Prompt: Dreamtime sunset. 16:9 full width dreamtime Aboriginal-patterned sunset in acrylic paint. The highly detailed abstract sunset over a low desert horizon is rendered with differently sized and very densely spaced dots and dashes in joyful, abstract, repetitive Aboriginal patterns throughout the entire image. The different sizes of the densely spaced dots and dashes – ranging from extremely tiny to very tiny – create an illusion of depth. The impression is bright and lively, the colors are strong and contrasting, such as bright yellow for the setting sun, zinc oxide white, scarlet, rust and ocher for the hot, rocky and largely barren Australian desert over which the last half sun is setting, and flaming orange and pink for the sky. At the edges of the large image, the sky color turns to dark blue, patterned with intricate, white and yellow dots representing stars. A closer look at the desert reveals hidden patterns alluding to tiny dreamtime spirit animals, such as a small rainbow serpent and several lizards along with Goanna, a king of the lizards. Bright, dreamy, abstract, microscopically detailed, joyful, deeply spiritual. The style combines elements from renowned Aboriginal artists, above all Gabriella Possum Nungurrayi, Clifford Possum Tjapaltjarri, Tjawina Porter Nampitjinpa, and Barbara Weir.
Prompt: Naïve art sunset. 16:9 full width close-up of a folk art or naïve art oil sunset painting in a style combining aspects from the art of Henri Rousseau, André Bauchant, and Grandma Moses. The painting is shown so close up that it extends beyond the edges and the top and bottom of the image. The motif is a sunset over a lush Amazon-like jungle landscape. The artist has carefully and lovingly detailed the vegetation and the jungle animals, with the horizon line at the very top of the image to give more room to the jungle. The pretty sunset over the green jungle holds the promise of a new day. The jungle vegetation is highly varied in its size and leaf shapes, with all plants crowding together in a wild jumble. The plants are painted in a large range of green and brown shades, The jungle animals, such as leopards, pythons, and monkeys, peacefully coexist in this imaginary jungle. The orange sunset in a fiery sky high above the vegetation crowns the jungle ensemble like an ornate jewel. Intricate, fine brushwork, smooth painting surface, calm and peaceful impression
Prompt: Cloisonné sunset. 16:9 full width close-up of a breathtakingly masterful sunset cloisonné panel made of a metal sheet with gold wires laid edgewise enclosing intricately formed, ornate, strongly patterned, cloisonné, strongly colored enamel shapes. The panel is shown so close that it extends beyond the edges of the visible image and that its exquisite details are clearly visible. The sliver of sun over the horizon is made of gold enamel, and the twisting, curlicue onlay wires are made of precious gold. Dozens of wires ornately snake throughout the panel to the very edges and beyond, staring from the sun. The pattern lovely follows the outward shine of sunrays. The individual enamel compartments are filled with enamel paint in partly swirled and streaked colors ranging from scarlet near the golden sun to magenta through orange through yellow to light turquoise and finally darkening blue at the top of the panel, with the blue enamel paint enclosing sparkling silver bits to suggest stars. The low horizon is separated by a thicker gold wire, and suggests the silhouette of a meadow, with some taller grasses at the left and right edges of the panel framing the sunset. The enamel compartments of the meadow are filled with swirling, dark green, blue and purple colors and tiny, decorative, leaf-like dots suggesting a rich floral meadow. The overall appearance of the cloisonné panel is highly ornamental, with precise wire delineations and glossy, smooth, jewel-toned enamel compartments. The style is highly ornamental, suggesting a mix between Baroque and Art Nouveau as well as Chinese vases, brought together to create a contemporary mélange. The ancient technique is skillfully employed to bring to life the vision of a contemporary style.
Prompt: Sunset over the desert. 16:9 full width sunset depicted in heavy gouache, with the artist having squeezed the paint directly from the tube onto the canvas and having spread it with her fingers. The last sliver of a burning sun still peeks over the horizon, spreading intense, blazing-hot yellow, orange, magenta and pink streaks through the cloudless, dry sky. At the edges and top of the full-width image, the sky is turning dark blue. The landscape is the color of rusted iron and chocolate, with large and small irregularly polygonal, oddly shaped rocks strewn over sun the arid, barren landscape. Dry creosote bushes and ocotillo are eking out an existence among the rocks. Combining nuanced, strong colors with the thick application of gouache paint, the artist perfectly captures the rugged, unforgiving landscape. The museum-quality painting has a wistful, calm quality as the desert slips into a sunless dreamstate. Atmospheric painting style with Postimpressionistic and expressive Cubist elements, influenced by the styles of artists of the American West, such as George Douglas Brewerton, Maynard Dixon, James Swinnerton, Logan Maxwell Hagege, and Mark Maggiori.
