complex on approx 84,000 m² of land with 750m of shoreline. It was completed in 2011, offering 1129 units with a 99-year leasehold. The six distinctive curved glass towers afford panorama views of Mount Faber and Sentosa.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: Neo-futurism with biomimetic architecture is a style that takes inspiration from the natural world to inform its designs. This style is characterized by its use of organic shapes, biomorphic forms, and a focus on creating spaces that mimic the natural environment. Neo-futurism with biomimetic architecture often incorporates innovative materials and technologies, such as 3D printing and advanced modeling software, to create complex, intricate shapes that are inspired by the natural world. The result is a futuristic aesthetic that blends seamlessly with the environment, creating a sense of harmony between the built environment and the natural world. In some cases, Neo-futurism with biomimetic architecture may also incorporate elements of sustainable design, such as energy-efficient technologies and green roofs, to further emphasize this connection to the natural world. Overall, this architectural style is a bold departure from traditional forms, showcasing the potential for a harmonious relationship between the built environment and the natural world through the use of innovative design and technology.
Prompt: The Beurs van Berlage is a building on the Damrak, in the centre of Amsterdam. It was designed as a commodity exchange by architect Hendrik Petrus Berlage and constructed between 1896 and 1903. It influenced many modernist architects, in particular functionalists and the Amsterdam School. It is now used as a venue for concerts, exhibitions and conferences. The building is constructed of red brick, with an iron and glass roof, and stone piers, lintels and corbels. Its entrance is under a 40-metre (130 ft) high clock tower, while inside lie three large multi-storey halls formerly used as trading floors, with offices and communal facilities grouped around them. The aim of the architect was to modify the styles of the past by emphasizing sweeping planes and open plan interiors. It has stylistic similarities with some earlier buildings, for instance St Pancras station and the work of H. H. Richardson in America, or the Castell dels Tres Dragons, Barcelona, by Lluís Domènech i Montaner. True to its nineteenth-century roots, it maintains the use of ornament in a civic structure.
Prompt: A Sci-Fi copper rectangular array building design in a Neo-futuristic architectural style features a unique and futuristic design that combines sleekness with advanced technology. The building is constructed completely from copper panels arranged in a rectangular array pattern that creates a modern and dynamic appearance. As you approach the building, you instantly notice the striking and impressive copper rectangular array design that covers the entire exterior. The copper panels are arranged in a way that creates a sense of motion and fluidity, giving the building a futuristic and dynamic appearance. The building is designed to be flexible and adaptable, with plenty of open space to accommodate different layouts and functions. The use of artificial intelligence and other advanced technologies is integrated throughout the building, allowing for more efficient and productive work. The Sci-Fi metal grid building design in a Neo-futuristic architectural style is a stunning example of modern architecture. It is a tall, towering structure made entirely of polished metal grids, arranged in a complex and intricate pattern that gives the building a futuristic and otherworldly appearance.
Prompt: Neo-futurism architecture is a bold and innovative style that emphasizes cutting-edge design, futuristic forms, and practical function. One way that this style often manifests is through the use of bubbles, reminiscent of soap bubbles that take a spherical shape in equilibrium. Bubbles in Neo-futurism architecture represent a desire for organic, fluid forms that are both visually appealing and highly functional. By playing with the idea of delicate shapes existing in equilibrium, architects and designers create buildings that seem to defy gravity and push the limits of engineering. In many ways, the use of bubbles in Neo-futurism architecture hearkens back to the notion of biomimicry – the idea that nature and organic systems can serve as inspiration for innovation and design. By examining the properties of soap bubbles – their lightweight, flexible surfaces, and perfect spherical shapes – architects are able to create unique and functional buildings that stand out in any landscape. Overall, bubble-inspired Neo-futurism architecture is a style that challenges traditional forms and materials, pushing the boundaries of what is possible in modern design.
Would you like to report this Dream as inappropriate?
95w
0
0
74
Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.