Prompt: The initial nucleus of the city evolved from a fortified Roman settlement dating from the 3rd and 2nd centuries BCE. The Romans built on the top of the hill where the Ducal Palace now stands and until the 11th century, the city remained within these limits. At the end of that century, its urban expansion required the construction of a new system of defensive walls. In the mid 15th century, Federico da Montefeltro undertook a radical rebuilding campaign within these original walls without disturbing the overall urban structure. The city was later further expanded to a second hill lying to the north, giving the area, now enclosed by the Renaissance walls an elongated outline. Urbino is a small city in the hills that experienced an astonishing cultural flowering in the 15th century. During this period, it attracted artists and scholars from all over Italy and beyond which, in turn, influenced cultural developments elsewhere in Europe. Between 1444 and 1482, Federico da Montefeltro ruled in Urbino and his court brought together some of the era’s leaders: foremost humanists of the time such as Leone Battista Alberti, Marsilio Ficino, and Giovanni Bessarione.
Prompt: The Cilento is an outstanding cultural landscape. The dramatic groups of sanctuaries and settlements along its three east–west mountain ridges vividly portray the area's historical evolution: it was a major route not only for trade, but also for cultural and political interaction during the prehistoric and medieval periods. The Cilento was also the boundary between the Greek colonies of Magna Graecia and the indigenous Etruscan and Lucanian peoples. The remains of two major cities from classical times, Paestum and Velia, are found there. Cilento is a cultural landscape of outstanding value that has evidence of human occupation dating from 250,000 years ago. It has been successively occupied over time by farmers during the Neolithic period, by Bronze and Iron Age societies, Etruscans, Greek colonists, Lucanians, and was eventually incorporated into the Roman territory inthe 3rd century BC. Roman road networks replaced the earlier tracks, but after the collapse of the Western Roman Empire, these roads fell into disrepair and the ancient network was revived during the Middle Ages, as is evident in the feudal castles and religious establishments built along routes.
Prompt: Located at the northern end of the Adriatic Sea on the Natissa (Natiso) River, the property includes the Archaeological Area and the Patriarchal Basilica of Aquileia. The Roman city dates to 181 BCE and became one of the largest and wealthiest cities in the early Roman Empire until it was sacked and destroyed in 452 by the Huns led by Attila. The city was a major trading centre connecting the Mediterranean to Central Europe. Aquileia’s wealth and status within the empire was reflected in its magnificent public buildings and private residences many of which survive as archaeological remains. The archaeological area, covering 155 hectares, includes part of the forum and its Roman basilica (courthouse), the late antique horrea, one of the sets of baths, and two luxurious residential complexes. Outside the late Roman city walls, the entire course of which has been located and part of which stills survives, excavations have also revealed a cemetery with some impressive funerary monuments. Below ground archaeological remains of the amphitheatre and the circus have also been preserved.
Prompt: Roman exploitation of the countryside is symbolized by the Villa Romana del Casale (in Sicily), the centre of the large estate upon which the rural economy of the Western Empire was based. The villa is one of the most luxurious of its kind. It is especially noteworthy for the richness and quality of the mosaics which decorate almost every room; they are the finest mosaics in situ anywhere in the Roman world. The Committee decided to inscribe this property on the basis of criteria (i), (ii) and (iii), considering that the Villa del Casale at Piazza Armerina is the supreme example of a luxury Roman villa, which graphically illustrates the predominant social and economic structure of its age. The mosaics that decorate it are exceptional for their artistic quality and invention as well as their extent.