Prompt: Sunset over a tropical island. 16:9 full width blue hour sunset depicted in dreamy, intense watercolor combined with ink. The sun has just dropped below the horizon and is no longer visible. The twilight is dimming. The sky is a strip of orange-pink directly over the horizon, casting the remaining light onto the still, dimming, dark teal and turquoise ocean. Above the orange-pink strip of sky, the colors fade to a light blue, and to increasingly darker blue and violet, with the darkest violet-blue at the top of the fully wide image. The tropical island amidst the seascape appears as a dark relief, with several palm trees standing out as a sharp, midnight blue silhouette against the sky, and the landmass of the small island forming a slight swell of dark in the midst of the ocean and in the middle of the image. Dreamlike, calm, wistful mood, almost reminiscent of the symbolism of Odilon Redon and Pierre Puvis de Chavannes, but with more intense coloring. The symbolism applies to “all things must pass” and a nostalgia for the way things were.
Prompt: Diorama sunset. 16:9 full frontal, straight-on close up of a large-scale, highly intricate diorama representing a magnificent sunset. The background is made of several layered sheets of differently colored, delicate, exquisitely marbled paper in sunset colors ranging from bright orange-yellow near the setting sun through magenta and lavender-turquoise all the way to a dark blue at the very top of the diorama. The clouds are hung three-dimensionally in front of the painted background, floating as perfect, wispy, cotton balls dyed in sunset shades, pink on top and gold on the bottom. The blazing, orange-yellow sun made of strongly structured, thick paper, is about to disappear behind the horizon line. The horizon and the landscape in front of the horizon are created by layering several sheets of thick handmade paper into which dried plants, petals, and threads are integrated to make a pattern consistent with vegetation on gentle, rolling hills. Trees with trunks made of countless parallel paper rolls in brown shades flank the sunset on the left and right sides of the diorama, recreated in three-dimensional paper art. The trees have myriads of dense, quilled and crushed paper leaves, and intricate twigs, branches and bark-patterned trunks. Just like the clouds, the trees are finely detailed. The composition is simple, whereas the rendering with all different types of paper is extremely painstaking and detailed. The impression on the viewer is of a miniature, breathtaking, three-dimensional sunset scene showcased in a diorama.
Prompt: Sunset over a field of shamrocks. 16:9 full width sunrise in an idyllic meadow landscape landscape in early summer. Tall trees in shades of green, with leafy vegetation and a flower understory, frame the edges of the meadow, creating a stage setting for the meadow. The whimsical, extremely detailed colored pencil illustration shows a low-angled, bottom-up perspective of the meadow, which consists exclusively of four-leaf clover. Some of the green clover leaves stick up out of the meadow and are perfectly silhouetted against the horizon line. Behind the clover leaves, the sunset paints the cloudless sky with brilliant shades of gold, yellow, apricot, peach, pink, and magenta. The sky higher up fades to lavender and blue-gray. The sun has set. The clover leaves are delicately veined with purely parallel veins radiating diagonally from the central vein. Each of the four leaves also has a paler white chevron radiating in an inverted diagonal from the mid-vein. The illustration extends beyond the edges of the image, allowing a close-up view of all painstakingly executed, tiny details of the colored pencil strokes. The illustration in celebration of St. Patrick's Day perfectly captures the superstition that four-leaf clovers bring good luck. The botanical illustration plays with light and shade, creating a magical, delightful tableau combining a sunset with a magical meadow. Pretty, light-hearted, adorable, strong-colored, and ultradetailed colored pencil illustration.
Prompt: Wax scratch sunset. 16:9 full frontal, straight-on, full width close up of a wax scratch sunset on a large sheet of cardstock extending past the edges of the visible image. In a first step, a classical sunset over a forest path, flanked by deciduous trees with leaves in bright autumn colors, was colored in thick wax crayon on the heavy, tear-proof cardstock paper, fully covering the entire paper. In a next step, the image was fully covered edge-to-edge and top-to-bottom in a heavy layer of black wax crayon. In the third step, wax carving tools with different fine, blunt tip shapes were used to scratch away parts of the black top layer to reveal the sunset. Near the sun, almost the entire black layer was scratched away in a way that emulates very fine brushstrokes and leaves some of the black surface intact. The stark and bright yellow-orange setting sun is fully exposed. Moving away from the sun, the scratches become less dense and reveal orange, magenta, lavender, turquoise, and darkening areas of the sky, dancing colors among the autumn leaves, and brown tree bark. Toward the outer and upper and lower edges of the image, much of the black cover remains, so that the middle of the image creates a stark and bright contrast with the dark edges and the revelations of the leaves, path, and tree bark. The technique allows the sunset to spring forth almost like an uncovered intimate secret. Skillful adaptation of a kindergarten art technique to showcase a typical motif with added emotional depth in the expressive, layered style of Romare Bearden and Anselm Kiefer.
