#poem

I Carry the Sun in a Golden Cup...2

• Model: Artistic

• Size: 1161 X 903 (1.05 MP)

• Used settings:

  • Prompt: "I carry the Sun in a Golden Cup,The Moon in a Silver Bag." in the style of Jack Butler Yeats, Salvador Dali, Paul Klee
  • Using base image: Yes (Effect strength - 1%)
  • Base image resolution: Default
  • Upscale & Enhance: 1

"Crystal flake´s winter ballet"

• Model: Artistic

• Size: 856 X 1200 (1.03 MP)

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  • Prompt: In the frosty grasp of winter's tale, A crystal flake begins to sail, Through the chilly air it glides, A masterpiece in nature's guides. Delicate and wondrously formed, Intricate patterns, each adorned, With glistening facets, pure and bright, Reflecting hues of soft moonlight. A dance of beauty, a fleeting glance, As it descends in a tranquil trance, From heavens high, it softly lands, Upon the earth, in gentle hands. Unique in shape, no two alike, A tiny wonder, a snowflake strike, A fleeting moment, a work of art, A miracle born from nature's heart. So fragile yet with strength untold, A tale of wonder, to behold, In its brief life, a story told, Of beauty, grace, and secrets bold. Oh, crystal flake, in silence drift, Your presence, nature's subtle gift, A symbol of transient delight, A fleeting marvel, a winter's night.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

The Knight's Watch Verse III - He has a heart in his coat of arms, along with the cross and the lion

• Model: AIVision

• Size: 1792 X 1024 (1.84 MP)

• Used settings:

  • Prompt: He has a heart in his coat of arms, along with the cross and the lion, Is always upright, brave and just, and loyal to his loved ones, But will she also remain loyal to him in a distant land? And will she shake hands with him one day and won't be reserved?
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ogura Hyakunin Isshu No. 5 - Sarumaru

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 5, Sarumaru, of the Ogura Hyakunin Isshu: "In the mountain depths, Treading through the crimson leaves, The wandering stag calls. When I hear the lonely cry, Sad--how sad!--the autumn is." The image shows a single, majestic stag in a bare autumn forest standing on a carpet of red, fallen leaves. The stag has lifted his head and is sending forth a rutting call. He has large, twelve-point antlers and is calling for a hind. One can see the breath of his call in the cold autumn morning air. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 11 - Ono no Takamura

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 11, Ono no Takamura, of the Ogura Hyakunin Isshu: "Over the wide sea Towards its many distant isles My ship sets sail. Will the fishing boats thronged here Proclaim my journey to the world?" The image shows a small harbor inthe foreground, in which numerous traditional Japanese wooden sabani fishing boats are anchored. From the harbor, a single wooden sabani with large, white sails, is setting sail in good weather. The ocean is smooth, and the water's surface glitters silver and blue in the golden, late afternoon sun. The ship is sailing toward distant islands visible on the horizon, where the silver-blue sea meets the golden light of the sun. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Swan Lake

• Model: AIVision

• Size: 1792 X 1024 (1.84 MP)

• Used settings:

  • Prompt: A white Swan...And nearer to the river's trembling edge There grew broad flag-flowers, purple pranked with white, And starry river buds among the sedge, And floating water-lilies, broad and bright, Which lit the oak that overhung the hedge With moonlight beams of their own watery light; And bulrushes, and reeds of such deep green As soothed the dazzled eye with sober sheen.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ogura Hyakunin Isshu No. 7 - Abe no Nakamaro

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 7, Abe no Nakamaro, of the Ogura Hyakunin Isshu: "When I look up at The wide-stretched plain of heaven, Is the moon the same That rose on Mount Mikasa In the land of Kasuga?" The image shows a very large, pink rising full moon on the low horizon, so clear that the craters and marks on the moon are visible in full detail. The sky is a deepening mid-blue and extends to the edges of theimage. The first star, the evening star, is visible at the edge of the image. The landscape over which the moon is rising is hilly. The image focuses fully on the singular motif of the rising moon. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 22 - Fun'ya no Yasuhide