Prompt: Megalithic defensive structures known as nuraghi date from the Middle to Late Bronze Age (c. 1600-1200 BCE), and are unique to Sardinia. Nuraghi are characterised by circular defensive towers in the form of truncated cones built of dressed stone with corbel-vaulted internal chambers. Nuraghi are considered to have initially been built by single families or clans. As Sardinian society evolved in a more complex and hierarchical fashion, there was a tendency for the isolated towers to attract additional structures, for social and defensive reasons. The Su Nuraxi nuraghe consisted of a massive central tower of three chambers connected by a spiral staircase, originally over 18.5 metres high. The uppermost chamber is no longer standing. The central tower was enclosed within a quadrilobate structure consisting of four subsidiary towers linked by a massive stone curtain wall. The courtyard created by this wall was later sealed with a roof thereby restricting access to the central tower. Surrounding this are the remains of second outer wall and a settlement of circular huts.
Prompt: The buildings comprising the Residences of the Royal House of Savoy have undergone many restoration procedures. The conservation and restoration work undertaken is based on patient stratigraphic research, archive studies, scientific analysis and the analysis of structures. The work is also designed in some cases to bring to light elements that had been hidden by previous refurbishment and to correct some previous building works. Repair and restoration work on the House of Savoy residences, conducted with the aim of opening them to the public, begun in the 1970s and is still underway. With the programme to restore Rivoli Castle and its conversion into the Museum of Contemporary Art (inaugurated in 1984) a process of restoration and the return to public utility of these historic, architectural and artistic assets led to the reopening of many residences.
Prompt: The plan was initially conceived by the Duke of Savoy, Emmanuel-Philibert, when he transferred the capital of his Duchy to Turin. His successor, Charles-Emmanuel I, and his wife developed and implemented the plan to completely reorganise the area during the 17th and 18th centuries giving the city and surrounding area a Baroque character. The plan celebrates the absolute power of the Royal House of Savoy. The capital was organized and developed along the axes defined by the ‘Command Area’ as the central node including the Palazzo Reale, Palazzo Chiablese and Palazzo della Prefettura and managing political, administrative and cultural aspects of life which was surrounded by a system of maisons de plaisance. These villas including Castello di Rivoli, Castello di Moncalieri and Castello di Venaria created a Corona di Delizie, or ‘Crown of Delights’ around the capital and with the outlying residences of Racconigi, Govone, Agliè and Pollenzo gave form to the countryside. The construction plan foresaw a change in function for existing residences, the construction of new buildings, the definition of hunting routes and the creation of a network of roads connecting outlying residenc
Prompt: The local communities have adapted themselves to this seemingly rough and inhospitable environment by living in compact settlements on the coast or in small hamlets on the hillsides (e.g. Volastra, Groppo, Drignana, San Bernardino or Campiglia), erected directly on the rock with winding streets. The general use of natural stone for roofing gives these settlements a characteristic appearance. They are generally grouped around religious buildings or medieval castles. The terraces are also dotted by innumerable tiny stone huts isolated or grouped together (e.g. at Fossola, Tramonti, Monestiroli or Schiara) used for temporary shelter during the harvest. The main five villages of Cinque Terre date back to the later Middle Ages. Starting from the north-west, the first is the fortified centre of Monterosso al Mare, that is a coastal town grown along two short valleys and facing one of the few beaches that exist in the area. Vernazza has developed along the Vernazzola water-stream on the slopes of the rocky spur protecting the village from the sea. Corniglia is the only village which has not been built on the coast itself but on a high promontory projecting to the sea.
Prompt: Some of the cultivation terraces extend to as much as 2 km in length. Terraces extended along the steep slopes from a few meters above sea level to up 400 m a.s.l., the highest altitude suitable for cultivation. They were mostly built in the 12th century, when Saracen raids from the sea had come to an end. The drystone walls are most often carefully constructed of sandstone rough blocks, bonded together with pebbles removed from the ground. The maintenance of the terraces and the cultivation of vines and olive trees on the terraces reflect a communal approach to farming and the collaboration and cooperation of the communities without which such cultivation would not have been possible. The natural garrigue and maquis vegetation survives intact in the higher parts of the steep ridge. The nature of the terrain and the vegetation provides food and shelter for a wide range of insect and animal species.
