Prompt: The Parker Solar Probe is the first spacecraft to fly into the low solar corona. It will assess the structure and dynamics of the Sun's coronal plasma and magnetic field, the energy flow that heats the solar corona and impels the solar wind, and the mechanisms that accelerate energetic particles.
The spacecraft's systems are protected from the extreme heat and radiation near the Sun by a solar shield. Incident solar radiation at perihelion is approximately 650 kW/m2, or 475 times the intensity at Earth orbit.[1][30]: 31 The solar shield is hexagonal, mounted on the Sun-facing side of the spacecraft, 2.3 m (7 ft 7 in) in diameter,[31] 11.4 cm (4.5 in) thick, and is made of two panels of reinforced carbon–carbon composite with a lightweight 4.5-inch-thick carbon foam core,[32] which is designed to withstand temperatures outside the spacecraft of about 1,370 °C (2,500 °F).[1] The shield weighs only 73 kilograms (160 lb) and keeps the spacecraft's instruments at 29 °C (85 °F).
Prompt: The mosque's courtyard forms a dramatic approach that helps to frame the view of the main dome from outside.[19] The central outer gate on the northwest side of the courtyard is unusually simple, as the customary muqarnas canopy is replaced by a simple round arch.[19][20] Inside, the courtyard is surrounded by four porticos of arches and domes. The southeastern portico, immediately preceding the entrance to the prayer hall, is significantly taller than the other three porticos in order to match the great height of the mosque itself.[19] This portico is composed of three wide arches with two very small arches between them, a configuration vaguely resembling a triumphal arch and very different from the earlier monumental portico designed by Sinan for the Süleymaniye Mosque.[19] The façades above these arches are decorated with two marble circles inscribed with quotes from the Qur'an.[21] The large lower windows around the courtyard are surmounted by decorative lunettes, except for the two windows on either side of the entrance portal, which are set below muqarnas niches instead. The lunettes of the windows on the prayer hall side are filled with Iznik tiles painted with calligraphy
Prompt: The Selimiye Mosque was built at the peak of Ottoman military and cultural power. Sultan Selim II, the son and successor of Suleiman the Magnificent, chose Edirne instead of Istanbul (the Ottoman capital) as the location to build his own sultanic mosque. The reasons for this decision are a matter of debate among historians.[5] Selim II appeared to have a passion for the city, having served as its governor between 1548 and 1550, and he visited it frequently after becoming sultan.[6][7] Edirne, a former Ottoman capital, was also one of the most important cities in the empire and a major stop on the imperial highway between Istanbul and the Balkan provinces.[6][7] Other motivations may have included the fact that there were no more prominent hilltop sites in Istanbul available for the construction of an imperial mosque complex – at least not without resorting to mass expropriations.[8][7] At the time of the mosque's commission, Selim II had also not commanded a victorious military campaign, which Islamic scholars of the time considered to be a requirement for building a sultanic mosque in Istanbul.[8]
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: The beauty of the solitary, often snow-capped, stratovolcano, known around the world as Mount Fuji, rising above villages and tree-fringed sea and lakes has long been the object of pilgrimages and inspired artists and poets. The inscribed property consists of 25 sites which reflect the essence of Fujisan’s sacred and artistic landscape. In the 12th century, Fujisan became the centre of training for ascetic Buddhism, which included Shinto elements. On the upper 1,500-metre tier of the 3,776m mountain, pilgrim routes and crater shrines have been inscribed alongside sites around the base of the mountain including Sengen-jinja shrines, Oshi lodging houses, and natural volcanic features such as lava tree moulds, lakes, springs and waterfalls, which are revered as sacred. Its representation in Japanese art goes back to the 11th century, but 19th century woodblock prints of views, including those from sand beaches with pine tree groves have made Fujisan an internationally recognized icon of Japan and have had a deep impact on the development of Western art.
