Prompt: Screen-filling image of a traditional canopy olive grove with ancient olive trees whose olives are ripe for the picking. Myriads of shiny, black fruit hang from the branches, between them some unripe green fruit.. The olive grove is organically farmed, following a credo of regenerative farming. The grove provides a richly biodiverse habitat, givng an abundance of birds and hares a home. We see only a single majestic Iberian lynx sunning itself on the rocky ground int he protected orchard. The grove is surrounded on the sides and in the back by a low, washed-out dry-stone wall in the background. The focus is on three majestic, ancient trees standing in the middle. They have twisted, gnarled, dark trunks and well-pruned shoots with many healthy, silvery-green leaves and black and green olives. The image is rendered as a unique, custom multicolored copperplate engraving intended as a teaching panel in a biology book. The technique allows for an exceptionally detailed and meticulous presentation. Shades of silvery green, reddish-beige, tan, black, and gray predominate; the morning sky is electric blue and cloudless. Priceless print of museum quality. The style is a panache of work by conemporary etching artists like George Shaw, Marcelle Hanselaar, and Ian Chamberlain.
Prompt: Screen-filling image of a fantasy forest made entirely of richly decorated gingerbread fir trees. The trees are decked out in edible decorations: shiny Christmas nonpareils, sugar snowflakes, golden stars, rainbow sugar shapes, and are dripping with sugar frosting. The forest is densely packed with gingerbread trees of al sizes and shapes, standing under a full moon sky with twinkling stars. foliage. The image is rendered as a highly detailed, joyful high-resolution photograph. Award-winning print-out on heavy, matte photo paper, museum-quality execution. The Christmas ginverbread trees completely fill the image in a mesmerizing, dense pattern.
Prompt: Screen-filling image of a mid-elevation, tropical dry forest in Central America. The forest is filled with magnificent, healthy, tall wild poinsettia trees with dense foliage. The trees sport abundant small, yellow flowers densely surrounded by clusters of large, showy red and pink leafy bracts. Some of the red leaves have small white patterns, and the pink leaves are slightly striped. The image is rendered as a highly detailed, joyful linocut with predominantly green, red, pink and white coloring. Award-winning print on heavy rag paper, museum-quality execution. The Christmas poinsettia trees completely fill the image in a mesmerizing, nearly repetitive pattern.
forest series - a parliament of owls and a skulk of foxes coexist peacefully in this magic forest
Model:
AIVision
Size:
2981 X 1677
(5.00 MP)
Used settings:
Prompt: Screen-filling image of an ancient, dense forest with massive, gnarled trees whose branches, twigs and leaves form an almost impenetrable canopy. The focus is on one majestic tree in the middle of the image. The tree has several hollows: one near the top left of the image is a large cavity in which an owl has made its nest. Several curious fledgling owl peek out of the hollow. A large hollow at the base of the tree, protected by twisting tree roots to the left and right, is a burrow for a family of red foxes. A few fox cubs peer out of the hole and sniff the air curiously. In this fairy tale, the fox and the owls are at peace with each other, not prey and predator, and both families use the tree hollows. The image is rendered as a unique, custom linoprint with exceptionl, remarkable detail, made by an accomplished, prize-winning, contemporary artist who illustrates children’s books. The colors are muted, with shades of green, brown and ivory dominating. The feathers and eyes of the owls, and the fur and faces of the foxes, are expressive and very detailed. Print of museum quality. The trees completely fill the image, with the forest in the background shown in less detail to draw the viewers’ eyes to the majestic tree in the middle with its wildlife families.
forest series - magical circularly recycled paper scrap forest
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Front view of a forest crafted entirely from recycled paper and carton boxes. The forest sports the colors of the illustrations on the carton boxes and the various colors of the recycled paper scraps. The trunks, branches, twigs and leaves are all made of various types of paper, crepe paper, construction paper in many colors, carton boxes of all types. The forest is dense and beautiful, and environmentally friendly. Collaborative sculptural art project of renowned contemporary paper and carton artists like Alex Uribe, Sylvie Reno, Mark Langan, and Chris Gilmour. Each tree is individually crafted and arranged in extreme, esthetic detail from thousands of paper and carton scraps, giving the trees an almost naturalistic appearance, from the trunk to the leaves. Sculptural masterpiece of a huge-scale forest landscape. Visionary circular recycling and upcycling project.
