Prompt: The Padua fresco cycles illustrate the important interchange of ideas which existed between leading figures in the worlds of science, literature and the visual arts in the pre-humanist climate of Padua in the early 14th century. New exchanges of ideas also occurred between clients commissioning works and the artists from other Italian cities that had been called to Padua to collaborate on the various fresco cycles inspired by scientific and astrological allegories or ideas on sacred history gleaned from contemporary intellectuals and scholars. The artists showed great skill in giving these ideas visual form and their technical abilities allowed the Padua fresco cycles not only to become a model for others but also to prove remarkably resistant to the passage of time. The group of artists striving for innovation who gathered within Padua at the same time fostered an exchange of ideas and know-how which led to a new style in fresco illustration. This new fresco style not only influenced Padua throughout the 14th century but formed the inspirational basis for centuries of fresco work in the Italian Renaissance and beyond. With this veritable rebirth of a pictorial technique.
Prompt: The property illustrates an entirely new way of depicting allegorical narratives in spatial perspectives influenced by advances in the science of optics and a new capacity in capturing human figures, including individual features displaying feelings and emotions. Innovation in the depiction of pictorial space involved explorations of the possibilities of perspective and trompe-l’oeil effects. The innovation in the depiction of states of feeling is based on a heightened interest in the realistic portrayal of human emotions and the integration of the new role of commissioning patron as the patrons begin to appear in the scenes depicted, and ultimately even take the place of figures participating in the biblical narrative. In effect, the works illustrate the adaptation of sacred art to serve the secular celebration of the prestige and power of the ruling powers and associated noble families.
Prompt: This property is composed of eight religious and secular building complexes, within the historic walled city of Padua, which house a selection of fresco cycles painted between 1302 and 1397 by different artists for different types of patron and within buildings of diverse functions. Nevertheless, the frescos maintain a unity of style and content. They include Giotto’s Scrovegni Chapel fresco cycle, considered to have marked the beginning of a revolutionary development in the history of mural painting, as well as other fresco cycles of different artists, namely Guariento di Arpo, Giusto de’ Menabuoi, Altichiero da Zevio, Jacopo Avanzi and Jacopo da Verona. As a group, these fresco cycles illustrate how, over the course of a century, fresco art developed along a new creative impetus and understanding of spatial representation.
Prompt: The belief in magic often includes the idea that magic and magicians are more powerful at night. Séances of spiritualism are usually conducted closer to midnight. Similarly, mythical and folkloric creatures such as vampires, ghosts and werewolves are described as more active at night. In almost all cultures, legendary stories warn of the night's dangers.
Prompt: Night is often associated with danger and evil, because of the psychological connection of night's all-encompassing darkness to the fear of the unknown and darkness's hindrance of a major sensory system (the sense of sight). Nighttime is naturally associated with vulnerability and danger for human physical survival. Criminals, animals, and other potential dangers can be concealed by darkness. Midnight has a particular importance in human imagination and culture.
Prompt: The Colline del Prosecco di Conegliano e Valdobbiadene is a viticulture landscape resulting from the interaction of nature and people over several centuries. The adaptation and transformation of the challenging terrain of the hogback geomorphology has required the development of specific land use practices, including: vineyard management by hand on steep slopes; the grassy terraces known as ciglioni, which follow the contours of the land, stabilising the soils and vineyards; and the bellussera training system which was developed in the area about 1880. As a result, the vineyards contribute to a distinctive ‘chequerboard’ appearance with perpendicular rows of high vines, interspersed with rural settlements, forests and small woods. Despite many changes, the history of sharecropping in this area is also reflected in the landscape patterns. The boundary of the property is of adequate size, and contains the attributes of Outstanding Universal Value within a topographically distinct and intact landform. Despite many changes and challenges posed by pests, wars, poverty, and the industrialisation of viticulture, many of the attributes such as the vineyards.