Prompt: Metal sunset. 16:9 full frontal close up of a large, frontlit beaten metal sunset artpiece in the form of a panel extending past the edges of the visible image. The panel depicts a sunset over hilly terrain. Only the upper third of the sun is still visible over the low horizon. The sun is made of beaten gold, and is set in a burnished, hammered copper and silver smooth sheet metal sky. Clouds made of rusty, dented, battered iron scrap metal whose lower edges are delicately embellished with gold leaf are welded to the sky. The hills are made of intricate layers of heavily patinated and corroded bronze sheets, partly of expanded metal sheets, and partly of perforated metal sheets. The horizon line is burnished to a gleaming, shiny bronze color. The hills are formed by layering, welding, and manual hammering, creating continuous, sinuous, rhythmical convex and concave forms. The metal artpiece deftly combines different techniques and metals to create a unique sunset masterpiece with countless intricate details, almost like a puzzle. The viewers’ eyes are automatically drawn to the lower third of the image, where the shiny setting sun gleams in golden splendor. The unusual choice of materials and the unique and expert combination of hammering, folding and welding techniques by a dedicated, skilled metal artist makes this metal panel literally precious, highly original, and museumworthy. The extreme frontlighting brings out the sculptural details of the very intricate, huge panel.
Prompt: Murano glass sunset. 16:9 full frontal close up of a large, backlit Murano glass art piece in the form of a pane extending past the edges of the visible image. The panel depicts a colorful sunset over a calm Venetian canal. The broad canal runs from the lower end of the image to the horizon line in the middle of the image, and is flanked by old Venetian villas. The sunset and the series of sunset colors is reflected invertedly by the water surface, and is lively and somewhat distorted by gentle ripples in the canal water. The color layers of reds, oranges and yellows swirl into each other, showcasing the exquisite skill of the glass artists: The setting sun and the sky around the sun, and especially the reflection of the sky in the canal, are made with the Chalcedony, or Calcedonio, technique. The villas to either side of the canal are crafted in particolored millefiori technique, which is well suited to representing the windows of the villas. The upper part of the panel, showing the darkening, purple-blue sky, is cast in the aventurina technique, whose myriads of shiny metal inclusions make the sky appear as if it were hung with millions of tiny stars. The unusual combination of techniques by the skilled artisan glassmakers makes this glass panel unique and precious. The backlighting brings out the colors and intricate details of the glass art.
Prompt: Kintsugi sunset. 16:9 close-up, straight on view, of a full frontal image of a large porcelain panel extending past the edges of the dream image. The porcelain panel shows a finely painted, intricately detailed sunset scene, with the sun setting over gentle, dark mountain peaks. The golden sun has nearly disappeared behind the peaks, illuminating the top of the peaks in flaming orange and magenta. Countless fine, intricate lines of kintsugi gold emanate from the golden sun, threading through the sky to the silhouette of the mountain range, and outlining the very top of the mountain peaks. The sky is shown in shades ranging from yellow through orange through scarlet to deep magenta near the sun, with the sky colors fading to gray-blue and finally dark blue at the top of the image, all the while interspersed with fine kintsugi threads. Wispy, gray-lavender clouds are edged in orange and fine kintsugi gold. The mountain range shown all the way at the bottom of the porcelain image is a deep purple-blue hue, with almost no depth or color variation, as it is already completely in the shade. The innovative kintsugi technique makes this museum-worthy piece a standout work of art, as the kintsugi is used not to mend broken shards, but to highlight the motif and to show symbolically how precious the sunlight is.
The sun: sunset motif on an heirloom patchwork quilt
Model:
Nano Banana 2
(Ultra)
Size:
2983 X 1676
(5.00 MP)
Used settings:
Prompt: Sunset heirloom patchwork quilt. The image shows a full frontal 16:9 view perfectly to the edges of the image of a magnificent, intricate, detailed patchwork quilt showing a sunset over a steep coastal cliff landscape. The mainly orange and magenta sun is setting over the calm mainly blue and turquoise sea, illuminating the cliffs in shades of yellow, green, tan, gray and white, with highlights reflecting the orange and magenta sun. The vintage patchwork quilt is made of thousands of intricately cut fabric patches made of very many different swatches of durable, high-quality, heavy quilting cotton fabric in crazy quilt technique. Each swatch has a tiny, charming floral pattern (ditsy floral, Liberty Print, millefleurs print) in a different color combination. The careful placement of the fabric patches creates the overall impression of the sun setting over the sea. Close-up, the impression of the sunset dissolves into a jumbled arrangement of tiny floral patterns. Skillful, meticulous craftsmanship and lasting materials. Family treasure.
Prompt: 12 Sunset motif in an ancient tile floor. Straight top-down view of the tile floor in an ancient, aristocratic Roman villa. The image focuses on the central segment of the floor, which features the setting sun in a Tuscan landscape. The setting sun is at the in the center of the tiles and of the image. It is surrounded by tiles representing the sunrays, which illuminate a Tuscan landscape. The sunrays extend past the edges of the image, signaling to the viewer that the sunset landscape motif fills the entire floor. The sunset tile floor was laid by an ancient Roman master craftsman, who skillfully and painstakingly laid the colorful tiles in extremely tiny, elaborate patterns. The intricate mosaic is made from different tiny, lowpoly, semiprecious stones (tesserae) with a polished surface. The stones come in a color range from zinc oxide white through ivory through beige through all shades of tan and brown to deep, dark brown. The stones themselves are intricately patterned. The tiny tiles are interspersed with larger cut stone pieces (opus sectile). The durability of the tile floor and the unparalleled skill with which it was made reflects the wealth and status of the ancient villa’s Patrician owner.
