Prompt: The buildings comprising the Residences of the Royal House of Savoy have undergone many restoration procedures. The conservation and restoration work undertaken is based on patient stratigraphic research, archive studies, scientific analysis and the analysis of structures. The work is also designed in some cases to bring to light elements that had been hidden by previous refurbishment and to correct some previous building works. Repair and restoration work on the House of Savoy residences, conducted with the aim of opening them to the public, begun in the 1970s and is still underway. With the programme to restore Rivoli Castle and its conversion into the Museum of Contemporary Art (inaugurated in 1984) a process of restoration and the return to public utility of these historic, architectural and artistic assets led to the reopening of many residences.
Prompt: The plan was initially conceived by the Duke of Savoy, Emmanuel-Philibert, when he transferred the capital of his Duchy to Turin. His successor, Charles-Emmanuel I, and his wife developed and implemented the plan to completely reorganise the area during the 17th and 18th centuries giving the city and surrounding area a Baroque character. The plan celebrates the absolute power of the Royal House of Savoy. The capital was organized and developed along the axes defined by the ‘Command Area’ as the central node including the Palazzo Reale, Palazzo Chiablese and Palazzo della Prefettura and managing political, administrative and cultural aspects of life which was surrounded by a system of maisons de plaisance. These villas including Castello di Rivoli, Castello di Moncalieri and Castello di Venaria created a Corona di Delizie, or ‘Crown of Delights’ around the capital and with the outlying residences of Racconigi, Govone, Agliè and Pollenzo gave form to the countryside. The construction plan foresaw a change in function for existing residences, the construction of new buildings, the definition of hunting routes and the creation of a network of roads connecting outlying residenc
Prompt: This property is a historic sericulture and silk mill complex established in the late 19th and early 20th century in the Gunma prefecture, north-west of Tokyo. It consists of four sites that correspond to the different stages in the production of raw silk: a large raw silk reeling plant whose machinery and industrial expertise were imported from France; an experimental farm for production of cocoons; a school for the dissemination of sericulture knowledge; and a cold-storage facility for silkworm eggs. The site illustrates Japan’s desire to rapidly access the best mass production techniques, and became a decisive element in the renewal of sericulture and the Japanese silk industry in the last quarter of the 19th century. Tomioka Silk Mill and its related sites became the centre of innovation for the production of raw silk and marked Japan’s entry into the modern, industrialized era, making it the world’s leading exporter of raw silk, notably to Europe and the United States.
Prompt: The medium hall is a multipurpose theater venue with a fan-shaped seating arrangement for easy, immersive viewing of the stage performances. The interior brick walls are three-dimensionally curved to better mix the reflected sounds, creating a uniform acoustic environment across the seating area. The small hall, frequently used by the public for small concerts and events, also features anti-vibration and soundproofing structures. Each of its four walls leans outward by five degrees for better acoustic mixing.
Prompt: Some of the cultivation terraces extend to as much as 2 km in length. Terraces extended along the steep slopes from a few meters above sea level to up 400 m a.s.l., the highest altitude suitable for cultivation. They were mostly built in the 12th century, when Saracen raids from the sea had come to an end. The drystone walls are most often carefully constructed of sandstone rough blocks, bonded together with pebbles removed from the ground. The maintenance of the terraces and the cultivation of vines and olive trees on the terraces reflect a communal approach to farming and the collaboration and cooperation of the communities without which such cultivation would not have been possible. The natural garrigue and maquis vegetation survives intact in the higher parts of the steep ridge. The nature of the terrain and the vegetation provides food and shelter for a wide range of insect and animal species.
Prompt: The building features a café, restaurant and bar on the ground and upper levels, and offices and instructor waiting rooms in the basement. The new restaurant, along with the Park Hyatt Niseko Hotel and Residences, was completed at the same time as the former ski center (now a ski school), and surround the snow park at the foot of the slope, creating an integrated luxury resort. An iconic design was needed for the restaurant, as it directly faces the slope, assuming significant stature.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: The original layout and form of many of the urban areas have been dictated by the coastal geography. Their narrow streets and steep stairs are reminiscent of eastern souks. Agriculture of citrus groves, olive orchards and vineyards are supported along the terraced slopes bounded by drystone walls. In some parts of the Costiera the natural landscape survives intact, with little, if any, human intervention. Some of these areas are accessed by ancient, narrow mountain paths or mule tracks that historically connected farms and villages. Traditional activities continue including crafts such as the ceramics influenced by Arabic culture, farming and some types of fishing.
