Neo Kotsiubiiv (Нео Коцюбіїв)

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: According to the ranking system developed by the U.S.-based Council on Tall Buildings and Urban Habitat, the Eureka Tower qualified as the tallest building in three of the four categories in which heights are ranked, namely height to the floor of the highest occupied floor of the building. For comparison, the Q1 apartment tower on the Gold Coast has its highest habitable floor (the observation deck), reaching a height of 235 m (771 ft), some 62 m (203 ft) lower than Eureka Tower's highest habitable floor. Q1's highest penthouse apartment is 217 m (712 ft) whilst Eureka's penthouse is 278 m (912 ft) high. However, the spire attached to the top of Q1 exceeds the Eureka Tower in the other two categories, namely "Height to the tip of spire, pinnacle, antenna, mast or flag pole" – in this case, spire – and height to architectural top of the building.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Eureka Tower is a 297.3 m (975 ft) skyscraper located in the Southbank precinct of Melbourne, Victoria, Australia.[3] Construction began in August 2002 and the exterior was completed on 1 June 2006. The plaza was finished in June 2006 and the building was officially opened on 11 October 2006.[4] The project was designed by Melbourne architectural firm Fender Katsalidis Architects and was built by Grocon (Grollo Australia). The developer of the tower was Eureka Tower Pty Ltd, a joint venture consisting of Daniel Grollo (Grocon), investor Tab Fried and one of the Tower's architects Nonda Katsalidis. It was the world's tallest residential tower when measured to its highest floor,[5] until surpassed by Ocean Heights and the HHHR Tower in Dubai. From 2006 to 2019, it was the tallest building in Melbourne, until the topping out of Australia 108. It is currently the third tallest building in Australia, behind the Q1 in Queensland and Australia 108, as well as the second tallest to roof (excluding spire) behind the latter skyscraper.[6] As of 2016 it was the 15th tallest residential building in the world.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Blue Condominium, also known as the Blue Tower, is located in the Lower East Side neighborhood of New York City at 105 Norfolk Street. Designed by Bernard Tschumi, it is his first residential and first high-rise structure. At 16 stories tall, it opened in 2007 with 32 condominium apartments, a ground floor commercial space occupied by the Thierry Goldberg Gallery, and a third floor roof terrace for residents. Commercial at the ground floor with residential above is a common method of programming space in urban residential projects. The tower is not LEED certified. The faceted pixelated form, a reaction to the zoning and set back requirements, is clad in a blue panel and window curtain wall system, contrasting with the low rise brick buildings that typify the neighborhood.[1]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Riparian Plaza was designed by Harry Seidler (architect) and Robert Bird Group (structural engineer). Most office spaces have river views, due to the 45-degree angle to the river of the building and the lack of columns on these mid level floors. Each penthouse has its own curvilinear, projecting terrace that faces the river. The cantilevering balconies have a highly sculptured shape. Seidler claimed the composite stacking of sectors vertically is unique in Australia.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: This issue of definition, apparently so simple, has proven to be one of the most serious problems for advocates of vernacular architecture and landscapes research. A straightforward, convincing, authoritative definition has not yet been offered. Vernacular architecture is a phenomenon that many understand intuitively but that few are able to define. The literature on the subject is thus filled with what might be called non-definitions. Vernacular architecture is non-high style building, it is those structures not designed by professionals; it is not monumental; it is un-sophisticated; it is mere building; it is, according to the distinguished historian Nikolaus Pevsner, not architecture. Those who take a more positive approach rely on adjectives like ordinary, everyday, and commonplace. While these terms are not as pejorative as other descriptive phrases that are sometimes applied to the vernacular, neither are they very precise. For example, the skyscrapers of Manhattan are works of high style architecture, but they are also commonplace in Manhattan. Are they not logically New York City vernacular buildings?