Prompt: Located in north-eastern Italy, the property includes part of the winegrowing landscape of the Prosecco wine production area. The landscape is characterized by ‘hogback’ hills, ciglioni – small plots of vines on narrow grassy terraces – forests, small villages and farmland. For centuries, this rugged terrain has been shaped and adapted by man. Since the 17th century, the use of ciglioni has created a particular chequerboard landscape consisting of rows of vines parallel and vertical to the slopes. In the 19th century, the bellussera technique of training the vines contributed to the aesthetic characteristics of the landscape.
Prompt: The industrial city of Ivrea is located in the Piedmont region and developed as the testing ground for Olivetti, manufacturer of typewriters, mechanical calculators and office computers. It comprises a large factory and buildings designed to serve the administration and social services, as well as residential units. Designed by leading Italian urban planners and architects, mostly between the 1930s and the 1960s, this architectural ensemble reflects the ideas of the Community Movement (Movimento Comunità). A model social project, Ivrea expresses a modern vision of the relationship between industrial production and architecture.
Prompt: The authenticity of Ivrea is based on the high number and quality of urban and architectural projects that date to the primary period of Ivrea’s development as an industrial city. A detailed analysis of the individual components in terms of their form, design and materials, and their location and immediate environment has been undertaken, and many elements have maintained their original characteristics in spite of the changes to production that affected the city during the last two decades. While many residential, administrative and services buildings are intact, others have been renovated; and a large number of the buildings are currently vacant, with an uncertain future. There is a risk of gradual loss of the authenticity of the property due to large-scale refurbishment proposals, decay of the exterior finishing of the facades and deterioration of the interior decoration and detailing. Efforts have been made to develop new uses that are similar in type to their original uses (such as telecommunications, production or cultural activities).
Prompt: This property consists of 6 components of defence works in Italy, Croatia and Montenegro, spanning more than 1,000 km between the Lombard region of Italy and the eastern Adriatic Coast. The fortifications throughout the Stato da Terra protected the Republic of Venice from other European powers to the northwest and those of the Stato da Mar protected the sea routes and ports in the Adriatic Sea to the Levant. They were necessary to support the expansion and authority of the Serenissima. The introduction of gunpowder led to significant shifts in military techniques and architecture that are reflected in the design of so-called alla moderna / bastioned, fortifications, which were to spread throughout Europe.
Prompt: The monuments that comprise this 6.235-ha serial property include the Royal Palace and Palatine Chapel; Zisa Palace; Palermo Cathedral; Monreale Cathedral; Cefalù Cathedral; Church of San Giovanni degli Eremiti; Church of Santa Maria dell’Ammiraglio; Church of San Cataldo; and Admiral’s Bridge. Each illustrates important aspects of the multicultural Western-Islamic-Byzantine syncretism that characterized the Norman kingdom of Sicily during the 12th century. The innovative re-elaboration of architectural forms, structures, and materials and their artistic, decorative, and iconographic treatments – most conspicuously the rich and extensive tesserae mosaics, pavements in opus sectile, marquetry, sculptural elements, paintings, and fittings – celebrate the fruitful coexistence of people of different origins.
Prompt: The vineyard landscapes of Langhe-Roero and Monferrato in Piedmont consist of a selection of five distinct winegrowing areas and a castle, whose names evoke profound and ancient expertise in the relationship between man and his environment. They reflect a slowly developed association between a diverse range of soils, grape varieties that are often native, and suitable winemaking processes. They offer panoramas of carefully cultivated hillsides, following ancient land divisions punctuated with buildings that lend structure to the visual space: hilltop villages, castles, Romanesque churches, farms, ciabots, cellars and storehouses for cellaring and for the commercial distribution of the wine in the small towns and larger towns on the margins of the vineyards. The serial property is outstanding for its harmony, and the balance between the aesthetic qualities of its landscapes, the architectural and historical diversity of the built elements associated with the wine production activities and an authentic and ancient art of winemaking.
