Prompt: Full-screen, museum-quality meticulous rendition in many felt pen colors of a Jurassic forest with cycads adorned with a crown of large, feathery leaves; evergreen cypress-like conifers; and many ginko trees. The forest understory is richly filled with some majestic ferns and horsetails. The forest floor gfeaturs moist, rich brown soli. and puddles. The sky above is filled with cumulus clouds behind which the sun casts its golden rays on the strange, prehistoric forest. Biological study for yong students, rich detail, strong colors, breathtaking beauty.
Prompt: Full-screen image of a mysterious black lake in the midst of a spooky forest with many overgrown pine trees and bare trunks of dead trees. The still, dark lake perfectly mirrors the trees on the far side of the lake, enhancing the enigmatic nature of this strange ladscape. The ground is thickly carpeted with brown pine needles and bare twigs. Wan sunlight in an overcast sky filters through the dense branches, but does not reach the ground or the mystifying lake. The line art composition is drawn all the way to the edges of the paper with extreme, scientific, methodical detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning, hyperrealistic biology illustration on heavy paper in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.The hyperrealistic details underline the sense of foreboding and apprehensiveness, suggesting black magic.
Prompt: Meticulous, joyful watercolor of sun-dappled, dense, semi-tropical underbrush in North Carolina woodland filled with a variety of palmetto leaves, ferns and dry leaves on the ground. Large, broad-leaved ferns with intricate patterns stand alongside glossy, dark green palmetto fronds that arch gracefully. Some striking red and orange foliage contrasts with the greens, tans and browns. Some leaves are heart-shaped, light green and variegated with prominent, white veins. The background is darkish, allowing the colors, shapes and patterns of the leaves to stand out. Prize-winning illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle painted all the way to the edges of the heavy, handmade rag paper.
Prompt: Museum-quality biological watercolor illustration of a cold, northern rainforest in a coastal area. The forest has tall, dense, mossy trees that create a dark-green canopy contrasting strongly with patches of sunlit, yellow-tinged foliage peeking through. The ground is carpeted with moist, strongly green, mossy undergrowth and some scattered leaves. In the background, the shimmering surface of a tranquil, turquoise, sunlit lake shines through the branches, reflecting shades of deep blue and turquoise. Light filters softly through the branches, enhancing the magical atmosphere of this woodland retreat. The composition creates a sense of depth, drawing the viewer's eye toward the bright, inviting water behind the trees. The watercolor illustration is painted all the way to the edges of the paper with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Aquarelle sketch on heavy handmade rag paper.
Prompt: Forest with fluffy, festive, rainbow-colored trees, The trees have many brighty colored leaves with a cotton-candy-like structure. One large, intricately detailed tree stands prominently in the center. The tree is hung with brightly colored candy garlands and candy canes. Its trunk has swirling patterns and many rich, golden leaves radiate warmth and light. The mystical background transitions from deep blue at the edges to a soft, glowing yellow around the center. Surrounding the central tree are several smaller trees, each with elegant branches and a variety of leaf shapes. The roots of the main tree stretch outward, intertwining with gentle, wave-like patterns on the ground. The scene suggests a Christmas display.
Prompt: Extreme detail, page-filling, outstanding Brussels lace image imitating a scenic landscape with three tall birch trees with white, papery, distinctively marked bark and myriads of heart-shaped leaves prominently displayed against a clear blue sky. The focus is on the tall, slender trees and the extremely detailed leaves. Exquisite lace made of fine-spun thread, ornate, masterful.
Prompt: Ice sculpture depicting old, gnarled trees in a park. Several trees have wide trunks and sprawling branches. Some trees surrounding the few large trees are shown as having leaves made of ice. The ground is blanketed with a mix of glittering ice crystals and blue-tinged snow reflecting back the winter sunshine. A path curves gently through the ice sculpture landscape. The wan winter sun shines through the branches, casting light shadows on the snow and ice. The ice is bluish in the shade, and glitters in rainbow colors where it reflects the sunlight. Extremely detailed photograph of an award-winning ice sculpture landscape.
