Prompt: The Torre de San Martín (English: St. Martin's Tower) is a medieval structure in Teruel, Aragon, northern Spain. Built in Aragonese Mudéjar style in 1316 and renovated in the 16th century, it was added to the UNESCO Heritage List in 1986 together with other Mudéjar structures in Teruel.
Prompt: The Delano South Beach hotel was an upscale resort located in Miami Beach, Florida. Delano was a part of the Morgans Hotel Group collection prior to MHG being purchased by SBE Entertainment Group. SBE Entertainment has since sold the hotel to Eldridge, and the hotel has been closed to the public since March 2020.
Prompt: Libeskind cites the Ohio River and the Roebling Bridge as influences for his design.[3] The building stands 293 feet (89 m) tall, 22 stories (comprising a lobby, parking level, amenities level, and 19 floors of luxury condominiums) and ends in a sloped spiral roof. The concrete structure slopes outward from its base on its eastern face and is clad in a glass curtain wall.[4] It houses 70 condominiums.
Prompt: The building, which was Daniel Libeskind's first in Israel, was built on a relatively small budget. The ILS43 million ($7.2 million) it cost to construct the center came in part from British philanthropist Maurice Wohl.[4]
Three long rectangular "bars" comprise the building's base, above which rests a 1,000-seat auditorium. The center's angular form evokes an open book and, according to Libeskind, embodies "the interrelation between the dynamics of knowledge and the unifying role of faith." Hebrew letters inspired the shapes of the windows, which cut across a gold-colored aluminum exterior.
Prompt: The eastern wing facing Queen's Park was designed by Alfred H. Chapman and James Oxley. Opened in 1933, it included the museum's elaborate art deco, Byzantine-inspired rotunda and a new main entrance. The linking wing and rear (west) façade of the Queen's Park wing were originally done in the same yellow brick as the 1914 building, with minor Italianate detailing. However, the Queen's Park façade of the expansion broke away from the heavy Italianate style of the original structure. It was built in a neo-Byzantine style with rusticated stone, triple windows contained within recessed arches and different-coloured stones arranged in a variety of patterns.[31] This development from the Roman-inspired Italianate to a Byzantine-influenced style reflected the historical development of Byzantine architecture from Roman architecture. Common among neo-Byzantine buildings in North America, the façade also contains elements of Gothic Revival in its relief carvings, gargoyles and statues. The ornate ceiling of the rotunda is covered predominantly in gold back painted glass mosaic tiles, with coloured mosaic geometric patterns and images of real and mythical animals.
Prompt: The most striking feature of the building is its west façade, reminiscent of a westwork or of the exterior of a church organ. It includes the 49 m (160 ft) tall bell tower. The imposing façade with its strong verticality guides one's eyes towards the sky. The bottom half of the tower is simple brick while the upper reaches present the appearance of one solid, rippling surface.
Prompt: The building occupies a site bounded by Franklin Street, Jackson Boulevard, Wacker Drive, and Adams Street. Graham and Khan designed the building as nine square "tubes", clustered in a 3×3 matrix; seven of the tubes set back at upper floors. The tower has 108 stories as counted by standard methods, though the building's owners count the main roof as 109 and the mechanical penthouse roof as 110.[1][3] The facade is made of anodized aluminum and black glass. The base of the building contains a retail complex known as the Catalog. The lower half of the tower was originally occupied by retail company Sears, which had its headquarters there until 1994, while the upper stories were rented out.
Prompt: Sears planned to move its merchandise group into the building initially, renting out the remaining space to other tenants until needed. Sears executives were accustomed to large floor areas of at least 100,000 square feet (9,300 m2), but SOM architects raised concerns that the large floors would be unattractive to smaller tenants. A subsequent proposal called for two buildings connected by a footbridge, which would respectively contain 50,000 square feet (4,600 m2) and 30,000 square feet (2,800 m2) on each floor, but this was also infeasible.
