fictional future banknote designs - field bindweed (convolvulus arvensis)
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Complete and full width, as wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a number of field bindweeds (convolvulus arvensis) growing in the gravelly footpath next to a field.of green wheat. The bindweed has sent snaky shoots with small, arrowhead-shaped leaves over the side of the footpath, and many small, funnel-shaped flowers typical of the morning glory genus are blooming on the plant. The fused flower petals are pinkish-white with five slightly darker pink radial stripes. It is a sunny morning in June, and the plants also have numerous spirally twisted buds about to bloom. The bindweed, the wheat, and the gravelly footpath are rendered in strongly repetitive, linear patterns typical of intaglio prints. The entire image has mesmerizingly repetitive, organic patterns of painstaking, extreme detail, with a zentangle esthetic, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Pink-white for the flowers, green for the snaky stems and leaves, and shades of gray for the gravel path. The pink and green repeat in the thin guilloche frame.
forest series - magical driftwood with fairy lights
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Museum-quality watercolor of a very large, intricately twisted, rugged, gnarled piece of driftwood from a tree root that dominates the foreground. The wood is weathered and moist, causing many, tiny bioluminescent Armarilia fungi (foxfire, fairy fire) to grow on it. The wood itself is grayish-brown, and the fluorescent glow of the fungi ranges from blue-green to green-yellow. The deadwood has numerous broken and twisted roots and branches. and is embedded in a sandy beach with fine, white sand that spreads to the dune vegetation level behind the driftwood. The dunes are overgrown with moonlit beachgrass gently waving in the nighttime breeze. The beachgrass is interspersed with some dune marsh elder plants that form a natural backdrop. The moonlight against the velvety, dark-blue sky brings out the details of the driftwood texture and enhances the patterns of the dune vegetation. The dark sky is full of stars and lighter around the waxing gibbous moon. Prize-winning fairytale seascape illustration in a children's storybook style. Breathtakingly beautiful aquarelle painted all the way to the edges on heavy handmade rag paper.
Prompt: Halloween still life rendered full-screen, sidelit by the creepy, pale orange glow of a street lamp outside the picture. Sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a close-up of an extremely intricately carved pumpkin, nothing else, only one pumpkin. The delicate line-art carving shows an amazingly accurate Van-Gogh Starry-Night motif on the pumkin, not a classical jack-o'-lantern. The carving is illuminated in pale yellow by the candle inside the pumpkin against the otherwise dark orange jack-o'-lantern. Art piece entry in a neighborhood exhibit of artfully carved pumpkins. It is a dark Halloween night lit only by the carved pumpkin and the sickly orange light of the streetlamp. The night background of the still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the Van-Gogh jack-o'-lantern is lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning illustration, museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 5, Sarumaru, of the Ogura Hyakunin Isshu: "In the mountain depths, Treading through the crimson leaves,
The wandering stag calls. When I hear the lonely cry, Sad--how sad!--the autumn is." The image shows a single, majestic stag in a bare autumn forest standing on a carpet of red, fallen leaves. The stag has lifted his head and is sending forth a rutting call. He has large, twelve-point antlers and is calling for a hind. One can see the breath of his call in the cold autumn morning air. Exquisite Japanese folio.
Prompt: Extremely large and wide, rectangular, 16:9, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a whorl of common honeysuckle (lonicera periclimenum) in full bloom. The cluster of delicate flowers includes pink, very long, upward-curved buds, the yellow-white, symmetrical, open flowers that are slender and tube-shaped with extremely long stamens and pistils extending far beyond the curved petals. The background consists of the highly ornate and repetetively, organically patterned honeysuckle vines witht he ovate, mid-green leaves and twisted vines. The repetitive pattern is remisicent of a fabric print. The flowers and leaves are rendered in painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: orange-pink for the unopened buds, bright yellow and white for the flowers, mid-green for the leaves, and dark green for the background between the vines and leaves.
Prompt: Extremely detailed linocut made up of many nearly transparent layers of a pristine mountainous forest landscape. Mountains surround a crystal-clear lake with a small rock island with a few young, slender coniferous trees with light-green foliage. A sunlit forest with yellow hues on the other side of the lake peeks through the trees, behind the and a few hints of autumn yellows and orange. The lake water is a mesmerizing blend of turquoise and green hues, perfectly reflecting the trees above and the rugged mountains in the background. The surrounding mountains are steep and covered in rich forests, with varying shades of green and hints of autumn colors peeking through. Harmonious nature composition, illustration and linocut using a technique of extremely, almost microscopically fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Extremely detailed magical landscape of a wide expanse of lush dark-green grass in the foreground transitioning to a field of electric-yellow colza in the middle ground. The colza field is bright and contrasts strikingly with the greenery. In the background, a row of trees beginning to sprout light green leaves in spring, with some bare branches still peeking through. The sky above is somewhat overcast with soft gray clouds against a light blue background. Harmonious nature composition, peaceful and picturesque rural setting. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
fictional future banknote designs - red valerian (centranthus ruber)
Model:
AIVision
Size:
5760 X 3472
(20.00 MP)
Used settings:
Prompt: 16:9 wide, full-screen, full frontal image surrounded by a thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a macro close-up of a single red valerian (centrantus ruber) flower panicle bursting with dozens of reddish-pink flowers, each of which is in the form of a slender tube with five lobed petals of unequal length, four petals facing down, and one petal facing up, and a small spur at the base of the flower. The focus is fully on this flower panicle, which stands out against a very blue July sky in which cirrus clouds swirl in fascinating, repetitive patterns. The image is highly ornate, the patterns organic. The flowers and background are rendered in painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: red-pink for the flowers, shades of green for the flower stem, and highly patterned white and blue for the clouds and sky.
Prompt: Complete width, as wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a dense stand of abundant wild daffodils (narcissus pseudonarcissus) in bloom in April. The flowering plants line a riverbank, with the archetypical yellow flowers nesting among tall strap-like, blue-tinged leaves. The flowers have six pointed, lemon-yellow tepals surrunding a darker yellow trumpet. Pale spring sunlight shines on the plants, bringin out the joyful colors. The wild daffodil flowers, leaves, and the brown, crumbly soil of the riverbank underground are rendered in strongly repetitive, linear patterns typical of intaglio prints. The entire image has mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Blue-tinged green for the leaves, contrasting with the intense yellows of the flowers, shades of brown for the underground. The brown and yellow repeat in the thin guilloche frame.
Prompt: Widescreen, HD, 16:9, 3840x2160 (4K UHD), complete width full image with no cutoffs, full frontal collage showing young variegated ivy growing over a rotting tree stump in the woods. The artist used materials readily found in the woods to create the image: moss, twigs, various leaves, pebbles, seedheads, tree bark, mushrooms, berries, nuts, and humus. The collage artist has carefully arranged the woodland finds to an intricately patterned Image of fleeting beauty. Creation made in countless hours of painstaking labor with loving attention to detail.
Prompt: extremely inrticate white-and-gold High Baroque Church with a red carpet as a runway for a cutting-edge, opulent fashion show by Versace, sharp focus on thin models on the catwalk showing billowing, ornate, colorful high fashion costumes, hyper-crisp focus and lighting from below, celebrities and VIPs sitting in the pews as onlookers, lavish floral arrangements line the runway, fashion photography in the blended styles of Mario Testino, Cecil Beaton, and Patrick Demarchelier
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irene muehldorf
Member since 2017
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