Prompt: Full screen, sunlit, sharp-focus, macro-view closeup of a handmade Portuguese ceramic bowl filled with roasted pistachos in the shell. The bowl is sitting on a green agate stone-veneered bar counter lit from the inside to show the intircate circular patterns of the agate. Next to the bowl stands a tall-stemmed wine glass half-full of a fine, heavy, burgundy-colored red wine. The atmospheric ambience of the still life with its sparse bowl and wine glass is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details partly emphasized with pen-and-ink. The wall behind the arrangement shows shelves of various bottles of spirits, brandies, wines, whiskies, and bar utensils. It is rendered in bokeh manner, witht he bottles creating a barely recognizable background pattern full of spots and splotches, painted in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen, backlit, sharp-focus, macro-view, extreme frontal closeup of a dripping-wet white enamel colander filled with dark-green, fresh spinach leaves. The colander sits on the ledge of a kitchen sink to drip-ry and is sunlit from the back, with the light streaming through an old-fashioned French window with a garden view. The spinash leaves have light-green and golden edges where the sunlight illuminates them, and the colander is darkish-white in the front where the light does not reach. The expressionistic kitchen still life shows a moment in praparation of food, and is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details partly emphasized with pen-and-ink. The French window and the garden outside are rendered in shades of white, green and golden-yellow and are painted in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full-screen, macro-view, extreme close-up of a few sugar snap pea vines bearing many sugar snap pea pods, growing in moist, loamy, sandy soil, ready to harvest. Next to the vines sits a shallow, meidum-blue plastic bowl filled with freshly picked sugar snap pea pods. The sunlit sugar snap pea vines have various shades of medium to light green. The focus of the image is on the plants and the bowl. Behind the plants and bowl, we see a blurry and verdant background suggesting a vegetable patch. Bottom-up, close-up view. The full-screen view shows the plants deftly rendered in diaphanous, ornate, painstaking, wet-on-wet watercolor. The background is rendered in floppy alcohol ink speedpaint and is painted all the way to the edges of the paper. Prize-winning biology illustration in the style of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, sunlit, sharp-focus, macro-view, extreme closeup of a very small, ornately etched silver dish filled a few cucamelons. Some of the tiny, green-patterned cucamelons have spilled outside the bowl, one is cut in half to show the light-green seeds and pulp in the interior. The dish of cucamelons sits on a smooth wooden cutting board along with a green-handled, small kitchen knife. The expressionistic still life with its almost carelessly arranged fruits is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details partly emphasized with pen-and-ink. The wall behind the arrangement is rendered in shades of pink, silver and green with an irregular, small pattern almost like knitware, and is painted in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full-screen Japanese art woodprint of an ancient Japanese bonsai forest, carefully tended, with dozens of perfect, valuable bonsai trees growing among perfectly raked white marble pebbles in a Zen pattern. The sunlit bonsai trees have many, small, dark-green leaves or needles, depending on the species, and twisted, gnarled stems and branches. The forest extends into an imagined distance. The bottom-up perspective woodprint is exquisitely detailed and executed in the manner of famous Japanese Ukiyo-e woodblock print artists like Hokusai or Ray Morimura. Museum-quality print all the way to the edges of the heavy, handmade rag paper.
