Prompt: Full screen, sharp-focus, sharply front-lit, front-view close-up watercolor of two figures made of dried fruit and nuts strung up on a wire frame: prunes for arms and legs, figs for the body, a walnut crudely painted with a face for a head. The two prune figures are mounted on a wooden stand cut from the corss-section of a branch. The figures stand on a dining room table and are surrounded by tangerines, walnuts, oranges, apples, peanuts in the shell and a few glass Christmas baubles. The dining room table is covered with a dark-red linen tablecloth and stands against the dining room wall, whose wallpaper is elegantly striped. The holiday season still life throws a shadow on the wall. The wall background is blurry and is rendered in very wet watercolor. The dried fruit figures and the fruits and nuts on the table as well as the tablecloth are painted lovingly and in extremely great detail. The tableau is deftly and painstakingly rendered all the way to the edge of the paper, and resembles a prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: three-dimensional knitted landscape, fuzzy green fields, meadows in full bloom, puffy trees, gently rolling hills and dramatic clouds, joyful, vibrant, a panache of knitwear patterns by independent, young knitwear designers
Prompt: psychedelic pop art poster of the 1970s, blacklight neon colors, flower exhibition, flower power, in the style of Roy Lichtenstein, iconic, masterpiece
Prompt: Full-screen rendering of a heavy impasto painting of a vast desert landscape during twilight, painted all the way to the edges of the canvas. The sun is low on the horizon, causing the lengthening shadows to bring out the shape of rolling sand dunes with their gentle curves. The shadows cast a warm golden hue across the sandy terrain. The surface of the sand is textured with intricate patterns and footprints of a camel caravan heading for a lush, greeen oasis. Green palm trees richly adorned with palm fronds huddle together closely in the distant oasis. A clear blue sky stretches above, transitioning to soft, peach-colored hues near the horizon. The warm earth tones of the sand contrast with the cool blues of the sky and the promise of green of the palm trees surrounding the oasis. Postmodern, heavy impasto, with large, broad, deft brushstrokes of oil paint. Museum-quality fine art.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 22, Fun’ya no Yasuhide, of the Ogura Hyakunin Isshu: "It is by its breath That autumn's leaves of trees and grass are wasted and driven. So they call this mountain wind The wild one, the destroyer." The image shows a side view of a richly wooded, sloping mountainside in late fall. A gale-force gust of wind is blowing down the mountainside quite dramatically and, for the sake of the viewer, with a visible pattern. The wind is blowing red and yellow leaves before it, and bending grasses all the way to the ground. The leaves swirl and twirl in the crisp fall air. The red and yellow of the trees and leaves contrast sharply with the white pattern used to visualize the wind against an electric blue sky. Intricate watercolor overlaid with a woodblock print. Exquisite Japanese folio.
Prompt: Complete width, as wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a large mat of ground-hugging creeping jenny (lysimachia nummularia) in full bloom spilling from the top of a drystone wall in a shady orchard. The stems are densely covered with round, yellow-green leaves placed in opposite pairs along the stems. Intensely neon-yellow flowers stand out from the dense tangle of leaves. The five petals of the flowers have fused into small cup shapes, with only the pointed tips indicating where each petal starts. The mat of creeping jenny is rendered in strongly repetitive, linear patterns typical of intaglio prints and reminiscent of a zentangle style. The entire image has mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Intense neon-yellow for the flowers, yellow-green for the leaves, shades of light gray for the drystone wall, and an overall shaded setting. The yellows and greens repeat in the thin guilloche frame.
Special request from Jackie: fictional future banknote designs - woodland tulips (tulipa sylvestris)
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full image, 16:9 wide, full-screen, full frontal image surrounded by a thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the thin, rectangular frame is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." It is a sunny afternoon in late March, and a dense carpet of bright, buttercup-yellow wild woodland tulips is blooming in the dry soil beneath old, gnarled, bare apple trees widely spaced in an abandoned orchard. Each of the flowers has six elongated, shiny yellow petals and is flanked by long, narrow, mid-green leaves. The apple trees in the background are rendered in a style similar to Vincent van Gogh’s swirling patterns. The focus of the image is on the richly abundant yellow tulips as harbingers of spring. The flower carpet is rendered in a rich, highly ornate,extremely detailed manner with a deft hand. The flowers and background are executed in painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: shades of green and light as well as dark brown, with the dominant color being the yellow of the wild tulips.
