Ogura Hyakunin Isshu No. 53 - Udaishō Michitsuna no Haha
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 53, Udaishō Michitsuna no Haha, of the Ogura Hyakunin Isshu: "Lying all alone, / Through the hours of the night, / Till the daylight comes: / Can you realize at all / The emptiness of that night?" The image shows a lonely, contemporary Japanese woman dressed in a silk bathrobe she is hugging tightly around her. She is standing at the window of her apartment, looking out into the gloomy night sky, her back to us. She is in her bedroom, wainting for daybreak. She reflects on her emotional pain, frustration and loneliness. Her husband is spending time with his mistress and has abandoned his wife to solitude and melancholy. The nighttime sky is overcast, and the entire image seems steeped in darkness, except for a dim night light located outside the image on the right-hand side. The dim light strikes the woman's silhouette from the right, so that the pattern of her silk bathrobe and her messily arranged hairdo become visible, and casts faint shadows that put the left side of the image into complete darkness. The colors range from faint yellow to deep, velvety black, with a range of blues and grays in between. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like woodcut with enormous detail. Clarity of rendering, timeless, symbolical motif combining a traditional woodcut with a contemporary zentangle esthetic. Masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 54, Gidō Sanshi no Haha, of the Ogura Hyakunin Isshu: "If remembering me / Will for him in future years / Be too difficult, / It would be well this very day / That I should end my life." The image shows a Japanese wedding couple during the Heian period. The Japanese bride and the Japanese groom are standing next to each other, facing the viewer. They are dressed in splendid robes made of silk with a floral pattern worven with shimmering colors. The woman is stone-faced and emotionless. The man is fully transparent, as if he were a ghost or only a figment of the woman's imagination. The couple is standing in a simple hallway into which the starlight shines. The colors are dark around the edges of the hallway, only the couple is well-lit, with the man being but a transparent projection. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like linocut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 55, Dainagon Kintō, of the Ogura Hyakunin Isshu: "Though the waterfall / Ceased its flowing long ago, / And its sound is stilled, / Yet, in name it ever flows, / And in fame may yet be heard." The image consists of two layers superimposed like two panes of glass: The layer undeneath features a mountainside with a lively, sparkling, silver waterfall dashing merrily down rocks to a still, dark pool among rich, verdant vegetation. The second layer, semi-transparently covering the first layer, shows the same mountainside, but the vegetaion has withered and the waterfall no longer exists, exposing the craggy rocks beneath the erstwhile waterfall. The layer underneath is a memory, and the layer on top is a currnet representation of the landscape. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like, hand-colored woodcut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 56, Izumi Shikibu, of the Ogura Hyakunin Isshu: "Among my memories / or this world, from whence / Iwill soon be gone, / oh, how I wish there was / one mor meeting, now, with you!" We see a close-up of an very old but regal and elegant Japanese woman in profile. She has gray hair elegantly captured in a bun and is wearing loose, elegant, contemporary clothing. She has all the bearing of a noblewoman as she sits in front of a window at night, gazing out. The window captures a ghostly reflection of a former lover, a very handsome, 20-something Japanese man. The reflection is a projection of the Japanese woman's memory of her lover. The setting is contemporary, in a stark apartment with simple furniture and a single vase with an artfully arranged floral display. Wistful, melancholy, end-of-life atmosphere. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like linocut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate illustration with rich colors, executed on rough handmade paper of poem number 57, Murasaki Shikibu, of the Ogura Hyakunin Isshu: "As I was wondering / whether or not I had seen it / by chance, / it became cloud-hidden, / the face of the midnight moon!" The image shows a modern Japanese woman in a business blazer and skirt standing on a busy sidewalk facing the viewer. Pedestrians pass her by in the opposite direction, away from the viewer, rushing past her in a blur. Only the woman is completly in focus. She has a bewildered expression on her face, as if she has just seen someone and is trying to process what exactly she saw. It is night, and neon advertisement signs are flashing in bright colors. High above the myriad, colorful neon signs is a nighttime sky with a very small, pale, white moon half-hidden behind clouds. The image is permeated by a sense of confusion and melancholy. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like, watercolor magazine illustration with enormous detail at the "Where's Waldo?" level. Extreme clarity of rendering, contemporary, symbolical motif. Masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate illustration with rich colors, executed on rough handmade paper of poem number 59, Akazome Emon, of the Ogura Hyakunin Isshu: "Though I'd have preferred / to have gone offf to bed / without hesitating, / the night deepened and / I watched the moon till it set!" The image shows a contemporary, young Japanese woman in a silk kimono with an elaborate bird and floral pattern and sumptuois, rich colors sitting on a chic, Italian, anthracite-colored sofa in her very modern apartment with a gray-and-cream interior decoration color scheme. She is softly lit by a living room floor lamp, whereas the remainder of the apartment is shadowy and dark. The young woman is apparently waiting for her lover to come, and has already been sitting on her sofa for many hours. Behind her, in a window, we see a very small, pale crescent moon high in the dark night sky. The image is exudes a melancholy and timeless ambiance. The image is rendered as an illustration in the manner of a glossy architectural magazine photograph with a model, the young woman in the brightly colored silk kimono, contrasting sharply with the surrounding color scheme. Extreme clarity of rendering, contemporary, symbolical motif. Masterful technique. Exquisite Japanese folio.
Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 58, Daini no Sanmi, of the Ogura Hyakunin Isshu: "As Mount Arima / Sends its rustling winds across / Ina's bamboo plains, / I will be just as steadfast / And never will forget you." The image shows a highly detailed field of bamboo grass in beaturuful shades of green and tan being blown and bent by the wind. The bamboo grass is bent away from the steady wind. The woodcut is the perfect medium to show, in painstaking detail, the repetitive patterns of the bamboo grass. On the horizon, in the distance, lies Mount Arima. Woodcut partly additionally complemented by wet watercolor exectued in a style reminiscent of the great Japanese woodcut artists. Deft execution, introspective, peaceful nature motif. Old masters' technique. Exquisite Japanese folio.
Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 60, Koshikibu no Naishi, of the Ogura Hyakunin Isshu: "By Ōe Mountain / The road to Ikuno / Is far away, / And neither have I beheld / Nor crossed its bridge of heaven." The image shows a mountain, snow-capped Ōe Mountain, in the distance. A winding road leads through rolling wheat fields from the viewer to the mountain. An elaborate wooden bridge in the style of a painted, wooden Japanese temple over a small stream can be made out on the road ahead, Rendered as a fine woodcut partly additionally complemented by wet watercolor exectued in a style reminiscent of the great Japanese woodcut artists. Deft execution, peaceful landscape motif. Old masters' technique. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 61, Isé no Tayū, of the Ogura Hyakunin Isshu: "The eight-petalled cherries / from the Nara capital / of the ancient past / today nine layers thick / have bloomed within your court!" The image shows a single, venerable, gnraled, beautiful "yae-zakura" cherry tree whose last, eight-petaled cherry blossoms are still clinging to the tree. The remaining blossoms have fallen to the ground in a shower of pink and white, covering the ground in a thick layer of perfect, fallen petals. The tree stands protected in the corner of a brickwork wall enclosing a palace courtyard, with the April morning sun shining on the tree and casting its shadow on the elaborate terra cotta brickwork of the cozy wall corner behind it. Rendered in highly detailed wet watercolor technique, additionally highlighted with ink. Magenta pink blossoms, deft execution, introspective, peaceful nature motif. Superlative technique reminiscent of John Singer Sargent. Expressionist and highly emotive ambiance. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 62, Sei Shōnagon, of the Ogura Hyakunin Isshu: "The rooster's crowing / In the middle of the night / Deceived the hearers; / But at Osaka's gateway / The guards are never fooled." The image shows a magnificant, colorful rooster with ruffled feathers and wings open wide crowing zestily. He is sitting atop a pile of hay outside a lowly shed at midnight, and is lit by the half-moon. The image of the rooster completely dominates the picture. Ever details of his colorful feathers and cock's comb can be made out. Finest linocut additionally colored with wet watercolor. Magnificent feathers, very detailed hay in the haystack, every detail of the planks of wood of the shed behind the haystack finely worked with the linocutter's tool. Dark sky with a pale moon. Deft execution, whimsical nature motif. Superlative technique. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 63, Sakyō Daibu Michimasa, of the Ogura Hyakunin Isshu: "Now, the only thing / I wish for is a way to say / to you directly / - not through another- / 'I will think of you no longer!'" The image shows the poet, Sakyō Daibu Michimasa, sitting alone and contemplating his ill-fated affair with a 15-year old High Priestess. The poet is sitting cross-legged on a simple tatami mat in a simple hut. Behind him, we see his thoughts in a double exposure: He is thinking about the young High Priestess, Princess Masako, standing regal in the Ise Shrine. The poet will never see her again, and was not even allowed to say good-bye. Finest linocut additionally colored with wet watercolor. Compelling double exposure, every detail of the tatami mat and the poets clothing finely worked with the linocutter's tool. The double exposure showing the scene with the High Priestess is executed in dark colors and in a bokeh esthetic. Deft execution, melancholy motif. Superlative technique. Exquisite Japanese folio.