Prompt: The original layout and form of many of the urban areas have been dictated by the coastal geography. Their narrow streets and steep stairs are reminiscent of eastern souks. Agriculture of citrus groves, olive orchards and vineyards are supported along the terraced slopes bounded by drystone walls. In some parts of the Costiera the natural landscape survives intact, with little, if any, human intervention. Some of these areas are accessed by ancient, narrow mountain paths or mule tracks that historically connected farms and villages. Traditional activities continue including crafts such as the ceramics influenced by Arabic culture, farming and some types of fishing.
Prompt: On the southern side of the peninsula, a natural border is formed by Lattari Mountains which extends from peaks of Picentini Mountains as far as Tyrrhenian Sea, dividing the Gulf of Naples from the Gulf of Salerno. The World Heritage property is composed of four main coastal areas (Amalfi, Atrani, Reginna Maior, and Reginna Minor) and some secondary areas (Positano, Praiano, Cetara, and Erchie), with the characteristic villages of Scala, Tramonti and Ravello, and the hamlets of Conca and Furore. Several of these historical centres, flourished during the period of the great power hold by the Amalfi Sea Republic and, as a result, contain numerous artistic and architectural masterpieces, some of which are the result of the fusion of eastern and western elements known as “Arabic-Norman” style. Agricultural areas are witness to the capacity of its inhabitants to adapt, in the best way, to the different types of land. They developed terrace cultivation for vineyards and fruit gardens in the bottom area and practiced sheep-farming in the upper area.
Prompt: The Costiera Amalfitana, stretches along the southern coast of the Sorrentine Peninsula in Salerno province and can rightly be defined as a landscape of outstanding cultural value, thanks to the astonishing work of both nature and humankind. Its dramatic topography and historical evolution have produced exceptional cultural and natural scenic values. Nature is both unspoiled and harmoniously fused with the results of human activity. The landscape is marked by rocky areas, wood and maquis, but also by citrus groves and vineyards, grown wherever human beings could find a suitable spot. The Costiera Amalfitana covers 11,231 hectares, a large area that encompasses 15 municipalities, agricultural lands and three natural reserves. The region has been populated since prehistoric times as illustrated by the Palaeolithic and Mesolithic remains found at Positano. While it became a Roman colony in the 4th century, the region has been intensively settled since the beginning of Middle Ages.
Prompt: The cathedral and the “Ghirlandina” tower appear as a consistent complex in terms of material and structural criteria, and the construction of the two buildings kept the city of Modena busy for over two centuries, from 1099 to 1319. The rebuilding of Modena cathedral in 1099 is a key landmark in medieval history for many reasons, of which two are of most importance. First, the building is a characteristic and documented example of the reuse of ancient remains, which was common practice in the Middle Ages before the quarries were reopened in the 12th and particularly the 13th centuries. Secondly, at the turn of the 11th and 12th centuries, this was one of the first buildings, and certainly the most important one, where collaboration between an architect (Lanfranco) and a sculptor (Wiligelmo) has been documented by explicit inscriptions, found in the building. It also marked the shift from a conception of artistic production emphasizing the quality of the buildings as a masterpiece of the munificence of its founder, to a more modern concept in which the role of the creator is recognised.
Prompt: Together Modena’s magnificent 12th century cathedral and soaring bell tower serve as a supreme example of early Romanesque art comprised of exceptional architectural and sculptural quality. In addition to the cathedral and spectacular civic tower, also known as “Ghirlandina”, the property includes the Piazza Grande surrounded by the City Hall, and the Archishopric and a part of the canonical buildings and the sacristry to the north. The entire property is relatively small, covering 1.2 ha surrounded by a buffer zone of 1.1 ha. Attributed to the architect Lanfranco, the cathedral was begun in 1099, replacing an early Christian basilica, and is the home of the mortal remains of Saint Geminiano, the patron saint of Modena (4th century). The building is covered with ancient roman stones, linking it to the splendour of the temples of antiquity. Wiligelmo’s rich sculptures are found on both external walls and the interior capitals. The bell tower, started in the beginning of the 12th century, is of similar style and materials. Originally a five-storey structure, it was completed in 1319 with an octagonal section and additional decoration.