Prompt: This landscape covers five distinct wine-growing areas with outstanding landscapes and the Castle of Cavour, an emblematic name both in the development of vineyards and in Italian history. It is located in the southern part of Piedmont, between the Po River and the Ligurian Apennines, and encompasses the whole range of technical and economic processes relating to the winegrowing and winemaking that has characterized the region for centuries. Vine pollen has been found in the area dating from the 5th century BC, when Piedmont was a place of contact and trade between the Etruscans and the Celts; Etruscan and Celtic words, particularly wine-related ones, are still found in the local dialect. During the Roman Empire, Pliny the Elder mentions the Piedmont region as being one of the most favourable for growing vines in ancient Italy; Strabo mentions its barrels.
Prompt: The economic, financial and political fortunes of the Medici were behind extensive patronage that had a decisive effect on the cultural and artistic history of modern Europe. Among the resulting architectural and aesthetic forms, the Medici villas in deep harmony with their gardens and rural environment are among the most original of the Italian Renaissance. The nominated property is a selection of twelve complete villas with their gardens and two additional pleasure gardens spread across the Tuscan countryside and near to Florence. The Medici villa and its gardens embody an ideal of the princely residence in the country where it was possible to live in harmony with nature, and dedicate as much to leisure pastimes as to the arts and knowledge.
Prompt: Twelve villas and two gardens spread across the Tuscan landscape make up this site which bears testimony to the influence the Medici family exerted over modern European culture through its patronage of the arts. Built between the 15th and 17th centuries, they represent an innovative system of construction in harmony with nature and dedicated to leisure, the arts and knowledge. The villas embody an innovative form and function, a new type of princely residence that differed from both the farms owned by rich Florentines of the period and from the military might of baronial castles. The Medici villas form the first example of the connection between architecture, gardens, and the environment and became an enduring reference for princely residences throughout Italy and Europe. Their gardens and integration into the natural environment helped develop the appreciation of landscape characteristic Humanism and the Renaissance.
Prompt: The Longobards in Italy, Places of Power, 568 - 774 A.D. comprises seven groups of important buildings (including fortresses, churches, and monasteries) throughout the Italian Peninsula. They testify to the high achievement of the Lombards, who migrated from northern Europe and developed their own specific culture in Italy where they ruled over vast territories in the 6th to 8th centuries. The Lombards synthesis of architectural styles marked the transition from Antiquity to the European Middle Ages, drawing on the heritage of Ancient Rome, Christian spirituality, Byzantine influence and Germanic northern Europe. The serial property testifies to the Lombards' major role in the spiritual and cultural development of Medieval European Christianity, notably by bolstering the monastic movement.
Prompt: The Strade Nuove and the system of the Palazzi dei Rolli in Genoa’s historic centre date from the late 16th and early 17th centuries when the Republic of Genoa was at the height of its financial and seafaring power. The site represents the first example in Europe of an urban development project parcelled out by a public authority within a unitary framework and associated to a particular system of ‘public lodging’ in private residences, as decreed by the Senate in 1576. The site includes an ensemble of Renaissance and Baroque palaces along the so-called ‘new streets’ (Strade Nuove). The Palazzi dei Rolli offer an extraordinary variety of different solutions, achieving universal value in adapting to the particular characteristics of the site and to the requirements of a specific social and economic organization. They also offer an original example of a public network of private residences designated to host state visits.