Prompt: Mechanical forest of many trees upcycled from shiny metal spare part in assemblage technique: bearings, pulleys, gears, screws, nails, chains, sprockets, springs, dampers, joints, wheels, snaps, rings, fasteners, bolts, nuts, clips. Each tree is individually, ingeniously crafted and welded from myriads of spare parts arranges so as to give the tree a naturalistic appearance, from the trunk to the leaves. The trees look astoundingly and almost eerily alive, the only give-away being the metallic color and the reflected lights. Sculptural masterpiece of welded parts combining the styles of Louise Nevelson, Tomoko Takahashi, and George Herms. Huge-scale masterpiece forest landscape.
Prompt: Full-screen rendition of a magical imaginary paper cutout forest landscape with bright primry and neon colors, crafted in the combined styles of Henri Matisse and Keith Haring. The bold paper cutout shapes are edgy and graffiti-like, of various thicknesses, and of many different colors and leaf as well as branch shapes. The trees are silhouetted against a black night sky filled with stars and a waxing moon. The horizon is dark blue. Fantasy fine art paper and graffiti collage masterpiece, the next new thing in the art scene.
Prompt: Full-screen rendition of a magical forest landscape made entirely of reflective snow globes. The snow globes are packed close together and create refractions and illusions of forests in autumn in various sizes and focuses. The leaves are falling and branches are becoming bare. Some of the snow globes have a mirror finish, which additonally enhances the confusing illusionary images. The sky above the ensemble of snow globes refracting forest aspects at different angles is clear blue and undisturbed by the jumble of forest images below it. The sun shines benevolently on the forest scene. Fantasy forest landscape in the fall rendered as an ultrasharp, ultrafocused, extremely high-resolution photo showing every last detail in splendid technicolor.
Prompt: Full-screen rendition of a magical landscape of thousands of long, glittering icicles hanging from the branches of dark-brown trees silhouetted against a dusky blue sky. The trees have bare branches with very many twigs, each of which is laden with icicles. The horizon behind the tree line is a lighter blue, and the sky turns darker blue toward the top of the image, and first stars appear and twinkle in the darker blue sky. The meadow on which the trees stand is dark. Fantasy winter landscape rendered in a combination of intricate, ornate line art and watercolor wash.
forest series - magical copper wire and bead trees
Model:
AIVision
Size:
2981 X 1677
(5.00 MP)
Used settings:
Prompt: Full-screen rendition of a magical imaginary landscape featuring a dense, tangled forest with trees crafted from copper wire and thousands of bright, patterned glass and porcelain beads. The wires have various thicknesses, and the beads have many different colors and shapes that emulate leaves. The artist who created this forest in painstaking industry spent years completing his mammoth copper forest project. The trees are silhouetted against a summery blue sky. The horizon behind the tree line is a darker blue. The forest floor is dark and bare. Fantasy sculptural masterpiece destined to become on of the world's great wonders.
Prompt: Hyperrealistic oil painting of a tenderly green new forest with several scraggly deciduous trees emerging from a jumbled, dirty, messy car parts junkyard, rendered in the hyperrealistic style of contempoorary artists like Gottfried Helnwein and Dirk Dzimirsky. The colors are cool and reduced, and the surfaces are smooth. Painstakingly and masterfully executed, showing a vision of hope: Nature reclaims humankind's debris.
forest series - fake forest made of dendritic agate
Model:
AIVision
Size:
5112 X 3912
(20.00 MP)
Used settings:
Prompt: Full-screen, extreme close-up rendition of a thin section of a large, rectangular plate of dendritic agate, backlit. The light shining through the transparent stone makes the stone look honey-yellow, with the dendrite inclusions standing out in dark brown. The dendrite inclusions perfectly mimic the silhouette of a highly detailed forest with many deciduous trees with very many branches and leaves. The entire tableau mimics the silhouette of a forest. Semi-precious stone of museum quality and size, reaching to the edge of the photograph. Intricate, ornate photograph of cataloque quality. The large stone is set on a mineral display stand on a dark stone table against a background graduating from a streaky dark blue at the table line to a streaked lighter blue at the top of the photograph.
