#poem

Ogura Hyakunin Isshu No. 100 - Juntoku-in

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• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut in rich colors, executed on rough handmade paper of poem number 100, Juntoku-in, of the Ogura Hyakunin Isshu: "In this ancient house, /Paved with a hundred stones, / Ferns grow in the eaves; / But numerous as they are, / My old memories are more." An old, white-haired Japanese man clad in fading blue workclothes is standing with his back to the viewer. He is gazing at an ancient palace to which a walkway paved with one hundred flagstones leads. The once majestic palace, intricately decorated with elaborate wooden carvings, is slowly crumbling, with ferns nesting in the aves and red and brown paint chipping. Although the man has his back to the veiwer, his sliumping stance indicates that he is old and, even more so, that he is melancholy and sad. The linocut is so detailed that we see every fold in the man's clothing and every curlicue and carving detail on the decrepit palace, as well as the rough stonemason's marks on the flagstones. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like linocut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Rich colores, predominantly red and brown, contrasting with the blue of the man's clothing and the green of the ferns. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Thank you for following me on my journey: Ogura Hyakunin Isshu dreams

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• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: Full-width, broad, 16:9 format of an extremely detailed, delicate, intricate, richly colored, hyperrealistic acrylic painting all the way to the edge of the canvas, of poem number 98, Ju-ni-i Ietaka, of the Ogura Hyakunin Isshu: "In the evening / when the wind rustles the oaks / at Nara-no-Ogawa / it is the ablutions that are / the only sign it's still summer!" The hyperrealistic oil painting is executed with carefully placed, graceful brushstrokes. The scene shows a a Shinto purification ritual (to cleanse impurities) called misogi: An older Japanese man dressed in a simple white garment stands with his eyes closed and his hands held in front of him in prayer as cold water runs down his head and body. He stands in the sacred, cold Nara-no-Ogawa stream, which is surrounded by tall oak trees whose leaves rustle in the gentle breeze. The water is icy cold, as it is evening in late summer. Symbolic image in which water cleanses impurities of the soul. Highly detailed scene, spraying water, rustling, green-yellow leaves, cold, blue water whirling sparks, intricate detail, strongly symbolic, hyperrealistic. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Poem 2

• Model: Artistic 2

• Size: 1152 X 864 (1.00 MP)

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  • Prompt: (((Masterpiece))) india ink storybook mixed media visualize this poem by Sproutfuel2: I am more weathered than any favorite sweater, yet made with more care than the quilters flare. Many generations passed not the original fabric, yet some hybrid of past. Woven in digital light, clothing expressions of human plight, every rip every tear every cat hair, or dog. Not a thread or a shred of wool from a sheep, leave them be in the field to bleat and sleep. Not to feather or any down stolen from the chicks or the rooster with the crown. A Japanese American vegan found we cannot trade life for time yet time for life is abound. And perhaps we shall collapse all at once in a big meteoric volcanic blast. We've made it thus this far and the animals think the humans are strange But they've joined us on a path to fame.
  • Using base image: No
  • Aspect Ratio: landscape

Le bateau ivre

• Model: DaVinci2

• Size: 1448 X 824 (1.19 MP)

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  • Prompt: Artist Jean-Baptiste Monge style. An airborne filigree pale tendrils-shaped intricate Air-Ship Creature. Ornamental pale white moss.
  • Using base image: Yes

Ogura Hyakunin Isshu No. 73 - Gonchūnagon Masafusa

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• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed linocut rendering of poem number 73, Gonchūnagon Masafusa, of the Ogura Hyakunin Isshu: "On that far mountain / On the slope below the peak / Cherries are in flower. / Oh, let the mountain mists / Not arise to hide the scene." A profusion of double-flowering, old sakura cherry trees are in bloom on a mountain slope. A group of friends has come to celebrate a picnic at the bottom of the slope and to view the abundance of pink blossoms. While they are hoping the weather will hold, they have prepared for rising mist by wearing raincoats. Possible inclement weather aside, the time is perfect for cherry blossom viewing, as all trees are in full bloom. Painstakingly and masterfully executed contemporary linocut in several layers. Spring ambiance. Exquisite contemporary Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 72 - Yushi Naishinno-ke no Kii

