Prompt: Full screen macro view of a bunch of sunlit, glowing yellow zebra tomatoes with delicate green stripes hanging on the vine in a perfect row of three and four on either side of the vine. Bursting with flavor and nutrients, all tomatoes in the cluster are ripe and ready to be picked. They are surrounded by healthy, dark-green leaves. Very clear close-up showing the intricate striping and the finely toothed tomato leaves in shades of green. Behind the zebra tomatoes, additional unfocused tomato plants suggest a vegetable patch. Close-up, full-screen view of the plant deftly rendered in painstakingly detailed watercolor and the background in quick and dirty, sloppy, very wet-on-wet watercolor. Prize-winning biology illustration in the style of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: As wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image showing a close-up of a large hydrangea (hydrangea macrophylla) bush crocheted from different thicknesses of yarn. The large, bushy blooms are made of large-looped blue and purple yarn, and the mid-green and light-green, heart-shaped, strongly veined leaves are crocheted with a finer crochet hook. The entire ensmble has strongly repetitive patterns The very finely crocheted and patterned background is mainly dark green, with some brown to represent twigs. The crochet art has mesmerizingly repetitive, organic patterns of painstaking, extreme detail. Unusual crochet art masterpiece.
juicy fruit - soft and crunchy, anitioxidants and micronutrients, the fabulous pitaya
Model:
AIVision
Size:
2741 X 1684
(4.62 MP)
Used settings:
Prompt: Full screen, sharp-focus, macro-view watercolor of a single pitaya dragonfruit on a hand-pottered, dark brown ceramic plate with a golden rim. The pitaya is cut in half to reveal the wax-white fruit pulp with tiny black, shiny seeds. The leathery skin of the pitaya is intensely magenta-colored and has several scaly, vivid green spikes. The plate of fruit sits on a wrinkled, white linen napkin. The plate and napkin are placed on a wooden kitchen counter. Behind the plate and napkin, the cream-and-pink colored kitchen wall is blurry and very splotchy, carelessly executed in speedpainting technique. The dragonfruit, plate and napkin are painstakingly and deftly rendered in masterful, wet-on-wet aquarelle. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: warped mirror cubist cathedral in a large city, two spires, resembling the cathedral of Cologne, cubist apartment houses and city streets, extreme bottom-up perspective looking from the foot of the cathedral into a clear blue sky, cubist buildings in shades of gray, blue and brown with yellow highlights, fine art museum piece in the manner of Lyonel Feininger and Pablo Picasso, heavy impasto technique
Prompt: Culinary still life rendered full-screen, sidelit by sunlight streaming in the kitchen window, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a wooden cutting board with a small, sharp, stainless-steel kitchen knife used to cut large, fully ripe, drippingly juicy, dark orange, red-cheeked apricots in half. Behind the wooden cutting board lies a pile of halved apricots on one side and a pile of whole apricots on the other side.The apricot kernels are piled up on the right side of the cutting board. The board and the apricots lie on a dark stone kitchen counter. Behind the seemingly artless arrangement, we can make out a rough, whitewashed, stone kitchen wall. The background of the culinary still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the apricots, the kernels, the cutting board and the reflective knife are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full-screen, museum-quality meticulous rendition in many felt pen colors of a Jurassic forest with cycads adorned with a crown of large, feathery leaves; evergreen cypress-like conifers; and many ginko trees. The forest understory is richly filled with some majestic ferns and horsetails. The forest floor gfeaturs moist, rich brown soli. and puddles. The sky above is filled with cumulus clouds behind which the sun casts its golden rays on the strange, prehistoric forest. Biological study for yong students, rich detail, strong colors, breathtaking beauty.
Prompt: creen-filling, extra-wide image, 16:9 wide, extra-large, full-screen, full frontal image surrounded by an elegant, thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a large, creeping plant in full bloom. The plant is scarlet pimpernel (anagallis arvensis), and has dozens of small, five-petaled, bright orange-red flowers in full bloom peering out between many small, hairy, shiny, egg-shaped leaves of the chickweed-type, The plant is located on a sandy road verge and is fully sunlit. The focus of the image is on the weedy plant, with the beige,sandy road verge forming the background. The image is highly ornate, the patterns organic. The flowers and background are rendered in painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: red-orange for the flowers, a shiny green for the leves, and a dry beige for the sand.
fictional future banknote designs - red barrenwort (epimedium x rubrum)
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 super-large, super-wide, screen-filling, extra-wide image, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that sits at the very edge of the large image is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." It is May, and clusters of red barrenwort (epimedium x rubrum) are blooming in the full sun in front of a rough stone wall in the shade. The sun brings out the details of the dense carpet of large, smooth, heart-shaped, light green and red-flushed leaves. Many individual small, dainty, star-shaped, nodding flowers with four waxy, red sepals each hover above the leaves on erect, wiry stems. Behind the clusters of red barrenwort, a rough, gray stone wall lies in the shade. The representation of the leaf carpet and many flower stems each is highly ornate and organically patterned. The flowers and leaves are rendered in painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: red-flushed green for the leaves, rosy red for the flowers, pale green edged in red for the leaves, and shades of dark gray for the stone wall.
