Prompt: Full-screen, macro-view, side-lit, extreme close-up of several deep-red, shiny, sweet Italian peppers and a bunch of fresh scallions. The vegetables are sitting on a large maplewood cutting board next to one valuable, pearl-handled, sharp Japanese damast steel vegetable knife. No other utensils are included in the tableau. Behind the vegetable still life stands a large, empty frying pan on a professional gas cooking range with a reflective steel backsplash. The focus of the image is on the vegetables and the kitchen utensils, which are deftly rendered in diaphanous, ornate, painstaking, wet-on-wet watercolor with pen-and-ink emphasis and outlines. The background is rendered in alcohol ink speedpaint and is painted all the way to the edges of the paper. Prize-winning biology illustration in the style of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: full view of a very decorative line art tree made of paper straws on an intricate zentangle background; symmetrical; very many flat, dirty colors; strong outlines; ornate; prizewinning handicraft project
Prompt: Screen-filling image of a fantasy forest whose trees are made entirely, exclusively of sturdy honeycombs with tiny, perfect, hexagonal chambers, so that the entire tree - trunks, branches, twigs and leaves - is made of amber-colored, honey-filled honeycombs. Geometrical, mathematical, intricate, recursive composition rendered as a technical blueprint for a new, environmentally friendly habitat of strong trees that also supports bees. No writing or explanations, just an illustration. The honeycomb pattern symbolizes structure, order, utolity and strength, and the honeycomb is strong and flexible, like the wood of a tree. Precise, extremely detailed technical illustration in blue, black and amber, rendered in the combined styles of technical illustrators Tom Connet, Martin Woodward, Steve Sherwood, and Tom Barlow.
Prompt: full-on view of a sunlit stone and pebble garden wall, shades of tan, ochre, gray and brown, flowers growing out of the cracks, peaceful, rural, extremely detailed linocut in the contemporary style of Lauren Boswell, summer, delicate watercolor feel
Prompt: Full-screen, full frontal, extremely detailed stone art image viewed close up and in detail, focused throughout, showing a forest laid out like a puzzle with myriads of small stones, pebbles, polished stone chips, semiprecious stones and polished gemstones. The finely wrought, extremely detailed, masterful wood inlay depicts trees with all of their branches, twigs and leaves, displayed in a huge range of natural, polished stone and gem colors. The stones include strongly patterned granite, agate, azurite, citrine, chrysocolla, jade, lapis lazuli, turquoise, malachite, amber, jasper, onyx, opals, pyrite, rhodinite, hematite, labradorite, snowflake obsidian, sugilite, and other gleaming, glowing gemstones, dozens and dozens of different types of stones used to make the tiny inlay pieces The inlaid pieces perfectly mimic the trunks, twigs, branches and individual leaves in astounding detail. The entire tableau is burnished to a high sheen. The details showing each leaf, twig, branch and trunk, are breathtakingly naturalistic. Each of the many thousand pieces of stone is unique in shape, color, and pattern. Each detail is masterfully wrought. The museum-quality artistic execution makes this tableau worthy of furnishing the most exquisite castle.
Prompt: Full-screen, macro-view, back-lit, extreme close-up of a large glass jar containing homemade dill pickles, dillweed stems, onion slices, a single red chili pepper, and mustard seeds. The jar stands on the sill of an old-fashioned kitchen window with peeling-white paint. The sunlight is streaming in through the dirty windowpanes and lights up the dill pickles in the jar. The atmospheric ambiance of the culinary still life is reminiscent of a grandmother's kitchen. The image is strongly focused on the jar and is deftly rendered in diaphanous, ornate, painstaking watercolor with pen-and-ink emphasis and outlines. The kitchen window and windowsill are rendered in alcohol ink speedpaint. The image is painted all the way to the edges of the paper. Prize-winning biology illustration in the style of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: small, impoverished fantasy church made of recycled plastic bottles and scrap metal, sculptural, located in the squalid part of town, gritty, favela ambience, stark
Prompt: Severely fractalized, mathematically perfect model clematis blossom against a geometric background, reminiscent of Kandinsky, Juan Miro, and paint-by-number art
Prompt: Full-screen, back-lit, macro-view close-up watercolor of three bunches of healthy, plump, dark-purple grapes hanging from a grapevine, surrounded by late-season, yellowing grape leaves. The grapes have a whitish-gray, protective coating. The setting sun filters through the grape leaves. Behind the grape tableau, the setting sun colors the sky orange, pink and magenta. The background is splotchy, blurry, wet-on-wet speedpainted. The three bunches of grapes and the grape leaves are lovingly, deftly and painstakingly rendered in exquisitely detailed, diaphanous watercolor with sparse outline touches of pen-and-ink. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen, front-lit, sharp-focus, macro-view watercolor of several sprigs of variegated sage in shades of grayish white, pale yellow and dusty green lying on a white-and-gray Carrara marble chopping board along with a head of white-and-purple garlic and a Japanese sekizo paring knife with a hammer-forged blade and an elaborately patterned blue-and-green handle. Behind the marble chopping board, the kitchen wall is made of glass over a delicate patterned, frosted, darkish green background. The background is rendered in blurry, wet-on-wet watercolor and is hastily painted whereas the chopping board, the sprigs of sage, the head of garlic and the paring knife are deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail. Some details are emphasized with a touch of pen-and-ink. The aquarelle painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full screen macro-view watercolor of five half-peeled ears of jet-black heirloom black tortilla corn lying haphazardly on top of each other on a stone countertoop waiting to be peeled and cooked. The husks are light green, and the cornsilk is pale yellow. The culinary still life is deftly and painstakingly rendered in quick, wet-on-wet watercolor, the dark background is blurry and spotty. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
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irene muehldorf
Member since 2017
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