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 22, Fun’ya no Yasuhide, of the Ogura Hyakunin Isshu: "It is by its breath That autumn's leaves of trees and grass are wasted and driven. So they call this mountain wind The wild one, the destroyer." The image shows a side view of a richly wooded, sloping mountainside in late fall. A gale-force gust of wind is blowing down the mountainside quite dramatically and, for the sake of the viewer, with a visible pattern. The wind is blowing red and yellow leaves before it, and bending grasses all the way to the ground. The leaves swirl and twirl in the crisp fall air. The red and yellow of the trees and leaves contrast sharply with the white pattern used to visualize the wind against an electric blue sky. Intricate watercolor overlaid with a woodblock print. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 1 - Emperor Tenchi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 1, Emperor Tenchi, of the Ogura Hyakunin Isshu: "Coarse the rush-mat roof Sheltering the harvest-hut Of the autumn rice-field; And my sleeves are growing wet With the moisture dripping through." The image shows a rice paddy being harvested; the harvester on the left side of the image bends over the golden, ripe rice plants. He is holding a sharp sickle and is wearing a large, conical straw hat fastened under his chin, baggy pants, heavy rubber boots, and a loose blue smock with wide sleeves. The sleeves are wet to the elbows with the sweat of exertion and the humidity in the air. In the background stands a simple harvesting gut with a rush-mat roof. The early autumn sun is beating down on the harvesting scene. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

The Knight's Watch by Chevalier Yvain de Leonais

• Model: AIVision

• Size: 1792 X 1024 (1.84 MP)

• Used settings:

  • Prompt: A knight sits at his campfire in the sunset, He sharpens his sword and rests after a great adventure, His eyes wander, as he longs so much for his maiden, The one in the far away land awaits him, but it's still a long way there.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ogura Hyakunin Isshu No. 4 - Yamabe no Akahito

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 4, Yamabe no Akahito, of the Ogura Hyakunin Isshu: "When I take the path To Tago's coast, I see Perfect whiteness laid On Mount Fuji's lofty peak By the drift of falling snow." The image shows a full scenic view of Mount Fuji from the coast at Tago near Eijiri, based on Katsushika Hokusai's woodblock print from his series "Thirty-Six-Views of Mount Fuji." In the foreground, we see wooden fishing boats steering through strong currents shown in repetitive wave patterns. In the mid-ground, we see the gentlecoastline. The upper half of the image is dominated by the spectacular view of Mount Fuji, with its blindingly white snow-capped peak and its archetypal curved silhouette, with its reverse curvature compared to the fishing boats in the foreground. The sun is shining on the mountain, and the trees along the coast as well as the choppy waves indicate that a strong wind is blowing. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 8 - The Monk Kisen

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 8, The Monk Kisen, of the Ogura Hyakunin Isshu: "My lowly hut is Southeast from the capital. Thus I choose to live. And the world in which I live Men have named a "Mount of Gloom."" The image shows a Shintō priest wearing the traditionsl shōzoku of an ordinary type (jōsō) in light blue, signifying a lesser rank. The priest is sitting on his haunches in front of his "lowly hut," gazing at the distant skyline of a modern city to the northeast, illuminated by the setting sun. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

The Knight's Watch Verse IV - The knight now sits by the fire and puts his sword down ...

