Prompt: Screen-filling image of a strangely color-inverted forest: The leaves on the deciduous trees come in shades of purple and lavender; the needles on the evergreen trees are red; the holly has orange leaves and opulent blue berries, the ground is turquoise, the sky is lemon-yellow, and the clouds are green. Otherwise, the image is a perfect photograph. The hot, blue morning sun illuminates the leaves and gives them electric blue edges. Strange planet with strange vegetation. The colors are strong and sharp on this extremely detailed, award-winning photograph. Linen-finish print on heavy rag paper, museum-quality execution.
Prompt: Full-screen, extremely detailed rendition of an opulent, magical forest landscape with trees hung very densely with bright-colored feathers rather than leaves. The feathers come in all sizes and shapes, and have various patterns, for example feathers with spots or stripes or irregular flecks. Some feathers reflect the sunlight in rainbow hues. Each tree has thousands of feathers from all sorts of birds, extravagant peacock tail feathers, cockatoo fetahers, pink, green, blue, red, brown, yellow, white and iridescent feathers, overwhelming beauty to look at. The strong early morning sun of summer shines through the forest, illuminating the feathers. The trees are silhouetted against a dark mountain backdrop. Fantasy fine art, Impressionistic play with light, extremely detailed line art masterpiece.
Prompt: Screen-filling image of a fantasy forest whose trees are made entirely, exclusively of sturdy honeycombs with tiny, perfect, hexagonal chambers, so that the entire tree - trunks, branches, twigs and leaves - is made of amber-colored, honey-filled honeycombs. Geometrical, mathematical, intricate, recursive composition rendered as a technical blueprint for a new, environmentally friendly habitat of strong trees that also supports bees. No writing or explanations, just an illustration. The honeycomb pattern symbolizes structure, order, utolity and strength, and the honeycomb is strong and flexible, like the wood of a tree. Precise, extremely detailed technical illustration in blue, black and amber, rendered in the combined styles of technical illustrators Tom Connet, Martin Woodward, Steve Sherwood, and Tom Barlow.
Prompt: Screen-filling image of an old cork oak forest in dry, rugged, hot Spanish terrain in the autumn season. The focus is on the ground, which is littered with acorns and oak leaves. A sounder of wild boars is methodically rooting for acorns, stirring up the forest floor with their foraging. The large family group of swine consists of several adult sows and a large number of piglets. The image focuses on one large, central cork oak surrounded by boar. The image is rendered as a unique, custom multicolored copperplate engraving with an old-fashioned look. The technique allows for an exceptionally detailed and meticulous presentation. Shades of green, brown, tan and gray predominate; the late afternoon sky is blue and cloudless. Priceless print of museum quality. The style is a panache of work by conemporary etching artists like George Shaw, Marcelle Hanselaar, and Ian Chamberlain.
Prompt: Full-screen image of a deep-blue forest with a sparkle of fireflies in the middle of a meadow clearing. The Deep blue trees are lit by the fireflies, with the clearing illuminated in a lighter blue and the blue deepening gradually in the more distant parts of the image. Each leaf can be made out in exquisite detail, asw the light of the neon-green-and-yellow dancing fireflies casts pronounced shadows on the veined leaves, the scaly bark of the tree trunks and on each blade of variegated, dark-green grass in the meadow. Above the forest, stars twinkle, echoing the tiny lights of the fireflies. The ambiance is still and magical, the atmosphere one of wonder and awe. The extreme zentangle line art composition is drawn all the way to the edges of the paper with outstanding, scientific, methodical detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning, hyperrealistic line art illustration on heavy paper in a style combining the art of Arthur Rackham and Beatrix Potter with Pablo Picasso, Henri Matisse, Vassiliy Kandinsky, and Paul Klee.
Prompt: Full-screen rendition of a magical forest landscape viewed from the bottom up. The foreground shows a macro view of the gently rolling meadow leading to the looming woods, with each blade of grass and each dry weed standing out in perfect detail. The vegetation is dry, its colors range from pale green to ochres, and the blades are covered in melted hoarfrost that shines, reflects, and glitters in rainbow colors in the wan winter sun. Where the meadow lies in the shade of the slanting sinlight, the meadow is lavender-blue-gray, still covered in silvery hoarfrost. The contrast between the lavender and ochre parts of the meadow is unusual and captivating. The looming woods are fully sunlit, with fir trees and bare deciduous trees standing very close together. Fantasy winter landscape executed in very thick, impasto oil paint with great attention to detail to present an extremely hyperrealistic tableau capturing a special moment during an icy-cold winter morning.