Prompt: Sunset over snowy fields. 16:9 full width oil painting viewed fully frontally. The image is shown close up and extends well beyond the visible edges, allowing full enjoyment of all breathtaking, extremely tiny details. The style is a combination of the exceedingly detailed landscape photorealistic Hyperrealism of contemporary Austro-Argentinian painter Helmut Ditsch and the almost naïve poster-like winter landscapes of Austrian painter Alfons Walde. The motif is a sunset between cinematic, gently rolling, meadow-covered hills. The sun has almost set, with the top of the magenta-orange sun still visible above the very low horizon line. The sky around the sun is colored in a zentangley, detailed jumble of all shades of magenta, orange, pink, and yellow. The sky colors pale to light blue higher up and gradually turn dark blue toward the top of the image. The rolling hills to the left and right of the setting sun are fully enveloped in snow. The snow takes on shades ranging from a reflection of the yellow-orange sunlight close to the sun to a pale white farther away. The meadows in the foreground are gentle slopes. Wherever the sun no longer illuminates the snow, deep shadows have formed, gray lavender closer to the sun, and deep blue farther away. The shadows are exquisitely detailed and masterfully sculptural. Toward the edges of the image, the deep blue of the shadows and of the sky fuse, beautifully surrounding and framing the sun, which draws viewers in. The oil painting is colorful, wistful, powerful and museum-worthy. Meticulous, innovative craftsmanship, with alternately smooth oil paint with tiny brushstrokes and palette knife impasto paint highlighting the shadows. Contemporary masterpiece.
Diversity Saturday: poster child for Epidermolysis bullosa
Model:
Nano Banana 2
Size:
5184 X 2912
(15.10 MP)
Used settings:
Prompt: A 16:9 format photorealistic full-body studio portrait shot with a Sony GM 85mm f1.4 lens of a cute six-year-old girl with blue eyes and dark, curly hair sitting on a tan leather pouf in front of a mid-blue, matte, gently patterned, silk moiré studio backdrop. The girl is a poster child for wearing a soft, pink sweater and matching jogging pants with a small flower pattern in shades of pink and white sneakers. Her hands are gripping the edge of the dark leather pouf between her legs, making it appear as if she wanted to jump up and play. She is staring intently into the camera. The little girl is a poster child for the organization DEBRA, whose mission is to improve the quality of life for all people living with Epidermolysis bullosa (EB). The children who have the genetic disorder EB, also known as butterfly children, have skin is as fragile as a butterfly’s wings. A closer look at the child reveals that she has EB Simplex, so that she has many red blisters and a few open wounds on her hands and in her face. The three-point lighting softens the visual impact of her blisters and wounds and harmoniously draws together all elements of the professional studio shot. No text, strong focus on the girl, soft edges at the margins of the photo.
The sun: oil painting of a sunset over snowy fields
Model:
Nano Banana 2
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Sunset over snowy fields. 16:9 full width oil painting viewed fully frontally. The image is shown close up and extends well beyond the visible edges, allowing full enjoyment of all breathtaking, extremely tiny details. The style is a combination of the exceedingly detailed landscape photorealistic Hyperrealism of contemporary Austro-Argentinian painter Helmut Ditsch and the almost naïve poster-like winter landscapes of Austrian painter Alfons Walde. The motif is a sunset between cinematic, gently rolling, meadow-covered hills. The sun has almost set, with the top of the magenta-orange sun still visible above the very low horizon line. The sky around the sun is colored in a zentangley, detailed jumble of all shades of magenta, orange, pink, and yellow. The sky colors pale to light blue higher up and gradually turn dark blue toward the top of the image. The rolling hills to the left and right of the setting sun are fully enveloped in snow. The snow takes on shades ranging from a reflection of the yellow-orange sunlight close to the sun to a pale white farther away. The meadows in the foreground are gentle slopes. Wherever the sun no longer illuminates the snow, deep shadows have formed, gray lavender closer to the sun, and deep blue farther away. The shadows are exquisitely detailed and masterfully sculptural. Toward the edges of the image, the deep blue of the shadows and of the sky fuse, beautifully surrounding and framing the sun, which draws viewers in. The oil painting is colorful, wistful, powerful and museum-worthy. Meticulous, innovative craftsmanship, with alternately smooth oil paint with tiny brushstrokes and palette knife impasto paint highlighting the shadows. Contemporary masterpiece.
Prompt: Winter sunset in snowy woods. 16:9 full width and height close-up image. Wet-on-wet, diaphanous watercolor of a sunset scene in the snowy forest. The image extends past the visible outer edges of the canvas. The setting sun, a sliver of an orange-magenta ball, is about to drop below the horizon and is sending magenta-orange-yellow reflections across the smooth snow. The glow is interrupted by the shadows of tall, bare trees to the left and right of the sun. The trees cast deep indigo blue shadows across the snowy expanse toward the viewer. Near the lower edge of the image, where the sun no longer illuminates the snow, the snow presents in shades of blue. The sky is painted in a rapid succession of yellow-oranges, pinks and lavender-grays, turning blue toward the top and the edges of the image. The quick, deftly executed watercolor sketch captures a fleeting moment with a wistful, transitory quality. With unparalleled mastery, the artist conjures up an evocative, atmospheric painting that carefully balances the fleeting light with the impending shadow. Brilliant craftsmanship, museum-quality contemporary masterpiece in the vein of artists Lars Lerin, Ann Blockley. and Nita Engle.