Prompt: As wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image of a museum-hung, large, intricate, kinetic mobile with odd-shaped sheet metal parts in the style of Alexander Calder; each metal parts represents a different blooms of a field flower: oxeye daisies, red poppies, dandelions, woodland sage, meadow buttercups, cornflowers, or red clover. The individual metal plaques are brightly colored and hang loose from rods. The entire mobile is well-balanced, and each rod and plaque moves when a breeze moves through the mobile, so that the field flowers appear to be dancing in an imaginary meadow. The background is green and striped in a pattern resembling the grass and wheat of a meadow. The kinetic sculpture is well-lit. Prizewinning, unique, museum-hung kinetic sculpture with extreme detail.
Prompt: A dynamic oil-painted scene of a very elderly woman in her 90s, joyfully riding a bicycle down a rural road. Her body is typical of that of a 90-year-old woman, not frail , but not athletic, either. Her face and all visible skin is wrinkled, her hair is short and gray, and she is smiling. The sun casts gentle shadows on the narrow asphalt road, enhancing the sense of movement as she leans slightly forward, enjoying the ride. The bicycle is pink, and the wheels are in motion, adding to the energetic feel of the image. The style of the image is an impasto color oil painting. The woman is shown in a three-quarters view. The bicycle has a comfortable seat and raised handlebars, allowing the worman to ride in comfort. She looks happy. The bicycle rider is alone on a narrow road in a lovely landscape with rolling hillsides and blooming meadows, crop fields, and a treeline.
for T&sho: fictional future banknote designs - Rose of Sharon (hibiscus syriacus, wild form)
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Complete width, as wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a large Rose of Sharon (hibiscus syriaca) bush in full bloom in July. The sun is shining on the golden-green, grassy slope on which the Rose of Sharon stands. The well-proportioned bush has light-green, fairly small, toothed leaves and very many, abundant, large, five-petaled flowers in a delicate lavender-pink. The petals are frilly and lavender-pink toward the edges, and a deep magenta-pink toward the center, with the dark pink being veined, giving the inside of the flower a star-like appearance. The stamens and pistil extend beyond the flower and are pure white. The Rose of Sharon bush, the grassy slope background, and the blue summer sky are all rendered in a strongly repetitive, linear pattern. The entire image has mesmerizingly repetitive, organic patterns with a zentangle-like esthetic and with tiny, painstaking details, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: White for the stamens and pistily, a dark magenta for theinside of the flowers, lavender-pink for the remainder of the petals, light green for the leaves, golden-green for the grassy slope, summery blue for the sky. The dark magenta and golden-green repeat in the thin, elaborate guilloche frame.
Prompt: Extremely intricate Flemish tapestry with strong colors showing a dense canopy of hanging branches with myriads of intensely deep-green, light-green, and golden, heart-shaped leaves, which hang down in many cascading clusters from the long, weeping branches. The foliage depiction covers the entire, huge, museum-quality tapestry. Very dark-brown, slender, hanging branches peek through the leaves here and there, and dappled sunlight filtering through the dense foliage adds to the intricate detail. The overall composition emphasizes the natural beauty and tranquility of the sunlit woodland setting.
forest series - magical driftwood with fairy lights
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Museum-quality watercolor of a very large, intricately twisted, rugged, gnarled piece of driftwood from a tree root that dominates the foreground. The wood is weathered and moist, causing many, tiny bioluminescent Armarilia fungi (foxfire, fairy fire) to grow on it. The wood itself is grayish-brown, and the fluorescent glow of the fungi ranges from blue-green to green-yellow. The deadwood has numerous broken and twisted roots and branches. and is embedded in a sandy beach with fine, white sand that spreads to the dune vegetation level behind the driftwood. The dunes are overgrown with moonlit beachgrass gently waving in the nighttime breeze. The beachgrass is interspersed with some dune marsh elder plants that form a natural backdrop. The moonlight against the velvety, dark-blue sky brings out the details of the driftwood texture and enhances the patterns of the dune vegetation. The dark sky is full of stars and lighter around the waxing gibbous moon. Prize-winning fairytale seascape illustration in a children's storybook style. Breathtakingly beautiful aquarelle painted all the way to the edges on heavy handmade rag paper.
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irene muehldorf
Member since 2017
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