Prompt: The Ogasawara Islands are located in the North-Western Pacific Ocean roughly 1,000 km south of the main Japanese Archipelago. The serial property is comprised of five components within an extension of about 400 km from north to south and includes more than 30 islands, clustered within three island groups of the Ogasawara Archipelago: Mukojima, Chichijima and Hahajima, plus an additional three individual islands: Kita-iwoto and Minami-iwoto of the Kazan group and the isolated Nishinoshima Island. These islands rest along the Izu-Ogasawara Arc Trench System. The property totals 7,939 ha comprising a terrestrial area of 6,358 ha and a marine area of 1,581 ha. Today only two of the islands within the property are inhabited, Chichijima and Hahajima. The landscape is dominated by subtropical forest types and sclerophyllous shrublands surrounded by steep cliffs. There are more than 440 species of native vascular plants with exceptionally concentrated rates of endemism as high as 70% in woody plants. The islands are the habitat for more than 100 recorded native land snail species, over 90% of which are endemic to the islands.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: The tower foundation consists of a circular reinforced concrete slab with a thickness of 1 meter and a diameter of 13.40 meters . The foundation is laid in the altitude of 1004.75 meters. The load-bearing element of the structure consists of two concentric reinforced concrete rollers with inner diameters of 4.4 and 12.5 meters (and a wall thicknesses of 30 centimeters); the narrower is 42.4 meters high, the wider (external) is 22.5 meters high. On the tubes the individual floors are suspended on a steel structure, starting with the second floor. The columns were manufactured by Průmstav Pardubice. The supporting steel structures for the floors and for the tower structure were manufactured in the Mostárna plant in the then state-owned company Vítkovice Iron Works of Klement Gottwald. A steel shell with a length of 44 meters of a variable diameter (from 10.50 meters to 1.62 meters) is attached to the inner column The laminate support roller (diameter of 1.90 meters and a wall thickness of 16 to 12 millimeters) attached to it, originally had a length of 17.52 meters which was extended another 3 meters during the 1997 reconstruction.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: The ironworks, which cover some 6 ha, dominate the city of Völklingen. Although they have recently gone out of production, they are the only intact example, in the whole of western Europe and North America, of an integrated ironworks that was built and equipped in the 19th and 20th centuries and has remained intact. The Völklingen Ironworks in western Germany close to the border with France cover 6 ha and are a unique monument to pig-iron production in Western Europe. No other historic blast-furnace complex has survived that demonstrates the entire process of pig-iron production in the same way, with the same degree of authenticity and completeness, and is underlined by such a series of technological milestones in innovative engineering. The Völklingen monument illustrates the industrial history of the 19th century in general and also the transnational Saar-Lorraine-Luxembourg industrial region in the heart of Europe in particular. The Ironworks are a synonym for and a symbol of human achievement during the First and Second Industrial Revolutions in the 19th and beginning of the 20th centuries.
Prompt: Between 1919 and 1933 the Bauhaus movement revolutionized architectural and aesthetic thinking and practice in the 20th century. The Bauhaus buildings in Weimar, Dessau and Bernau are fundamental representatives of Classical Modernism, directed towards a radical renewal of architecture and design. This property, which was inscribed on the World Heritage List in 1996, originally comprised buildings located in Weimar (Former Art School, the Applied Art School and the Haus Am Horn) and Dessau (Bauhaus Building, the group of seven Masters' Houses). The 2017 extension includes the Houses with Balcony Access in Dessau and the ADGB Trade Union School in Bernau as important contributions to the Bauhaus ideas of austere design, functionalism and social reform.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: The World Heritage properties comprises twelve separate buildings or ensembles: Goethe's House and Goethe´s Garden and Garden House; Schiller's House; Herder Church, Herder House and Old High School; Residence Castle and Ensemble Bastille; Dowager's Palace (Wittumspalais); Duchess Anna Amalia Library; Park on the Ilm with the Roman House; Belvedere Castle and Park with Orangery; Ettersburg Castle and Park; Tiefurt Castle and Park; and Historic Cemetery with Princes´ Tomb.