• Model: AIVision

• Size: 1792 X 1024 (1.84 MP)

• Used settings:

  • Prompt: The knight now sits by the fire and puts his sword down, In the firelight the armor flashes and sparkles again and again, For his maiden, and that's for sure, he would give anything, He defies all the dangers, even if it costs him his life.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

The Knight's Watch Verse VIII - His heart beats loudly, admonishing him, filling him with warm shive

• Model: AIVision

• Size: 1792 X 1024 (1.84 MP)

• Used settings:

  • Prompt: His heart beats loudly, admonishing him, filling him with warm shivers, If he endures the hard time, it will last a long time, He never gives up hope so that she will hear him, Will return his love for her and then swear loyalty.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ogura Hyakunin Isshu No. 2 - Empress Jito

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 2 of the Ogura Hyakunin Isshu: The spring has passed, And the summer come again; For the silk-white robes, So they say, are spread to dry On the "Mount of Heaven's Perfume." The image shows an intricately geometrically patterned woven silk robe spread on a dewy flower meadow under a rising summer sun. Exquisitely detailed Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

The Knight's Watch Verse I - A knight sits at his campfire in the sunset

• Model: AIVision

• Size: 1792 X 1024 (1.84 MP)

• Used settings:

  • Prompt: A knight sits at his campfire in the sunset He sharpens his sword and rests after a great adventure His eyes wander, as he longs so much for his maiden The one in the far away land awaits him, but it's still a long way there
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ogura Hyakunin Isshu No. 18 - Fujiwara no Toshiyuki

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 18, Fujiwara no Toshiyuki, of the Ogura Hyakunin Isshu: "Must you so avoid others’ eyes that not even at night, along the road of dreams, will you draw nigh like the waves to the shore of Sumi-no-e Bay?" This poem was an entry in a poetry contest by accomplished poet and calligrapher Fujiwara no Toshiyuki. The image personifying the poem shows waves lapping the shore of Sumi-no-e Bay (Osaka Bay) at night. The stars are shining brightly; their silvery light reflects off the waves and the foam that decorates their edges on the shore. The sky is underlaid with a very delicate, barely noticeable calligraphic line pattern of two lovers engaged in a forbidden tryst lying across the entire sky, as if in a dream, almost obscured by the light of the twinkling stars. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 14 - Minamoto no Toru

• Model: AIVision

• Size: 5460 X 3071 (16.77 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 14, Minamoto no Toru, of the Ogura Hyakunin Isshu: "Like Michinoku prints Of the tangled leaves of ferns, It is because of you That I have become confused; But my love for you remains." The image shows a large cloth blanket thrown over a wooden bench. The blanket has an intricately tangled, confusing, mottled pattern of ferns. The dark cloth has a print of metallic gray fern fronds with bluish and reddish tints. Next to the cloth, on the bench, sits an elegant Japanese statesman from a long bygone era. He is dressed in courtly robes tied with an ornameted sash. The nobleman is despondent, and is sitting with his elbows on his knees and his head cupped in his hands. Behind the close-up of the bench with the statesman and the patterned cloth are dark, abstracted trees in a Japanese esthetic. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 10 - Semimaru

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 11, Semimaru, of the Ogura Hyakunin Isshu: "Truly, this is where Travelers who go or come Over parting ways--Friends or strangers--all must meet: The gate of "Meeting Hill." The image shows a small, weathered wooden gate overgrown by grass and weeds on either side of the gate. The gate is integrated in a wooden rail-and-post fennce in rich, dense vegetation. A gravelly path leads up to and beyond the gate. The path winds up a grassy slope and beyond to the Meeting Hill. A wan sun shines down on the scene from a cloudy sky. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 3 - Kakinomoto no Hitomaro

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 3, Kakinomoto no Hitomaro, of the Ogura Hyakunin Isshu: "Oh, the foot-drawn trail Of the mountain-pheasant's tail Drooped like down-curved branch! Through this long, long-dragging night Must I lie in bed alone?" The image shows a forlorn, old man in a Japanese patterned cotton robe lying supine on a stark bed, arms crossed over his chest, staring into the sky. Outside his bedroom window, it is the break of dawn. A foggy, orange glow lies over the landscape. In the morning haze, we can make out a mountain footpath leading up to a snowy peak. Exquisitely detailed Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide