eat your veggies - Delft-patterned pumpkin and chestnuts
Model:
AIVision
Size:
5912 X 3376
(19.96 MP)
Used settings:
Prompt: Full screen, sunlit, sharp-focus, macro-view closeup of a large, blue-and-white patterned, precious delft porcelain platter with a landscape pattern. The platter lies on an intricately patterned, colorful jacquard tablecloth. The table stands against a simple, rough, whitewashed wall whose spots and bumps stand out in the sunlight streaming in. On the platter lies a halved Hokkaido pumpkin, showing the seeds and the bright orange-yellow flesh. A few chestnuts lie around the pumpkin display. The elegant, timeless atmospheric ambience of the still life is deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the details of the tablecloth, platter, pumpkin and chestnuts standing out in full detail, almost like in an etching. The wall behind the arrangement is rendered in an airy, impressionistic manner, painted in sloppy, wet alcohol ink speedpaint. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the manner of accomplished contemporary and historical artists like Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: kindergarten finger painting project: a field of sunflowers in the manner of Vincent van Gogh. Extremely thick impasto finger paint in big sloppy dabs on construction paper. Very joyful and colorful. Painting fills the entire screen.
Prompt: very highly polished teakwood sculpture with patches of and crazy-lace agate, life-sized Haflinger horse, standing in a verdant outdoor palace courtyard, sculpted in the manner of Duane Hanson and Ron Mueck
Prompt: Simple culinary still life rendered full-screen, sidelit by kitchen lights, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a small paper shopping bag spilling perfect, green snow pea pods onto a kitchen counter made of strongly patterned, semiprecious lapis lazuli stone. Behind the seemingly artless arrangement, we can make out a simple ochre wall that contrasts sharply with the green snow pea pods. The background of the culinary still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the snow pea pods, the shopping bag and the countertop are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, sharp-focus, macro-view watercolor of a bunch of five golden beets with greens, tied together with rough hemp packaging string, lying a wooden cutting board on a kitchen counter, waiting to be cleaned and prepared. One beet is split to show the glowing, golden-yellow inside, with the close-up showing the concentric rings of lighter and deeper yellow. The greens of the beets are crinkled and present in various chades of green, the stems are a light yellow-green. The roots of the beets still have some dry soil clinging to them. Behind the beets, we see the suggestion of a red-and-white checkered tea towel hanging over the kitchen sink faucet. We se no other kitchen utensils. The culinary still life shows fresh ingredients ready to be prepared and cooked. The tableau is deftly and painstakingly rendered in quick, wet-on-wet watercolor, the burgundy-colored background is blurry and spotty. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: vintage psychedelic blacklight stoner poster, in the style of hippie rock posters for sale at record stores in the 1970s, extreme detail, shocking neon colors on a black background, featuring trippy architecture in the style of M.C. Escher
Prompt: fantasy Gothic church made of pastel-colored sugar drip icing, amazingly realistic detail, in a sugar frosting landscape, culinary masterpiece, award-winning confectionary
Prompt: dark silhouettes of bare-branched trees against the last of the setting sun's orange rays and a purple sky. Rich sunset colors of winter quickly captured in wet-on-wet speedpainting technique, with the dark, extremely detailed tree silhouettes like a linocut print by a contemporary Japanese master artist laid on top of the glowing speedpainted sunset.
Prompt: Full-screen, macro-view, extreme close-up of a few sugar snap pea vines bearing many sugar snap pea pods, growing in moist, loamy, sandy soil, ready to harvest. Next to the vines sits a shallow, meidum-blue plastic bowl filled with freshly picked sugar snap pea pods. The sunlit sugar snap pea vines have various shades of medium to light green. The focus of the image is on the plants and the bowl. Behind the plants and bowl, we see a blurry and verdant background suggesting a vegetable patch. Bottom-up, close-up view. The full-screen view shows the plants deftly rendered in diaphanous, ornate, painstaking, wet-on-wet watercolor. The background is rendered in floppy alcohol ink speedpaint and is painted all the way to the edges of the paper. Prize-winning biology illustration in the style of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Magical winter landscape linocut of gentle, snow-covered mountains and snow-covered evergreen trees. The scene is bathed in a warm, golden light from a low sun, casting soft shadows across the pristine white snow that blankets the foreground. The mountains in the background are majestic and snow-capped, with some peaks partially shrouded in wispy clouds. The sky is a gradient of blue, magenta, pink, orange, and soft yellow tones, suggesting a sunset. In the foreground, clusters of tall, snow-laden fir trees stand proudly, their branches heavy with fresh snow. Tranquil, peaceful, majestic, and serene natural landscape on a crisp late afternoon in winter day in a mountainous region. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Macro view of several ripe, plump, purple-hued figs hanging on a fig tree branch in the sun, against a backdrop of perfect, green fig leaves, in their natural surroundings. Quick and dirty wet-on-wet watercolor of the branch of figs, museum-quality aquarelle on heavy handmade rag paper.
Prompt: Fabric pattern of white spirea flowers with multiple clusters densely packed together. Each flower should be small with numerous petals surrounding a cluster of greenish-yellow centers. The flowers are set against a backdrop of rich, green, ovate leaves with serrated edges. The foliage adds dimension and enhances the freshness of the tine blooms. The spirea pattern on the heavy cotton duck canvas fabric is styled in the manner of William Morris nad Laura Ashley with a touch of abstract Marimekko.
Prompt: Full screen macro view of a bunch of ripe, juicy, Japanese pink grapes, translucent, delicate pnk, perfectly round, hanging heavy and plump from a single vine, surrounded by perfectly shaped, green wine leaves,. The fruit is in its natural surroundings. The grapes are rendered in quick and dirty wet-on-wet watercolor. Museum-quality aquarelle on heavy handmade rag paper.
Prompt: Old, gray concrete sidewalk cracked in places; street artists have filled in the cracks with geometrical mosaics made from tiny, colorful mosaic stones. The process is called flacking and results in surprisingly beautiful antidotes to urban decay. The contrast between the hopeless urban disrepair.
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50w
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irene muehldorf
Member since 2017
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