Prompt: Full-screen museum-quality fine-art linocut of a branch of a willow tree in early fall with electric yellow, long and slender leaves. The leaves are illuminated by sunlight, casting a warm glow and creating distinct highlights along their edges. The background is very dark, emphasizing the contrast between the luminous yellow leaves and the shadowy backdrop. Some darker green foliage can be faintly seen in the lower part of the image, adding depth to the scene. The texture of the leaves shows imperfections or veins. Early fall magic in the forest. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Extremely detailed, fine guilloche pattern of lines and dots, like on a banknote, depicting a serene autumn landscape with three tall poplar trees with white bark and yellow and orange leaves. The background is a clear blue sky with a few wispy clouds. Many dense branches extend outward and have gently fluttering leaves. The branches and leaves are rendered in a precise, intricate and repetitive guilloche pattern. The lighting is warm and golden, typical of a sunny autumn day.
Prompt: Generate an image of a close-up view of dark-green, gold-veined ivy leaves. Amidst the leaves are several clusters of ripe, mature, dark purple-black ivy berries set against rich, dark green foliage. Include a shiny, spiral-striped, rainbow-colored snail on a leaf, to the side of the flowers. The nature still life conveys a sense of freshness and natural beauty, highlighting the intricate details of each berry and leaf, with a softly blurred, dark-green background to enhance the focus on the leaves and berries. Harmonious nature composition, illustration and linocut using a technique of extremely, almost microscopically fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Richly detailed magical forest linocut tapestry filled with scintillating leaves in shades of green, olive, aqua, gold and ochre. The trees stand close together, with their dense foliage interweaving in ornate, organic patterns reminiscent of a pattern by William Morris. Several pheasants perch gracefully in the trees, spreading their wings and showing their shiny, reflective feathers and plumes in shades of rust, blue and oange. At the base of the trees, an array of flowers blooms: delicate white flowers with intricate petals, complemented by an assortment of orange carnations clustered in the center, framed by lush green foliage. The background is a deep blue, enhancing the forest colors. Harmonious nature composition, peaceful and picturesque setting. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Extremely detailed magical landscape of a wide expanse of lush dark-green grass in the foreground transitioning to a field of electric-yellow colza in the middle ground. The colza field is bright and contrasts strikingly with the greenery. In the background, a row of trees beginning to sprout light green leaves in spring, with some bare branches still peeking through. The sky above is somewhat overcast with soft gray clouds against a light blue background. Harmonious nature composition, peaceful and picturesque rural setting. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Magical winter landscape linocut of gentle, snow-covered mountains and snow-covered evergreen trees. The scene is bathed in a warm, golden light from a low sun, casting soft shadows across the pristine white snow that blankets the foreground. The mountains in the background are majestic and snow-capped, with some peaks partially shrouded in wispy clouds. The sky is a gradient of blue, magenta, pink, orange, and soft yellow tones, suggesting a sunset. In the foreground, clusters of tall, snow-laden fir trees stand proudly, their branches heavy with fresh snow. Tranquil, peaceful, majestic, and serene natural landscape on a crisp late afternoon in winter day in a mountainous region. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Serene Pacific coast landscape featuring a pair of slender Pacific pine trees with twisting trunks with of textured brown bark and detailed olive-green needles. The trees stand majestically on a golden, grassy knoll overlooking the Pacific ocean. The tranquil ocean fades into a soft blue horizon, while a bright sky transitions from deep blue at the top to lighter shades closer to the horizon. The overall composition evokes a sense of calmness and natural beauty. Style mentors: Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Create a storybook image of a serene landscape featuring a row of silhouetted trees against an azure blue evening sky at dusk transitioning to darker tones near the horizon. Include a variety of tree shapes, showcasing several tall, bare trees with extremely intricate branches reaching upward, indicating a late autumn setting. One small tree should have a few leaves remaining, dark against the dusky sky, highlighting the late autumn feeling among the otherwise barren branches. The trees stand in a grassy field, slightly illuminated by the remaining light. The overall atmosphere should evoke a sense of calm and tranquility, reflecting the beauty of nature in a peaceful environment. The trees have a magical feel and are illuminated by myriads of scintillating, rainbow-colored fairy lights, gibving the entire scene a storybook ambience.