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: An oriel window is a form of bay window which protrudes from the main wall of a building but does not reach to the ground. Supported by corbels, brackets, or similar cantilevers, an oriel window is most commonly found projecting from an upper floor but is also sometimes used on the ground floor. Oriel windows are seen in Arab architecture in the form of mashrabiya and in Turkish are known as şahnişin or cumba. In Islamic culture, these windows and balconies project from the street-front of a house, providing an area in which women could peer out and see the activities below while remaining invisible.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Deconstructivism is a movement of postmodern architecture which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. Its name is a portmanteau of Constructivism and "Deconstruction", a form of semiotic analysis developed by the French philosopher Jacques Derrida. Architects whose work is often described as deconstructivist (though in many cases the architects themselves reject the label) include Zaha Hadid, Peter Eisenman, Frank Gehry, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and Coop Himmelb(l)au.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Seattle Central Library is the flagship library of the Seattle Public Library system. The 11-story (185 feet or 56.9 meters high) glass and steel building in downtown Seattle, Washington was opened to the public on May 23, 2004. Rem Koolhaas and Joshua Prince-Ramus of OMA/LMN were the principal architects, and Magnusson Klemencic Associates was the structural engineer with Arup. Arup also provided mechanical, electrical, and plumbing engineering, as well as fire/life safety, security, IT and communications, and audio visual consulting. Hoffman Construction Company of Portland, Oregon, was the general contractor. The 362,987 square feet (33,722.6 m2) public library has the capacity to hold about one and a half million books and other materials. It offers underground public parking for 143 vehicles and over 400 computers accessible to the public. Over two million people visited the library during its first year. It is the third Seattle Central Library building to be located on the same site at 1000 Fourth Avenue, the block bounded by Fourth and Fifth Avenues and Madison and Spring Streets.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A second library, at five stories and 206,000 square feet (19,100 m2), was built at the site of the old Carnegie library and opened on March 26, 1960. The new building designed by architects Bindon and Wright, with Decker, Christenson, and Kitchin as associates, featured an international-style architecture and an expanded interior, with features such as drive-thru service to offset the lack of available parking. George Tsutakawa's "Fountain of Wisdom" on the Fifth Avenue side (relocated to Fourth Avenue in the current library) was the first of that artist's many sculptural fountains. A remodeling finished in 1972 gave the public access to the fourth story, dedicated to the arts and sound recordings. By the late 1990s, the library became too cramped again and two-thirds of its materials were held in storage areas inaccessible to patrons. Renewed consciousness of regional earthquake dangers drew concern from public officials about the seismic risks inherent to the building's design.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Vitra Design Museum is a privately owned museum for design in Weil am Rhein, Germany. These works, originally the private collection of Rolf Fehlbaum, are now permanently on display at the newly completed Schaudepot building on the Vitra premises. In addition, the museum puts on temporary exhibitions in the main building, often with loans from other collections. In turn, parts of the collection are lent to other institutions around the world. In addition, the museum produces workshops, publications and museum products, as well as maintaining an archive, a restoration and conservation laboratory, and a research library. It also organises guided tours of the Vitra premises, a major attraction to those interested in modern architecture. The museum produced the travelling exhibition 'Rudolf Steiner - Alchemy of the Everyday', a major retrospective exhibition drawn from its own collection and borrowed exhibits, coinciding with the one hundred and fiftieth anniversary of the birth of its subject.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The structure is made mostly of concrete and is comparatively small, enclosed by thick walls, with the upturned roof supported on columns embedded within the walls, like a sail billowing in the windy currents on the hill top. In the interior, the spaces left between the walls and roof are filled with clerestory windows, as well as the asymmetric light from the wall openings, serve to further reinforce the sacred nature of the space and reinforce the relationship of the building with its surroundings. The lighting in the interior is soft and indirect, from the clerestory windows and reflecting off the whitewashed walls of the chapels with projecting towers. The structure is built mostly of concrete and stone, which was a remnant of the original chapel built on the hilltop site destroyed during World War II. Some have described Ronchamp as the first Post-Modern building, and others as the first building of the movement Expressionist architecture after World War II. It was constructed in the early 1950s.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The deconstructivist reading of Complexity and Contradiction is quite different. The basic building was the subject of problematics and intricacies in deconstructivism, with no detachment for ornament. Rather than separating ornament and function, like postmodernists such as Venturi, the functional aspects of buildings were called into question. Geometry was to deconstructivists what ornament was to postmodernists, the subject of complication, and this complication of geometry was in turn, applied to the functional, structural, and spatial aspects of deconstructivist buildings. One example of deconstructivist complexity is Frank Gehry's Vitra Design Museum in Weil-am-Rhein, which takes the typical unadorned white cube of modernist art galleries and deconstructs it, using geometries reminiscent of cubism and abstract expressionism. This subverts the functional aspects of modernist simplicity while taking modernism, particularly the international style, of which its white stucco skin is reminiscent, as a starting point. Another example of the deconstructivist reading of Complexity and Contradiction is Peter Eisenman's Wexner Center for the Arts.