Prompt: Trier, which stands on the Moselle River, was a Roman colony from the 1st century AD and then a great trading centre beginning in the next century. It became one of the capitals of the Tetrarchy at the end of the 3rd century, when it was known as the ‘second Rome’. The number and quality of the surviving monuments are an outstanding testimony to Roman civilization. Trier, which is located on the Moselle river in the West of Germany, was a Roman colony from the 1st century A.D. and then a great trading centre in the beginning of the next century. It became one of the capitals of the Tetrarchy at the end of the 3rd century, when it was known as the 'second Rome'. The number and quality of the surviving monuments are an outstanding testimony to Roman civilization.
Prompt: St Michael's Church was built between 1010 and 1020 on a symmetrical plan with two apses that was characteristic of Ottonian Romanesque art in Old Saxony. Its interior, in particular the wooden ceiling and painted stucco-work, its famous bronze doors and the Bernward bronze column, are – together with the treasures of St Mary's Cathedral – of exceptional interest as examples of the Romanesque churches of the Holy Roman Empire. The ancient Benedictine abbey church of St Michael in Hildesheim, located in the north of Germany, is one of the key monuments of medieval art, built between 1010 and 1022 by Bernward, Bishop of Hildesheim. St Michael’s is one of the rare major constructions in Europe around the turn of the millennium which still conveys a unified impression of artistry, without having undergone any substantial mutilations or critical transformations in basic and detailed structures.
Prompt: Set in an idyllic garden landscape, Augustusburg Castle (the sumptuous residence of the prince-archbishops of Cologne) and the Falkenlust hunting lodge (a small rural folly) are among the earliest examples of Rococo architecture in 18th-century Germany. Set in an idyllic garden landscape, begun by architect Johann Conrad Schlaun, and finished by François de Cuvilliés, Augustusburg Castle, the sumptuous residence of the prince-archbishops of Cologne, and the Falkenlust hunting lodge, a small rural folly, are among the earliest and best examples of 18-century Rococo architecture in Germany, and directly linked to the great European architecture and art of unprecedented richness of the time. In 1725, Clemens August of Bavaria (1700-1761), Prince-Elector and archbishop of Cologne, planned and constructed this large residence at Brühl on the foundations of a medieval castle. It consists of three wings built of brick with rough-cast rendering and has two adjoining orangeries, one on the south side which includes an oratory, while the other to the north houses various service buildings.
Prompt: Projection mapping offers a way to convey compelling messages anywhere, from restaurant tables to entire buildings. Projection mapping is a technological innovation that lets you overlap video onto any surface, such as a building or table. Projection mapping fits images onto a 3D model of a surface, giving the impression that they’re painted on. Projection mapping software helps bring marketing visions to life in unusual and memorable ways. This article is for business owners and marketers who want to explore innovative presentation styles and more effective advertising campaigns. In an effort to connect with your heart, mind and wallet, big brands work hard to pack every minute of your day with ads and multimedia. One marketing tactic in their toolbox aims to create emotional and long-lasting impressions around events. Stunning graphics, 3D or 4D experiences or interactive installations help create some of the most memorable ones.
Prompt: The distribution of light in a searchlight beam is computed by determining the image formation at a point on the mirror or lens, then from this elemental image the image from a zone is derived. These zonal images are in turn summed graphically to find the beam from the complete searchlight. Some of the more important characteristics of a projected beam, such as angular width and the region in which the inverse square rule may be used to compute illumination, are outlined, and some attention is paid to the short range region that must often be used in testing. Lenses are discussed, largely to bring out their limitations, and some of the characteristics of the ellipsoid and hyperboloid are outlined. Test data on a mirror made of a combination of these two basic curves are presented to show how the filament images can be suppressed.
Prompt: Architectural projection means any projection which is not intended for occupancy and which extends beyond the face of an exterior wall of a building, including arcades, roof overhangs, mansards, unenclosed exterior balconies, marquees, canopies, pilasters, fascias and the like, but not including signs.
