Prompt: Culinary still life rendered full-screen, sidelit by sun streaming in a window, sharp-focus, macro-view, close-up and in watercolor. The subject of the frontal-viewed still life is several large, shiny, red onions spilling from a burlap bag onto a kitchen counter made of heavy, dark, gold-veined marble. Behind the onion arrangement, the kitchen cabinets are a dark shade of burgundy-red, with the molding standing out and casting shadows from the side lighting by the sun. The background of the culinary still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the onions, the burlap bag and the marble countertop are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: pumkin blossom with very pronounced dark outlines and veins, stained glass effect illustration, mainly green and orange, extremely fine detail, fine lines, old master's artwork, backlit church window, calming and beautiful
Prompt: Full screen macro view of large, ripe, juicy, deep-red and green translucent gooseberries hanging crowded together from a single branch of a gooseberry bush, close-up showing the delicate, lighter stripes running along the length of each gooseberry, hanging heavy and plump from a single branch, surrounded by perfectly shaped, light-green gooseberry leaves. The fruit is in its natural surroundings. The branch of gooseberries is rendered in quick and dirty wet-on-wet watercolor. Museum-quality aquarelle on heavy handmade rag paper.
Prompt: outside view of fantasy hypermodern cubic church based on Munich's Herz Jesu church, steel framework, blue glass facade designed by Alexander Beleschenko, maple wood, sunlit
Prompt: Who hid the bottle of Jim Beam in the filing cabinet? Ful frontal view of a metal filing cabinet with different-colored, labeled folders and files arranged next to each other on shelves, hiding a bottle of whiskey between some folders. Zentangle line art, whimsical, string colors.
Prompt: Roller coaster filled with enthusiasts (thoosies) seeking the thrill of airtime (negative g-forces) as the rolloer coaster drops from incredible heights. The ulitmate roller coaster ride. Located in a top-notch amusement park. Scary, terrifying thrill, but safe. Bright colors, exquisite detail.
St. Patrick's Day: fictional future banknote designs - red clover (trifolium pratense)
Model:
AIVision
Size:
5304 X 3768
(19.99 MP)
Used settings:
Prompt: 16:9 wide, extra-wide, full-screen, full frontal image surrounded by an elegant, thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of an otherwise fallow meadow completely dominated by red clover (trifolium pratense) in full bloom. It is May, and the large, deep pink flowerheads of the red clover stand out in stark contrast to the leaves, which are trifoliate and green with a characteristic pale chevron in each leaflet. The dense clover field is fully sunlit. The focus is on a few plants standing close together, with the remaining meadow stetching out to the blue horizon. The image is highly ornate, the patterns organic. The flowers and background are rendered in painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: luminous dark pink for the flowerheads, shades of green for the leaves with their chevrons, and a streaky, spotty, summery sky blue for the the horizon.
Prompt: flagstone porch with a white wrought-iron round table and two white wrong ght-iron chairs, in the shade of a large weeping willow, cozy, inviting. Against the stone wall stand glazed flower pots with red and purple geraniums.
Prompt: Full-screen, strongly front-lit, macro-view watercolor of a large, rough canvas bag filled with dozens of ripe, red, shiny apples, spilling lazily out of the bag onto the formica tabletop. Behind the tabletop, we see a kitchen wall with an intricate, small, tile pattern in bright colors. The rich, ornate culinary tableau is strongly lit from the front and casts shadows on the many shiny, glassy tiles of the kitchen wall. The wall is rendered in blurry, spotty wet-on-wet speedpainted watercolor. The apples, the bag and the formica tabletop are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with sketch outline tracings coming through. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
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irene muehldorf
Member since 2017
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