Prompt: The world's first botanical garden was created in Padua in 1545. It still preserves its original layout – a circular central plot, symbolizing the world, surrounded by a ring of water. Other elements were added later, some architectural (ornamental entrances and balustrades) and some practical (pumping installations and greenhouses). It continues to serve its original purpose as a centre for scientific research. The world's first university botanical garden was created in Padua in 1545, which makes the Botanical Garden of Padua the oldest surviving example of this type of cultural property. Botanical gardens have played a vital role throughout history in the communication and exchange not only of ideas and concepts but also of plants and knowledge. The Botanical Garden of Padua is the original of botanical gardens in Europe, and represents the birth of botanical science, of scientific exchanges, and understanding of the relationship between nature and culture.
Prompt: When Vesuvius erupted on 24 August AD 79, it engulfed the two flourishing Roman towns of Pompei and Herculaneum, as well as the many wealthy villas in the area. These have been progressively excavated and made accessible to the public since the mid-18th century. The vast expanse of the commercial town of Pompei contrasts with the smaller but better-preserved remains of the holiday resort of Herculaneum, while the superb wall paintings of the Villa Oplontis at Torre Annunziata give a vivid impression of the opulent lifestyle enjoyed by the wealthier citizens of the Early Roman Empire. The World Heritage property includes three different archaeological areas: the ancient towns of Pompeii and Herculaneum together with the Villa of the Mysteries (to the west of Pompeii) and the Villa of the Papyri (to the west of Herculaneum), and the Villa A (Villa of Poppaea) and Villa B (Villa of Lucius Crassius Tertius) in Torre Annunziata. The vast expanse of the commercial town of Pompeii contrasts with the smaller but better-preserved remains of the smaller Herculaneum.
Prompt: The archaeological area of Agrigento includes all the essential elements that contribute to the justification of its Outstanding Universal Value. The site boundary includes the entire territory of the ancient polis, including the extramural area of the necropolis, the substantial excavated areas of the residential area of Hellenistic and Roman Agrigento, the complex network of underground aqueducts and a wide portion of land where there are still unexcavated archaeological structures. The archaeological structures have been preserved in good condition, thus ensuring an authentic representation. However, land instability remains an issue.
Prompt: The archaeological area of Agrigento, the Valley of the Temples, is on the southern coast of Sicily and covers the vast territory of the ancient polis, from the Rupe Atenea to the acropolis of the original ancient city, as well as to the sacred hill on which stand the main Doric temples and up to the extramural necropolis. Founded as a Greek colony in the 6th century BCE, Agrigento became one of the leading cities in the Mediterranean region. Its supremacy and pride are demonstrated by the remains of the magnificent Doric temples that dominate the ancient town, much of which still lies intact under today's fields and orchards. Selected excavated areas reveal the late Hellenistic and Roman town and the burial practices of its early Christian inhabitants. Agrigento has a special place among classical sites in the history of the ancient world because of the way in which its original site, typical of Greek colonial settlements, has been preserved, as well as the substantial remains of a group of buildings from an early period that were not overlain by later structures or converted to suit later tastes and cults.
Prompt: The monumental complex at Caserta, created by the Bourbon king Charles III in the mid-18th century to rival Versailles and the Royal Palace in Madrid, is exceptional for the way in which it brings together a magnificent palace with its park and gardens, as well as natural woodland, hunting lodges and a silk factory. It is an eloquent expression of the Enlightenment in material form, integrated into, rather than imposed on, its natural setting. The Royal Palace is the centrepiece of the whole architectural composition and is located on a central axis which connects and unifies the entire complex. The portico and the stream of the fountains in the park which lead to the scenic backdrop of the waterfall, formed by the Aqueduct Carolino, are also situated along this axis. The Aqueduct Carolino, with its imposing viaduct “Ponti della Valle” is a stunning work of engineering and provides an extraordinary infrastructure not only serving the palace, the gardens and the future capital of the kingdom, but also the mills, the ironworks and the manufacturing industries located along its path.