Prompt: Screen-filling image of a simple dirt lane lined with ancient, blooming, double-flowered sakura trees so laden with dark-pink and light pink, crepe-like cherry blossoms that the branches droop almost to the ground. At the top of the trees, the dark, gnarled branches merge over the lane to form a rich, floral arch. View of the lane from the front entrance along the lane so far that the trees and the lane seem to fuse together at the most distant point. The image is rendered as a unique, custom woodblock print of museum quality. The composition is simple and almost mesmerizingly symmetrical, showing the trees to the left and right of the lane and the lane in the middle; the execution is uncannily, extremely detailed, combining the styles of ancient masters like Utagawa Hiroshige, Katsushika Hokusai and Togaku with those of modern printmakers like Laura Boswell. The image focuses exclusively on the cherry trees, which completely fill the image, leaving room only for the simple lane leading through the trees.
Prompt: Full-screen rendition of a magical pine tree forest landscape in shades of green and silver. The silvery tones come from the thousands of glittering, reflective, naturalistic glass pine cones adorning the pine trees. The setting sun shines through the forest, backlighting the intricate pine trees and lighting up the glass pine cones. The trees are silhouetted against an orange, late afternoon sky. Fantasy fine art linocut and line art masterpiece.
Prompt: Screen-filling image of a traditional canopy olive grove with ancient olive trees whose olives are ripe for the picking. Myriads of shiny, black fruit hang from the branches, between them some unripe green fruit.. The olive grove is organically farmed, following a credo of regenerative farming. The grove provides a richly biodiverse habitat, givng an abundance of birds and hares a home. We see only a single majestic Iberian lynx sunning itself on the rocky ground int he protected orchard. The grove is surrounded on the sides and in the back by a low, washed-out dry-stone wall in the background. The focus is on three majestic, ancient trees standing in the middle. They have twisted, gnarled, dark trunks and well-pruned shoots with many healthy, silvery-green leaves and black and green olives. The image is rendered as a unique, custom multicolored copperplate engraving intended as a teaching panel in a biology book. The technique allows for an exceptionally detailed and meticulous presentation. Shades of silvery green, reddish-beige, tan, black, and gray predominate; the morning sky is electric blue and cloudless. Priceless print of museum quality. The style is a panache of work by conemporary etching artists like George Shaw, Marcelle Hanselaar, and Ian Chamberlain.
Prompt: Screen-filling image of a fantasy forest made entirely of richly decorated gingerbread fir trees. The trees are decked out in edible decorations: shiny Christmas nonpareils, sugar snowflakes, golden stars, rainbow sugar shapes, and are dripping with sugar frosting. The forest is densely packed with gingerbread trees of al sizes and shapes, standing under a full moon sky with twinkling stars. foliage. The image is rendered as a highly detailed, joyful high-resolution photograph. Award-winning print-out on heavy, matte photo paper, museum-quality execution. The Christmas ginverbread trees completely fill the image in a mesmerizing, dense pattern.
Prompt: Screen-filling image of a mid-elevation, tropical dry forest in Central America. The forest is filled with magnificent, healthy, tall wild poinsettia trees with dense foliage. The trees sport abundant small, yellow flowers densely surrounded by clusters of large, showy red and pink leafy bracts. Some of the red leaves have small white patterns, and the pink leaves are slightly striped. The image is rendered as a highly detailed, joyful linocut with predominantly green, red, pink and white coloring. Award-winning print on heavy rag paper, museum-quality execution. The Christmas poinsettia trees completely fill the image in a mesmerizing, nearly repetitive pattern.
forest series - a parliament of owls and a skulk of foxes coexist peacefully in this magic forest
Model:
AIVision
Size:
2981 X 1677
(5.00 MP)
Used settings:
Prompt: Screen-filling image of an ancient, dense forest with massive, gnarled trees whose branches, twigs and leaves form an almost impenetrable canopy. The focus is on one majestic tree in the middle of the image. The tree has several hollows: one near the top left of the image is a large cavity in which an owl has made its nest. Several curious fledgling owl peek out of the hollow. A large hollow at the base of the tree, protected by twisting tree roots to the left and right, is a burrow for a family of red foxes. A few fox cubs peer out of the hole and sniff the air curiously. In this fairy tale, the fox and the owls are at peace with each other, not prey and predator, and both families use the tree hollows. The image is rendered as a unique, custom linoprint with exceptionl, remarkable detail, made by an accomplished, prize-winning, contemporary artist who illustrates children’s books. The colors are muted, with shades of green, brown and ivory dominating. The feathers and eyes of the owls, and the fur and faces of the foxes, are expressive and very detailed. Print of museum quality. The trees completely fill the image, with the forest in the background shown in less detail to draw the viewers’ eyes to the majestic tree in the middle with its wildlife families.