Prompt: On the southern side of the peninsula, a natural border is formed by Lattari Mountains which extends from peaks of Picentini Mountains as far as Tyrrhenian Sea, dividing the Gulf of Naples from the Gulf of Salerno. The World Heritage property is composed of four main coastal areas (Amalfi, Atrani, Reginna Maior, and Reginna Minor) and some secondary areas (Positano, Praiano, Cetara, and Erchie), with the characteristic villages of Scala, Tramonti and Ravello, and the hamlets of Conca and Furore. Several of these historical centres, flourished during the period of the great power hold by the Amalfi Sea Republic and, as a result, contain numerous artistic and architectural masterpieces, some of which are the result of the fusion of eastern and western elements known as “Arabic-Norman” style. Agricultural areas are witness to the capacity of its inhabitants to adapt, in the best way, to the different types of land. They developed terrace cultivation for vineyards and fruit gardens in the bottom area and practiced sheep-farming in the upper area.
Prompt: Lutheranism is a major branch of Protestantism, identifying primarily with the theology of Martin Luther, the 16th-century German monk and reformer whose efforts to reform the theology and practice of the Catholic Church launched the Protestant Reformation.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: The Moon is Earth's only natural satellite. It is the fifth largest satellite in the Solar System and the largest and most massive relative to its parent planet,[f] with a diameter about one-quarter that of Earth (comparable to the width of Australia).[16] The Moon is a planetary-mass object with a differentiated rocky body, making it a satellite planet under the geophysical definitions of the term and larger than all known dwarf planets of the Solar System.[17] It lacks any significant atmosphere, hydrosphere, or magnetic field. Its surface gravity is about one-sixth of Earth's at 0.1654 g, with Jupiter's moon Io being the only satellite in the Solar System known to have a higher surface gravity and density. The Moon orbits Earth at an average distance of 384,400 km (238,900 mi), or about 30 times Earth's diameter. Its gravitational influence is the main driver of Earth's tides and very slowly lengthens Earth's day. The Moon's orbit around Earth has a sidereal period of 27.3 days. During each synodic period of 29.5 days, the amount of visible surface illuminated by the Sun varies from none up to 100%, resulting in lunar phases that form the basis for the months of a lunar calenda
Prompt: The cathedral and the “Ghirlandina” tower appear as a consistent complex in terms of material and structural criteria, and the construction of the two buildings kept the city of Modena busy for over two centuries, from 1099 to 1319. The rebuilding of Modena cathedral in 1099 is a key landmark in medieval history for many reasons, of which two are of most importance. First, the building is a characteristic and documented example of the reuse of ancient remains, which was common practice in the Middle Ages before the quarries were reopened in the 12th and particularly the 13th centuries. Secondly, at the turn of the 11th and 12th centuries, this was one of the first buildings, and certainly the most important one, where collaboration between an architect (Lanfranco) and a sculptor (Wiligelmo) has been documented by explicit inscriptions, found in the building. It also marked the shift from a conception of artistic production emphasizing the quality of the buildings as a masterpiece of the munificence of its founder, to a more modern concept in which the role of the creator is recognised.
Prompt: Outside, the plaza in front of the facility is dotted with spaces for culture and art, including a grassy area where citizens can easily gather, a shaded area, and a stage. The interior space was created with an awareness of spatial continuity with the exterior, where the courtyard and greened eaves create a space with abundant nature and natural light. We hope that the interior and exterior will support citizens’ artistic activities as a single integrated space.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: We sought to create an elegant and refined space befitting a cultural and artistic center, while at the same time pursuing easy-to-use dimensions. The entrance lobby and halls, with their reduced height, allow visitors to enjoy a sense of realism. The height, along with the width of the corridors and the distance between the various rooms, are designed to ensure visibility and intimacy. The facility’s spaces allow people to feel others’ activities as well as the abundant greenery.
