Prompt: Widescreen, HD, 16:9, 3840x2160 (4K UHD), complete width full image with no cutoffs, full frontal collage showing young variegated ivy growing over a rotting tree stump in the woods. The artist used materials readily found in the woods to create the image: moss, twigs, various leaves, pebbles, seedheads, tree bark, mushrooms, berries, nuts, and humus. The collage artist has carefully arranged the woodland finds to an intricately patterned Image of fleeting beauty. Creation made in countless hours of painstaking labor with loving attention to detail.
Prompt: extremely inrticate white-and-gold High Baroque Church with a red carpet as a runway for a cutting-edge, opulent fashion show by Versace, sharp focus on thin models on the catwalk showing billowing, ornate, colorful high fashion costumes, hyper-crisp focus and lighting from below, celebrities and VIPs sitting in the pews as onlookers, lavish floral arrangements line the runway, fashion photography in the blended styles of Mario Testino, Cecil Beaton, and Patrick Demarchelier
Prompt: 16:9 wide, extra wide, full-screen, full frontal image surrounded by a thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a patch of lady's mantle (alchemilla vulgaris) after the rain. It is June, and the sun shines on the plants, causing the many large water drops on the nearly cirular, lobed, serrated leaves to sparkle and reflect the sunlight and break it prismatically. The focus is on these leaves, whereas the stems rise out of the leaf rosettes. The stems bear yellowish green flowers in large sprays above the foliage. The plants stand out against the dark brownish background of a stone wallt. The image is highly ornate, the patterns organic. The flowers and background are rendered in painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: shades of green and brown, with strong yellow-green highlights for the flower clusters, and brown and tan for the guilloche border.
Prompt: thousands of runners waiting at the starting line of the Big City Marathon, atmosphere of tension and expectancy, extremely detailed, high-resolution sports photograph shoeing every detail, balmy skies and sunshine
Prompt: Full screen, sharp-focus, macro-view watercolor of a floral-patterned, old-fashioned porcelain bowl filled with lychees with red, leathery husks. Two lychee nuts are split open to show the sweet, glossy white interior and the shiny, dark-brown seed. The bowl of lychees sits on a rose-pink damask tablecloth with a very fine, traditional, repetitive woven floral design. Behind the porcelain bowl, we see the suggestion of a teak sideboard with glass doors. The sideboard is rendered in blurry, wet-on-wet watercolor and is hastily painted whereas the bowl, tablecloth and lychees are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail. The dark background is out of focus and splotchy. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Adjacent display boxes at an outdoor market, viewed extremely close up, inside them we see fresh ginger roots and fresh turmeric roots. The two boxes are surrounded by smaller boxes filled with various berries: raspberries, blackberries, blueberries, strawberries, goji berries, red currants. The appetizing superfood display attracts many customers to the superfood market stall. The atmosphere of the farmer's market is summery, the lighting is bright and natural, highlighting the glossy surfaces and extremely ornate, intricate details of the different boxes of ginger, turmeric, and berries. The scene evokes a warm and inviting rural feel. Still life rendered full-screen, sunlit, sharp-focus, macro-view, very close-up and in watercolor. The still life is painted all the way to the edges of the paper. The foods are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Complete width, as wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a large patch of creeping cinquefoil (potentilla reptans) on urban wasteland. The creeping, extremely low-growing plants have crept and spread by runners that have rooted in cracks on the concrete underground. It is June, and the plants have burst into bloom, with five-petaled, neon-yellow flowers spaced densely along the runners. The cinquefoil has many palmate leaves that are divided into five strongly toothed leaflets. The plants are soaking up the full, hot July sun burning down on the arid wasteland. in The floral display and the concrete are rendered in mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Neon-yellow for the flowers, rich green for the leaves, reddish-broan for the runners, and shades of light gray with a strong crack pattern for the concrete wasteland.