forest series - magical circularly recycled paper scrap forest
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Front view of a forest crafted entirely from recycled paper and carton boxes. The forest sports the colors of the illustrations on the carton boxes and the various colors of the recycled paper scraps. The trunks, branches, twigs and leaves are all made of various types of paper, crepe paper, construction paper in many colors, carton boxes of all types. The forest is dense and beautiful, and environmentally friendly. Collaborative sculptural art project of renowned contemporary paper and carton artists like Alex Uribe, Sylvie Reno, Mark Langan, and Chris Gilmour. Each tree is individually crafted and arranged in extreme, esthetic detail from thousands of paper and carton scraps, giving the trees an almost naturalistic appearance, from the trunk to the leaves. Sculptural masterpiece of a huge-scale forest landscape. Visionary circular recycling and upcycling project.
Prompt: Mechanical forest of many trees upcycled from shiny metal spare part in assemblage technique: bearings, pulleys, gears, screws, nails, chains, sprockets, springs, dampers, joints, wheels, snaps, rings, fasteners, bolts, nuts, clips. Each tree is individually, ingeniously crafted and welded from myriads of spare parts arranges so as to give the tree a naturalistic appearance, from the trunk to the leaves. The trees look astoundingly and almost eerily alive, the only give-away being the metallic color and the reflected lights. Sculptural masterpiece of welded parts combining the styles of Louise Nevelson, Tomoko Takahashi, and George Herms. Huge-scale masterpiece forest landscape.
Prompt: Full-screen rendition of a magical imaginary paper cutout forest landscape with bright primry and neon colors, crafted in the combined styles of Henri Matisse and Keith Haring. The bold paper cutout shapes are edgy and graffiti-like, of various thicknesses, and of many different colors and leaf as well as branch shapes. The trees are silhouetted against a black night sky filled with stars and a waxing moon. The horizon is dark blue. Fantasy fine art paper and graffiti collage masterpiece, the next new thing in the art scene.
Prompt: Full-screen rendition of a magical forest landscape made entirely of reflective snow globes. The snow globes are packed close together and create refractions and illusions of forests in autumn in various sizes and focuses. The leaves are falling and branches are becoming bare. Some of the snow globes have a mirror finish, which additonally enhances the confusing illusionary images. The sky above the ensemble of snow globes refracting forest aspects at different angles is clear blue and undisturbed by the jumble of forest images below it. The sun shines benevolently on the forest scene. Fantasy forest landscape in the fall rendered as an ultrasharp, ultrafocused, extremely high-resolution photo showing every last detail in splendid technicolor.
Prompt: Full-screen rendition of a magical landscape of thousands of long, glittering icicles hanging from the branches of dark-brown trees silhouetted against a dusky blue sky. The trees have bare branches with very many twigs, each of which is laden with icicles. The horizon behind the tree line is a lighter blue, and the sky turns darker blue toward the top of the image, and first stars appear and twinkle in the darker blue sky. The meadow on which the trees stand is dark. Fantasy winter landscape rendered in a combination of intricate, ornate line art and watercolor wash.
forest series - magical copper wire and bead trees
Model:
AIVision
Size:
2981 X 1677
(5.00 MP)
Used settings:
Prompt: Full-screen rendition of a magical imaginary landscape featuring a dense, tangled forest with trees crafted from copper wire and thousands of bright, patterned glass and porcelain beads. The wires have various thicknesses, and the beads have many different colors and shapes that emulate leaves. The artist who created this forest in painstaking industry spent years completing his mammoth copper forest project. The trees are silhouetted against a summery blue sky. The horizon behind the tree line is a darker blue. The forest floor is dark and bare. Fantasy sculptural masterpiece destined to become on of the world's great wonders.