Prompt: Miraculously preserved in the beautiful setting of an Alpine valley, the Church of Wies (1745–54), the work of architect Dominikus Zimmermann, is a masterpiece of Bavarian Rococo – exuberant, colourful and joyful. The sanctuary of Wies, near Steingaden in Bavaria, is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared. The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary. Consequently, work began in 1745 under the direction of the celebrated architect, Dominikus Zimmermann, who was to construct, in this pastoral setting in the foothills of the Alps.
Prompt: This magnificent Baroque palace – one of the largest and most beautiful in Germany and surrounded by wonderful gardens – was created under the patronage of the prince-bishops Lothar Franz and Friedrich Carl von Schönborn. It was built and decorated in the 18th century by an international team of architects, painters (including Tiepolo), sculptors and stucco-workers, led by Balthasar Neumann. Located in Southern Germany, the sumptuous Würzburg Residence was built and decorated in the 18th century by an international corps of architects, painters, sculptors, and stucco workers under the patronage of two successive Prince-Bishops, Johann Philipp Franz and Friedrich Karl von Schönborn.The Residence was essentially constructed between 1720 and 1744, decorated on the interior from 1740 to 1770 and landscaped with magnificent gardens from 1765 to 1780. It testifies to the ostentation of the two Prince-Bishops, and as such illustrates the historical situation of one of the most brilliant courts of Europe during the 18th century. The most renowned architects of the period - the Viennese, Lukas von Hildebrandt, and the Parisians Robert de Cotte and Germain Boffrand - drew up the plans
Prompt: Speyer Cathedral, a basilica with four towers and two domes, was founded by Conrad II in 1030 and remodelled at the end of the 11th century. It is one of the most important Romanesque monuments from the time of the Holy Roman Empire. The cathedral was the burial place of the German emperors for almost 300 years. Speyer Cathedral in the southwest of Germany, a basilica with four towers and two domes, was founded as a flat-ceiling basilica by Konrad II in 1030, probably soon after his imperial coronation. It was rebuilt by Henry IV, following his reconciliation with the Pope in 1077, as the first and largest consistently vaulted church building in Europe. The Cathedral was the burial place of the German emperors for almost 300 years. Speyer Cathedral is historically, artistically and architecturally one of the most significant examples of Romanesque architecture in Europe. It is, by virtue of its proportions, the largest, and, by virtue of the history to which it is linked, the most important.
Prompt: Construction of this palatine chapel, with its octagonal basilica and cupola, began c. 790–800 under the Emperor Charlemagne. Originally inspired by the churches of the Eastern part of the Holy Roman Empire, it was splendidly enlarged in the Middle Ages. It is Emperor Charlemagne´s own Palatine Chapel, which constitutes the nucleus of the Cathedral of Aachen, located in western Germany. The construction of the chapel between 793 and 813 symbolises the unification of the West and its spiritual and political revival under the aegis of Charlemagne. Originally inspired by the churches of the eastern part of the Holy Roman Empire, the octagonal core was splendidly enlarged in the Middle Ages. In 814, Charlemagne was buried here. Charlemagne made the Frankish royal estate of Aachen, which had been serving a spa ever since the first century, his favourite abode. The main buildings of the Imperial Palace area were the Coronation Hall (aula regia – located in today´s Town Hall) and the Palace Chapel – now Aachen Cathedral. The Palatine Chapel is based on an octagonal ground plan, which is surrounded by an aisle and by tribunes above, and roofed with a dome.
Prompt: Known as the 'Romanesque Sistine Chapel', the Abbey-Church of Saint-Savin contains many beautiful 11th- and 12th-century murals which are still in a remarkable state of preservation. Located in the Nouvelle-Aquitaine region, the Abbey Church of Saint-Savin-sur-Gartempe, is an ancient abbey founded or refounded during the Carolingian era by Saint Benoît d’Aniane, father of western monasticism, under the protection of Charlemagne and his successors. Rebuilt in the 11th century, it bears witness to western Roman architecture with its well-balanced volumes. Its murals, executed at the end of the 11th or early 12th century, are an exceptional ensemble of medieval imagery. The edifice is mounted by a Gothic spire, of almost 80 metres in height, dating from the 14th century and reconstructed in the 19th century.