Prompt: The site consists of two separate elements, containing outstanding vestiges dating back to Greek and Roman times: The Necropolis of Pantalica contains over 5,000 tombs cut into the rock near open stone quarries, most of them dating from the 13th to 7th centuries BC. Vestiges of the Byzantine era also remain in the area, notably the foundations of the Anaktoron (Prince’s Palace). The other part of the property, Ancient Syracuse, includes the nucleus of the city’s foundation as Ortygia by Greeks from Corinth in the 8th century BC. The site of the city, which Cicero described as ‘the greatest Greek city and the most beautiful of all’, retains vestiges such as the Temple of Athena (5th century BC, later transformed to serve as a cathedral), a Greek theatre, a Roman amphitheatre, a fort and more. Many remains bear witness to the troubled history of Sicily, from the Byzantines to the Bourbons, interspersed with the Arabo-Muslims, the Normans, Frederick II of the Hohenstaufen dynasty (1197–1250), the Aragons and the Kingdom of the Two Sicilies. Historic Syracuse offers a unique testimony to the development of Mediterranean civilization over three millennia.
Prompt: The Val d’Orcia distinctive landscape comprises a network of farms, villages and towns reflecting the Renaissance agricultural prosperity, the mercantile wealth of Sienna, the need for defence, and a utopian aesthetic. The working landscape of fields, farms, trees, and woodlands, is interspersed with low, conical hills on the summits of which are situated towns and villages. The major hill towns of the area include Pienza (a separate World Heritage property), Montalcino, San Quirico d’Orcia, Castiglione d’Orcia, Rocca d’Orcia, Monticchello and Radicofani. Distinctive groups and avenues of cypress pine trees mark out the settlements and define routes.
Prompt: The necropolis near Cerveteri, known as the Banditaccia, contains thousands of tombs organized in a city-like plan, with streets, small squares, and neighbourhoods. The 197.57 ha site dates from the 9th century BCE and contains very different types of tombs: trenches cut in rock; tumuli which often contain more than one tomb; and some, also carved in rock, in the shape of huts or houses with a wealth of structural details. The Banditaccia necropolis, among the largest in antiquity, reproduces the ‘city of the living’. Because there is little surviving written information on the Etruscans, this site provides exceptional testimony of Etruscan domestic architecture from archaic times to the Hellenic period.
Prompt: These two large Etruscan cemeteries reflect different types of burial practices from the 9th to the 1st century BC, and bear witness to the achievements of Etruscan culture. Which over nine centuries developed the earliest urban civilization in the northern Mediterranean. Some of the tombs are monumental, cut in rock and topped by impressive tumuli (burial mounds). Many feature carvings on their walls, others have wall paintings of outstanding quality. The necropolis near Cerveteri, known as Banditaccia, contains thousands of tombs organized in a city-like plan, with streets, small squares and neighbourhoods. The site contains very different types of tombs: trenches cut in rock; tumuli; and some, also carved in rock, in the shape of huts or houses with a wealth of structural details. These provide the only surviving evidence of Etruscan residential architecture. The necropolis of Tarquinia, also known as Monterozzi, contains 6,000 graves cut in the rock. It is famous for its 200 painted tombs, the earliest of which date from the 7th century BC.
Prompt: The eight towns in south-eastern Sicily: Caltagirone, Militello Val di Catania, Catania, Modica, Noto, Palazzolo, Ragusa and Scicli, were all rebuilt after 1693 on or beside towns existing at the time of the earthquake which took place in that year. They represent a considerable collective undertaking, successfully carried out at a high level of architectural and artistic achievement. Keeping within the late Baroque style of the day, they also depict distinctive innovations in town planning and urban building.
Prompt: The palace and the gardens of Villa d’Este in Tivoli, in the centre of Italy, were laid out by Pirro Ligorio (1500-1583) on behalf of Cardinal Ippolito II d’Este of Ferrara (1509-1572), who, after being named governor of Tivoli in 1550, desired the realization of a palace adequate to his new status. The ensemble composed of the palace and gardens forms an uneven quadrilateral and covers an area of about 4.5 ha. The Villa d’Este in Tivoli is one of the most remarkable and comprehensive illustrations of Renaissance culture at its most refined. Owing to its innovative design and the creativity and ingenuity of the architectural components in the gardens (fountains, ornamental basins, etc.), it is a true water garden and a unique example of an Italian 16th century garden. The Villa d’Este, one of the first giardini delle meraviglie, served as a model for and had a decisive influence on the development of gardens in Europe.