Prompt: Museum-grad fine bone china sculpture of a single, majestc, extremely detailed, Japanese sakura cherry blossom tree laden with pink-and-white double cherry blossoms. The tree has a slightly twisted, dark trunk, and emerges from a light-green, grassy meadow in spring. The sulpture stands on display in a light, wooden case and is strongly lit from the sides and the top to bring out the extremely delicate, intricate details. The case stands in front of a richly patterend, burgundy-and-pink floral wallpaper. The bone china sculpture is extremely valuable and breathtakingly beautiful. Bone china reminiscent of Meissen porcelain, Noritake porcelain, and Herend porcelain.
forest series - magical embroidered log cabin in the woods
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, large, extremely intricate and detailed velvet fabric patchwork quilt of a log cabin in a forest during autumn. The dark-brown cabin is surrounded by tall trees with leaves in shades of orange, yellow, and red. A small wooden rocking chair sits on the porch. The ground is carpeted with fallen leaves. The tree branches close above the cabin to form a rich canopy allowing dappled sunlight to filter through. Peasceful and calm patchwork quilt in the style of old American master quilters.
Prompt: Impressionistic autumn forest woodcut of tall trees with slender trunks reaching towards a clear blue sky. The trees are adorned with dense, scarlet-red and dark-orange foliage, with a few dark branches visible. The ground is covered with a thick layer of red-hued fallen leaves, creating a rich tapestry of color. A forest path meanders through the trees. In the background, darker green trees contrast with the bright foliage, adding depth to the scene. The overall atmosphere is tranquil, highlighting the beauty of nature in the fall season. Japanese woodcut in the tradition of Hiroshige, Hokusai and Kawase. Extreme detail, strong color.
Prompt: Extremely detailed linocut made up of many nearly transparent layers of a pristine mountainous forest landscape. Mountains surround a crystal-clear lake with a small rock island with a few young, slender coniferous trees with light-green foliage. A sunlit forest with yellow hues on the other side of the lake peeks through the trees, behind the and a few hints of autumn yellows and orange. The lake water is a mesmerizing blend of turquoise and green hues, perfectly reflecting the trees above and the rugged mountains in the background. The surrounding mountains are steep and covered in rich forests, with varying shades of green and hints of autumn colors peeking through. Harmonious nature composition, illustration and linocut using a technique of extremely, almost microscopically fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
forest series - magical driftwood with fairy lights
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Museum-quality watercolor of a very large, intricately twisted, rugged, gnarled piece of driftwood from a tree root that dominates the foreground. The wood is weathered and moist, causing many, tiny bioluminescent Armarilia fungi (foxfire, fairy fire) to grow on it. The wood itself is grayish-brown, and the fluorescent glow of the fungi ranges from blue-green to green-yellow. The deadwood has numerous broken and twisted roots and branches. and is embedded in a sandy beach with fine, white sand that spreads to the dune vegetation level behind the driftwood. The dunes are overgrown with moonlit beachgrass gently waving in the nighttime breeze. The beachgrass is interspersed with some dune marsh elder plants that form a natural backdrop. The moonlight against the velvety, dark-blue sky brings out the details of the driftwood texture and enhances the patterns of the dune vegetation. The dark sky is full of stars and lighter around the waxing gibbous moon. Prize-winning fairytale seascape illustration in a children's storybook style. Breathtakingly beautiful aquarelle painted all the way to the edges on heavy handmade rag paper.
Prompt: Extremely intricate Flemish tapestry with strong colors showing a dense canopy of hanging branches with myriads of intensely deep-green, light-green, and golden, heart-shaped leaves, which hang down in many cascading clusters from the long, weeping branches. The foliage depiction covers the entire, huge, museum-quality tapestry. Very dark-brown, slender, hanging branches peek through the leaves here and there, and dappled sunlight filtering through the dense foliage adds to the intricate detail. The overall composition emphasizes the natural beauty and tranquility of the sunlit woodland setting.