Prompt: Full-screen, front-lit, sharp-focused, macro-view closeup of a wicker bowl lined with a linen cloth, containing ripe, orange-yellow prickly pears. A few prickly pears lie outside the box on a dark stone kitchen counter. Watercolor painting in diaphanous, wet-on-wet aquarelle, painted to the edge of the paper, with pen-and-ink highlights. The prickly pears, the wicker bowl and the linen cloth are carefully, intricately, lovingly, and painstakingly rendered, whereas the surrounding, greenish environment appears blurred and spotty, painted in wet alcohol ink. The artwork extends to the edges of heavy, handmade rag paper, capturing a high-quality, museum-style botanical illustration inspired by renowned contemporary and classical biology illustration artists such as Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: macro view of ripe green gooseberries with a reddish tint where the sun shines on them, hanging heavy from one gooseberry bush branch like green pearls, mouth-watering, hasty wet-on-wet watercolor, museum-quality aquarelle on heavy handmade rag paper
Prompt: Full-screen, museum-quality Christmas print of a forest of coniferous trees. The trees are tall and majestic and are decked out in Christmas decorations, hung with apples, straw stars, gold-sprayed walnuts, painted wooden Christmas-themed ornaments, decorated pine cones, golden-sprayed wood-shaving chains slung around the trees, gingerbread cookies decorated in white, red and green, felted heart ornaments, and large, shiny, red Christmas baubles. The forest ground is dark. A white-yellow full moon shines from above, bringing out the beauty of the unusuall forest, and starlight twinkles in the dark-blue sky that is lighter around the full moon. The atmosphere of wonder is awe-inspiring, and nostalgic for adults reminiscing about Christmases past. The illustration is painted in acrylic, all the way to the edges of the paper with extreme, ornate, exquisite detail, bringing out every single needle, branch and star, with some outline details highlighted. Prize-winning magic forest painting in the style of old Art Nouveau-themed Christmas cards.
Prompt: Old workshop with a loom for weaving gold brocade, based on plans by Leonardo da Vinci, mechanical wonder made of wood and iron that has produced the finest cloth for centuries, bales of exquisite cloth in rich colors and with intricate patterns lie in a corner next to the loom.
Prompt: Very large and wide image, 16:9 wide, extra wide, full-screen, full frontal image surrounded by a thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a woody slope covered with wild-growing Alpine clematis (clematis alpina) covered wtih dozens of clematis flowers. The showy, pendent flowers have four, bluish lavender-purple petals each, and have very pronounced, long, white-lavender style in the middle. The strongly lobed, strongly serrated leaves peek out decoratively between the flowers. The plant is climbing the woody slope, covering the other plants on the slope to obtain maximum sunlight in this shady woodland setting. It is June, and the dappled sun shines on the Alpine clematis. The image is highly ornate, the patterns organic. The flowers and background are rendered in painstaking detail, with a strong focus on the pendent flowerheads, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: shades of lavender-purple for the flowers, and green for the leaves. The woodland slope peeking through the clematis as well as the guilloche border are rendered in brown and gray.
Prompt: large orange desert flower, painted with big, deft brushstrokes with excessive paint in the manner of Georgia O'Keefe and the American Modernist painters as well as Camilla Engström
juicy fruit - pomegranate, the fruit of eternal life
Model:
AIVision
Size:
2958 X 1690
(5.00 MP)
Used settings:
Prompt: Full-screen, front-lit, macro-view watercolor of a large, ripe pomegranate, broken apart to show the dozens of juicy, red seeds lodged inside the white pulp. The skin of the pomegranate is thick, leathery, red and dull. The pomegranate pieces lie on a flower-patterend fine bone china plate, which lies atop a wooden serving tray along with an ornate heirloom silver spoon. The culinary still life is lit from the front and casts high shadows on the splotchy, sumptuously flower-patterned wallpaper behind it. The wall is rendered in blurry, wet-on-wet speedpainted watercolor. The pomegranate, bone china plate and wooden serving tray are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with the aquarelle painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
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irene muehldorf
Member since 2017
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