Prompt: The city is situated in northern Italy at the foot of the Lessini Mountains on the River Adige. It dates from prehistoric times: a small built-up area that developed between the 4th and 3rd century BCE became a Roman municipium in the 1st century BCE after which it rose rapidly in importance. During the 5th century, Verona was occupied by the Ostrogoth Theodoric I, later by the Lombards, and in 774 by Charlemagne. In the early 12th century, it became an independent commune. It prospered under the rule of the Scaliger family and particularly under Cangrande I, falling to Venice in 1405. From 1797, it became part of the Austrian Empire and joined the Kingdom of Italy in 1866. The core of the city consists of the Roman town nestled in the loop of the river containing one of the richest collections of Roman remains in northern Italy. Surviving remains of this era include the city gate, Porta Borsari, the remains of the Porta Leoni, the Arco dei Gavi, which was dismantled in the Napoleonic period and rebuilt next to Castelvecchio in the 1930s, the Ponte Pietra, the Roman theatre, and the Amphitheatre Arena.
Prompt: The monument is one of the most visited sites in Italy. Since 1996 major sources of funding from the European Union, the National Lottery and elsewhere have permitted the preparation and implementation of a major programme of investigation, restoration and conservation, and, in particular, the upgrading of visitor facilities. Activities to enhance interpretation and access to the site include a number of cultural events and exhibitions aimed at raising awareness of the various aspects of the monumental complex at Villa Adriana, and the creation of a Villa Adriana website. An analysis of the site’s accessibility for the physically disabled is currently underway. In addition there will be a program of archaeological research conducted in collaboration with international partners (Italian and foreign universities and institutions). There will be a specific study of the underground passageways. One of the main goals is to integrate, in a more effective manner, the property with the surrounding area, the ancient Tiburtine countryside, which preserves numerous historic-archaeological remains, covering a wide range of periods, Villa Gregoriana Park and the World Heritage property.
Prompt: At the core of the Villa, is a second group of structures including buildings specifically for the emperor and his court, and includes the so called ‘Maritime Theatre’, the ‘Imperial Palace’, ‘Winter Palace’, Latin and Greek ‘Libraries’ and the ‘Golden Square’. This group of structures is organized around four separate peristyles. The ‘Golden Square’ is one of the most impressive buildings in the complex, comprising a vast peristyle surrounded by a two-aisled portico with alternate columns of cipollino marble and Egyptian granite. The ‘palace’ consists of a complex of rooms around a courtyard. The circular structure of the ‘Maritime Theatre’ comprises an ionic marble peristyle that surrounds an artificial circular island with a miniature villa. The ‘Libraries’ are reached from there by two passages, and a nymphaeum stands on the northern side.
Prompt: Villa Adriana is an exceptional architectural legacy of the great Roman Emperor Hadrian. Built as a retreat from Rome between 117 and 138 AD, the villa was designed as an ideal city and incorporates the architectural traditions of Ancient Greece, Rome and Egypt. The remains of some 30 buildings extend over 120 hectares of the Tiburtine Hills, in Tivoli in the Lazio Region. While the structures appear to be arranged with no particular plan, the site comprises a complex and well planned arrangement together with a large number of residential and recreative buildings, extensive gardens and reflective pools, the site creates a serene and contemplative oasis. There are some thirty extant buildings within the site that can be broadly divided into four groups. A first group of buildings on the site includes the so called ‘Greek Theatre’ and ‘Temple of Cnidian Aphrodite’.