Prompt: Hyperrealistic oil painting of a tenderly green new forest with several scraggly deciduous trees emerging from a jumbled, dirty, messy car parts junkyard, rendered in the hyperrealistic style of contempoorary artists like Gottfried Helnwein and Dirk Dzimirsky. The colors are cool and reduced, and the surfaces are smooth. Painstakingly and masterfully executed, showing a vision of hope: Nature reclaims humankind's debris.
forest series - fake forest made of dendritic agate
Model:
AIVision
Size:
5112 X 3912
(20.00 MP)
Used settings:
Prompt: Full-screen, extreme close-up rendition of a thin section of a large, rectangular plate of dendritic agate, backlit. The light shining through the transparent stone makes the stone look honey-yellow, with the dendrite inclusions standing out in dark brown. The dendrite inclusions perfectly mimic the silhouette of a highly detailed forest with many deciduous trees with very many branches and leaves. The entire tableau mimics the silhouette of a forest. Semi-precious stone of museum quality and size, reaching to the edge of the photograph. Intricate, ornate photograph of cataloque quality. The large stone is set on a mineral display stand on a dark stone table against a background graduating from a streaky dark blue at the table line to a streaked lighter blue at the top of the photograph.
Prompt: Full-screen, museum-quality meticulous arcrylic painting all the way to the edge of the canvas of a stand of majestic, tall, ancient ghost gums (Eucalyptus aparrerinja or Corymbia aparrerinja) with very smooth, glowing white trunks. A flock of many hundreds of galahs (all the same size) has convened only in the trees on the treetops. Hundreds of birds in the trees! The galahs have candy-pink faces and chests, pale gray backs and a paler pink crown on their head. The galahs are happy, flappy and very, very noisy. The gum trees have smooth, brilliantly white, straight trunks, twisted branches, and scattered, olive-green leaves where the sun shines on them and blue-green leaves in the sparse shade. The gum trees stand in front of a backdrop of dramatic, rugged, sharp-edged, red cliffs in eastern Western Australia, on arid, red ground. The ground is bare and terra-cotta colored. The sky is clear and bright blue. Prize-winning botanical study, rich detail, strong colors, breathtaking beauty. The style is a mix of line art for emphasis and wet watercolor to transport the shimmering heat of the dry desert. The style is reminiscent of Maynard Dixon and James Swinnerton, acclaimed naturalistic-impressionistic painters of the desert.
Prompt: Magical forest in spring. The riverside forest is made up of tall, slender, naturally growing deciduous trees with dark bark and mostly light-green spring leaves coming in. The forest floor is covered with a rich carpet of fallen leaves in various shades of brown, orange, and yellow through which a carpet of bright yellow spring flowers peeks. In the background, a gentle slope leads up to a grassy area that is vibrant green, contrasting with the earthy tones of the forest. In the foreground, lime-green, fresh grass catches the watery sunlight. The sky behind the trees is light blue and clear. Contemporary alcohol ink wash illustration.
Prompt: Full-screen rendering of a heavy impasto painting of a vast desert landscape during twilight, painted all the way to the edges of the canvas. The sun is low on the horizon, causing the lengthening shadows to bring out the shape of rolling sand dunes with their gentle curves. The shadows cast a warm golden hue across the sandy terrain. The surface of the sand is textured with intricate patterns and footprints of a camel caravan heading for a lush, greeen oasis. Green palm trees richly adorned with palm fronds huddle together closely in the distant oasis. A clear blue sky stretches above, transitioning to soft, peach-colored hues near the horizon. The warm earth tones of the sand contrast with the cool blues of the sky and the promise of green of the palm trees surrounding the oasis. Postmodern, heavy impasto, with large, broad, deft brushstrokes of oil paint. Museum-quality fine art.
Prompt: Full-screen, museum-quality, meticulous colored pencil drawing of the ground below a small stand of poplars in December. The leaves have fallen, have turned brown, and are covered in glittering ice crystals in the early morning sun. Each leaf has fine, reflective, rainbow-hued crystals around its edges that capture and reflect the sunlight. The sparkly colors in the icy morning beautifully capture the begining winter season. Show the focus on the leaves; we only see the trunks of the poplars and the blue sky behind them, as the focus of the image is on the leaves and their color display. Rich detail, strong colors, breathtaking beauty.