Prompt: As Sears continued to offer optimistic growth projections, the height of the proposed tower also increased.[17] Under Chicago's relatively lax zoning laws, the site could theoretically accommodate a 300-story building with 13.5 million square feet (1,250,000 m2).[14] In practice, most potential tenants did not want excessively high offices.[14] Additionally, the Federal Aviation Administration (FAA) restricted the height of structures in the area to protect air traffic.[14][17] FAA officials publicly denied that they had imposed a height limit;[22] however, the area's minimum safe altitude would need to be raised by 1,000 feet (300 m) if the building was just 1 foot (0.30 m) taller.[23] Plans for the tower were announced on July 27, 1970. The 1,450-foot-tall (440 m) building would contain 109 stories as measured from Wacker Drive and 110 stories as measured from Franklin Street.[15][24] This would make Sears's new tower the tallest in the world, as measured by roof height, although New York City's under-construction World Trade Center Twin Towers would have a taller antenna.[22] Although the Sears Tower would contain 4.4 million square feet (410,000 m2) of space, only about 3.7 mil
Prompt: Work on the building's foundation commenced in August 1970. Contractors excavated the lot to a depth of 50 feet (15 m), and they removed 180,000 cubic feet (5,100 m3) of dirt from the site.[25] By that November, Spencer, White & Prentis Inc. was excavating a trench around the site, measuring 60 feet (18 m) deep and 20 by 216 feet (6.1 by 65.8 m) across. The contractors then built a slurry wall within the trench, made of concrete and reinforced steel.[26] Workers used steel bracing to prevent the slurry wall from collapsing inward, then used caissons to drill 201 holes into the ground. They also rerouted a sewer that had run underneath Quincy Street, which was to be closed permanent as part of the tower's construction.[25]
Prompt: The superstructure is made of reinforced concrete along with a grid of structural steel.[2][60] The first 12 above-ground stories (comprising floors 1 through 20) contain a reinforced-concrete and composite steel-and-concrete superstructure. Above the thirteenth physical story (floor 32), the superstructure is made of reinforced concrete which is cast in place.[2] Residential and mechanical stories are separated by concrete slabs with a minimum thickness of 9 inches (230 mm).[61] The roof consists of a concrete panel 4 feet (1.2 m) thick.[48] Atop the building is a weighting system to balance the building against the wind.[62] The weighting system consists of two suspended tuned mass dampers.[61]
Prompt: 111 West 57th Street, also known as Steinway Tower, is a supertall residential skyscraper in the Midtown Manhattan neighborhood of New York City. Developed by JDS Development Group and Property Markets Group, it is situated along Billionaires' Row on the north side of 57th Street near Sixth Avenue. The main portion of the building is an 84-story, 1,428-foot (435-meter) tower designed by SHoP Architects and completed in 2021. Preserved at the base is the 16-story Steinway Building (also Steinway Hall), a former Steinway & Sons store designed by Warren and Wetmore and completed in 1925, which originally carried the address 111 West 57th Street.
Prompt: 111 West 57th Street contains 60 luxury condominiums: 14 in Steinway Hall and 46 in the tower. The residential tower has a glass facade with piers made of terracotta; its pinnacle contains setbacks on the southern side. The tower is the fourth-tallest building in the United States as of November 2022, as well as the thinnest skyscraper in the world with a width-to-height ratio of about 1:24. Steinway Hall, a New York City designated landmark, contains a facade made mostly of brick, limestone, and terracotta. 111 West 57th Street contains numerous resident amenities, housed mostly in the building's base, as well as a large rotunda within Steinway Hall that is also a designated city landmark.
Prompt: 111 West 57th Street, also known as Steinway Tower,[14] was developed by Michael Stern's JDS Development Group and Kevin P. Maloney's Property Markets Group (PMG).[1][15] WSP USA was the structural engineer for the project, while Jaros, Baum & Bolles was the engineer in charge of mechanical, electrical, and plumbing.[1]
The building has two components. Warren and Wetmore's original Steinway Hall, at the base of the development, is topped by a 1,428 ft (435 m) tower designed by SHoP Architects. According to documents filed by SHoP Architects principal Gregg Pasquarelli, the roof slab of the tower is 1,257.5 feet (383.3 m) above ground level while the pinnacle is 1,423.58 feet (433.91 m) above ground.[16] The building contains 84 stories above ground level or 85 including the roof slab.[1][17][18] The top story is numbered as floor 91, while floor numbers 5–7, 13, and 21–25 are skipped.[18][a] The tallest habitable story of the tower is 1,134 feet (346 m) above ground level.[1] There is also a sub-cellar and cellar, used primarily for utilities and storage.