Prompt: Ravenna was the seat of the Roman Empire in the 5th century and then of Byzantine Italy until the 8th century. It has a unique collection of early Christian mosaics and monuments. All eight buildings – the Mausoleum of Galla Placidia, the Neonian Baptistery, the Basilica of Sant'Apollinare Nuovo, the Arian Baptistery, the Archiepiscopal Chapel, the Mausoleum of Theodoric, the Church of San Vitale and the Basilica of Sant'Apollinare in Classe – were constructed in the 5th and 6th centuries. They show great artistic skill, including a wonderful blend of Graeco-Roman tradition, Christian iconography and oriental and Western styles. The serial property Early Christian Monuments of Ravenna in north-east Italy consists of eight monuments, namely the Mausoleum of Galla Placidia, the Neonian Baptistery, the Basilica of Sant'Apollinare Nuovo, the Arian Baptistery, the Archiepiscopal Chapel, the Mausoleum of Theodoric, the Church of San Vitale and the Basilica of Sant'Apollinare in Classe, built between the 5th and 6th centuries AD. These religious monuments, decorated with precious marble, stuccos and mosaics, reflect the major historical.
Prompt: Siena is the embodiment of a medieval city. Its inhabitants pursued their rivalry with Florence right into the area of urban planning. Throughout the centuries, they preserved their city's Gothic appearance, acquired between the 12th and 15th centuries. During this period the work of Duccio, the Lorenzetti brothers and Simone Martini was to influence the course of Italian and, more broadly, European art. The whole city of Siena, built around the Piazza del Campo, was devised as a work of art that blends into the surrounding landscape. Siena is an outstanding medieval city that has preserved its character and quality to a remarkable degree. The city had substantial influence on art, architecture and town planning during the Middle Ages, both in Italy and elsewhere in Europe. The city is a masterwork of dedication and inventiveness in which the buildings have been designed to fit into the overall planned urban fabric and also to form a whole with the surrounding cultural landscape.
Prompt: Naples was among the foremost cities of Magna Graecia, playing a key role in the transmission of Greek culture to Roman society. It eventually became a major cultural centre in the Roman Republic, civitas foederata. Sections of the Greek town walls excavated since World War II and the excavated remains of a Roman theatre, cemeteries and catacombs testify to this history. In the 6th century A.D., Naples was conquered by the Byzantine Empire, becoming an autonomous Duchy, later associated with the Normans, Swabians, and the Sicilian reign. Evidence of this period includes the churches of San Gennaro extra moenia, San Giorgio Maggiore, and San Giovanni Maggiore with surviving elements of 4th and 5th century architecture, the chapel of Santa Restituta in the 14th-century cathedral, and the Castel dell'Ovo, one of the most substantial survivals from the Norman period, although subsequently remodelled on several occasions. The component parts of the serial property are: the Historical Centre of Naples; the District of Villa Manzo, Santa Maria della Consolazione; Marechiaro ; the District of Casale ; the District of Santo Strato and the Villa Emma .
Prompt: The Po Delta of the Po River valley has been settled for millennia. From the 14th to the 16th centuries, the ruling Este family carried out extensive land reclamation and building projects, which give this area a distinctive character link with Ferrara, seat of the Este family. Transformations made to the countryside surrounding Ferrara during the Renaissance included: drainage of huge swathes of swampland, establishment of castalderie (estates), creation of new waterways and streets as part of the overall urban development plan and construction of a network of noble residences known as the delizie estensi. This work led to a new fabric of agricultural production and the construction of Ducal residences as the political sign of magnificence. These were designed to mirror the image of the Court beyond the urban confines and again formed part of a process of integration and continuity between the city and the surrounding countryside. The original form of the Renaissance landscape of the Po River Delta is still recognisable in the region’s 21st-century layout.