Prompt: Glitter glue sunset. 16:9 full width close-up of a sunset painted with glitter glue. The image is shown so close-up that it extends past the visible outer edges of the dream, and that each shiny element of the glitter glue is visible. The kindergarten glitter glue technique and the simple motif are refined to a point where they have become fine art. Carefully placed golden streaks radiating outward from the setting golden sun represent golden sun rays extending to the very edges and top of the image. The wavy, low horizon line in yellow is the sharp delineation between many ornate wavy lines below the horizon laid in shades of yellow, light green, dark green, and brown glitter glue, all outlining seemingly endless rolling hills. Above the low horizon, interspersed with the golden sun rays, magenta, orange, and yellow glitter glue fill the spaces between the sun rays, in a color sequence typical of a sunset sky. Near the top of the image, the colors turn turquoise and dark blue at the very upper edge of the image. The glitter glue art has both kindergarten craft and cutting-edge gallery art appeal. Meticulous, innovative craftsmanship, gallery-quality contemporary masterpiece.
Prompt: 16:9 stained glass panel extending past the edges of the image. The panel is fully backlit, sparking the fiery, intense colors of the panel. The motif is a cinematic sunset over the Appalachian mountains in Indian Summer crafted from stained glass by a contemporary master artist. The glowing orange-magenta sun is touching the horizon, sending rays out past the edges of the image. The horizon line is in the lower quarter of the image. Where the rays spread over the flowing horizon line of the gentle, rolling Appalachian mountains, the trees light up in reds, oranges, yellows and brown, interspersed with various shades of darker green. The remainder of the mountains are already in the shade, and are colored in deep purples and blues. Above the horizon, the sky is red, yellow, pink, and orange, and higher in the sky, the colors turn into the same deep purples and blues as the mountains display below the horizon line, effectively framing the image. The thousands of individual, irregular glass polygons are extremely small micropolygons, each with a separate, intense color very, very thinly edged in black, emulating the traditional stained glass style of church windows. Meticulous craftsmanship, museum-commissioned glass artpiece, executed in a style fusing the strong influences of glass artists Judith Schaecher, Laura Donefer, Wilhelmina Geddes, the hyperrealism of Lorena Kloosterboer and the geometrical style of Piet Mondrian, and of Symbolism and Expressionism.
Prompt: Full width 16:9 cinematic close-up of a hand-tufted (punch-needled) silk rug wall hanging extending far beyond the edges of the image. The wall artpiece depicts a sunset in winter. The colors are glowing, the fine silk tufting yarn is shiny and tufted extremely closely, like with a precious silk Persian rug with millions of knots. The tufts are sheared to different lengths, giving the surface a plushy, sculptural appearance. The individual colored piles of tufts appear almost like they are carved, giving the hanging a 3D appearance with distinct, pillowy, fluffy, raised bumps. Gently rolling, dark purple hills fill the bottom fifth over the entire width of the image. Small, yellow dots on the hills show where lights have come on in villages. The sun has just disappeared behind the hill line, leaving the sky colored in a glowing yellow closest to where the sun has set, and oranges outward from the yellow spot. The oranges turn to a darker red toward the left and right edges of the image. Above the blazing, fiery reds and oranges, the dusky sky turns pinkish, and then turns into a medium turquoise color, fading to darker blue toward the top of the image. The colors of the sky are broken by dramatic, wind-swept, puffy shreds of clouds lit from the below by the sun. The clouds close to the horizon are a rich, glowing golden-orange. The intense, orange-golden glow of the clouds almost jumps out at the viewer. The clouds higher up gradually lose color and become grayish-lavender. The clouds at the top of the image are barely discernible, as they are more or less one with the dark blue of the sky. Stunning, breathtaking, museum-quality folk art wall hanging. Handcrafted with masterful skill. Executed in cinematic detail by contemporary textile artists in cutting-edge style. Silk wall hanging depicting a single moment in time.