Prompt: Full-screen, museum-quality meticulous arcrylic painting all the way to the edge of the canvas of a stand of majestic, tall, ancient ghost gums (Eucalyptus aparrerinja or Corymbia aparrerinja) with very smooth, glowing white trunks. A flock of many hundreds of galahs (all the same size) has convened only in the trees on the treetops. Hundreds of birds in the trees! The galahs have candy-pink faces and chests, pale gray backs and a paler pink crown on their head. The galahs are happy, flappy and very, very noisy. The gum trees have smooth, brilliantly white, straight trunks, twisted branches, and scattered, olive-green leaves where the sun shines on them and blue-green leaves in the sparse shade. The gum trees stand in front of a backdrop of dramatic, rugged, sharp-edged, red cliffs in eastern Western Australia, on arid, red ground. The ground is bare and terra-cotta colored. The sky is clear and bright blue. Prize-winning botanical study, rich detail, strong colors, breathtaking beauty. The style is a mix of line art for emphasis and wet watercolor to transport the shimmering heat of the dry desert. The style is reminiscent of Maynard Dixon and James Swinnerton, acclaimed naturalistic-impressionistic painters of the desert.
Prompt: Magical forest in spring. The riverside forest is made up of tall, slender, naturally growing deciduous trees with dark bark and mostly light-green spring leaves coming in. The forest floor is covered with a rich carpet of fallen leaves in various shades of brown, orange, and yellow through which a carpet of bright yellow spring flowers peeks. In the background, a gentle slope leads up to a grassy area that is vibrant green, contrasting with the earthy tones of the forest. In the foreground, lime-green, fresh grass catches the watery sunlight. The sky behind the trees is light blue and clear. Contemporary alcohol ink wash illustration.
Prompt: Full-screen rendering of a heavy impasto painting of a vast desert landscape during twilight, painted all the way to the edges of the canvas. The sun is low on the horizon, causing the lengthening shadows to bring out the shape of rolling sand dunes with their gentle curves. The shadows cast a warm golden hue across the sandy terrain. The surface of the sand is textured with intricate patterns and footprints of a camel caravan heading for a lush, greeen oasis. Green palm trees richly adorned with palm fronds huddle together closely in the distant oasis. A clear blue sky stretches above, transitioning to soft, peach-colored hues near the horizon. The warm earth tones of the sand contrast with the cool blues of the sky and the promise of green of the palm trees surrounding the oasis. Postmodern, heavy impasto, with large, broad, deft brushstrokes of oil paint. Museum-quality fine art.
Prompt: Full-screen, museum-quality, meticulous colored pencil drawing of the ground below a small stand of poplars in December. The leaves have fallen, have turned brown, and are covered in glittering ice crystals in the early morning sun. Each leaf has fine, reflective, rainbow-hued crystals around its edges that capture and reflect the sunlight. The sparkly colors in the icy morning beautifully capture the begining winter season. Show the focus on the leaves; we only see the trunks of the poplars and the blue sky behind them, as the focus of the image is on the leaves and their color display. Rich detail, strong colors, breathtaking beauty.
Prompt: Full-screen, museum-quality Christmas print of a forest of coniferous trees. The trees are tall and majestic and are decked out in Christmas decorations, hung with apples, straw stars, gold-sprayed walnuts, painted wooden Christmas-themed ornaments, decorated pine cones, golden-sprayed wood-shaving chains slung around the trees, gingerbread cookies decorated in white, red and green, felted heart ornaments, and large, shiny, red Christmas baubles. The forest ground is dark. A white-yellow full moon shines from above, bringing out the beauty of the unusuall forest, and starlight twinkles in the dark-blue sky that is lighter around the full moon. The atmosphere of wonder is awe-inspiring, and nostalgic for adults reminiscing about Christmases past. The illustration is painted in acrylic, all the way to the edges of the paper with extreme, ornate, exquisite detail, bringing out every single needle, branch and star, with some outline details highlighted. Prize-winning magic forest painting in the style of old Art Nouveau-themed Christmas cards.