Prompt: The residential tower atop Steinway Hall is one of the tallest buildings in the United States, as well as the thinnest skyscraper in the world with a width-to-height ratio of about 1:24. Due to its slenderness, the top stories sway several feet during high winds. The building has been characterized as part of a new breed of New York City "pencil towers". The tower's northern elevation rises directly up to the pinnacle, and the southern elevation contains several setbacks as the tower rises, thinning the tower's footprint on higher floors. The pinnacle's lighting pattern was commissioned by L'Observatoire International. Because of the shape of the tower's pinnacle, 111 West 57th Street is nicknamed "Stairway to Heaven". The 16-story, "L"-shaped Steinway Hall fills most of the base, with frontages of 63 feet (19 m) along 57th Street and 100 feet (30 m) on 58th Street.[20][21] The concert hall has a setback above the 12th story on 57th Street, and setbacks above the 9th and 12th stories on 58th Street. The 16th story along 57th Street (marketed as floor 19[a]) is also set back from all sides.[10] The roof of Steinway Hall contains a campanile with a pyramidal copper roof and lantern.
Prompt: There is a 90 ft (27 m) obelisk-like spire at the top of the building echoing the shape of the building as a whole. Most of the spire is covered in 23 karat (96 percent) gold leaf. The open-lattice steel pyramid underneath the obelisk glows yellow-orange at night due to lighting. At its most basic, this is a modern interpretation of the Art Deco theme seen in the Empire State Building and the Chrysler Building. The inhabited part of the building actually ends abruptly with a flat roof. On top of this is built a pyramid of girders, which are gilded and blaze at night, with the same type of yellow-orange high-pressure sodium (HPS) lighting used in older-style street lights. Its design has been characterized as similar to the Messeturm in Frankfurt am Main, Germany.
Prompt: There is a 90 ft (27 m) obelisk-like spire at the top of the building echoing the shape of the building as a whole. Most of the spire is covered in 23 karat (96 percent) gold leaf. The open-lattice steel pyramid underneath the obelisk glows yellow-orange at night due to lighting. At its most basic, this is a modern interpretation of the Art Deco theme seen in the Empire State Building and the Chrysler Building. The inhabited part of the building actually ends abruptly with a flat roof. On top of this is built a pyramid of girders, which are gilded and blaze at night, with the same type of yellow-orange high-pressure sodium (HPS) lighting used in older-style street lights. Its design has been characterized as similar to the Messeturm in Frankfurt am Main, Germany.
Prompt: The Times Building is 52 stories tall with one basement,[20] covering a gross floor area of 1,545,708 square feet (143,601.0 m2).[1] It has two major condominiums of office space:[6] a lower section operated by the New York Times Company and an upper section operated by Brookfield Properties, which took over Forest City Ratner's stake in 2019.[21] The Times space on the 2nd to 27th stories covers 800,000 square feet (74,000 m2), about 58 percent of the office space, while the 29th to 52nd stories spans 600,000 square feet (56,000 m2), covering the remaining 42 percent.[22][23] The lobby and the mechanical spaces on the 28th and 51st stories are shared by the building's major operators.[24][6] The top floor is 721 feet (220 m) high.[1] The Times Building rises 748 feet (228 m) from the street to its roof, while the exterior curtain wall rises to 840 feet (256 m) and its mast rises to 1,046 feet (318.8 m).[1][3] As of 2018, including its mast, the New York Times Building is the eleventh-tallest building in the city, tied with the Chrysler Building.