Prompt: Full screen, sunlit, sharp-focus, macro-view closeup of a few rambutan fruits, large watercolor of the dark red rambutans lying on a dark green, intricately patterned serpentine stone kitchen counter, with a single rambutan opened to show the white interior. countertop. The expressionistic still life with its almost carelessly arranged fruits is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details partly emphasized with pen-and-ink. The wall behind the arrangement is rendered in shades of green with an irregular, small pattern full of spots and splotches, painted in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen, sunlit, sharp-focus, macro-view large watercolor of three freshly picked, purplish-red kohlrabi plants lying on a potting bench covered with a red-and-white checkered wax cloth. The roots of the kohlrabi have some soil clinging to them, and the purplish-green, perfect leaves of the kohlrabi are spread out behind the kohlrabi bulbs. The potting bench stands before a weatherd, horizontally slatted wooden toolshed. The nostalgic gardening still life is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details partly emphasized with pen-and-ink. The toolshed wall is full of spots and splotches and is rendered in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen macro view of a bunch of sunlit, glowing yellow zebra tomatoes with delicate green stripes hanging on the vine in a perfect row of three and four on either side of the vine. Bursting with flavor and nutrients, all tomatoes in the cluster are ripe and ready to be picked. They are surrounded by healthy, dark-green leaves. Very clear close-up showing the intricate striping and the finely toothed tomato leaves in shades of green. Behind the zebra tomatoes, additional unfocused tomato plants suggest a vegetable patch. Close-up, full-screen view of the plant deftly rendered in painstakingly detailed watercolor and the background in quick and dirty, sloppy, very wet-on-wet watercolor. Prize-winning biology illustration in the style of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full-screen, back-lit, macro-view close-up watercolor of three bunches of healthy, plump, dark-purple grapes hanging from a grapevine, surrounded by late-season, yellowing grape leaves. The grapes have a whitish-gray, protective coating. The setting sun filters through the grape leaves. Behind the grape tableau, the setting sun colors the sky orange, pink and magenta. The background is splotchy, blurry, wet-on-wet speedpainted. The three bunches of grapes and the grape leaves are lovingly, deftly and painstakingly rendered in exquisitely detailed, diaphanous watercolor with sparse outline touches of pen-and-ink. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen, top-lit, sharp-focus, macro-view large watercolor of a perfect, blue-red blown glass bowl heaped with steamed, golden-beige chickpeas on a carved, dark, wooden tablet next to several ripe, red roma tomatoes, a glass with flat-leaf parsley stems, a whole red onion and a mother-of-pearl handled kitchen knife. The chickpeas are destined to become a luscious, mouth-watering Mediterranean salad. The culinary still life stands out dramatically against the dark burgundy wall. The culinary arrangement is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details partly are emphasized with a touch of pen-and-ink. The dark burgundy wall is full of flecks and splotches and is rendered in lsoppy, wet watercolor speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
juicy fruit - an edible member of the nightshade family
Model:
AIVision
Size:
5872 X 3400
(19.96 MP)
Used settings:
Prompt: Full screen, side-lit, sharp-focus, macro-view large watercolor of a small beechwood bowl with ripe cape gooseberries (golden berries) whose dry, beige-brown husks are turned back to expose the golden-yellow berry. The burnished beechwood bowl lies on a rough, colorful mosaic stone countertop styled in the manner of Antoni Gaudí. Behind the bowl of cape gooseberries, the kitchen wall is a sunny yellow with flecks of gold. The culinary arrangement is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail. Above all the physalis (cape gooseberries) are extremely detailed, with the details partly are emphasized with a touch of pen-and-ink. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Respect - Try it - Mention - Link, I respect other DDG Artists and their Dreams! #RTML
Model:
AIVision
Size:
5376 X 3072
(16.52 MP)
Used settings:
Prompt: Lyrical, contour linear portrait of an 1880's rural landscape; line drawing with molecular elements, (outline illustration blended with realism and fractalization), banknote guilloche style, Vassily Kandinsky, Piet Mondrian, Gustav Klimt, Richard Estes, Jeremy Mann, Zdzisław Beksiński, HQ, 4K, wet, detailed