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• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: Full-screen, complete width, broad, 16:9 format of a heavy impasto acrylic painting of poem number 72, Yūshi Naishinnō-ke no Kii, of the Ogura Hyakunin Isshu: "Famous are the waves / That break on Takashi beach / In noisy arrogance. / If I should go near that shore, / I would only wet my sleeves." A pretty, young, teenage Japanese girl is walking along the beach, dressed in a bathing suit and a short, open, floral-patterned silk kimono in sumptuous colors as a cover-up. She is barefoot, and skipping away from a wave that threatens to lap her feet. The sun is shining brightly, and it is a beautiful day in summer. The sky is bright blue and cloudless. The young girl is alone, joyful and content on her lone beach walk. The beach is completely empty. Sand dunes are covered in dune vegetaion. Painstakingly and masterfully executed contemporary acrylic painting. Beach ambiance perfectly captured in quick, thick impasto brushstrokes.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 71 - Dainagon Tsunenobu

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• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: Full-screen, complete width, broad, 16:9 format of a wet-on-wet watercolor, diaphanous, transparent, of poem number 71, Dainagon Tsunenobu, of the Ogura Hyakunin Isshu: "When the evening comes, / From the rice leaves at my gate, / Gentle knocks are heard, / And, into my round rush-hut, / Enters autumn's roaming breeze." A round rush hut stands in a small garden, which is surrounded by a simple wooden fence. Outside fence stand ripe, yellowed rice plants, which the autumn wind gently blows against the gate in the fence. Evening is falling, and candlelight illuminates the hut, falling through the open door. At the edges of the sky, the dark blue of night is encroaching. The horizon is pink, magenta and yellow. A cozy scene unfolds on this lovely evening in autumn. Masterfully executed in wet watercolor with quick, deft brushstrokes, elegantly and perfectly capturing an autumn ambiance. Traditional Japanese scenery.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 70 - Ryōzen Hōshi

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• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut in rich autumn colors, additionally highlighted with ink, executed on rough handmade paper of poem number 70, Ryōzen Hōshi, of the Ogura Hyakunin Isshu: "In my loneliness / I leave my little hut. / When I look around, / Everywhere it is the same: / One lone, darkening autumn eve." A modest wooden hut stands on a mountainside. A Japanese Buddhist monk in humble clothing sits, cross-legged, on the bare ground in front of the hut, meditating. It is late autumn, and evening. The sky is pink and yellow with the last light of the sun, which has set. At the edges of the sky, the dark blue of night is encroaching. The pink and yellow on the horizon is interrupted by the dark, backlit silhouette of a V-shaped formation of geese flyng south. The geese are a melancholy, poignant harbinger of the cold winter to come. Extreme detail, painstaking, masterful execution. Linocut in several layers. Clarity of rendering, exquisite technique. Traditional Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 69 - Nōin Hōshi

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• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate brocade tapestry in rich colors, executed on rough handmade paper of poem number 69, Nōin Hōshi, of the Ogura Hyakunin Isshu: "It's the autumn leaves / of the hills of Mimuro, / where the tempests blow, / that are the woven borcade floating / on the waters of Tatsuta River!" We see a whirl and dance of red maple leaves coming down from the mountain slopes and landing like a beautiful, woven, brocade carpet on the river. The surface of the lazily flowing, broad, straight river is almost entirely carpeted with maple leaves shimmering in all shades of red, scarlet and maroon, coming together in a textile-like cover. The sky is bright blue and clear, the mountain slope is covered with maple trees in festive, autumn colors. The image is rendered as an almost palpable textile with exceeding detail, making the river cover look like a precious brocade fabric. Personification of autumn. Clarity of rendering, masterful technique. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 67 - Suō no Naishi

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• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut in rich colors, executed on rough handmade paper of poem number 67, Suō no Naishi, of the Ogura Hyakunin Isshu: "If I lay my head / Upon his arm in the dark / Of a short spring night, / This innocent dream pillow / Will be the death of my good name." The image shows the close-up of a beautiful, young, contemporary Japanese worman's head lying cozily on a man's arm. Her eyes are closed, her expression is peaceful and relaxed. The close-up is so detailed that we see every hair on the man's muscular arm, and every detail of the woman's face. Her face is well-lit, whereas the background fades into the dark. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like linocut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Little House of Lost Play

• Model: DaVinci2

• Size: 1088 X 936 (1.02 MP)