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: There have been many criticisms of the innovative design of the park since its original completion. To some, the park has little concern with the human scale of park functions and the vast open space seem to challenge the expectation that visitors may have of an urban park. Bernard Tschumi designed the Parc de la Villette with the intention of creating a space that exists in a vacuum, something without historical precedent. The park strives to strip down the signage and conventional representations that have infiltrated architectural design and allow for the existence of a “non-place.” This non-place, envisioned by Tschumi, is the most appropriate example of space and provides a truly honest relationship between the subject and the object.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Shanghai Tower was designed by the American architectural firm Gensler, with Shanghainese architect Jun Xia leading the design team. The tower takes the form of nine cylindrical buildings stacked atop each other that total 128 floors, all enclosed by the inner layer of the glass facade. Between that and the outer layer, which twists as it rises, nine indoor zones provide public space for visitors. Each of these nine areas has its own atrium, featuring gardens, cafés, restaurants and retail space, and providing panoramic views of the city. Both layers of the façade are transparent, and retail and event spaces are provided at the tower's base. The transparent façade is a unique design feature, because most buildings have only a single façade using highly reflective glass to reduce heat absorption, but the Shanghai Tower's double layer of glass eliminates the need for either layer to be opaqued. The tower can accommodate as many as 16,000 people daily. The Shanghai Tower joins the Jin Mao Tower and SWFC to form the world's first adjacent grouping of three supertall buildings. Its 258-room hotel, the J Hotel Shanghai Tower, located between the 84th and 110th floors.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The double-skin façade is a system of building consisting of two skins, or façades, placed in such a way that air flows in the intermediate cavity. The ventilation of the cavity can be natural, fan supported or mechanical. Apart from the type of the ventilation inside the cavity, the origin and destination of the air can differ depending mostly on climatic conditions, the use, the location, the occupational hours of the building and the HVAC strategy. The glass skins can be single or double glazing units with a distance from 20 cm up to 2 metres. Often, for protection and heat extraction reasons during the cooling period, solar shading devices are placed inside the cavity.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Milwaukee art museum is a multi-purpose 142,050-square-foot building with areas that include a reception hall, auditorium, exhibition space, and stores. It was design by the Spanish Architect Santiago Calatrava who was inspired by Frank Lloyd Wright's works. The construction methods of concrete slabs into timber frames was revolutionary in architecture and was completed in 2001. Windover Hall is a 90 foot tall grand reception area topped with a glass roof. The style and symbolism of the building is based on gothic architecture and designed to represent the shape of a ship looking over Lake Michigan. Santiago states, “the building’s form is at once formal (completing the composition), functional (controlling the level of light), symbolic (opening to welcome visitors), and iconic (creating a memorable image for the Museum and the city).”
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Walker Art Center maintains a professional, in-house design and editorial department to fulfill its various communication needs. The department is responsible for the design and editing of all printed materials, including the creation and planning of publications such as exhibition catalogues, bi-monthly magazines, and books, as well as exhibition and event graphics, signage programs, and promotional campaigns. Additionally, the department organizes design-related projects and programs, such as lectures, exhibitions, and special commissions. Over the course of its 60-plus year history, the department has organized many important exhibitions on architecture and design, and has served as a vital forum for contemporary design issues, bringing hundreds of world-renowned architects, designers, and critics to the Twin Cities through programs such as the Insights design lecture series, which celebrated its 30th year in 2016. During the 1940s, the Walker built two "idea houses" exhibiting the latest in building materials, furnishings and architectural design trends.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The designers were sensitive to the appearance of the building in its natural setting. Walter Hood, a landscape architect based in Oakland, designed the museum's new gardens. The entire exterior is clad in 163,118 sq ft (15,154.2 m2) of copper, which is expected to eventually oxidize and take on a greenish tone and a distinct texture to echo the nearby eucalyptus trees. In order to further harmonize with the surroundings, shapes were cut into the top to reveal gardens and courtyards where 48 trees had been planted, the giant tree-ferns that form a backdrop for the museum entrance are particularly dramatic. 5.12 acres (20,700 square meters) of new landscaping were planted as well, with 344 transplanted trees and 69 historic boulders. The building is clad with variably perforated and dimpled copper plates, whose patina will slowly change through exposure to the elements. This exterior facade was developed and fabricated by engineers at Zahner.[20] A 144 ft. (44 m) observation tower allows visitors to see much of Golden Gate Park's Music Concourse (see below) and rises above the Park's treetops, providing a view of the Golden Gate and Marin Headlands.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The twisting 144 foot (44 m) tall tower is a distinctive feature, and can be seen rising above the canopy of Golden Gate Park from many areas of San Francisco. The museum offers a two-floor museum store, free access to the lobby and tower, and a full-service cafe with outdoor seating in the Osher Sculpture Garden.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Denver Art Museum (DAM) is an art museum located in the Civic Center of Denver, Colorado. With encyclopedic collections of more than 70,000 diverse works from across the centuries and world, the DAM is one of the largest art museums between the West Coast and Chicago.
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