Prompt: 16:9 full width pointillistic canvas extending beyond the edges of the image. The canvas is covered with jumbled, raised, differently sized tiny and small geometrical pointillist dots. The motif is a summer sunset between somewhat dilapidated red brick high-rise townhouse apartment buildings. The wan, yellow sun is at the horizon line, ready to drop below the empty, two-lane asphalt street. The sky above the sun is smoggy, with yellow-gray, lively pointillistic dots near the sun and the dots gradually turning darker blue-gray toward the top of the image. The pointillist technique allows for a perfect graduation of the colors of the sky. The horizon line is in the lower fifth of the image, and the high-rise buildings crowding in from the left and right of the empty, narrow street rise to heights outside of the image. A pronounced one-point perspective with the sun as the vanishing point lets the repetitive pattern of windows and bricks grow smaller and smaller as they buildings appear to recede into the distance. The alternately raised and recessed pointillist technique gives the bricks and windows enormous depth and dimension, with the dots becoming smaller toward the middle of the image, inevitably drawing viewers’ eyes to the yellow sun. The bricks are rendered in rich red, scarlet, burgundy, and brown tones. The windows reflect the fading sunlight in golden tones in the street-level windows and in silvery tones in the windows higher up. The urban sunset painting is colorful and, despite the monumental buildings, the strict perspective and the stark motif, is lively and appealing thanks to the thousands of dancing pointillist dots and the rich colors. Meticulous, innovative craftsmanship, extreme close-up of a museum-quality oil painting. Contemporary masterpiece.
The sun: kindergarten tissue paper art at the artist level
Model:
Nano Banana 2
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 full width naïve art sunset in summer. The big, yellow setting sun is flanked left and right by two magnificent, leafy, green apple trees hung with red apples. The motif is rendered in tiny, crushed, delicate, colored tissue paper elements glued to a sturdy base material. The artist has taken kindergarten art to a new level of detail and precision in terms of its execution whereas the motif is simple and inspired by a kindergarten teacher’s toolbox. The horizon line is low, and separates a lush, green meadow rendered in tiny, sculptural, scrunched tissue paper elements made of tissue paper with spotted, swirled patterns, giving the green meadow the semblance of bright, colored flowers between green grass. The sky is made of tissue paper in various swirly shade of blue, with yellow naïve art sunrays stretching from the sun through the entire sky to the edges of the image. The floral landscape image is joyful, feel-good, serene, calm, and peaceful. The viewer has a sense of all being well with the world. Despite the use of a typical kindergarten craft technique to make the image and the almost simplistic ambiance and outlook on the world, the unique image is created with meticulous, innovative craftsmanship and is museum-worthy. Emulation of the creative skill of contemporary tissue paper artists like Maya Freelon Asante, Particia Chemin, and Marianne Eriksen Scott-Hansen
The sun: impasto oil painting of a sunset in spring
Model:
ChatGPT
(Ultra)
Full
Size:
2736 X 1828
(5.00 MP)
Used settings:
Prompt: 16:9 full width thick oil painting of a spring sunset over the still ocean. On the right side of the strongly textured, extremely detailed impasto oil painting, half the bright yellow sun has disappeared below the calm, transparent, dark turquoise ocean on a low horizon line. On the left side of the painting, the setting sun highlights rugged, high chalk cliffs with dramatic pink and orange tones, sculpturally carving out light and shadow in the cliffs. Above the cliffs, on the plateau, sea grass waves in the balmy Zephyr. Bird’s eye view. Uplifting tableau. The sky gradually darkens to deep lavender blue on edges of the image. The thick paint is applied directly from the tubes in tiny brushstrokes, giving the painting the appearance of a bas relief.
Prompt: 1 Winter watercolor sunset. Full width 16:9 cinematic wet-on-wet watercolor of sunset in winter, rendered on rough, grainy, handmade paper of a diaphanous, atmospheric, tender sunset in winter. Rolling hills fill the bottom fifth over the entire width of the image. They are a dark purple, with accretions of small, yellow dots where lights have come on in villages. Above the hill line, the dusky sky is a medium turquoise color, fading to baby blue and to darker blue toward the top of the image. The sky is interspersed with dramatic, wind-swept, scudding shreds of clouds lit from the below by the sun, which has just slipped below the horizon. The bottom of the clouds close to the horizon are bottomlit with a rich, glowing golden-orange. The tops of the clouds are blue-gray-lavender. The intense, transparent, orange-golden glow of the clouds almost jumps out at the viewer. The clouds higher up gradually lose color and become fully grayish-lavender. The clouds at the top of the image are barely discernible, as they are more or less one with the sky. Stunning, breathtaking, museum-quality painting, deftly and masterfully executed. Executed in cinematic photorealistic contemporary Impressionism and a mix of styles borrowed from Hawase Kasui, Claude Monet, and Erin Hanson. Snapshot of a single moment in time.
animal-plant hybrids: fossil scale tree (Lepidodendron) x pillbug (Armadillidium vulgare)
Model:
Grok
Size:
3783 X 2128
(8.05 MP)
Used settings:
Prompt: Hybrid 50% animal 50% plant: scale tree (Lepidodendron) x common pillbug (Armadillidium vulgare) fossil
Full width 16:9 illustration filling the entire image width of fully fused scale tree (Lepidodendron) x common pillbug (Armadillidium vulgare) hybrid fossil. The close-up of the hybrid fossil shows a portion of the bark of the scale tree, where each organically diamond-shaped scale is made of a pillbug with roughly a dozen overlapping, brown-black segments, or tergites, connected by flexible joints. The scales, actually scars from shed leaves, have grown pillbugs in this hybrid. The pillbug scales on the hybrid are flat and separated from each other by a rim, so that each indentation contains a pillbug. Near the top of the image, the scale tree has numerous juvenile twigs with needle-like, densely spiraled leaves, similar to fir tree needles. The close-up focuses on a piece of fossil bark with its pillbug scales and the young, leaved twigs. The fossil specimen is well-lit from the front and is lying on a dark maroon velvet display cloth against a glass cage background. The fossil has shades of mainly brown and black, with ivory and gray highlights, and has highly intricate, detailed, very small, and repetitive patterning. The fossil is shown very close-up to better see the intricate, miniature patterns of dots, scratches, and hatching in the close-up detail. The breathtakingly attractive fossil is photographed in museum quality, showing exquisite detail, tiny patterns, and lively color with high color contrast.
animal-plant hybrids: soldier crabs (Mictyris longicarpus) x European crabapple (Malus sylvestris)
Model:
Nano Banana 2
Size:
5460 X 3071
(16.77 MP)
Used settings:
Prompt: Hybrid 50% animal 50% plant: soldier crabs (Mictyris longicarpus) x European crabapple (Malus sylvestris)
Full width 16:9 illustration filling the entire image width of fully fused soldier crabs (Mictyris longicarpus) x European crabapple (Malus sylvestris) hybrids. The animal-plant hybrid is a crabapple tree with soldier crabs as fruit. The hybrid is shown close up, so we see dozens of little blue soldier crabs attached to a few twigs, decoratively surrounded by healthy, leathery, strongly veined, dark-green leaves. The detail of the hybrid perfectly shows the blue soldier crabs curled up into fruit-like little balls, their thin, orange-beige limbs tucked under their blue carapaces, and their dark-blue eyes peeking out of the rounded shape. The close-up extends beyond the edges of the image. The arrangement of crabs, leaves and twigs is very ornate and eye-pleasing, as it displays repetitive patterns. The intricate, tiny patterns in the close-up detail are mesmerizingly attractive, with patterns in shades of green and dark green, blue, beige, orange. and brown. The pen-and-colored-ink technique allows for exquisite detail, tiny patterns, and lively colors with high color contrast. The whimsical hybrid is illustrated with painstaking precision and attention to detail.
animal-plant hybrids: diamond cholla cactus x Io moth caterpillar
Model:
Nano Banana 2
Size:
5460 X 3071
(16.77 MP)
Used settings:
Prompt: Hybrid 50% animal 50%: diamond cholla cacti (Cylindropuntia ramosissima) x Io moth caterpillars (Automeris io)
Full width 16:9 illustration filling the entire image width of a solitary, majestic, fully fused diamond cholla cacti (Cylindropuntia ramosissima) x Io moth caterpillars (Automeris io) hybrid. The animal-plant hybrid is growing in a fictional Southwestern U.S. desert among dry, spiky vegetation and rocky, tan-and-burnt-orange-colored desert soil. The hybrid is shown very close up, making it obvious that the individual, cylindrical segments of the hybrid are actually bright green Io moth caterpillars. Each caterpillar segment has a lateral red stripe above a lateral white stripe, and is covered in light green, stinging spines that perfectly mimic cactus glochids. The entire hybrid has repetitive growth and appears ornate due to the repeated patterns of segments, stripes, and glochid spines. The dry, gray-green grasses and rocky soil also display repetitive patterns, making for an appealing array of attractive patterns in shades of green, tan and burnt orange, gray-green, with the white and red highlights of the caterpillar segment stripes. The pen-and-colored-ink technique allows for exquisite detail, extremely tiny patterns, and lively colors with high color contrast. The poisonous and unusual hybrid is illustrated with painstaking precision and attention to detail.
animal-plant hybrids: bearded capuchin (Sapajus libidinosus) x palm tree (Cocos nucifera)
Model:
Nano Banana 2
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Hybrid 50% animal 50%: bearded capuchin (Sapajus libidinosus) x palm tree (Cocos nucifera)
Full width 16:9 illustration filling the entire image width of fully fused bearded capuchin (Sapajus libidinosus) x palm tree (Cocos nucifera) hybrids. The stand of several palm tree hybrids is viewed from a worm’s eye perspective, so that the image shows the inside of the crown of the palm hybrid close up. The crown of the palm tree hybrid bears abundant fruit made of bearded capuchin monkeys. Only close up does the fruit reveal itself as capuchin monkeys with brown fur and expressive faces. The monkeys are hunched together in round, coconut-sized shapes, so that they look like ripe, brown, furry coconuts from a distance. The monkey fruit is surrounded by healthy, ornate, large green pinnately compound palm fronds fanning out from the center of the palm hybrid’s crown out beyond the edges of the image. The palm fronds decoratively frame the monkey fruit. Behind the palm fronds, the sky is azure blue with delicate, puffy, wispy white clouds peeking through the palm fronds. The entire image is very decorative. The focus is fully on the monkey-coconut fruit. The image is rendered in an appealing array of rich, elegant, repetitive patterns in shades of green, tan, brown, indigo blue and white. The pen-and-colored-ink technique allows for exquisite detail, tiny patterns, and lively colors with high color contrast. The unusual hybrid is illustrated with painstaking precision and attention to detail.