Prompt: Transform this concept into a really hyperrealistic hybrid symbiosis of a combined modeled design, using those reference images.
Focus on highly detailed polished surfaces, intricate and embossed textures with realistic shadows and dimensional depth. The figure should look like a monumental patinated bronze statue, as if sculpted from aged bronze, brushed steel, and oiled iron — parts gleaming, others oxidized. Light background with sketchy pencil drawings of the same motif, Use dramatic lighting to enhance surface volume and glossy patina effects. Include subtle engravings and blueprint-like background details, but elevate the scene into a cinematic, lifelike render — halfway between scientific illustration and surreal diorama. --style photographic --ar 16:9 --ref [Deine Skizze(n)] --v 5
4K , 8K, HDR
In the chamois background, slightly shifted to the right, rendered as sunken blind embossing into parchment: subtle, monochrome, archival, elegant.:
"DAS INDIGENE DITHMARSCHEN"
Prompt: Create a hyper-realistic cinematic scene based on the reference images.
A mature man , authentical (reference 1 ) (without any modification) stands beside a stone pedestal at the seaside, in warm golden sunset light.
On the pedestal sits a large bronze crab sculpture (reference 2), made of aged bronze with greenish patina.
The crab should raise both its main claws high in the air — and from the tips of each claw, three ( 3 ) small steel handcuffs should hang on short chains, just like jewelry or trophies. ( 6 in total ).
Make sure the handcuffs clearly dangle from the claws themselves, not from the pedestal or the legs.
Each claw must carry three handcuffs — six in total — glinting in the sunlight, with small reflections of the sea.
The pedestal bears a clean engraved inscription in uppercase letters: STARK GEGEN KREBS.
Keep the man’s pose, lighting, and facial expression from reference 1, but apply the bronze-toned cinematic realism and chiaroscuro of this reference .
The light should enhance every metallic reflection, showing the contrast between bronze and polished steel.
Realistic shadows, warm sundown sunlight from the seaside, shallow depth of field, tactile materials, 8 K HDR cinematic quality.
--ar 16:9 --style photographic --v 6 --ref [file1, file2,]
Prompt: Photorealismus, Gestalte eine Hyperrealistische überaus detailreiche surreal symbolische Abbildung, Zeige eine Trümmerlandschaft, zerstörte Hochhäuser, Bombenkrater soweit man blicken kann - dazwischen spielende Kinder mit allerlei bunten National-Fahnen , Palestina, Ukraine, Israel, Arabische Emirate, und einem bunten Ball in Regenbogenfarben, im Vordergrund steht ein zerschossener Zink-Blecheimer mit zahlreichen Einschüssen, darin eine tote weisse Taube mit einem Loorberzeig im Schnabel, der über den Rand hängt, einige kniende Menschen noch weiter hinten, mit verbundenen Augen, hinter denen maskierte Menschen mit grünen Stirnbändern mit Gewehren stehen, die auf sie zielen.
Eine überaus bedrückende symbolische Szene mit künstlerisch anspruchvolle Aussage.
--v 5
4K , 8K, HDR
Prompt: A rainy night highway scene, cars driving with glowing headlights and red taillights reflecting on the wet road, leading towards a distant illuminated city skyline. The sky is dramatic with textured clouds, a glowing horizon, and a river reflecting the city lights. Painted in a digital impressionist style, with visible brushstrokes, vibrant contrasts of warm yellows and cool blues, creating a moody yet atmospheric effect.
Prompt: An ethereal and vibrant scene featuring a beautiful young woman in a magnificent, intricately designed kimono. She has flowing dark hair, adorned with elegant floral hairpieces, and is surrounded by a serene pond filled with colorful lotus flowers and koi fish. The atmosphere should be enchanting, with a harmonious blend of blues, corals, and golds, capturing a moment of tranquility and reflection.
Inspired by the poetry of fleeting love and the visual style of Catrin Welz-Stein, Makoto Shinkai, and Tran Nguyen. Dreamy hazy breezy watercolour, wet-on-wet technique, visual poetry, minimalist impressionism, melancholic beauty, soft rainlight, floating textures, no text or symbols.