Prompt: Exquisitely detailed branch of large, shiny, plump, juicy, very dark red-burgundy-colored cherries in watercolor, sunlit. Full-screen, wide-screen, sharp-focus, very close up. The background of the illustration extending all the way to the edges of the paper is a very small, very detailed mini-Cubist canvas, with style elements recalling Juan Gris, Paul Cézanne and Paul Klee, intricate, colored in a delicate, washed-out yellow-green-apricot abstract pattern with outline details. The watercolor illustration is painted completely, all the way to the edges of the paper with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Culinary still life rendered full-screen, sidelit by sunlight streaming in the kitchen window, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a woven water hyacinth basket filled with an array of elongated, narrow, oblong finger limes tapering at both ends, in the colors red, dark green, reddish-brown, light green and yellow-green. A single finger lime lies outside the basket on a wooden cutting board along with a small, weathered paring knife. The dark-red lime is cut in half, spilling its round, little, transparent pink, glassy lime caviar. The board lies on a dark stone kitchen counter. Behind the seemingly arrangement, we can make out a rough, whitewashed, stone kitchen wall. The background of the culinary still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the basket, the limes, the cutting board and the cut lime and the knife are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Exquisitely detailed branch of bkack currants loaded with many plump, juicy, shiny black currants, watercolor, sunlit. Rendered in watercolor, full-screen, sharp-focus, very close up. The background of the biology illustration is rendered as a very small, very detailed William-Morris-style pattern, ornate, intricate, colored in a washed-out bluish-aqua-green with pen-and-ink pattern outline details. The watercolor illustration is painted all the way to the edges of the paper with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Culinary still life rendered full-screen, sidelit by sunlight streaming in the kitchen window, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a wooden cutting board with a small, sharp, stainless-steel kitchen knife used to cut large, fully ripe, drippingly juicy, dark orange, red-cheeked apricots in half. Behind the wooden cutting board lies a pile of halved apricots on one side and a pile of whole apricots on the other side.The apricot kernels are piled up on the right side of the cutting board. The board and the apricots lie on a dark stone kitchen counter. Behind the seemingly artless arrangement, we can make out a rough, whitewashed, stone kitchen wall. The background of the culinary still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the apricots, the kernels, the cutting board and the reflective knife are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Newton's cradle perpetuum mobile desk toy, modern look, sparse, made of one piece of steel wire, with five hanging, heavy, cherry-red balls, sidelit by sunlight, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed, full-screen image is a Newton's cradle toy with cherry-red apples instead of metal balls. The toy stands on an elegant, dark leather-covered desktop. No other items clutter the desk. The bookcase background of the still life is rendered in wet-on-wet alcohol ink. The image is painted completely and all the way to the edges of the paper. The Newton's cradle with its apples is lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink. Prize-winning illustration in a modern style. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Halloween still life rendered full-screen, sidelit by the creepy, pale orange glow of a street lamp outside the picture. Sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a close-up of an extremely intricately carved pumpkin, nothing else, only one pumpkin. The delicate line-art carving shows an amazingly accurate Van-Gogh Starry-Night motif on the pumkin, not a classical jack-o'-lantern. The carving is illuminated in pale yellow by the candle inside the pumpkin against the otherwise dark orange jack-o'-lantern. Art piece entry in a neighborhood exhibit of artfully carved pumpkins. It is a dark Halloween night lit only by the carved pumpkin and the sickly orange light of the streetlamp. The night background of the still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the Van-Gogh jack-o'-lantern is lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning illustration, museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Adjacent display boxes at an outdoor market, viewed extremely close up, inside them we see fresh ginger roots and fresh turmeric roots. The two boxes are surrounded by smaller boxes filled with various berries: raspberries, blackberries, blueberries, strawberries, goji berries, red currants. The appetizing superfood display attracts many customers to the superfood market stall. The atmosphere of the farmer's market is summery, the lighting is bright and natural, highlighting the glossy surfaces and extremely ornate, intricate details of the different boxes of ginger, turmeric, and berries. The scene evokes a warm and inviting rural feel. Still life rendered full-screen, sunlit, sharp-focus, macro-view, very close-up and in watercolor. The still life is painted all the way to the edges of the paper. The foods are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, sharp-focus, top-lit, front-view close-up watercolor of a brass bowl filled with pecan nuts in the shell. The bowl is sitting on a newspaper-covered kitchen counter, behind a simple, old-fashioned nutcracker, a pile of pecan shells and various debris from shelling the pecans. Next to the bowl with the pecans in the shell is an old-fashioned brass kitchen scale with a small glass bowl filled with shelled pecans. The kitchen wall background is blurry and features large, speckled, mocha-and-cream kitchen tiles rendered in very wet watercolor.The aquarelle is painted all the way to the edges of the paper. The pecans, the bowls, the kitchen scale and the nutcracker in the foreground are painted lovingly and in extremely great detail. The culinary still life is deftly and painstakingly rendered like a prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: A flat, traditionally floral-patterned blue-and-white bone china bowl containing horizontally layered, freshly cleaned and cooked, emerald-green wakame (Undaria pinnatifida) seaweed sits on a speckled black-and-white stone kitchen counter along with an elegant glass soy sauce cruet and an ornate stainless steel countertop chopstick organizer holding numerous pairs of intricately inlaid, lacquered, and exquisitely patterned chopsticks. The tableau is painted in fine aquarelle watercolor completely and all the way to the edges of the paper. The bowl, the samphire, the cruet and the chopstick holder with the chopsticks are rendered in extreme detail. The suggested smooth, dark-brown-and-purple kitchen wall background is hastlly rendered in alcohol ink. The items are front-lit and cast a shadow on the wall. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, sharp-focus, sharply front-lit, front-view close-up watercolor of two figures made of dried fruit and nuts strung up on a wire frame: prunes for arms and legs, figs for the body, a walnut crudely painted with a face for a head. The two prune figures are mounted on a wooden stand cut from the corss-section of a branch. The figures stand on a dining room table and are surrounded by tangerines, walnuts, oranges, apples, peanuts in the shell and a few glass Christmas baubles. The dining room table is covered with a dark-red linen tablecloth and stands against the dining room wall, whose wallpaper is elegantly striped. The holiday season still life throws a shadow on the wall. The wall background is blurry and is rendered in very wet watercolor. The dried fruit figures and the fruits and nuts on the table as well as the tablecloth are painted lovingly and in extremely great detail. The tableau is deftly and painstakingly rendered all the way to the edge of the paper, and resembles a prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: A jumbled pile of rejected jack-o'-lanterns piled up against the weathered wooden back wall of an outdoor market stall on a cold November 1 morning, viewed extremely close up. The jack-o'-lanterns all have some kind of damage: mold, cracks, spots, some are split in half. The atmosphere of the farmer's market is autumnal, warm and inviting; the lighting is direct, bright, and natural, highlighting the extremely ornate, intricate details of the moldy, cracked jack-o'-lanterns. Still life rendered full-screen, sunlit, sharp-focus, macro-view, very close-up and in watercolor. The still life is painted completely and all the way to the edges of the paper. The jack-o'-lanterns are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Various gourds and pumpkins piled together at an outdoor market, viewed extremely close up. The foreground features a mix of orange, green, and yellow gourds, showcasing distinct shapes and textures. Prominent are a large, elongated orange squash with a bumpy texture, deep green striped gourds with curved shapes, and a pale cream-colored gourd with green stripes running vertically. The background reveals more pumpkins in shades of orange and yellow, contributing to the autumnal atmosphere. The lighting is bright and natural, highlighting the glossy surfaces and extremely intricate details of the gourds. The scene captures the essence of a fall harvest, evoking a warm and inviting rural feel. The pumpkins lie on weathered wooden boards, whlch peek through the pile at same spots. Still life rendered full-screen, sunlit, sharp-focus, macro-view, very close-up and in watercolor. The still life is painted all the way to the edges of the paper. The pumpkins are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, sharp-focus, macro-view watercolor of a a medley of happy vegetables lying on a bright-green, rough linen tablecloth: fat, jolly carrots; crispy, crinkly lettuce; cool, firm cabbage; fresh and healthy green beans, potbellied, happy potatoes. The appetizing vegetables stand out against an unfocused, dark green and purplish background rendered in wet watercolor. The vegetable tableau is executed deftly, lovingly, painstakingly, and in great detail. The culinary still life shows fresh ingredients ready to be prepared and cooked. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
juicy fruit - exquisite fruit display for Francis Geralds!