Prompt: When Vesuvius erupted on 24 August AD 79, it engulfed the two flourishing Roman towns of Pompei and Herculaneum, as well as the many wealthy villas in the area. These have been progressively excavated and made accessible to the public since the mid-18th century. The vast expanse of the commercial town of Pompei contrasts with the smaller but better-preserved remains of the holiday resort of Herculaneum, while the superb wall paintings of the Villa Oplontis at Torre Annunziata give a vivid impression of the opulent lifestyle enjoyed by the wealthier citizens of the Early Roman Empire. The World Heritage property includes three different archaeological areas: the ancient towns of Pompeii and Herculaneum together with the Villa of the Mysteries (to the west of Pompeii) and the Villa of the Papyri (to the west of Herculaneum), and the Villa A (Villa of Poppaea) and Villa B (Villa of Lucius Crassius Tertius) in Torre Annunziata. The vast expanse of the commercial town of Pompeii contrasts with the smaller but better-preserved remains of the smaller Herculaneum.
Prompt: The archaeological area of Agrigento includes all the essential elements that contribute to the justification of its Outstanding Universal Value. The site boundary includes the entire territory of the ancient polis, including the extramural area of the necropolis, the substantial excavated areas of the residential area of Hellenistic and Roman Agrigento, the complex network of underground aqueducts and a wide portion of land where there are still unexcavated archaeological structures. The archaeological structures have been preserved in good condition, thus ensuring an authentic representation. However, land instability remains an issue.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: Complexity. Futurists believe that a simple one-dimensional or single-discipline orientation is not satisfactory. Trans-disciplinary approaches that take complexity seriously are necessary. Systems thinking, particularly in its evolutionary dimension, is also crucial.
Futurists are motivated by change. They are not content merely to describe or forecast. They desire an active role in world transformation.
They are hopeful for a better future as a "strange attractor".
Most believe they are pragmatists in this world, even as they imagine and work for another. Futurists have a long term perspective.
Sustainable futures, understood as making decisions that do not reduce future options, that include policies on nature, gender, and other accepted paradigms. This applies to corporate futurists and other non-governmental organizations. Environmental sustainability is reconciled with the technological, spiritual, and post-structural ideals. Sustainability is not a "back to nature" ideal, but rather inclusive of technology and culture.
Prompt: The Fountains of St. Peter's Square (Italian: Fontane di Piazza San Pietro) are two fountains in St. Peter's Square in Vatican City, created by Carlo Maderno (1612–1614) and Gian Lorenzo Bernini (1667–1677) to ornament the square in front of St. Peter's Basilica. The older fountain, by Maderno, is on the north side of the square. In 1612, the ancient Roman aqueduct the Aqua Traiana was rebuilt by Pope Paul V and renamed the Acqua Paola; the restored aqueduct provided the fountain with a much more abundant source of water. The architect Carlo Maderno, nephew of the architect Domenico Fontana, was given the commission to redesign the fountain. He built a new octagonal base for the fountain on top of which he built a large irregular basin, decorated with steps and small columns, to hold the water. He kept the large lower stone vasque of the old fountain, and ornamented the pedestal above it with four stone scrolls. He removed the smaller upper vasque, and replaced it with an inverted vasque or cap like a mushroom, covered with stone scales. When the water spouted from the top, it poured down over the top of the upper vasque, its flow broken and made to sparkle by the stone scales.
Prompt: The Piazza Navona became a grand theater of water, with three fountains, built in a line on the site of the Stadium of Domitian. The fountains at either end are by Giacomo della Porta; the Neptune fountain to the north, (1572) shows the God of the Sea spearing an octopus, surrounded by tritons, sea horses and mermaids. At the southern end is Il Moro, possibly also a figure of Neptune riding a fish in a conch shell. In the center is the Fontana dei Quattro Fiumi, (The Fountain of the Four Rivers) (1648–51), a highly theatrical fountain by Bernini, with statues representing rivers from the four continents; the Nile, Danube, Plate River and Ganges. Over the whole structure is a 54-foot (16 m) Egyptian obelisk, crowned by a cross with the emblem of the Pamphili family, representing Pope Innocent X, whose family palace was on the piazza. The theme of a fountain with statues symbolizing great rivers was later used in the Place de la Concorde (1836–40) and in the Fountain of Neptune in the Alexanderplatz in Berlin (1891). The fountains of Piazza Navona had one drawback - their water came from the Acqua Vergine, which had only a 23-foot (7.0 m) drop from the source to the fountains, wh
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: One of the key features of neo-futurism with fountains is the use of advanced technology and materials to create innovative fountain designs. Water is often used as a primary design element, with fountains integrated into the building's facades and interiors to create a sense of flow and movement. Neo-futurist buildings with fountains often feature sleek, minimalist forms with clean lines and smooth surfaces. The use of reflective materials such as glass and stainless steel adds to the futuristic feel of the design, while the incorporation of fountains creates a sense of tranquility and calm. The fountains themselves are often designed to be visually striking, with unique and innovative shapes and patterns. Water is often choreographed to dance and move in time with the building's design, creating a sense of harmony and balance between the two.