Prompt: The castle complex included three moats, one of which—the outer moat—is now buried.[6] Parts of the central moat and all of the inner moats survive. The moats have an average width of 20 m, a maximum width of 34.5 m, and a depth of about 2.7 m. The Three Country Moat (三国堀, sangoku-bori) is a 2,500 m2 pond which exists inside the castle; one of the purposes of this moat was to store water for use in fire prevention. The castle complex, particularly the Waist Quarter (腰曲輪, koshikuruwa), contains numerous warehouses that were used to store rice, salt, and water in case of a siege. A building known as the Salt Turret (塩櫓, shioyagura) was used specifically to store salt, and it is estimated that it contained as many as 3,000 bags of salt when the castle complex was in use. The castle complex also contained 33 wells within the inner moat, 13 of which remain; the deepest of these has a depth of 30 m.
Prompt: Shortly after its foundation in the 9th century, the Benedictine abbey of Vézelay acquired the relics of St Mary Magdalene and since then it has been an important place of pilgrimage. St Bernard preached the Second Crusade there in 1146 and Richard the Lion-Hearted and Philip II Augustus met there to leave for the Third Crusade in 1190. With its sculpted capitals and portal, the Madeleine of Vézelay – a 12th-century monastic church – is a masterpiece of Burgundian Romanesque art and architecture. The church of St Mary Magdalene is a former French abbey established in Vézelay in Burgundy-Franche-Comté, in the department of Yonne. Located on a high hill, still called the “eternal hill", this landmark of Christianity of the Middle Ages can be seen from afar. Established in the 9th century as a Benedictine abbey, the church became famous in the mid-11th century when the belief spread that it held the relics of St Mary Magdalene. It became a place of pilgrimage, all the more popular because it was located on one of the roads leading to Santiago de Compostela. The city benefited from the influx of pilgrims, as in the 12th century its population was between 8,000 and 10,000 inha
Prompt: Perched on a rocky islet in the midst of vast sandbanks exposed to powerful tides between Normandy and Brittany stand the 'Wonder of the West', a Gothic-style Benedictine abbey dedicated to the archangel St Michael, and the village that grew up in the shadow of its great walls. Built between the 11th and 16th centuries, the abbey is a technical and artistic tour de force, having had to adapt to the problems posed by this unique natural site. Perched on a rocky islet in the midst of vast sandbanks exposed to powerful tides, at the limit between Normandy and Brittany, stands “Wonder of the West”, a Gothic-style Benedictine abbey dedicated to the Archangel St Michel, and the village that grew up in the shadow of its walls. Built between the 11th and 16th centuries, the abbey is a technical and artistic tour de force, having had to adapt to the problems posed by this unique natural site. Thus, the practical and aesthetic solutions inscribed in the stones of the edifice are henceforth inseparable from its natural environment.
Prompt: Amiens Cathedral, in the heart of Picardy, is one of the largest 'classic' Gothic churches of the 13th century. It is notable for the coherence of its plan, the beauty of its three-tier interior elevation and the particularly fine display of sculptures on the principal facade and in the south transept. Located in the Hauts-de-France region, in the Department of the Somme, Amiens Cathedral is one of the largest churches in France and one of the most complete 13th century Gothic churches. The rigorous coherence of its plan, with the perfect symmetry of the nave and choir on either side of the transept, the beauty of its three-tier interior elevation, the audacious lightness of its structure that marks a new stage towards the conquest of luminosity, the wealth of its sculpted decoration and its stained glass makes it one of the most remarkable examples of medieval architecture.
Prompt: The inscribed site corresponds to four large groups of megalithic circles located in the extreme western part of West Africa, between the River Gambia and the River Senegal. These sites, Wassu, and Kerbatch in Gambia, and Wanar and Sine Ngayene in Senegal, represent an extraordinary concentration of more than 1,000 stone circles and related tumuli spread over a territory of 100 km wide and 350 km in length, along the River Gambia. Together, the four groups comprise 93 circles and associated sites, some of which have been excavated, some of which have revealed archaeological material and human burials, from pottery to iron instruments and ornamentation dating between the 1 st and 2nd millennia to our era. These four megalithic sites are the most dense concentration in the zone and have Outstanding Universal Value, representing a traditional monumental megalithic construction spread out over a vast area, with more than 1,000 stone circles scattered along one of the major rivers of Africa.