Model:
AIVision
Size:
5912 X 3376
(19.96 MP)
Used settings:
Prompt: Culinary still life rendered full-screen, spotlit from the top, sharp-focus, macro-view, close-up and in watercolor. The subject of the frontal-viewed still life is a banquet table covered with a sumptuous, pink-and-cream, intricately floral-patterned jacquard tablecloth. The banquet table is laden with preciuos, mismatched plates and bowls of fresh fruit cut into reafy-to-eat pieces. Each plate and bowl contains a different fruit: watermelon, bananas, apples, raspberries, blueberries, pineapple, cantaloupe, papaya. In the middle of the table, towering over the bowls and plates, sits a breathtaking carved-watermelon centerpiece. The carved watermelon is shaped like a pagoda and is carved with unprecedentedly intricate detail. The festive banquet still life is painted all the way to the edges of the unframed paper. The culinary scene is lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. The dark-pink-and-green wall in the background is rendered in quick, wet-on-wet watercolor. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Culinary garden still life rendered full-screen, sunlit from the back, sharp-focus, macro-view, close-up and in watercolor. The subject of the frontal-viewed still life is an old wooden wheelbarrow filled with freshly harvested, red-cheeked apples piled high in the wheelbarrow. The wheelbarrow stands in the apple orchard in front of the gnarled, dark trunk of an old apple tree whose heavily laden branches hang all the way down to touch the wheelbarrow. Scattered on the grass lie some fallen apples. The still life is painted all the way to the edges of the unframed paper. The wheelbarrow and the apples inside are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. The tree trunk and garden background are rendered in quick, wet-on-wet watercolor and are not as detailed. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
seeds and nuts - sunflower, maker of sunflower seeds
Model:
AIVision
Size:
1792 X 1024
(1.84 MP)
Used settings:
Prompt: Create an extremely intricate illustration of a sunflower, focusing on its rich colors and detailed textures. The sunflower's petals should be golden yellow with hints of orange and red, radiating outward in a dynamic, layered fashion. The center of the sunflower is filled with a mosaic of reds, yellows, and blacks, showcasing a multitude of tiny seeds and delicate details that create depth.The background should feature very many, separate, earthy yellow, red, orange, and brown tones that complements the sunflower without overpowering it. Aim for a slightly abstract, stained-glass style that emphasizes color and form, capturing the essence of nature's beauty in a lively, artistic way.
Prompt: Culinary still life rendered full-screen, toplit, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a large, ripped, paper shopping bag lying on the ground in a supermarket parking lot spilling its produce contents: Scattered around the ruined paper bag lie organic eggplants, tomatoes, potatoes, onions, garlic, sweet potatoes, carrots, celeriac and bell peppers. Around and between the haphazard arrangement, the asphalt of the parking lot peeks through. The still life is painted all the way to the edges of the paper. The shopping bag and the produce are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Simple culinary still life rendered full-screen, sidelit by kitchen lights, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a small paper shopping bag spilling perfect, green snow pea pods onto a kitchen counter made of strongly patterned, semiprecious lapis lazuli stone. Behind the seemingly artless arrangement, we can make out a simple ochre wall that contrasts sharply with the green snow pea pods. The background of the culinary still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the snow pea pods, the shopping bag and the countertop are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
eat your veggies - but be careful with the chili peppers
Model:
AIVision
Size:
5232 X 3816
(19.97 MP)
Used settings:
Prompt: Wide-screen, strongly sunlit, sharp-focused, macro front-view close-up of a few strings of red chili peppers drying in the sun. The chili pepper strings are hanging on nails in rough wooden slats of a garden shed. The focus of the image is on the intricately, painstakingly, and lovingly detailed drying red chili peppers, with extreme attention to detail. The dark, weathered wooden slats behind the chili peppers present in a watercolor-and-ink effect. The artwork extends completely and fully to the edges of heavy, handmade rag paper, capturing a high-quality, museum-style botanical illustration inspired by renowned contemporary and classical biological artists such as Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full-screen, strongly toplit, sharp-focus, macro-view, close-up watercolor of several leek stems lying on a reflective stainless steel professional kitchen counter. Behind the leek stems, we see a pile of red potatoes on a wooden cutting board. The vegetables are waiting to be prepared for vichysoisse soup.In the background behind the culinary still life, we can barely make out a professional gas range, which is rendered in splotchy, wet-on-wet watercolor and is painted completely and all the way to the edges of the paper. Conversely, the leeks and potatoes are lovingly, deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with some outline details highlighted in pen-and-ink. Above all the leeks are painted with great attention to detail, like a biology illustration. No other utensils or objects are included in the painting. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
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irene muehldorf
Member since 2017
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