Prompt: Masterful, highly detailed, full-screen linocut of an extremely focused close-up view of a hanging branch of a birch tree with leaves in autumn shades of yellow, ochre and washed-out green. An early November snow clings to the leaves and branches in wet tufts, creating a soft, white contrast against the colorful foliage. The bokeh background features a blurred view of more snow-covered branches, enhancing the wintry atmosphere. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Full-screen museum-quality fine-art linocut of a branch of a willow tree in early fall with electric yellow, long and slender leaves. The leaves are illuminated by sunlight, casting a warm glow and creating distinct highlights along their edges. The background is very dark, emphasizing the contrast between the luminous yellow leaves and the shadowy backdrop. Some darker green foliage can be faintly seen in the lower part of the image, adding depth to the scene. The texture of the leaves shows imperfections or veins. Early fall magic in the forest. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Extremely detailed, fine guilloche pattern of lines and dots, like on a banknote, depicting a serene autumn landscape with three tall poplar trees with white bark and yellow and orange leaves. The background is a clear blue sky with a few wispy clouds. Many dense branches extend outward and have gently fluttering leaves. The branches and leaves are rendered in a precise, intricate and repetitive guilloche pattern. The lighting is warm and golden, typical of a sunny autumn day.
Prompt: Generate an image of a close-up view of dark-green, gold-veined ivy leaves. Amidst the leaves are several clusters of ripe, mature, dark purple-black ivy berries set against rich, dark green foliage. Include a shiny, spiral-striped, rainbow-colored snail on a leaf, to the side of the flowers. The nature still life conveys a sense of freshness and natural beauty, highlighting the intricate details of each berry and leaf, with a softly blurred, dark-green background to enhance the focus on the leaves and berries. Harmonious nature composition, illustration and linocut using a technique of extremely, almost microscopically fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Richly detailed magical forest linocut tapestry filled with scintillating leaves in shades of green, olive, aqua, gold and ochre. The trees stand close together, with their dense foliage interweaving in ornate, organic patterns reminiscent of a pattern by William Morris. Several pheasants perch gracefully in the trees, spreading their wings and showing their shiny, reflective feathers and plumes in shades of rust, blue and oange. At the base of the trees, an array of flowers blooms: delicate white flowers with intricate petals, complemented by an assortment of orange carnations clustered in the center, framed by lush green foliage. The background is a deep blue, enhancing the forest colors. Harmonious nature composition, peaceful and picturesque setting. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Extremely detailed magical landscape of a wide expanse of lush dark-green grass in the foreground transitioning to a field of electric-yellow colza in the middle ground. The colza field is bright and contrasts strikingly with the greenery. In the background, a row of trees beginning to sprout light green leaves in spring, with some bare branches still peeking through. The sky above is somewhat overcast with soft gray clouds against a light blue background. Harmonious nature composition, peaceful and picturesque rural setting. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Magical winter landscape linocut of gentle, snow-covered mountains and snow-covered evergreen trees. The scene is bathed in a warm, golden light from a low sun, casting soft shadows across the pristine white snow that blankets the foreground. The mountains in the background are majestic and snow-capped, with some peaks partially shrouded in wispy clouds. The sky is a gradient of blue, magenta, pink, orange, and soft yellow tones, suggesting a sunset. In the foreground, clusters of tall, snow-laden fir trees stand proudly, their branches heavy with fresh snow. Tranquil, peaceful, majestic, and serene natural landscape on a crisp late afternoon in winter day in a mountainous region. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Serene Pacific coast landscape featuring a pair of slender Pacific pine trees with twisting trunks with of textured brown bark and detailed olive-green needles. The trees stand majestically on a golden, grassy knoll overlooking the Pacific ocean. The tranquil ocean fades into a soft blue horizon, while a bright sky transitions from deep blue at the top to lighter shades closer to the horizon. The overall composition evokes a sense of calmness and natural beauty. Style mentors: Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Create a storybook image of a serene landscape featuring a row of silhouetted trees against an azure blue evening sky at dusk transitioning to darker tones near the horizon. Include a variety of tree shapes, showcasing several tall, bare trees with extremely intricate branches reaching upward, indicating a late autumn setting. One small tree should have a few leaves remaining, dark against the dusky sky, highlighting the late autumn feeling among the otherwise barren branches. The trees stand in a grassy field, slightly illuminated by the remaining light. The overall atmosphere should evoke a sense of calm and tranquility, reflecting the beauty of nature in a peaceful environment. The trees have a magical feel and are illuminated by myriads of scintillating, rainbow-colored fairy lights, gibving the entire scene a storybook ambience.