Prompt: Full-screen, museum-quality Christmas print of a forest of coniferous trees. The trees are tall and majestic and are decked out in Christmas decorations, hung with apples, straw stars, gold-sprayed walnuts, painted wooden Christmas-themed ornaments, decorated pine cones, golden-sprayed wood-shaving chains slung around the trees, gingerbread cookies decorated in white, red and green, felted heart ornaments, and large, shiny, red Christmas baubles. The forest ground is dark. A white-yellow full moon shines from above, bringing out the beauty of the unusuall forest, and starlight twinkles in the dark-blue sky that is lighter around the full moon. The atmosphere of wonder is awe-inspiring, and nostalgic for adults reminiscing about Christmases past. The illustration is painted in acrylic, all the way to the edges of the paper with extreme, ornate, exquisite detail, bringing out every single needle, branch and star, with some outline details highlighted. Prize-winning magic forest painting in the style of old Art Nouveau-themed Christmas cards.
Prompt: Full-screen, museum-quality meticulous rendition in many felt pen colors of a Jurassic forest with cycads adorned with a crown of large, feathery leaves; evergreen cypress-like conifers; and many ginko trees. The forest understory is richly filled with some majestic ferns and horsetails. The forest floor gfeaturs moist, rich brown soli. and puddles. The sky above is filled with cumulus clouds behind which the sun casts its golden rays on the strange, prehistoric forest. Biological study for yong students, rich detail, strong colors, breathtaking beauty.
Prompt: Full-screen image of a mysterious black lake in the midst of a spooky forest with many overgrown pine trees and bare trunks of dead trees. The still, dark lake perfectly mirrors the trees on the far side of the lake, enhancing the enigmatic nature of this strange ladscape. The ground is thickly carpeted with brown pine needles and bare twigs. Wan sunlight in an overcast sky filters through the dense branches, but does not reach the ground or the mystifying lake. The line art composition is drawn all the way to the edges of the paper with extreme, scientific, methodical detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning, hyperrealistic biology illustration on heavy paper in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.The hyperrealistic details underline the sense of foreboding and apprehensiveness, suggesting black magic.
Prompt: Meticulous, joyful watercolor of sun-dappled, dense, semi-tropical underbrush in North Carolina woodland filled with a variety of palmetto leaves, ferns and dry leaves on the ground. Large, broad-leaved ferns with intricate patterns stand alongside glossy, dark green palmetto fronds that arch gracefully. Some striking red and orange foliage contrasts with the greens, tans and browns. Some leaves are heart-shaped, light green and variegated with prominent, white veins. The background is darkish, allowing the colors, shapes and patterns of the leaves to stand out. Prize-winning illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle painted all the way to the edges of the heavy, handmade rag paper.
Prompt: Museum-quality biological watercolor illustration of a cold, northern rainforest in a coastal area. The forest has tall, dense, mossy trees that create a dark-green canopy contrasting strongly with patches of sunlit, yellow-tinged foliage peeking through. The ground is carpeted with moist, strongly green, mossy undergrowth and some scattered leaves. In the background, the shimmering surface of a tranquil, turquoise, sunlit lake shines through the branches, reflecting shades of deep blue and turquoise. Light filters softly through the branches, enhancing the magical atmosphere of this woodland retreat. The composition creates a sense of depth, drawing the viewer's eye toward the bright, inviting water behind the trees. The watercolor illustration is painted all the way to the edges of the paper with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Aquarelle sketch on heavy handmade rag paper.
Prompt: Forest with fluffy, festive, rainbow-colored trees, The trees have many brighty colored leaves with a cotton-candy-like structure. One large, intricately detailed tree stands prominently in the center. The tree is hung with brightly colored candy garlands and candy canes. Its trunk has swirling patterns and many rich, golden leaves radiate warmth and light. The mystical background transitions from deep blue at the edges to a soft, glowing yellow around the center. Surrounding the central tree are several smaller trees, each with elegant branches and a variety of leaf shapes. The roots of the main tree stretch outward, intertwining with gentle, wave-like patterns on the ground. The scene suggests a Christmas display.
Prompt: Extreme detail, page-filling, outstanding Brussels lace image imitating a scenic landscape with three tall birch trees with white, papery, distinctively marked bark and myriads of heart-shaped leaves prominently displayed against a clear blue sky. The focus is on the tall, slender trees and the extremely detailed leaves. Exquisite lace made of fine-spun thread, ornate, masterful.
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irene muehldorf
Member since 2017
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