Prompt: Ferrara, which grew up around a ford over the River Po, became an intellectual and artistic centre that attracted the greatest minds of the Italian Renaissance in the 15th and 16th centuries. Here, Piero della Francesca, Jacopo Bellini and Andrea Mantegna decorated the palaces of the House of Este. The humanist concept of the 'ideal city' came to life here in the neighbourhoods built from 1492 onwards by Biagio Rossetti according to the new principles of perspective. The completion of this project marked the birth of modern town planning and influenced its subsequent development. Ferrara, City of the Renaissance, and its Po Delta, situated within the Emilia Romagna region of Italy, is a remarkable cultural landscape. The area comprises the urban centre of Ferrara and adjoining agricultural lands within the ancient and vast Po River Delta.
Prompt: Crespi d'Adda in Capriate San Gervasio in Lombardy is an outstanding example of the 19th- and early 20th-century 'company towns' built in Europe and North America by enlightened industrialists to meet the workers' needs. The site is still remarkably intact and is partly used for industrial purposes, although changing economic and social conditions now threaten its survival. Workers benefited from other amenities in addition to housing including public lavatories and wash-houses, a clinic, a consumer cooperative, a school, a small theatre, a sports centre, a house for the local priest and one for the doctor, a hydroelectric power station which supplied free electricity and other common services. There were also buildings with a more symbolic value such as the church, the castle (residence of the Crespi family), a new office complex, and houses for the factory managers located south of the workers’ residences.
Prompt: Founded in the 2nd century B.C. in northern Italy, Vicenza prospered under Venetian rule from the early 15th to the end of the 18th century. The work of Andrea Palladio (1508–80), based on a detailed study of classical Roman architecture, gives the city its unique appearance. Palladio's urban buildings, as well as his villas, scattered throughout the Veneto region, had a decisive influence on the development of architecture. His work inspired a distinct architectural style known as Palladian, which spread to England and other European countries, and also to North America. The definitive Palladian country villa synthesizes, both figuratively and materially, the functional aspects of management of the land and the aristocratic self-glorification of the owner. lts core is the house-temple, embellished with a monumental staircase and crowned by a pediment supported by columns of the loggia. Porticos extend alongside the wings starting from the main building, and often end with towers. The different components are linked by a common classical language and are ordered according to a well-defined hierarchy.
Prompt: The site is composed of the ancient districts of the city of Matera and of the Park of the Rupestrian Churches which stretch over the Murgia, a calcareous highland plateau characterized by deep fault fissures, ravines, rocks and caves. The morphology of the territory, characterized by deep ravines (gravine) and bare highland plateaus, integrated with ancient cave churches, shepherd tracks marked by wells, and fortified farmhouses, form one of the most evocative landscapes of the Mediterranean. The site was first occupied from the Paleolithic to the Neolithic era with occupation of the natural caves intensifying from the 8th century, when the city started to overshoot the boundaries of the defensive walls dated to the Roman Age and constructed all around the part of the city called Civita, which was the first inhabited nucleus. The earliest houses in the settlement were simple caves enclosed by a wall of excavated blocks on the two grabiglioni, Sasso Caveoso and Sasso Barisano. A Romanesque cathedral was built on the Civita between the two Sassi in the 13thcentury.
Prompt: This is the most outstanding, intact example of a troglodyte settlement in the Mediterranean region, perfectly adapted to its terrain and ecosystem. The first inhabited zone dates from the Palaeolithic, while later settlements illustrate a number of significant stages in human history. Matera is in the southern region of Basilicata. Located in the southern Italian region of Basilicata, The Sassi and the Park of the Rupestrian Churches of Matera comprises a complex of houses, churches, monasteries and hermitages built into the natural caves of the Murgia. Covering an area of 1,016 ha this remarkable and intact troglodyte settlement contains more than a thousand dwellings and a large number of shops and workshops. The property was first occupied during the Palaeolithic period and shows evidence of continuous human occupation through several millennia until the present day, and is harmoniously integrated into the natural terrain and ecosystem.