animal-plant hybrids: hummingbird flower x bee hummingbird
Model:
Nano Banana 2
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Hybrid 50% animal 50%: hummingbird flower (Crotalaria cunninghamii) x bee hummingbird (Mellisuga helenae)
Full width 16:9 illustration filling the entire image width of a fully fused hummingbird flower (Crotalaria cunninghamii) x bee hummingbird (Mellisuga helenae)) hybrid. The flowers of the rare hybrids are shown close up. Each animal-plant hybrid has delicate yellow-green flowers in the shape of hummingbirds in flight drinking from flowers with their ivory-colored, beak-shaped stem at the flower’s base. The pronouncedly striated flower petals are the hummingbirds’ wings. The dark green veins of the hummingbird wing flower petals let the feathers appear as if they were made of origami-folded paper. The upper parts of the wing-petals have a purple blush. Dozens of hummingbird flowers are growing on the tip of the flower’s branch, which is shown in the image reaching from right to left. Behind the image is a hexagonal bokeh pattern in shades of light terracotta, yellow, and dark brown, indicative of a dry, rough, sandy background. The entire image is very decorative and yet simple and uncluttered, so that the focus is fully on the perfect ensemble of crane flowers. The image is rendered in an appealing array of elegant, decorative, repetitive bokeh patterns in the sand background, with its different shades of light and dark. The image is rendered in very rich, vibrant, ultra-detailed colors in intense pen-and-colored-ink technique with high color contrast. The hybrid itself is strongly front-lit by the sun. The delightful, fully melded biological oddity is illustrated with painstaking precision and elegant poise.
animal-plant hybrids: white egret flower (Habenaria radiata) x white egret (Ardea alba)
Model:
Nano Banana 2
Size:
5460 X 3071
(16.77 MP)
Used settings:
Prompt: Hybrid 50% animal 50%: white egret flower (Habenaria radiata) x white egret (Ardea alba).
Full width 16:9 illustration filling the entire image width of a fully fused white egret flower (Habenaria radiata) x great white egret (Ardea alba) hybrid. The rare hybrids are shown close up. Each animal-plant hybrid has delicate white flowers made of great white cranes with outstretched wings. The crane flowers sit atop very long, thin, wiry, green, somewhat bumpy stems. A dozen such hybrids are planted in a pot, so that the crane flowers provide a perfect display of a flight of cranes. The rare hybrid orchid has long, lanceolate leaves growing from the base of the hybrid. The stems topped with crane flowers reach well beyond the leaves. The entire ensemble of hybrids is displayed in front of a delicately patterned, dark terra cotta background. The crane flowers resemble fringed origami in their delicacy and papery texture. The entire image is very decorative and yet simple and uncluttered, so that the focus is fully on the perfect ensemble of crane flowers. The image is rendered in an appealing array of elegant, decorative patterns, above all in the grainy terra cotta background with its different shades of burnt orange and light brown. The image is rendered in very rich, vibrant, ultra-detailed colors in intense pen-and-colored-ink technique with high color contrast. The hybrid itself is strongly front-lit. The fully melded biological oddity is illustrated with painstaking precision and elegant poise.
animal-plant hybrids: thorn bug (Umbonia crassicornis) x multiflora rose (Rosa multiflora)
Model:
Nano Banana 2
Size:
5460 X 3071
(16.77 MP)
Used settings:
Prompt: Hybrid 50% animal 50% plant: thorn bug (Umbonia crassicornis) x multiflora rose (Rosa multiflora)
Full width 16:9 illustration filling the entire image width of a thorn bug (Umbonia crassicornis) x multiflora rose (Rosa multiflora) hybrid. The invasive hybrid is shown close up. It displays dozens of densely clustered thorns made of thorn bugs on its stems. The rose thicket is in bloom, with abundant, thick bunches of five-petaled white rose flowers. Between the flower clusters, decorative, tiny, dull, green leaves that are pinnately compound and have small, serrated leaflets peek out. The leaves sit on stems that are densely covered with long lines of thorn bugs instead of rose thorns. The thorn bugs perfectly mimic true thorns, but are thicker, and striated in green, brown and red. The thorn bugs have fully fused with the rose stems, feeding on the sap running through the stems. The flower clusters and leaves frame the thorn bugs on the rose stems, making for a very decorative, repetitively patterned ensemble. The plant hybrid fills the entire image, extending beyond the edges. The image is rendered in an appealing jumble of almost microscopically tiny, extremely intricate, elaborate, decorative patterns and scribbles. The entire image is rendered in very rich, vibrant, ultra-detailed colors in intense pen-and-colored-ink technique with high color contrast of pink-edged white, various shades of green, and reddish accents. The fully melded biological oddity is illustrated with painstaking precision in a detailed biology illustration style.
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irene muehldorf
Member since 2017
Dream on ... Dream until your dreams come true. We run a Facebook group for Deep Dream Enthusiasts. If that's you, join us at Deep Dreamers on Facebook. PLEASE remember to answer the APPLICATION QUESTIONS! Visit the group wiki at ddg.wiki.
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