Prompt: Full-screen, museum-quality meticulous rendition in many felt pen colors of a Jurassic forest with cycads adorned with a crown of large, feathery leaves; evergreen cypress-like conifers; and many ginko trees. The forest understory is richly filled with some majestic ferns and horsetails. The forest floor gfeaturs moist, rich brown soli. and puddles. The sky above is filled with cumulus clouds behind which the sun casts its golden rays on the strange, prehistoric forest. Biological study for yong students, rich detail, strong colors, breathtaking beauty.
Prompt: Full-screen image of a mysterious black lake in the midst of a spooky forest with many overgrown pine trees and bare trunks of dead trees. The still, dark lake perfectly mirrors the trees on the far side of the lake, enhancing the enigmatic nature of this strange ladscape. The ground is thickly carpeted with brown pine needles and bare twigs. Wan sunlight in an overcast sky filters through the dense branches, but does not reach the ground or the mystifying lake. The line art composition is drawn all the way to the edges of the paper with extreme, scientific, methodical detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning, hyperrealistic biology illustration on heavy paper in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.The hyperrealistic details underline the sense of foreboding and apprehensiveness, suggesting black magic.
Prompt: Meticulous, joyful watercolor of sun-dappled, dense, semi-tropical underbrush in North Carolina woodland filled with a variety of palmetto leaves, ferns and dry leaves on the ground. Large, broad-leaved ferns with intricate patterns stand alongside glossy, dark green palmetto fronds that arch gracefully. Some striking red and orange foliage contrasts with the greens, tans and browns. Some leaves are heart-shaped, light green and variegated with prominent, white veins. The background is darkish, allowing the colors, shapes and patterns of the leaves to stand out. Prize-winning illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle painted all the way to the edges of the heavy, handmade rag paper.
Prompt: Museum-quality biological watercolor illustration of a cold, northern rainforest in a coastal area. The forest has tall, dense, mossy trees that create a dark-green canopy contrasting strongly with patches of sunlit, yellow-tinged foliage peeking through. The ground is carpeted with moist, strongly green, mossy undergrowth and some scattered leaves. In the background, the shimmering surface of a tranquil, turquoise, sunlit lake shines through the branches, reflecting shades of deep blue and turquoise. Light filters softly through the branches, enhancing the magical atmosphere of this woodland retreat. The composition creates a sense of depth, drawing the viewer's eye toward the bright, inviting water behind the trees. The watercolor illustration is painted all the way to the edges of the paper with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Aquarelle sketch on heavy handmade rag paper.
Prompt: Forest with fluffy, festive, rainbow-colored trees, The trees have many brighty colored leaves with a cotton-candy-like structure. One large, intricately detailed tree stands prominently in the center. The tree is hung with brightly colored candy garlands and candy canes. Its trunk has swirling patterns and many rich, golden leaves radiate warmth and light. The mystical background transitions from deep blue at the edges to a soft, glowing yellow around the center. Surrounding the central tree are several smaller trees, each with elegant branches and a variety of leaf shapes. The roots of the main tree stretch outward, intertwining with gentle, wave-like patterns on the ground. The scene suggests a Christmas display.
Prompt: Extreme detail, page-filling, outstanding Brussels lace image imitating a scenic landscape with three tall birch trees with white, papery, distinctively marked bark and myriads of heart-shaped leaves prominently displayed against a clear blue sky. The focus is on the tall, slender trees and the extremely detailed leaves. Exquisite lace made of fine-spun thread, ornate, masterful.
Prompt: Ice sculpture depicting old, gnarled trees in a park. Several trees have wide trunks and sprawling branches. Some trees surrounding the few large trees are shown as having leaves made of ice. The ground is blanketed with a mix of glittering ice crystals and blue-tinged snow reflecting back the winter sunshine. A path curves gently through the ice sculpture landscape. The wan winter sun shines through the branches, casting light shadows on the snow and ice. The ice is bluish in the shade, and glitters in rainbow colors where it reflects the sunlight. Extremely detailed photograph of an award-winning ice sculpture landscape.