Prompt: Full-screen, strongly front-lit, macro-view watercolor of a dozen ears of glass gem corn lying on a dark lapislazuli stone kitchen counter, with the husks and corn silk on two ears of corn pulled back to show the rainbow-colored corn kernels. Light-blue, light-green, pink, yellow, orange, magenta, red, dark-green and dark-blue kernels alternate in a bright display. The kernels are shiny and are reminiscent of bright pieces of glass. The heriloom flint corn (maize) is being prepared for cooking. The rich, ornate culinary tableau is strongly lit from the front and casts shadows on a smooth, dark green wall with a dark-gray, simple sponge wall design pattern. The wall is rendered in blurry, spotty wet-on-wet speedpainted watercolor. The corn and the kitchen counter are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with sketch outline tracings coming through. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full-screen, strongly front-lit, macro-view watercolor of a large, rough canvas bag filled with dozens of ripe, red, shiny apples, spilling lazily out of the bag onto the formica tabletop. Behind the tabletop, we see a kitchen wall with an intricate, small, tile pattern in bright colors. The rich, ornate culinary tableau is strongly lit from the front and casts shadows on the many shiny, glassy tiles of the kitchen wall. The wall is rendered in blurry, spotty wet-on-wet speedpainted watercolor. The apples, the bag and the formica tabletop are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with sketch outline tracings coming through. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full-screen, front-lit, close-up, macro-view watercolor of a large, shallow, hammered copper basin, overflowing with ripe guavas. The image extends all the way to the edges of thepaper. The oval guavas have smooth, green skin with red-yellow highlights. Some halved guavas lie outside of the basin, allowing us to see their delicate, powder-pink fruit pulp. The copper basin and the guavas lie on a pink, woven damast tablecloth with an intricate pattern. The wall behind the basin is made of striped, silk wallpaper in shades of magenta and pink, with delicate green bands. The rich, ornate still life exhibit is well-lit from the front and stands out against the background, casting shadows. The background is rendered in blurry, spotty wet-on-wet speedpainted watercolor. The basin, guavas and tablecloth are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the sketch outlines coming through. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Wide-screen linocut of a macroviewed cluster of many large, purple clematis flowers in full bloom, with broad, slightly ruffled, veined petals and prominent, creamy-yellow stamens at the centers. Each bloom is approximately 10-15 cm in diameter. The flowers are complemented by fresh green, ovate leaves with a shiny surface and prominent veining. Several elongated, closed buds with hints of the same lilac-purple hue are interspersed among the open flowers. The background reveals a soft-focus view of a garden setting. The lighting is bright and natural, suggesting a sunny day with clear skies. Linocut in the combined style of Angie Lewis, Mark Hearld, Gustav Baumann, Richard Diebenkorn. William Wendt, Edward Hopper, Cyril Rolando, MW Kaluta, Maynard Dixon, Jan Davidsz de Heem, Bob Byerley, Cezary Paszkowski, Netochka Nezvanova, Luc Schuiten, Howard Arkley, Haruomi Izimi and Jeff Benesi.
Prompt: Full-screen, top-lit, macro-view watercolor of a large, bright, handmade ceramic bowl with a colorful, folkloristic flower pattern, overflowing with ripe plums that have a protective, silvery blush. The bright bowl and plums lie on small, fringed, hand-woven linen table-runner on top of a wooden surface. The rich, ornate still life exhibit is well-lit from the top and stands out against a dull, dark-purple and dark-green, shadowy background rendered in blurry, spotty wet-on-wet speedpainted watercolor. The bowl, plums and runner are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the sketch outlines coming through,. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
eat your veggies - who's in charge of making minestrone?
Model:
AIVision
Size:
5912 X 3376
(19.96 MP)
Used settings:
Prompt: Completely full-screen, front-lit, macro-view watercolor of most ingredients for a minestrone heaped on a chopping board: one red onion, two carrots, one celery stick, a large, ripe, deep-red tomato, a handful of string beans, a head of pink garlic, a can of white beans, and a small glass bowl of alphabet noodles in front of the chopping board, with some spilled noodles. Behind the chopping board, we see a cheese grater and a large hunk of Parmesan cheese. Behind the culinary still life stands a high, reflective, stainless steel soup pot. The wall behind the culinary arrangement features a delicately intertwined red-and-green rope pattern. The wall is rendered in blurry, wet-on-wet speedpainted watercolor. The remainder of the culinary image is deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the aquarelle painted all the way to the edges of the heavy, handmade rag paper. Some details are lovingly traced with pen-and-ink in the colors of the objects. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full-screen, front-lit, macro-view watercolor of a large, blue-green glazed ceramic bowl with silvery inclusions filled with silver-purple fantasy apples. The bright, life-like, silver-purple apples have midnight blue speckles. The bowl and apples stand on an English-embroidered, silver-blue, gold-bordered Medieval silk cloth. The rich, ornate still life exhibit is well-lit from the top and stands out against a dull, anthracite-colored, shadowy background rendered in blurry, spotty wet-on-wet speedpainted watercolor. The bowl, apples and cloth are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the aquarelle painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen, top-lit, sharp-focus, macro-view large watercolor of a three halved, ripe kiwano fruits lying on an oddly shaped artpiece blue glass plate. The plate of kiwanos sits on an antique, dark, wooden serving tray along with a stack of blue glass desert plates, colorful linen napkins, and ornate dessert spoons. Behind the serving tray, the kitchen wall is orange-green ebru-patterned and is hastily painted in blurry, splashy, wet-on-wet watercolor. The culinary arrangement is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail. Above all the kiwano fruits are extremely detailed, with the details partly are emphasized with a touch of pen-and-ink. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Completely full-screen, front-lit, macro-view watercolor of an old-fashioned, white enamel colander overfilled with freshly washed, deep-burgundy-red, ripe cherries glistening with drops of water. The colander stands on a simple, white ceramic plate to catch the water. The wall behind the culinary still life has an azure-blue paisley pattern with shadows from the still life. The wall is rendered in blurry, wet-on-wet speedpained watercolor. The colander, cherries, platter and tabletop beneath the platter are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the aquarelle painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen, sharp-focus, macro-view watercolor of several bunches of green-and-purple striped, long, healthy heritage string beans hanging in several full clusters on a single bean plant. The bushy bean plant also has flowers and young, still growing string beans. The beans in the clusters are ripe and ready to be picked. Very clear close-up of the clusters showing the green bean plants in their natural surroundings. The full-screen image is deftly and lovingly rendered in masterful watercolor with exquisite detail. The garden background is unfocused, dark brownish, spotty and blotchy, and it is rendered in very wet watercolor. Prize-winning horticultural illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, sharp-focus, macro-view watercolor, painted completely to the outer edge of the paper, of a corrugated cardboard fruit shipping box with a molded paper pit tray inside, with each indentation containing only a single, delicately yellow pear tinged crimson-red on the side of the sun. The shipping box lies on a wooden pallet, and several pears lie outside the box. The pallet lies in front of a roll-up, white-painted garage door. The pears and the box are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail. The roll-up door is suggested in blurry, wet-on-wet speedpainted watercolor. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle on heavy handmade rag paper.
eat your veggies - cauliflower: nutritious, low-carb, and a source of fiber
Model:
AIVision
Size:
5912 X 3376
(19.96 MP)
Used settings:
Prompt: Full screen, side-lit, sharp-focus, macro-view large watercolor of a plump head of cauliflower lying on a worn, vintage, solid oak cutting board along with a red-handled Japanese Nakiri vegetable knife. Behind the chopping board, we see a William-Morris-patterned butter dish; a simple, classical French water glass holding a bunch of parsley; and a lidded, rectangular glass dish filled with panko breadcrumbs. Behind the culinary arrangement, we cna make out the kitchen wall as single pane of frosted, bluish glass over a grass-patterned background. The glass wall background is rendered in blurry, splashy, wet-on-wet watercolor and is hastily painted whereas the chopping board, the butter dish, the water glass, the glass dish and the knife are deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail. Above all the cauliflower is extremely detailed, with the details partly are emphasized with a touch of pen-and-ink. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full-screen, side-lit, top-view watercolor of a large, purple, magenta and dusty green ornamental cabbage in a flowerbed in late fall, surrounded by cut pine boughsprotecting the soil. Some snow and frost lies on the cabbage and the pine boughs, showing how icy cold the weather is. The flower bed is lit by the gloweof a street lamp such that the cabbage is well-lit in the middle and the light dims a bit toward the side of the image. The sides of the image are splotchy, blurry, wet-on-wet speedpainted. The cabbage and close-by pine branches are lovingly, deftly and painstakingly rendered in exquisitely detailed, diaphanous watercolor with sparse outline touches of pen-and-ink. The aquarelle is painted completely to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen, front-lit, sharp-focus, macro-view watercolor of several sprigs of variegated sage in shades of grayish white, pale yellow and dusty green lying on a white-and-gray Carrara marble chopping board along with a head of white-and-purple garlic and a Japanese sekizo paring knife with a hammer-forged blade and an elaborately patterned blue-and-green handle. Behind the marble chopping board, the kitchen wall is made of glass over a delicate patterned, frosted, darkish green background. The background is rendered in blurry, wet-on-wet watercolor and is hastily painted whereas the chopping board, the sprigs of sage, the head of garlic and the paring knife are deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail. Some details are emphasized with a touch of pen-and-ink. The aquarelle painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