Prompt: Full-screen, frontlit, sharp-focus, macro-view, close-up watercolor of a head of fully purple heritage cauliflower with the lush, green outer leaves still attached. The head of cauliflower lies on a smooth oakwood cutting board facing the viewer. Next to the cauliflower lies one small, sharp, valuable, fully stainless steel Zwilling kitchen knife. Behind the culinary arrangement is a reflective, gold-stained glass wall. The background glass wall is rendered in splotchy, wet-on-wet watercolor and is painted comletely, all the way to the edges of the paper whereas the cauliflower, the knife and the cutting board are lovingly, deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with especially the cauliflower intricately detailed and highlighted in pen-and-ink, with great attention to detail, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, sharp-focus, macro-view watercolor of a a medley of happy vegetables lying on a bright-green, rough linen tablecloth: fat, jolly carrots; crispy, crinkly lettuce; cool, firm cabbage; fresh and healthy green beans, potbellied, happy potatoes. The appetizing vegetables stand out against an unfocused, dark green and purplish background rendered in wet watercolor. The vegetable tableau is executed deftly, lovingly, painstakingly, and in great detail. The culinary still life shows fresh ingredients ready to be prepared and cooked. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Kamidana, a Shinto shrine in the home, with a taima, paper amulets, and many offerings, exquisitely detailed colored pencil drawing evoking a spiritual presence
Prompt: stunning, extremely intricate quilt made of hundreds of patches of Christmas fabric, depicting a decorated Christmas tree, hanging on a blue wall
juicy fruit - exquisite fruit display for Francis Geralds!
Model:
AIVision
Size:
5912 X 3376
(19.96 MP)
Used settings:
Prompt: Culinary still life rendered full-screen, spotlit from the top, sharp-focus, macro-view, close-up and in watercolor. The subject of the frontal-viewed still life is a banquet table covered with a sumptuous, pink-and-cream, intricately floral-patterned jacquard tablecloth. The banquet table is laden with preciuos, mismatched plates and bowls of fresh fruit cut into reafy-to-eat pieces. Each plate and bowl contains a different fruit: watermelon, bananas, apples, raspberries, blueberries, pineapple, cantaloupe, papaya. In the middle of the table, towering over the bowls and plates, sits a breathtaking carved-watermelon centerpiece. The carved watermelon is shaped like a pagoda and is carved with unprecedentedly intricate detail. The festive banquet still life is painted all the way to the edges of the unframed paper. The culinary scene is lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. The dark-pink-and-green wall in the background is rendered in quick, wet-on-wet watercolor. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, top-lit, sharp-focus, macro-view large watercolor of a three halved, ripe kiwano fruits lying on an oddly shaped artpiece blue glass plate. The plate of kiwanos sits on an antique, dark, wooden serving tray along with a stack of blue glass desert plates, colorful linen napkins, and ornate dessert spoons. Behind the serving tray, the kitchen wall is orange-green ebru-patterned and is hastily painted in blurry, splashy, wet-on-wet watercolor. The culinary arrangement is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail. Above all the kiwano fruits are extremely detailed, with the details partly are emphasized with a touch of pen-and-ink. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen, sharp-focus, macro-view watercolor of a large head of red curly-leaf lettuce of the variety Lollo Rosso, freshly harvested, with little droplets of water clinging to the leaves, lying on moist, fertile soil next to a gardener's old-fashioned knife. A large, terra-cotta-orange Spanish slug is crawling toward the tender lettuce with only one purpose on its mind: chomping down on the gardener's prized Lollo Rosso head of lettuce. The sunlit garden scene is deftly and painstakingly rendered in diaphanous watercolor with exquisite detail. The vegetable plot background can only be guessed at, as it is out of focus and splotchy. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full-screen, front-lit, close-up, macro-view watercolor of a large, shallow, hammered copper basin, overflowing with ripe guavas. The image extends all the way to the edges of thepaper. The oval guavas have smooth, green skin with red-yellow highlights. Some halved guavas lie outside of the basin, allowing us to see their delicate, powder-pink fruit pulp. The copper basin and the guavas lie on a pink, woven damast tablecloth with an intricate pattern. The wall behind the basin is made of striped, silk wallpaper in shades of magenta and pink, with delicate green bands. The rich, ornate still life exhibit is well-lit from the front and stands out against the background, casting shadows. The background is rendered in blurry, spotty wet-on-wet speedpainted watercolor. The basin, guavas and tablecloth are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the sketch outlines coming through. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
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irene muehldorf
Member since 2017
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