Prompt: The museum as a social phenomenon owes its origins to the Age of Enlightenment in the 18th century. The five museums on the Museumsinsel in Berlin, built between 1824 and 1930, are the realization of a visionary project and show the evolution of approaches to museum design over the course of the 20th century. Each museum was designed so as to establish an organic connection with the art it houses. The importance of the museum's collections – which trace the development of civilizations throughout the ages – is enhanced by the urban and architectural quality of the buildings. The Berlin Museumsinsel is a complex of buildings composed of individual museums of outstanding historical and artistic importance located in the heart of the city. The five museums, built between 1824 and 1930 by the most renowned Prussian architects, represent the realization of a visionary project and the evolution of the approaches to museum design over this seminal century. They form a unique ensemble that serves purely museological purposes and constitutes a town-planning highlight in the urban fabric as a kind of city crown.
Prompt: The Garden Kingdom of Dessau-Wörlitz is an exceptional example of landscape design and planning of the Age of the Enlightenment, the 18th century. Its diverse components - outstanding buildings, landscaped parks and gardens in the English style, and subtly modified expanses of agricultural land - serve aesthetic, educational, and economic purposes in an exemplary manner. The Garden Kingdom of Dessau-Wörlitz, located in Saxony-Anhalt in the Middle Elbe Region, is an exceptional example of landscape design and planning from the Age of the Enlightenment in the 18th century. Its diverse components – the outstanding buildings, English-style landscaped parks and gardens, and subtly modified expanses of agricultural land – served aesthetic, educational, and economic purposes in an exemplary manner.
Prompt: The Costiera Amalfitana, stretches along the southern coast of the Sorrentine Peninsula in Salerno province and can rightly be defined as a landscape of outstanding cultural value, thanks to the astonishing work of both nature and humankind. Its dramatic topography and historical evolution have produced exceptional cultural and natural scenic values. Nature is both unspoiled and harmoniously fused with the results of human activity. The landscape is marked by rocky areas, wood and maquis, but also by citrus groves and vineyards, grown wherever human beings could find a suitable spot. The Costiera Amalfitana covers 11,231 hectares, a large area that encompasses 15 municipalities, agricultural lands and three natural reserves. The region has been populated since prehistoric times as illustrated by the Palaeolithic and Mesolithic remains found at Positano. While it became a Roman colony in the 4th century, the region has been intensively settled since the beginning of Middle Ages.
Prompt: Together Modena’s magnificent 12th century cathedral and soaring bell tower serve as a supreme example of early Romanesque art comprised of exceptional architectural and sculptural quality. In addition to the cathedral and spectacular civic tower, also known as “Ghirlandina”, the property includes the Piazza Grande surrounded by the City Hall, and the Archishopric and a part of the canonical buildings and the sacristry to the north. The entire property is relatively small, covering 1.2 ha surrounded by a buffer zone of 1.1 ha. Attributed to the architect Lanfranco, the cathedral was begun in 1099, replacing an early Christian basilica, and is the home of the mortal remains of Saint Geminiano, the patron saint of Modena (4th century). The building is covered with ancient roman stones, linking it to the splendour of the temples of antiquity. Wiligelmo’s rich sculptures are found on both external walls and the interior capitals. The bell tower, started in the beginning of the 12th century, is of similar style and materials. Originally a five-storey structure, it was completed in 1319 with an octagonal section and additional decoration.