Prompt: Create an image that has a high degree of abstraction, as in Zen art. It should show an abstractly suggested turquoise-blue cave. In the foreground, depict a woman with long, flowing hair, sitting cross-legged on a colorful rug. She has a flower tucked behind her ear, adding a touch of softness to her demeanor.
In the background, there is a dramatic sky filled with swirling clouds and a melting cresecent moon.
Another lady with a dragon tattoo on her back is seen from behind. She is sitting in a natural fountain, a rough stone sculpture with a water source flowing from its center, taking a bath.
The picture should feature abstract, curved shapes that blend into the scene and emphasize the dreamlike quality of the composition. Modifiers: Mixed Media water colour Ink abstract expressionism decalcomania splotches Elements of kintsugi, gold and oxidized copper patina. wax crayons dotted background in teal Arshile Gorki Matta
Prompt: A hypersurreal high-end photo captures a swan-like steampunk submarine-mansion floating in a mysterious swamp at dusk. The structure's graceful form incorporates faded gilded details, oxidized copper pipes, and delicate brass filigree work. glass windows cast jewel-toned light across the water, while an ornamental smokestack curves elegantly like a swan's neck. Dreamy light rays in amber and rose gold filter through the mist, creating reflections on the deep emerald water. The vessel's exterior combines weathered bronze panels with exotic wooden inlays, partially veiled by flowing aquatic flora in peacock blues and greens. An elaborate wraparound veranda features intricate metalwork and plush vintage seating. Impressionistic brushwork creates a ethereal atmosphere, with vines and jungle flowers forms in opal and coral hues dotting the scene. The painting features rich textural details in nostalgic jewel tones.
Prompt: Paint a watercolour painting , highly detailed, of high quality, in the style of paintings by Hals and Dürer, depicting a scene in an inn in which two men are arguing
Prompt: A high quality watercolour and ink painting in the style of Winslow Homer depicting the warmly lit interior of an ancient tea house with traditional Asian architecture, wooden beams and decorative paper lanterns. In the foreground, an elderly grey-haired man dressed in a flowing, ornate dressing gown sits comfortably in an ornate chair. Next to him, a Chinese servant boy in simple light-coloured clothes holds a tray with elegant tea cups and a teapot ready to be served. In the background on the wall are intricate carvings of pictures with Chinese characters.The composition is masterfully executed, with an emphasis on conveying the play of light and shadow, and creates a calm and inviting atmosphere.
Prompt: "Be silent in that solitude, Which is not loneliness--for then The spirits of the dead, who stood In life beore thee, are again In death around thee, and their will shall overshadow thee; be still." In the style of Agostino Arrivabene, Esao Andrews, Rob Gonsalves.
Prompt: Three huge, oversized flowers. Post impressionist, surreal, fingerpaint in oil, textural, undulation, intensity. Style of Iris Scott, Igor Grabar, Egon Schiele.
Prompt: Create an image of the Ponte Vecchio in Florence, Italy. The bridge should be depicted with its characteristic arches and vibrant shops built into its structure. The left side of the bridge features a series of colorful buildings with orange, yellow, and green facades and wooden shutters. Below, the bridge rests on sturdy stone arches, partially submerged in the flowing blue water of the Arno River, which reflects the colors above. The sky should be slightly overcast with soft, diffused light, highlighting the historical architecture.
Prompt: An adorable girl in autumn garb, wavy red hair, and a sweet face with hazel eyes. In the style of Dee Nickerson, Emily Balivet and Nicoletta Ceccoli.
Prompt: In the style of simple handcrafted paper and origami. Utilize layered, hand-cut and folded colored paper with clean edges. Incorporate simple, geometric shapes and minimalistic forms to maintain clarity and simplicity. Highlight subtle paper textures through layering, and achieve shadows and highlights by strategically placing and overlapping paper pieces. The composition is both playful and structured, evoking a nostalgic, paper-crafted aesthetic. Include matching paper props that complement the main subject, with a nostalgic look with a vintage feel.
Prompt: In the style of simple handcrafted paper and origami. Utilize layered, hand-cut and folded colored paper with clean edges. Incorporate simple, geometric shapes and minimalistic forms to maintain clarity and simplicity. Highlight subtle paper textures through layering, and achieve shadows and highlights by strategically placing and overlapping paper pieces. The composition is both playful and structured, evoking a nostalgic, paper-crafted aesthetic. Include matching paper props that complement the main subject, with a nostalgic look with a vintage feel.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
4w