Prompt: The Bahá’i Holy Places in Haifa and Western Galilee are inscribed for their profound spiritual meaning and the testimony they bear to the strong tradition of pilgrimage in the Bahá’i faith. The property includes the two most holy places in the Bahá’í religion associated with the founders, the Shrine of Bahá’u’lláh in Acre and the Shrine of the Báb in Haifa, together with their surrounding gardens, associated buildings and monuments. These two shrines are part of a larger complex of buildings, monuments and sites at seven distinct locations in Haifa and Western Galilee that are visited as part of the Bahá’i pilgrimage. Bahá’i Holy Places demonstrate Outstanding Universal Value for the Holy shrine of Bahá’u’lláh and the Holy shrine of the Báb, as the most holy places of the Bahá’í faith provide an exceptional testimony to the strong traditions of Bahá’í pilgrimage which have grown up over the last century and draw large numbers of followers from around the world. They also have a profound meaning and value for followers of the Bahá’í faith as sacred sites linked to the faith’s two founders.
Prompt: Founded in the 5th century and spread over 118 small islands, Venice became a major maritime power in the 10th century. The whole city is an extraordinary architectural masterpiece in which even the smallest building contains works by some of the world's greatest artists such as Giorgione, Titian, Tintoretto, Veronese and others. In this lagoon covering 70,176.4 ha, nature and history have been closely linked since the 5th century when Venetian populations, to escape barbarian raids, found refuge on the sandy islands of Torcello, Jesolo and Malamocco. These temporary settlements gradually became permanent and the initial refuge of the land-dwelling peasants and fishermen became a maritime power. Over the centuries, during the entire period of the expansion of Venice, when it was obliged to defend its trading markets against the commercial undertakings of the Arabs, the Genoese and the Ottoman Turks, Venice never ceased to consolidate its position in the lagoon.
Prompt: Tel Aviv was founded in 1909 and developed as a metropolitan city under the British Mandate in Palestine. The White City was constructed from the early 1930s until the 1950s, based on the urban plan by Sir Patrick Geddes, reflecting modern organic planning principles. The buildings were designed by architects who were trained in Europe where they practised their profession before immigrating. They created an outstanding architectural ensemble of the Modern Movement in a new cultural context.
Prompt: Standing in a large green expanse, Piazza del Duomo houses a group of monuments known the world over. These four masterpieces of medieval architecture – the cathedral, the baptistry, the campanile (the 'Leaning Tower') and the cemetery – had a great influence on monumental art in Italy from the 11th to the 14th century. Piazza del Duomo houses a group of monuments known throughout the world. Standing in a large green expanse, enclosed by the city walls, the former Ospedale della Misericordia and the Palazzo dell’Arcivescovato, the Piazza del Duomo at Pisa comprises one of the most renowned constructed landscapes in the world. The four masterpieces of medieval architecture – the cathedral, the baptistery, the bell tower (the 'Leaning Tower') and the cemetery – were erected between the 11th and 14th centuries within close proximity of each other, forming a unique cluster of monuments. A striking quality pervades the site, emanating from the interplay of marble and mosaics, the usual alliance of bare walls and arched galleries, triangular frontons and heavy cupolas with the whole effect heightened by the breath-taking slant of the bell tower.
Prompt: When the Emperor Frederick II built this castle near Bari in the 13th century, he imbued it with symbolic significance, as reflected in the location, the mathematical and astronomical precision of the layout and the perfectly regular shape. A unique piece of medieval military architecture, Castel del Monte is a successful blend of elements from classical antiquity, the Islamic Orient and north European Cistercian Gothic. Castel del Monte, located in the municipality of Andria, rises on a rocky hill dominating the surrounding countryside of the Murgia region in southern Italy near the Adriatic Sea. A unique piece of medieval architecture, it was completed in 1240. The castle’s location, its perfect octagonal shape, as well as the mathematical and astronomical precision of its layout all reflect the broad education and cultural vision of its founder, Emperor Frederick II. As a leader of modern humanism, the Germanic Emperor brought scholars together in his court from throughout the Mediterranean, combining Eastern and Western traditions. The castle’s unique design, an octagonal plan with octagonal towers at each angle, represents a search for perfection.
Would you like to report this Dream as inappropriate?
90w
0
0
9
Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.