Prompt: The monumental complex at Caserta, created by the Bourbon king Charles III in the mid-18th century to rival Versailles and the Royal Palace in Madrid, is exceptional for the way in which it brings together a magnificent palace with its park and gardens, as well as natural woodland, hunting lodges and a silk factory. It is an eloquent expression of the Enlightenment in material form, integrated into, rather than imposed on, its natural setting. The Royal Palace is the centrepiece of the whole architectural composition and is located on a central axis which connects and unifies the entire complex. The portico and the stream of the fountains in the park which lead to the scenic backdrop of the waterfall, formed by the Aqueduct Carolino, are also situated along this axis. The Aqueduct Carolino, with its imposing viaduct “Ponti della Valle” is a stunning work of engineering and provides an extraordinary infrastructure not only serving the palace, the gardens and the future capital of the kingdom, but also the mills, the ironworks and the manufacturing industries located along its path.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: Each ISPR provides 1.571 m3 (55.5 ft3) of internal volume being about 2 m (79.3 in) high, 1.05 m (41.3 in) wide, and 85.9 cm (33.8 in) deep. The rack weighs 104 kg (230 lb) and can accommodate an additional 700 kg (1540 lb) of payload equipment.[1] The rack has internal mounting provisions to allow attachment of secondary structure. The ISPRs will be outfitted with a thin center post to accommodate sub-rack-sized payloads, such as the 483 mm (19-inch rack) Spacelab Standard Interface Rack (SIR) Drawer or the Space Shuttle Middeck Locker. Utility pass-through ports are located on each side to allow cables to be run between Racks. Module attachment points are provided at the top of the rack and via pivot points at the bottom. The pivot points support installation and maintenance. Tracks on the exterior front posts allow mounting of payload equipment and laptop computers. Additional adapters on the ISPRs are provided for ground handling.
Prompt: The capsules were constructed of light steel welded trusses covered with steel sheeting mounted onto the reinforced concrete cores. The capsules were 2.5 metres wide and four metres long with a 1.3 metre diameter window at one end. The units originally contained a bed, storage cabinets, a bathroom, a colour television set, clock, refrigerator and air conditioner, although optional extras such as a stereo were available. Although the capsules were designed with mass production in mind, there was never a demand for them.[54] Nobuo Abe was a senior manager, managing one of the design divisions on the construction of the Nakagin Capsule Tower.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: Architectural Planning Juries, both at the level of the districts and at the level of the Capital of Budapest, facilitate high quality architectural developments in accordance with the values of the property. The Gyula Forster National Centre for Cultural Heritage Management is the World Heritage Management Body. Based on the national World Heritage Act of 2011, the state of conservation of the property, as well as threats and preservation measures will be regularly monitored and reported to the National Assembly, while the management plan will be reviewed at least every seven years. Once finalised and approved, the management plan and the management body provide transparent governance arrangements with clear responsibilities, where different interests can manifest themselves and where the institutional framework and methods for the cooperation of the different stakeholders are available.
Prompt: As a centre for receiving and disseminating cultural influences, Budapest is an outstanding example of urban development in Central Europe, characterised by periods of devastation and revitalisation. Budapest has retained the separate structural characteristics of the former cities of Pest, Buda and Óbuda. One example thereof is the Buda Castle Quarter with its medieval and characteristically Baroque style, which are distinct from the extended and uniquely homogeneous architecture of Pest (with its historicising and art nouveau styles) which is characterised by outstanding public buildings and fitted into the ringed-radial city structure. All this is organized into a unity arising from the varied morphological characteristics of the landscape and the Danube, the two banks of which are linked by a number of bridges. The urban architectural ensemble of the Andrássy Avenue (‘The Avenue’) and its surroundings (Heroes' Square, the City Park, historic inner city districts and public buildings) are high-quality architectural and artistic realisations of principles of urbanism reflecting tendencies, which became widespread in the second part of the 19th century.
Prompt: Inhabited since the 2nd century A.D., Quirigua had become during the reign of Cauac Sky (723–84) the capital of an autonomous and prosperous state. The ruins of Quirigua contain some outstanding 8th-century monuments and an impressive series of carved stelae and sculpted calendars that constitute an essential source for the study of Mayan civilization. Quirigua is one of the major testimonies to the Mayan civilization. For reasons which are not clear, it then entered a period of decline. It is known that, at the time of the arrival of the European conquerors, the control of the jade route had been taken over by Nito, a city closer to the Caribbean coast. Although Quirigua has retained ruins and vestiges of dwellings ranging between AD 200 and AD 900, most of the monuments that ensure Quirigua its world-wide reknown date from the 8th century, the period during which the city was entirely remodelled in accordance with its function as royal residence and administrative centre.
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Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
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