Prompt: The site consists of four large groups of stone circles that represent an extraordinary concentration of over 1,000 monuments in a band 100 km wide along some 350 km of the River Gambia. The four groups, Sine Ngayène, Wanar, Wassu and Kerbatch, cover 93 stone circles and numerous tumuli, burial mounds, some of which have been excavated to reveal material that suggest dates between 3rd century BC and 16th century AD. Together the stone circles of laterite pillars and their associated burial mounds present a vast sacred landscape created over more than 1,500 years. It reflects a prosperous, highly organized and lasting society.
Prompt: Preserved by its long isolation, the Upper Svaneti region of the Caucasus is an exceptional example of mountain scenery with medieval-type villages and tower-houses. The village of Chazhashi still has more than 200 of these very unusual houses, which were used both as dwellings and as defence posts against the invaders who plagued the region. Preserved by its long-lasting geographical isolation, the mountain landscape of the Upper Svaneti region is an exceptional example of mountain scenery with medieval villages and tower houses. The property occupies the upper reaches of the lnguri River Basin between the Caucasus and Svaneti ranges. It consists of several small villages forming a community that are dominated by the towers and situated on the mountain slopes, with a natural environment of gorges and alpine valleys and a backdrop of snow-covered mountains. The most notable feature of the settlements is the abundance of towers.
Prompt: The Historical Monuments of Mtskheta are located in the cultural landscape at the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi in Mtskheta. The property consists of the Jvari Monastery, the Svetitstkhoveli Cathedral and the Samtavro Monastery. Mtskheta was the ancient capital of Kartli, the East Georgian Kingdom from the 3rd century BC to the 5th century AD, and was also the location where Christianity was proclaimed as the official religion of Georgia in 337. To date, it still remains the headquarters of the Georgian Orthodox and Apostolic Church. The favourable natural conditions, its strategic location at the intersection of trade routes, and its close relations with the Roman Empire, the Persian Empire, Syria, Palestine, and Byzantium, generated and stimulated the development of Mtskheta and led to the integration of different cultural influences with local cultural traditions. After the 6th century AD, when the capital was transferred to Tbilisi, Mtskheta continued to retain its leading role as one of the important cultural and spiritual centres of the country.
Prompt: Founded in 1106 in the west of Georgia, the Monastery of Gelati is a masterpiece of the Golden Age of medieval Georgia, a period of political strength and economic growth between the 11th and 13th centuries. It is characterized by the facades of smoothly hewn large blocks, balanced proportions and blind arches for exterior decoration. The Gelati monastery, one of the largest medieval Orthodox monasteries, was also a centre of science and education and the Academy it housed was one of the most important centres of culture in ancient Georgia.
Prompt: This transnational serial property comprises eleven spa towns, located in seven European countries: Baden bei Wien (Austria); Spa (Belgium); Františkovy Lázně; Karlovy Vary; Mariánské Lázně (Czechia); Vichy (France); Bad Ems; Baden-Baden; Bad Kissingen (Germany); Montecatini Terme (Italy); and City of Bath (United Kingdom). All of these towns developed around natural mineral water springs. They bear witness to the international European spa culture that developed from the early 18th century to the 1930s, leading to the emergence of grand international resorts that impacted urban typology around ensembles of spa buildings such as baths, kurhaus and kursaal (buildings and rooms dedicated to therapy), pump rooms, drinking halls, colonnades and galleries designed to harness the natural mineral water resources and to allow their practical use for bathing and drinking. Related facilities include gardens, assembly rooms, casinos, theatres, hotels and villas, as well as spa-specific support infrastructure. These ensembles are all integrated into an overall urban context that includes a carefully managed recreational and therapeutic environment in a picturesque landscape.