Prompt: Exquisitely detailed branch of large, shiny, plump, juicy, very dark red-burgundy-colored cherries in watercolor, sunlit. Full-screen, wide-screen, sharp-focus, very close up. The background of the illustration extending all the way to the edges of the paper is a very small, very detailed mini-Cubist canvas, with style elements recalling Juan Gris, Paul Cézanne and Paul Klee, intricate, colored in a delicate, washed-out yellow-green-apricot abstract pattern with outline details. The watercolor illustration is painted completely, all the way to the edges of the paper with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Culinary still life rendered full-screen, sidelit by sunlight streaming in the kitchen window, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a woven water hyacinth basket filled with an array of elongated, narrow, oblong finger limes tapering at both ends, in the colors red, dark green, reddish-brown, light green and yellow-green. A single finger lime lies outside the basket on a wooden cutting board along with a small, weathered paring knife. The dark-red lime is cut in half, spilling its round, little, transparent pink, glassy lime caviar. The board lies on a dark stone kitchen counter. Behind the seemingly arrangement, we can make out a rough, whitewashed, stone kitchen wall. The background of the culinary still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the basket, the limes, the cutting board and the cut lime and the knife are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Exquisitely detailed branch of bkack currants loaded with many plump, juicy, shiny black currants, watercolor, sunlit. Rendered in watercolor, full-screen, sharp-focus, very close up. The background of the biology illustration is rendered as a very small, very detailed William-Morris-style pattern, ornate, intricate, colored in a washed-out bluish-aqua-green with pen-and-ink pattern outline details. The watercolor illustration is painted all the way to the edges of the paper with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Culinary still life rendered full-screen, sidelit by sunlight streaming in the kitchen window, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a wooden cutting board with a small, sharp, stainless-steel kitchen knife used to cut large, fully ripe, drippingly juicy, dark orange, red-cheeked apricots in half. Behind the wooden cutting board lies a pile of halved apricots on one side and a pile of whole apricots on the other side.The apricot kernels are piled up on the right side of the cutting board. The board and the apricots lie on a dark stone kitchen counter. Behind the seemingly artless arrangement, we can make out a rough, whitewashed, stone kitchen wall. The background of the culinary still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the apricots, the kernels, the cutting board and the reflective knife are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Newton's cradle perpetuum mobile desk toy, modern look, sparse, made of one piece of steel wire, with five hanging, heavy, cherry-red balls, sidelit by sunlight, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed, full-screen image is a Newton's cradle toy with cherry-red apples instead of metal balls. The toy stands on an elegant, dark leather-covered desktop. No other items clutter the desk. The bookcase background of the still life is rendered in wet-on-wet alcohol ink. The image is painted completely and all the way to the edges of the paper. The Newton's cradle with its apples is lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink. Prize-winning illustration in a modern style. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Halloween still life rendered full-screen, sidelit by the creepy, pale orange glow of a street lamp outside the picture. Sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a close-up of an extremely intricately carved pumpkin, nothing else, only one pumpkin. The delicate line-art carving shows an amazingly accurate Van-Gogh Starry-Night motif on the pumkin, not a classical jack-o'-lantern. The carving is illuminated in pale yellow by the candle inside the pumpkin against the otherwise dark orange jack-o'-lantern. Art piece entry in a neighborhood exhibit of artfully carved pumpkins. It is a dark Halloween night lit only by the carved pumpkin and the sickly orange light of the streetlamp. The night background of the still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the Van-Gogh jack-o'-lantern is lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning illustration, museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Adjacent display boxes at an outdoor market, viewed extremely close up, inside them we see fresh ginger roots and fresh turmeric roots. The two boxes are surrounded by smaller boxes filled with various berries: raspberries, blackberries, blueberries, strawberries, goji berries, red currants. The appetizing superfood display attracts many customers to the superfood market stall. The atmosphere of the farmer's market is summery, the lighting is bright and natural, highlighting the glossy surfaces and extremely ornate, intricate details of the different boxes of ginger, turmeric, and berries. The scene evokes a warm and inviting rural feel. Still life rendered full-screen, sunlit, sharp-focus, macro-view, very close-up and in watercolor. The still life is painted all the way to the edges of the paper. The foods are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
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irene muehldorf
Member since 2017
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