Prompt: On the north and south elevations, the center bays are cantilevered about 20 feet (6.1 m) past the perimeter columns.[24] The floor girders of the cantilevered sections are arranged into three framing lines: two at the outer ends of the cantilevers and one at the center.[71] The central girder on each floor is supported by a Vierendeel truss. The outer girders are connected to the perimeter columns by diagonal beams and to each other by columns.[24][71] Because the Times's stories have raised floors, the girders on these stories protrude through the facade in an offset "dogleg".[34][24]
Prompt: Heat is generated as a byproduct of the cogeneration plant's operation and is used to provide hot water. The recovered hot water is used in the building's perimeter heating system during the winter, while it is fed into the building's chillers during the summer.[44][61] The New York Times Building contains a single-stage absorption chiller that is capable of 250 metric tons (280 short tons; 250 long tons).[23][44] The building also has five electric centrifugal chillers of 1,150 metric tons (1,270 short tons; 1,130 long tons) each, which serve the building's central chilled-water plant.[73] The air from the chillers is delivered from chillers at 68 °F (20 °C).[23][66][74] It travels to an underfloor air distribution system under each of the Times's stories[61][75][76] and to the ceilings of the top 21 stories.[77] The steam for heating the building itself is purchased from Con Ed rather than being generated on-site, since the architects determined on-site heat generation to be more expensive. The cellar and the podium's roof contain air handling units with steam coils that take low-pressure steam.[75]
Prompt: Liberty Place is a skyscraper complex in Philadelphia. The complex is composed of a 61-story, 945-foot (288 m) skyscraper called One Liberty Place, a 58-story, 848-foot (258 m) skyscraper called Two Liberty Place, a two-story shopping mall called the Shops at Liberty Place, and the 14-story Westin Philadelphia Hotel. Prior to the construction of Liberty Place, there was a gentlemen's agreement not to build any structure in Center City higher than the statue of William Penn on top of Philadelphia City Hall. The tradition lasted until 1984 when developer Willard G. Rouse III of Rouse & Associates announced plans to build an office building complex that included two towers taller than City Hall. There was a great amount of opposition to the construction of the towers with critics believing breaking the height limit would lead to construction of many more tall skyscrapers, ruining the livability and charm of Center City. Despite the opposition, construction of One Liberty Place was approved and the first phase of the project began in 1985 and was completed in 1987. One Liberty Place became the city's first skyscraper. The iconic design and spire make the complex a recognizable part of
Prompt: Two Liberty Place is based on the same influences as its counterpart tower and uses a similar shape and matching facade. Located at the corner of 16th and Chestnut Streets, Two Liberty Place is 847-foot-tall (258 m) making it the fourth-tallest building in the city. The 58-story skyscraper is shorter than its counterpart, but also contains about 1,200,000 square feet (110,000 m2) of space. Two Liberty Place's spire contains fewer gabled setbacks giving the tower a more squat appearance, but allowing about the same amount of interior space as One Liberty Place.[28][37] The design of the spire was a result of the building's intended tenant Cigna which wanted the large floor space.[3]
Prompt: The Williams Tower (originally named the Transco Tower) is a 64-story, 1.4 million square feet (130,000 m2) class A art deco office tower located in the Uptown District of Houston, Texas. The building was designed by New York-based John Burgee Architects with Philip Johnson in association with Houston-based Morris-Aubry Architects (now known as Morris Architects). Construction began in August 1981, and the building was opened in 1983.[2] The tower is among Houston's most visible buildings as the 4th-tallest in Texas, and the 44th-tallest in the United States. The Williams Tower is the tallest building in Houston outside of Downtown Houston,[3] and is the tallest skyscraper in the United States outside of a city's central business district. It has been referred to as the "Empire State Building of the south".[2]
Prompt: There is 17,000 sq ft (1,600 m2) of amenity spaces on the ninth and tenth floors, including a 75 ft (23 m) pool, a 25-seat screening room, a private dining room, and a children's playroom. The building has a total of ten elevators; owners will share a hallway with at most one other apartment. The developers also figured a generator on the ninth floor into the plans. There are eight full-floor apartments at the top, ranging from 5,200 to 6,400 sq ft (480 to 590 m2), with 14-to-19 ft-high (4.3-to-5.8 m) ceilings.[13] In addition, the building features a double-height lobby sheathed in "gleaming" black granite.
Prompt: One Atlantic Center, also known as IBM Tower, is a skyscraper located in Midtown Atlanta, Georgia. It is the third tallest building in Atlanta.