Prompt: Nice, located on the Mediterranean, at the foot of the Alps, near the Italian border, in the Provence-Alpes-Côte d’Azur region, reflects the development of a city devoted to winter tourism, making the most of its mild climate and its coastal situation, between sea and mountains. From the mid-18th century, the site attracted growing numbers of aristocratic and upper-class families, mainly British, who developed the habit of spending their winters there. In 1832, Nice, then part of the Kingdom of Sardinia, set up the “Consiglio d’Ornato” which drew up a city planning scheme and architectural requirements designed to make the city attractive to foreigners. Thus, the “Camin dei Ingles”, a modest path which had been created along the coastline by British winter visitors in 1824, subsequently became the prestigious Promenade des Anglais. After the city was ceded to France in 1860, and thanks to its connection to the European rail network, an increasing number of winter visitors from all countries flocked to the city. This led to successive phases of development of new districts beyond the medieval old town.
Prompt: The Lighthouse of Cordouan rises up on a shallow rocky plateau in the Atlantic Ocean at the mouth of the Gironde estuary in the Nouvelle-Aquitaine region, in a highly exposed and hostile environment. Built in white limestone dressed blocks at the turn of the 16th and 17th centuries, it was designed by engineer Louis de Foix and remodelled by engineer Joseph Teulère in the late 18th century. A masterpiece of maritime signalling, Cordouan’s monumental tower is decorated with pilasters, columns modillions and gargoyles. It embodies the great stages of the architectural and technological history of lighthouses and was built with the ambition of continuing the tradition of famous beacons of antiquity, illustrating the art of building lighthouses in a period of renewed navigation, when beacons played an important role as territorial markers and as instruments of safety. Finally, the increase of its height, in the late 18th century, and the changes to its light chamber, attest to the progress of science and technology of the period. Its architectural forms drew inspiration from ancient models, Renaissance Mannerism and the specific architectural language of France’s engineering sch
Prompt: Taputapuātea on Ra’iātea Island is at the centre of the ‘Polynesian Triangle’, a vast portion of the Pacific Ocean, dotted with islands, and the last part of the globe to be settled by humans. The property includes two forested valleys, a portion of lagoon and coral reef and a strip of open ocean. At the heart of the property is the Taputapuātea marae complex, a political, ceremonial and funerary centre. It is characterized by several marae, with different functions. Widespread in Polynesia, the marae were places where the world of the living intersected the world of the ancestors and the gods. Taputapuātea is an exceptional testimony to 1,000 years of mā'ohi civilization. Taputapuātea is a cultural landscape and seascape on Raiatea Island. Raiatea is at the centre of the “Polynesian Triangle,” a vast section of the Pacific Ocean dotted with islands, the last part of the globe to be settled by humans. At the heart of the property is the Taputapuātea marae complex, a political, ceremonial, funerary and religious centre. The complex is positioned between the land and sea on the end of a peninsula that juts into the lagoon surrounding the island.
Prompt: The climates are precisely delimited vineyard parcels on the slopes of the Côte de Nuits and the Côte de Beaune south of the city of Dijon. They differ from one another due to specific natural conditions (geology and exposure) as well as vine types and have been shaped by human cultivation. Over time they came to be recognized by the wine they produce. This cultural landscape consists of two parts. Firstly, the vineyards and associated production units including villages and the town of Beaune, which together represent the commercial dimension of the production system. The second part includes the historic centre of Dijon, which embodies the political regulatory impetus that gave birth to the climats system. The site is an outstanding example of grape cultivation and wine production developed since the High Middle Ages. The Climats, terroirs of Burgundy, are small precisely delimited parcels of vineyard located on the slopes of the Côte de Nuits and the Côte de Beaune, natural hillsides with clay-limestone soils of extremely variable composition extending 50 km south of Dijon up to Maranges.
