Prompt: Complete width, as large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a low-spreading patch of ivy-leaved toadflax (cymbalaria muralis) growing on barren rock. The plant is spreading over the pebbly rock with its thin stolons. The trailing hairless perennial toadflax has many lovely, small, lilac, two-lipped flowers with two yellowish bulges on the lower lip. The lower lip splits into three rounded petals, and the two upper, upright petals are thinner and have dark purple, parallel veins. The shape of the leaves mimicks ivy, but the leaves are reflectively shiny and light-green, and have thin, burgundy-colored edges all around the leaf margins. The stolons, too, are green with a red flush. The sun is shining on the plants and the gray rock background The floral display and the rock are rendered in mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Lilac and dark purple for the flowers, with light-yellow for the bulges, shiny green and burgungdy for the leaves, red-green for the stolons, and highly patterned gray for the rock underground.
forest series - magical copper wire and bead trees
Model:
AIVision
Size:
2981 X 1677
(5.00 MP)
Used settings:
Prompt: Full-screen rendition of a magical imaginary landscape featuring a dense, tangled forest with trees crafted from copper wire and thousands of bright, patterned glass and porcelain beads. The wires have various thicknesses, and the beads have many different colors and shapes that emulate leaves. The artist who created this forest in painstaking industry spent years completing his mammoth copper forest project. The trees are silhouetted against a summery blue sky. The horizon behind the tree line is a darker blue. The forest floor is dark and bare. Fantasy sculptural masterpiece destined to become on of the world's great wonders.
Prompt: Full-screen, full frontal, extremely detailed rendition of a joyful, colorful, African Tinga-Tinga dream forest. The trees are painted with polka dots, irregular stripes and dots and all manner of happy, elaborate patterns. Each tree is masterfully painted with full colors and fine details, showing each leaf, twig, branch and trunk. The ethno-tinged, museum-quality artistic execution combines African art styles and old-master oil-painting expertise. The colors of the forest are mainly primary colors along with shades of pink, magenta, apricot, turquoise, teal, lavender, white, and above all oultine black. Fantasy forest landscape executed as a fine-art oil painting,
Prompt: Full-screen recursive fractal forest in microscopic detail. It is early spring, and the light green leaves are just beginning to unfurl in the wan sunlight. The forest floor is covered with lavender-colored hepatica blossoms and light-yellow primroses. The fractal features show in the ifinite nesting of the tree structures and the leaf structures on all scales. Executed as a wet-on-wet watercolor, speedpainted, diaphanous, with an eye-pleasing color combination. Mathematical precision and museum-quality artistic execution.
Prompt: Museum-quality biological watercolor illustration of a cold, northern rainforest in a coastal area. The forest has tall, dense, mossy trees that create a dark-green canopy contrasting strongly with patches of sunlit, yellow-tinged foliage peeking through. The ground is carpeted with moist, strongly green, mossy undergrowth and some scattered leaves. In the background, the shimmering surface of a tranquil, turquoise, sunlit lake shines through the branches, reflecting shades of deep blue and turquoise. Light filters softly through the branches, enhancing the magical atmosphere of this woodland retreat. The composition creates a sense of depth, drawing the viewer's eye toward the bright, inviting water behind the trees. The watercolor illustration is painted all the way to the edges of the paper with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Aquarelle sketch on heavy handmade rag paper.
Prompt: Forest with fluffy, festive, rainbow-colored trees, The trees have many brighty colored leaves with a cotton-candy-like structure. One large, intricately detailed tree stands prominently in the center. The tree is hung with brightly colored candy garlands and candy canes. Its trunk has swirling patterns and many rich, golden leaves radiate warmth and light. The mystical background transitions from deep blue at the edges to a soft, glowing yellow around the center. Surrounding the central tree are several smaller trees, each with elegant branches and a variety of leaf shapes. The roots of the main tree stretch outward, intertwining with gentle, wave-like patterns on the ground. The scene suggests a Christmas display.
Prompt: three-dimensional knitted landscape, fuzzy green fields, meadows in full bloom, puffy trees, gently rolling hills and dramatic clouds, joyful, vibrant, a panache of knitwear patterns by independent, young knitwear designers
Prompt: organic symbiosis between a French horn and ashimmering snake with gold opalescent scales, hyperrealistic details, eerily beautiful and dangerous, extreme line art biological illustration in National Geographic magazine
Prompt: Full screen, sharp-focus, macro-view watercolor of a large, healthy head of rare heirloom red celery with magenta-colored stems slowly turning green toward the leaves and the leaves presenting in a rich, dark green. Freshly harvested, the celery lies on a formica tabletop waiting to be cleaned and stored. The celery leaves are deeply serrated, and the red stalks are juicy and appetizing. Next to the celery, we see a chef's kitchen knife, and behind the celery still life, we see the suggestion of ceramic mosaic kitchen tiles in light pastel colors and with a soft, streaked and spotty pattern. The background is rendered in blurry, wet-on-wet watercolor and is hastily painted whereas the celery, the knife and the formica surface are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail. The background is out of focus and splotchy. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
fictional future banknote designs - common cottongrass (eriophorum angustifolium)
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Complete and full width, as wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a bog meadow densely populated with common cottongrass (eriophorum angustifolium) in late June. The hundreds of plants have gone to seed and are topped with several closely spaced distinctive, white, cotton-like tassels on tall, erect, green stems. The white tufts of the seedheads stand out against the green-brown bog surroundings. The common cottongrass and its bog environment are rendered in strongly repetitive, linear patterns typical of intaglio prints. The entire image has mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: White for the cotton-like tassels, dark green for the stems, shades of green and brown in tiny spiral patterns for the bog. The brown and green repeat in the thin guilloche frame.
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irene muehldorf
Member since 2017
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