Prompt: 'San Gimignano delle belle Torri' is in Tuscany, 56 km south of Florence. It served as an important relay point for pilgrims travelling to or from Rome on the Via Francigena. The patrician families who controlled the town built around 72 tower-houses (some as high as 50 m) as symbols of their wealth and power. Although only 14 have survived, San Gimignano has retained its feudal atmosphere and appearance. The town also has several masterpieces of 14th- and 15th-century Italian art. The Historic Centre of San Gimignano sits on a height of land, dominating the surrounding landscape. During the Middle Ages, its location in Val d’Elsa, 56 km south of Florence, provided an important relay point for pilgrims travelling to or from Rome on the Via Francigena. The town became independent in 1199 and between the 11th and the 13th century the noble families and upper middle-class merchants who controlled the free town built many fortified tower houses (probably 72) as symbols of their wealth and power. The town grew around two principal squares: the triangular Piazza della Cisterna, ornamented with a lovely central well, and the Piazza Duomo.
Prompt: Built on the site of an Etruscan settlement, Florence, the symbol of the Renaissance, rose to economic and cultural pre-eminence under the Medici in the 15th and 16th centuries. Its 600 years of extraordinary artistic activity can be seen above all in the 13th-century cathedral (Santa Maria del Fiore), the Church of Santa Croce, the Uffizi and the Pitti Palace, the work of great masters such as Giotto, Brunelleschi, Botticelli and Michelangelo. Florence was built on the site of an Etruscan settlement and the later ancient Roman colony of Florentia (founded in 59 BC). This Tuscan city became a symbol of the Renaissance during the early Medici period (between the 15th and the 16th centuries), reaching extraordinary levels of economic and cultural development. The present historic centre covers 505 ha and is bounded by the remains of the city’s 14th-century walls. These walls are represented by surviving gates, towers, and the two Medici strongholds: that of Saint John the Baptist in the north, popularly known as “da Basso”, and the Fort of San Giorgio del Belvedere located amongst the hills of the south side.
Prompt: The refectory of the Convent of Santa Maria delle Grazie forms an integral part of this architectural complex, begun in Milan in 1463 and reworked at the end of the 15th century by Bramante. On the north wall is The Last Supper, the unrivalled masterpiece painted between 1495 and 1497 by Leonardo da Vinci, whose work was to herald a new era in the history of art. The refectory of the Convent of Santa Maria delle Grazie in Milan forms an integral part of this architectural complex, begun in 1463 and reworked at the end of the 15th century by Bramante. On the north wall is The Last Supper, the unrivalled masterpiece painted between 1495 and 1497 by Leonardo da Vinci, whose work was to herald a new era in the history of art. The complex, including the Church and Convent, was built from 1463 onwards by Guiniforte Solari, and was afterwards considerably modified at the end of 15th century by Bramante, one of the masters of the Renaissance. Bramante structurally enlarged the church and added large semi-circular apses, a wonderful drum-shaped dome surrounded by columns, and a spectacular cloister and refectory.
Prompt: Valcamonica, situated in the Lombardy plain, has one of the world's greatest collections of prehistoric petroglyphs – more than 140,000 symbols and figures carved in the rock over a period of 8,000 years and depicting themes connected with agriculture, navigation, war and magic. Valcamonica, situated in the mountainous area of the Lombardy region, has one of the world's greatest collections of prehistoric petroglyphs – more than 140,000 symbols and figures carved in the rock over a period of more than 8,000 years. Found on both sides of an entire valley, the petroglyphs depict themes connected to agriculture, deer hunting, duels, as well as geometric-symbolic figures.
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Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
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