Prompt: Museum-grad fine bone china sculpture of a single, majestc, extremely detailed, Japanese sakura cherry blossom tree laden with pink-and-white double cherry blossoms. The tree has a slightly twisted, dark trunk, and emerges from a light-green, grassy meadow in spring. The sulpture stands on display in a light, wooden case and is strongly lit from the sides and the top to bring out the extremely delicate, intricate details. The case stands in front of a richly patterend, burgundy-and-pink floral wallpaper. The bone china sculpture is extremely valuable and breathtakingly beautiful. Bone china reminiscent of Meissen porcelain, Noritake porcelain, and Herend porcelain.
forest series - magical embroidered log cabin in the woods
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, large, extremely intricate and detailed velvet fabric patchwork quilt of a log cabin in a forest during autumn. The dark-brown cabin is surrounded by tall trees with leaves in shades of orange, yellow, and red. A small wooden rocking chair sits on the porch. The ground is carpeted with fallen leaves. The tree branches close above the cabin to form a rich canopy allowing dappled sunlight to filter through. Peasceful and calm patchwork quilt in the style of old American master quilters.
Prompt: Impressionistic autumn forest woodcut of tall trees with slender trunks reaching towards a clear blue sky. The trees are adorned with dense, scarlet-red and dark-orange foliage, with a few dark branches visible. The ground is covered with a thick layer of red-hued fallen leaves, creating a rich tapestry of color. A forest path meanders through the trees. In the background, darker green trees contrast with the bright foliage, adding depth to the scene. The overall atmosphere is tranquil, highlighting the beauty of nature in the fall season. Japanese woodcut in the tradition of Hiroshige, Hokusai and Kawase. Extreme detail, strong color.
Prompt: Extremely detailed linocut made up of many nearly transparent layers of a pristine mountainous forest landscape. Mountains surround a crystal-clear lake with a small rock island with a few young, slender coniferous trees with light-green foliage. A sunlit forest with yellow hues on the other side of the lake peeks through the trees, behind the and a few hints of autumn yellows and orange. The lake water is a mesmerizing blend of turquoise and green hues, perfectly reflecting the trees above and the rugged mountains in the background. The surrounding mountains are steep and covered in rich forests, with varying shades of green and hints of autumn colors peeking through. Harmonious nature composition, illustration and linocut using a technique of extremely, almost microscopically fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
forest series - magical driftwood with fairy lights
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Museum-quality watercolor of a very large, intricately twisted, rugged, gnarled piece of driftwood from a tree root that dominates the foreground. The wood is weathered and moist, causing many, tiny bioluminescent Armarilia fungi (foxfire, fairy fire) to grow on it. The wood itself is grayish-brown, and the fluorescent glow of the fungi ranges from blue-green to green-yellow. The deadwood has numerous broken and twisted roots and branches. and is embedded in a sandy beach with fine, white sand that spreads to the dune vegetation level behind the driftwood. The dunes are overgrown with moonlit beachgrass gently waving in the nighttime breeze. The beachgrass is interspersed with some dune marsh elder plants that form a natural backdrop. The moonlight against the velvety, dark-blue sky brings out the details of the driftwood texture and enhances the patterns of the dune vegetation. The dark sky is full of stars and lighter around the waxing gibbous moon. Prize-winning fairytale seascape illustration in a children's storybook style. Breathtakingly beautiful aquarelle painted all the way to the edges on heavy handmade rag paper.
Prompt: Extremely intricate Flemish tapestry with strong colors showing a dense canopy of hanging branches with myriads of intensely deep-green, light-green, and golden, heart-shaped leaves, which hang down in many cascading clusters from the long, weeping branches. The foliage depiction covers the entire, huge, museum-quality tapestry. Very dark-brown, slender, hanging branches peek through the leaves here and there, and dappled sunlight filtering through the dense foliage adds to the intricate detail. The overall composition emphasizes the natural beauty and tranquility of the sunlit woodland setting.
Prompt: Masterful, highly detailed, full-screen linocut of an extremely focused close-up view of a hanging branch of a birch tree with leaves in autumn shades of yellow, ochre and washed-out green. An early November snow clings to the leaves and branches in wet tufts, creating a soft, white contrast against the colorful foliage. The bokeh background features a blurred view of more snow-covered branches, enhancing the wintry atmosphere. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
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irene muehldorf
Member since 2017
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