juicy fruit - pomegranate, the fruit of eternal life
Model:
AIVision
Size:
2958 X 1690
(5.00 MP)
Used settings:
Prompt: Full-screen, front-lit, macro-view watercolor of a large, ripe pomegranate, broken apart to show the dozens of juicy, red seeds lodged inside the white pulp. The skin of the pomegranate is thick, leathery, red and dull. The pomegranate pieces lie on a flower-patterend fine bone china plate, which lies atop a wooden serving tray along with an ornate heirloom silver spoon. The culinary still life is lit from the front and casts high shadows on the splotchy, sumptuously flower-patterned wallpaper behind it. The wall is rendered in blurry, wet-on-wet speedpainted watercolor. The pomegranate, bone china plate and wooden serving tray are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the aquarelle painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full-screen, front-lit, macro-view watercolor of a large, very ripe papaya, cut in half to reveal the deep-orange pulp and the many small, round, shiny black and taupe-colored seeds. The very smooth, shiny skin is greenish-orange. The two halves of the papaya lie on a very ornately patterned brass platter bought at a Moroccan bazaar; the platter lies atop a delicately patterned, pale pink Moroccan cactus silk tablecloth. The culinary still life is lit from the front and casts grayish-pink shadows on the splotchy, sumptuously striped and patterned wallpaper behind it. The wall is rendered in blurry, wet-on-wet speedpained watercolor. The papaya, platter and tablecloth are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the aquarelle painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full-screen macro-view watercolor of a white cardboard packing box filled with large, bright yellow, perfect carambola starfruit. The shipment of starfruit is lying on a professional, stainless-steel kitchen counter waiting to be used for dessert plates. One starfruit is lying on the kitchen counter and is cut in half crosswise to show the bright yellow, juicy, star-shaped cross-section. The culinary still life is lit from the front and casts grayish shadows on the splotchy, reflective, stainless-steel wall behind it. The wall is rendered in blurry, wet-on-wet speedpained watercolor. The cross-sectioned starfruit and the box are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, sharp-focus, macro-view watercolor of a large head of red curly-leaf lettuce of the variety Lollo Rosso, freshly harvested, with little droplets of water clinging to the leaves, lying on moist, fertile soil next to a gardener's old-fashioned knife. A large, terra-cotta-orange Spanish slug is crawling toward the tender lettuce with only one purpose on its mind: chomping down on the gardener's prized Lollo Rosso head of lettuce. The sunlit garden scene is deftly and painstakingly rendered in diaphanous watercolor with exquisite detail. The vegetable plot background can only be guessed at, as it is out of focus and splotchy. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
juicy fruit - pineapple reportedly boosts immunity, lowers cancer risk, improves recovery times
Model:
AIVision
Size:
2962 X 1688
(5.00 MP)
Used settings:
Prompt: Full screen, sharp-focus, macro-view watercolor of an anatomically correct, single, large, ripe, pineapple half on a reflective, thick, poured glass platter displaying all shades of green. The pineapple has juicy, fibrous, sweet, golden-yellow flesh and a crown made up of many spiky, thorn-tipped green-brown leaves. The bumpy, brown, yellow and green rind has a hexagonal pattern. The platter sits on a table covered with a dark-pink, woven, tropical-patterned tablecloth. The unadorned wall behind the still life is painted with a soft, light-yellow-and-pink pattern and is shown blurry and very splotchy, carelessly executed in speedpainting technique. The pineapple, platter and tablecloth are painstakingly and deftly rendered in masterful, wet-on-wet aquarelle. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
juicy fruit - soft and crunchy, anitioxidants and micronutrients, the fabulous pitaya
Model:
AIVision
Size:
2741 X 1684
(4.62 MP)
Used settings:
Prompt: Full screen, sharp-focus, macro-view watercolor of a single pitaya dragonfruit on a hand-pottered, dark brown ceramic plate with a golden rim. The pitaya is cut in half to reveal the wax-white fruit pulp with tiny black, shiny seeds. The leathery skin of the pitaya is intensely magenta-colored and has several scaly, vivid green spikes. The plate of fruit sits on a wrinkled, white linen napkin. The plate and napkin are placed on a wooden kitchen counter. Behind the plate and napkin, the cream-and-pink colored kitchen wall is blurry and very splotchy, carelessly executed in speedpainting technique. The dragonfruit, plate and napkin are painstakingly and deftly rendered in masterful, wet-on-wet aquarelle. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
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17w
2.46K
8
210
irene muehldorf
Member since 2017
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