Prompt: As proposed, the main shaft of the tower was to be clad in stone, while the wings were to be made of glass.[15] The facade is made of Sardinian "luna pearl" that is cut into 13⁄16-inch (21 mm) slabs, measuring about 15 pounds per square foot (73 kg/m2). Each slab is attached to the aluminum curtain wall frame on all sides, supported only by the curtain wall. The stone panels are entirely prefabricated and are insulated with fiberglass panels measuring 2+5⁄8 inches (67 mm) thick, along with neoprene gaskets and silicone caulk.[12] The setbacks at the 46th and 62nd floors were designed with parapets of steel and concrete, which were reduced in size as part of a 1988 lawsuit settlement concerning the building's height.[18] Eichner disliked the parapets; he suggested that residents on the 46th floor "can look out at it and know they're looking at a wall instead of Central Park so that Helmut Jahn can rest easy knowing that his 'artistic integrity' is intact."
Prompt: Reinforced concrete (RC), also called reinforced cement concrete (RCC) and ferroconcrete, is a composite material in which concrete's relatively low tensile strength and ductility are compensated for by the inclusion of reinforcement having higher tensile strength or ductility. The reinforcement is usually, though not necessarily, steel bars (rebar) and is usually embedded passively in the concrete before the concrete sets. However, post-tensioning is also employed as a technique to reinforce the concrete. In terms of volume used annually, it is one of the most common engineering materials.[1][2] In corrosion engineering terms, when designed correctly, the alkalinity of the concrete protects the steel rebar from corrosion.[3]
Prompt: Modern skyscrapers' walls are not load-bearing, and most skyscrapers are characterised by large surface areas of windows made possible by steel frames and curtain walls. However, skyscrapers can have curtain walls that mimic conventional walls with a small surface area of windows. Modern skyscrapers often have a tubular structure, and are designed to act like a hollow cylinder to resist wind, seismic, and other lateral loads. To appear more slender, allow less wind exposure and transmit more daylight to the ground, many skyscrapers have a design with setbacks, which in some cases is also structurally required.
Prompt: The slender mixed-use tower, developed initially by SKS Investments, rises 700 ft (210 m) to the roof with 55 floors of offices and residential condominiums. A parapet/mechanical screen reaches to 745 ft (227 m), and a spire brings the total height to 802.5 ft (244.6 m). The tower will contain 432,000 sq ft (40,100 m2) of office space on the lower 35 floors (from 3 to 38), and 67 condominiums on the upper 16 floors (from 41 to 57). The 39th floor will contain residential amenities and a two-story open air terrace. Mechanical spaces would be on floors 2 and 40. The building will have a direct connection to the rooftop park atop the adjacent Salesforce Transit Center from the 7th floor. Upon completion, the tower was the tallest mixed-use building in San Francisco, surpassing the nearby Millennium Tower, and the 2nd-tallest in the Western United States.[12] It was also the third tallest building in the city after the Transamerica Pyramid and the Salesforce Tower. 181 Fremont joins several other buildings designed to catalyze the San Francisco Transbay development area.
Prompt: Octocorallia (also known as Alcyonaria) is a class of Anthozoa comprising around 3,000 species of water-based organisms formed of colonial polyps with 8-fold symmetry. It includes the blue coral, soft corals, sea pens, and gorgonians (sea fans and sea whips) within three orders: Alcyonacea, Helioporacea, and Pennatulacea.[1] These organisms have an internal skeleton secreted by mesoglea and polyps with eight tentacles and eight mesentaries. As with all Cnidarians these organisms have a complex life cycle including a motile phase when they are considered plankton and later characteristic sessile phase.
Prompt: 731 Lexington Avenue is a 1,345,489 sq ft (125,000.0 m2) mixed-use glass skyscraper on Lexington Avenue, on the East Side of Midtown Manhattan, New York City.
Prompt: The MetLife Building contains an elongated octagonal massing with the longer axis perpendicular to Park Avenue. The building sits atop two levels of railroad tracks leading into Grand Central Terminal. The facade is one of the first precast concrete exterior walls in a building in New York City. In the lobby is a pedestrian passage to Grand Central's Main Concourse, a lobby with artwork, and a parking garage at the building's base. The roof also contained a heliport that briefly operated during the 1960s and 1970s. The MetLife Building's design has been widely criticized since it was proposed, largely due to its location next to Grand Central Terminal.
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Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
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takes more iterations than the one before.
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