Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 56, Izumi Shikibu, of the Ogura Hyakunin Isshu: "Among my memories / or this world, from whence / Iwill soon be gone, / oh, how I wish there was / one mor meeting, now, with you!" We see a close-up of an very old but regal and elegant Japanese woman in profile. She has gray hair elegantly captured in a bun and is wearing loose, elegant, contemporary clothing. She has all the bearing of a noblewoman as she sits in front of a window at night, gazing out. The window captures a ghostly reflection of a former lover, a very handsome, 20-something Japanese man. The reflection is a projection of the Japanese woman's memory of her lover. The setting is contemporary, in a stark apartment with simple furniture and a single vase with an artfully arranged floral display. Wistful, melancholy, end-of-life atmosphere. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like linocut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 56, Izumi Shikibu, of the Ogura Hyakunin Isshu: "Among my memories / or this world, from whence / Iwill soon be gone, / oh, how I wish there was / one mor meeting, now, with you!" We see a close-up of an very old but regal and elegant Japanese woman in profile. She has gray hair elegantly captured in a bun and is wearing loose, elegant, contemporary clothing. She has all the bearing of a noblewoman as she sits in front of a window at night, gazing out. The window captures a ghostly reflection of a former lover, a very handsome, 20-something Japanese man. The reflection is a projection of the Japanese woman's memory of her lover. The setting is contemporary, in a stark apartment with simple furniture and a single vase with an artfully arranged floral display. Wistful, melancholy, end-of-life atmosphere. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like linocut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
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Prompt:
Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 56, Izumi Shikibu, of the Ogura Hyakunin Isshu: "Among my memories / or this world, from whence / Iwill soon be gone, / oh, how I wish there was / one mor meeting, now, with you!" We see a close-up of an very old but regal and elegant Japanese woman in profile. She has gray hair elegantly captured in a bun and is wearing loose, elegant, contemporary clothing. She has all the bearing of a noblewoman as she sits in front of a window at night, gazing out. The window captures a ghostly reflection of a former lover, a very handsome, 20-something Japanese man. The reflection is a projection of the Japanese woman's memory of her lover. The setting is contemporary, in a stark apartment with simple furniture and a single vase with an artfully arranged floral display. Wistful, melancholy, end-of-life atmosphere. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like linocut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
More about Ogura Hyakunin Isshu No. 56 - Izumi Shikibu
Poem No. 56 from the Japanese poetry collection Ogura Hyakunin Isshu (see https://100poets.com/2012/03/09/last-meeting-poem-number-56/). A wistful poem about end-of-life memories of one's passionate youth.
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