Prompt: enchanted café on a green hillside overlooking a city in the distance, flowery meadow, off-white wrought-iron bistro tables and chairs with comfortable red-white striped pillows, a basket of sliced rye bread and a platter of cheese and sausages on the table along with a caraffe of red wine and rustic wine glasses, inviting, welcoming, peaceful. Blue skies with cumulonimbus clouds and warming sunrays.
Prompt: Full screen, sharp-focus, macro-view watercolor of two dozen freshly picked, school-bus-yellow chanterelle mushrooms spilling out of a brown paper cone bag onto a black stone slab table. Next to the chanterelle mushrooms lies a short vegetable knife, and behind the mushrooms, we can discern a few onions and a bunch of fresh, dark green parsley held together with a red rubber band. The culinary still life shows fresh ingredients ready to be prepared and cooked. The tableau is deftly and painstakingly rendered in quick, wet-on-wet watercolor, the dark background is blurry and spotty. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, sunlit, sharp-focus, macro-view closeup of a handmade Portuguese ceramic bowl filled with roasted pistachos in the shell. The bowl is sitting on a green agate stone-veneered bar counter lit from the inside to show the intircate circular patterns of the agate. Next to the bowl stands a tall-stemmed wine glass half-full of a fine, heavy, burgundy-colored red wine. The atmospheric ambience of the still life with its sparse bowl and wine glass is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details partly emphasized with pen-and-ink. The wall behind the arrangement shows shelves of various bottles of spirits, brandies, wines, whiskies, and bar utensils. It is rendered in bokeh manner, witht he bottles creating a barely recognizable background pattern full of spots and splotches, painted in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
materials series - revolutionary 3D-printed red Japanese maple
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: As wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image showing an extremely detailed close-up of a Japanese red maple tree with feathery leaves in intense shades of red. The tree is a 3D-printed sculptural masterpiece made from sturdy, partly translucent material, so that the light shining on the tree brings out the full power of the different shades of red and the full detail of the strongly serrated leaves. The 3D material is flexible, so that the branches and leaves of the Japanese maple are suspended in a life-like position. The sculpture extends all the way to the edges of the 16:9 image, the dark burgundy background is delicately patterned and well-lit.. Prizewinning scientific breakthrough 3D art.
Prompt: Full screen, backlit, sharp-focus, macro-view, extreme frontal closeup of a dripping-wet white enamel colander filled with dark-green, fresh spinach leaves. The colander sits on the ledge of a kitchen sink to drip-ry and is sunlit from the back, with the light streaming through an old-fashioned French window with a garden view. The spinash leaves have light-green and golden edges where the sunlight illuminates them, and the colander is darkish-white in the front where the light does not reach. The expressionistic kitchen still life shows a moment in praparation of food, and is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details partly emphasized with pen-and-ink. The French window and the garden outside are rendered in shades of white, green and golden-yellow and are painted in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen, sharp-focus, macro-view watercolor of five freshly cut, green-and purple artichokes lying together on a mosaic-tiled kitchen counter, waiting to be cleaned and prepared. Next to the artichokes lies a dish with fresh butter, and behind the artichokes stands a spic-and-span, shiny, high steel pot reflecting the artichokes in a blurry and distorted manner. The culinary still life shows fresh ingredients ready to be prepared and cooked. The tableau is deftly and painstakingly rendered in quick, wet-on-wet watercolor, the dark background is blurry and spotty. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
eat your veggies - special request for sweet potatoes
Model:
AIVision
Size:
2958 X 1690
(5.00 MP)
Used settings:
Prompt: Full screen, sharp-focus, macro-view watercolor of a large, unpeeled sweet potato lying on an old wooden chopping board, waiting to be peeled, chopped and prepared. The sweet potato's skin is darkish red-brown and flaky. Next to the sweet potato lies a sharp kitchen knife. Behind the sweet potato, we see a glass Pyrex casserole with sweet potato cubes tossed with olive oil, spices, herbs and salt. The background is unfocused, dark burgundy colored, spotty and blotchy, and it is rendered in very wet watercolor. The sweet potato in the foreground is executed lovingly and in great detail. The culinary still life shows fresh ingredients ready to be prepared and cooked. The tableau is deftly and painstakingly rendered in quick, wet-on-wet watercolor. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: As wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image showing a close-up of a patch of common nettles, or stinging nettles (urtica dioica). The nettles have large, pointed, ovate, strongly serrate, hairy leaves with pronounced veining. The leaves sit opposite each other on the quadrangular, hairy stems. The stinging nettles crowd together. The flowers are long, green-brown, pendent strands of tiny, green flowers hanging from the axils between the leaves and the stems. The nettles are rendered in extremely detailed, strongly repetitive, linear patterns using fine strings in various shades of green and brown stretched around tiny pins in intricate patterns. The entire image, including the dark-green background of the string art, has mesmerizingly repetitive, organic patterns of painstaking, extreme detail, with a slight zentangle esthetic. Fabric art masterpiece.
forest series - fake forest made of dendritic agate
Model:
AIVision
Size:
5112 X 3912
(20.00 MP)
Used settings:
Prompt: Full-screen, extreme close-up rendition of a thin section of a large, rectangular plate of dendritic agate, backlit. The light shining through the transparent stone makes the stone look honey-yellow, with the dendrite inclusions standing out in dark brown. The dendrite inclusions perfectly mimic the silhouette of a highly detailed forest with many deciduous trees with very many branches and leaves. The entire tableau mimics the silhouette of a forest. Semi-precious stone of museum quality and size, reaching to the edge of the photograph. Intricate, ornate photograph of cataloque quality. The large stone is set on a mineral display stand on a dark stone table against a background graduating from a streaky dark blue at the table line to a streaked lighter blue at the top of the photograph.