Prompt: Located in a limestone plateau of the Ardèche River in southern France, the property contains the earliest-known and best-preserved figurative drawings in the world, dating back as early as the Aurignacian period (30,000–32,000 BP), making it an exceptional testimony of prehistoric art. The cave was closed off by a rock fall approximately 20,000 years BP and remained sealed until its discovery in 1994, which helped to keep it in pristine condition. Over 1,000 images have so far been inventoried on its walls, combining a variety of anthropomorphic and animal motifs. Of exceptional aesthetic quality, they demonstrate a range of techniques including the skilful use of shading, combinations of paint and engraving, anatomical precision, three-dimensionality and movement. They include several dangerous animal species difficult to observe at that time, such as mammoth, bear, cave lion, rhino, bison and auroch, as well as 4,000 inventoried remains of prehistoric fauna and a variety of human footprints.
Prompt: The property encompasses sites where the method of producing sparkling wines was developed on the principle of secondary fermentation in the bottle since the early 17th century to its early industrialization in the 19th century. The property is made up of three distinct ensembles: the historic vineyards of Hautvillers, Aÿ and Mareuil-sur-Aÿ, Saint-Nicaise Hill in Reims, and the Avenue de Champagne and Fort Chabrol in Epernay. These three components – the supply basin formed by the historic hillsides, the production sites (with their underground cellars) and the sales and distribution centres (the Champagne Houses) - illustrate the entire champagne production process. The property bears clear testimony to the development of a very specialized artisan activity that has become an agro-industrial enterprise.
Prompt: Remarkable as a landscape shaped over three centuries of coal extraction from the 1700s to the 1900s, the site consists of 109 separate components over 120,000 ha. It features mining pits (the oldest of which dates from 1850) and lift infrastructure, slag heaps (some of which cover 90 ha and exceed 140 m in height), coal transport infrastructure, railway stations, workers’ estates and mining villages including social habitat, schools, religious buildings, health and community facilities, company premises, owners and managers’ houses, town halls and more. The site bears testimony to the quest to create model workers’ cities from the mid 19th century to the 1960s and further illustrates a significant period in the history of industrial Europe. It documents the living conditions of workers and the solidarity to which it gave rise.
Prompt: From the Louvre to the Eiffel Tower, from the Place de la Concorde to the Grand and Petit Palais, the evolution of Paris and its history can be seen from the River Seine. The Cathedral of Notre-Dame and the Sainte Chapelle are architectural masterpieces while Haussmann's wide squares and boulevards influenced late 19th- and 20th-century town planning the world over. The city of Paris is built along a bend in the River Seine, between the confluence of the Marne and the Oise Rivers. The property comprises bridges, quays and the banks of the Seine in the historic part of its course (between the Pont de Sully and the Pont d’Iéna) and the Ile de la Cité and the Ile St Louis. The mastery of the architecture and town planning along the river is evident in the articulation of the Ile de la Cité and Ile St Louis with its banks, the creation of North-South thoroughfares, the installations along the river course, the construction of quays and the channelling of the river. The ensemble, regarded as a geographical and historical entity, forms an exceptional and unique example of urban riverside architecture, where the different layers of the history of Paris.
Prompt: The outstanding handling of new architectural techniques in the 13th century, and the harmonious marriage of sculptural decoration with architecture, has made Notre-Dame in Reims one of the masterpieces of Gothic art. The former abbey still has its beautiful 9th-century nave, in which lie the remains of Archbishop St Rémi (440–533), who instituted the Holy Anointing of the kings of France. The former archiepiscopal palace known as the Tau Palace, which played an important role in religious ceremonies, was almost entirely rebuilt in the 17th century. Located in the Grand Est region, in the Marne Department, the Cathedral, the Palace of Tau and the Abbey of Saint-Rémi of Reims are closely linked to the history of the French monarchy, and hence, more generally, to the history of France.
Prompt: The initial property, inscribed in 1988 on the World Heritage List, was formed by the Grande-Île, the historic centre of Strasbourg, structured around the cathedral. The extension concerns the Neustadt, new town, designed and built under the German administration (1871-1918). The Neustadt draws the inspiration for its urban layout partially from the Haussmannian model, while adopting an architectural idiom of Germanic inspiration. This dual influence has enabled the creation of an urban space that is specific to Strasbourg, where the perspectives created around the cathedral open to a unified landscape around the rivers and canals.
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Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
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