Prompt: The combination of Neo-futurism and Deconstructivism in architecture creates a unique and dynamic aesthetic that blends futuristic and postmodern design elements. Neo-futurism, which originated in the 1960s, emphasizes the use of new technologies and materials, as well as a focus on functionality and sustainability. Deconstructivism, on the other hand, emerged in the 1980s and is characterized by the fragmentation, distortion, and disjointedness of traditional architectural forms. When these two styles are combined, the result is a visually captivating and thought-provoking structure that challenges traditional notions of form and function. Neo-futuristic elements such as sleek, geometric shapes, and use of sustainable materials are juxtaposed with the deconstructed forms and material disintegration of Deconstructivism. This combination encourages a sense of movement and fluidity, while still maintaining the practicality of the building's purpose. Overall, the Neo-futurism and Deconstructivism combination creates a bold and innovative architectural style that is both functional and visually stunning.
Prompt: The playhouse resembles a giant pink donut, with a circular shape and a large central opening in the middle. The exterior of the building is made up of curved steel panels, while the interior is lined with a soft pink carpet and features a series of playful and interactive spaces for children to explore. The playhouse includes a large slide that winds its way through the center of the building, as well as a series of smaller play areas and nooks for reading or quiet play. The playhouse is designed to stimulate creativity and imagination, and is intended to be a place where children can explore and engage with the world around them in a fun and playful way.
Prompt: Organic architecture is also translated into the all-inclusive nature of Wright's design process. Materials, motifs, and basic ordering principles continue to repeat themselves throughout the building as a whole. The idea of organic architecture refers not only to the buildings' literal relationship to the natural surroundings, but how the buildings' design is carefully thought about as if it were a unified organism. Geometries throughout Wright's buildings build a central mood and theme.
Prompt: Biomorphism models artistic design elements on naturally occurring patterns or shapes reminiscent of nature and living organisms. Taken to its extreme it attempts to force naturally occurring shapes onto functional devices. Biomimetic architecture is a branch of the new science of biomimicry defined and popularized by Janine Benyus in her 1997 book (Biomimicry: Innovation Inspired by Nature). Biomimicry (bios - life and mimesis - imitate) refers to innovations inspired by nature as one which studies nature and then imitates or takes inspiration from its designs and processes to solve human problems. The book suggests looking at nature as a Model, Measure, and Mentor", suggesting that the main aim of biomimicry is sustainability. Living beings have adapted to a constantly changing environment during evolution through mutation, recombination, and selection. The core idea of the biomimetic philosophy is that nature's inhabitants including animals, plants, and microbes have the most experience in solving problems and have already found the most appropriate ways to last on planet Earth. Similarly, biomimetic architecture seeks solutions for building sustainability present in nature,
Prompt: As a vast expanse of largely pristine mid-ocean environment, replete with a suite of largely intact uninhabited atolls, truly an oceanic wilderness, the Phoenix Islands Protected Area (408,250 sq km), the largest marine protected area in the Pacific, is globally exceptional and as such is a superlative natural phenomenon of global importance. Phoenix Islands Protected Area contains an outstanding collection of large submerged volcanoes, presumed extinct, rising direct from the extensive deep sea floor with an average depth of more than 4,500 metres and a maximum depth of over 6,000 metres. Included are no less than 14 recognised seamounts, submerged mountains that don't penetrate to the surface. The collection of atolls and reef islands represent coral reef capping on 8 other volcanic mountains that approach the surface. The large bathymetric range of the submerged seamount landscape provides depth defined habitat types fully representative of Pacific mid oceanic biota.
Prompt: The Apollo Lunar Module was chiefly designed by Grumman aerospace engineer Thomas J. Kelly. The first LEM design looked like a smaller version of the Apollo command and service module (a cone-shaped cabin atop a cylindrical propulsion section) with folding legs. The second design invoked the idea of a helicopter cockpit with large curved windows and seats, to improve the astronauts' visibility for hover and landing. This also included a second, forward docking port, allowing the LEM crew to take an active role in docking with the CSM.
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Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
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