Prompt: the most exquisite flower arrangement still life ever, museum quality, zentangle patchwork, soft pastel colors, light and airy, refined, poetic, utopian, contemporary Rococo
eat your veggies - garlic: healthy, but don't get too close to me!
Model:
AIVision
Size:
5912 X 3376
(19.96 MP)
Used settings:
Prompt: Full screen, front-lit, sharp-focus, macro-view closeup of a tightly braided heads of pink garlic lying on a rough, wooden potter's bench along with a pair of small, sharp garden shears. The bench stands in front of a green-painted metal toolshed, and the sun is shining on the tableau. The atmospheric ambience of the still life is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details of the garlic braid as well as the garden shears standing out in full detail, almost like in an etching. The shed behind the arrangement is rendered in bokeh manner, creating an airy, impressionistic aspect painted in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
fictional future banknote designs - avocets sweeping over mud flats
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Print showing a suggested new euro banknote motif from the series themed "rivers and birds"; the image shows a flock of graceful, long-legged and long-billed shorebirds called avocets flying over the surface of a mudflat. The mudflat is wet and reflects the shadows of the avocets. The image is rendered as an extremely detailed intaglio print composed of hundreds of lines and dots in shades of green on white. The image is framed by extremely intricate guilloche patterns.
Prompt: Screen-filling image of a traditional canopy olive grove with ancient olive trees whose olives are ripe for the picking. Myriads of shiny, black fruit hang from the branches, between them some unripe green fruit.. The olive grove is organically farmed, following a credo of regenerative farming. The grove provides a richly biodiverse habitat, givng an abundance of birds and hares a home. We see only a single majestic Iberian lynx sunning itself on the rocky ground int he protected orchard. The grove is surrounded on the sides and in the back by a low, washed-out dry-stone wall in the background. The focus is on three majestic, ancient trees standing in the middle. They have twisted, gnarled, dark trunks and well-pruned shoots with many healthy, silvery-green leaves and black and green olives. The image is rendered as a unique, custom multicolored copperplate engraving intended as a teaching panel in a biology book. The technique allows for an exceptionally detailed and meticulous presentation. Shades of silvery green, reddish-beige, tan, black, and gray predominate; the morning sky is electric blue and cloudless. Priceless print of museum quality. The style is a panache of work by conemporary etching artists like George Shaw, Marcelle Hanselaar, and Ian Chamberlain.
Prompt: Exquisitely detailed branch of large, shiny, plump, juicy, very dark red-burgundy-colored cherries in watercolor, sunlit. Full-screen, wide-screen, sharp-focus, very close up. The background of the illustration extending all the way to the edges of the paper is a very small, very detailed mini-Cubist canvas, with style elements recalling Juan Gris, Paul Cézanne and Paul Klee, intricate, colored in a delicate, washed-out yellow-green-apricot abstract pattern with outline details. The watercolor illustration is painted completely, all the way to the edges of the paper with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Museum-quality biological watercolor illustration of a cold, northern rainforest in a coastal area. The forest has tall, dense, mossy trees that create a dark-green canopy contrasting strongly with patches of sunlit, yellow-tinged foliage peeking through. The ground is carpeted with moist, strongly green, mossy undergrowth and some scattered leaves. In the background, the shimmering surface of a tranquil, turquoise, sunlit lake shines through the branches, reflecting shades of deep blue and turquoise. Light filters softly through the branches, enhancing the magical atmosphere of this woodland retreat. The composition creates a sense of depth, drawing the viewer's eye toward the bright, inviting water behind the trees. The watercolor illustration is painted all the way to the edges of the paper with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Aquarelle sketch on heavy handmade rag paper.
Prompt: Complete width, as large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a low-spreading patch of ivy-leaved toadflax (cymbalaria muralis) growing on barren rock. The plant is spreading over the pebbly rock with its thin stolons. The trailing hairless perennial toadflax has many lovely, small, lilac, two-lipped flowers with two yellowish bulges on the lower lip. The lower lip splits into three rounded petals, and the two upper, upright petals are thinner and have dark purple, parallel veins. The shape of the leaves mimicks ivy, but the leaves are reflectively shiny and light-green, and have thin, burgundy-colored edges all around the leaf margins. The stolons, too, are green with a red flush. The sun is shining on the plants and the gray rock background The floral display and the rock are rendered in mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Lilac and dark purple for the flowers, with light-yellow for the bulges, shiny green and burgungdy for the leaves, red-green for the stolons, and highly patterned gray for the rock underground.
Prompt: Full screen macro view of ripe, juicy, sun-kissed Georgia peaches growing on a peach tree, close-up showing the peach fuzz and the rosy cheeks of the peaches, delicately orange and rosy-red, hanging heavy and plump from a single branch,surrounded by perfectly shaped, green peachtree leaves. The fruit is in its natural surroundings. The branch ofGeorgia peaches is rendered in quick and dirty wet-on-wet watercolor. Museum-quality aquarelle on heavy handmade rag paper.
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irene muehldorf
Member since 2017
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