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  • Prompt: Gabriel Pacheco style, surreal, dreamlike, contemporary art illustration: "The air was neither night nor day, an ever-eve of gloaming light, when first there glimmered into sight the Little House of Play. New-built it was, yet very old, white, and thatched with straws of gold, and pierced with peeping lattices that looked towards the sea; and our own children’s garden-plots were there: our own forgetmenots, red daisies, cress and mustard, and radishes for tea." beautiful iridescent colours, intricately textured, by Susanne, luminous, glowing white sparks, beautiful lighting.
  • Using base image: Yes

Ogura Hyakunin Isshu No. 66 - Saki no Daisōjō Gyōson

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• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph enhanced with ink highlights to provide depth. The image is rendered in magnificent colors on rough handmade paper and shows the visuals of poem number 66, Saki no Daisōjō Gyōson, of the Ogura Hyakunin Isshu: "Let us think of each / other fondly, / O mountain cherries! / For, outside of your blossoms, / there's no one who knows my feelings." Atop a hill in a gently rolling spring landscape blooms a single, majestic, solitary mountain cherry tree, a yamazakura. The blossoms are pure white and as graceful as snowflakes. New, light green leaves peek forth between the white blossoms, enhancing the depth of the image. The rolling hills are covered with fresh grass, the sky is baby blue with puffy, white clouds. Skilled and masterful execution. Enchanting nature motif, with a hint of melancholy. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 68 - Sanjō-in

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• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: Full-screen, complete width, broad, 16:9 format of a Symbolistic pastel painting int he style of Odilon Redon in rich, luminous colors, executed on rough handmade paper of poem number 68, Sanjō-in, of the Ogura Hyakunin Isshu: "Though I do not want / To live on in this floating world, / If I remain here, / Let me remember only / This midnight and this moonrise." We see an older Japanese man from the side. He is floating, prostrate, in the midnight air, his eyes closed and his arms crossed peacefully on his chest. Below him, a yellow moon is rising, just peeking over the dark horizon. The colors of the image are luminous blues, whites, yellows, and, for the loose-fitting, simple clothes of the man, magenta and light blues. The highly symbolistic pastel painting shows the man and the moon in exquisite detail, whereas the background is smudged and executed many layers of rich oil pastels. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 65 - Sagami

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• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 65, Sagami, of the Ogura Hyakunin Isshu: "Even when your hate / Makes me stain my sleeves with tears / In cold misery, / Worse than hate and misery / Is the loss of my good name." A visibly sad and distraught contemporary Japanese woman is kneeling on her bed, her hands on her knees. crying. Her apartment is sparsely furnished, except from four panels of Japanese paintings on the walls evoking the Heian period. Each panel shows part of a continuous motif of a sakura tree rendered in ink on a golden background. The woman, the bed and the apartment are rendered as a heavy impasto oil painting in various shades of white, gray, tan, and borwn, with the black and gold of the four panels providing a welcome contrast. Skilled and masterful execution juxtaposing the traditional feel of the four panels and the contemporary ambiance with the sorrowful Japanese woman. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 64 - Gonchūnagon Sadayori

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• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 64, Gonchūnagon Sadayori,of the Ogura Hyakunin Isshu: "In the early dawn / When the mists on Uji River / Slowly lift and clear, / From the shallows to the deep, / The stakes of fishing nets appear.'" It is early morning in winter, and the whitish-gray mist lies over the still Uji River, gradually lifting to show a row of dark-gray wooden fishing stakes extending far out into the river. The horizon is the tender pink and yellow of a winter dawn, but the shadows are all shades of gray. Wet-on-wet watercolor, splash painting style, capturing a perfect still moment with aquarelle technique. Skilled and deft execution, peaceful nature motif. Superlative technique. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 63 - Sakyō Daibu Michimasa

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• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 63, Sakyō Daibu Michimasa, of the Ogura Hyakunin Isshu: "Now, the only thing / I wish for is a way to say / to you directly / - not through another- / 'I will think of you no longer!'" The image shows the poet, Sakyō Daibu Michimasa, sitting alone and contemplating his ill-fated affair with a 15-year old High Priestess. The poet is sitting cross-legged on a simple tatami mat in a simple hut. Behind him, we see his thoughts in a double exposure: He is thinking about the young High Priestess, Princess Masako, standing regal in the Ise Shrine. The poet will never see her again, and was not even allowed to say good-bye. Finest linocut additionally colored with wet watercolor. Compelling double exposure, every detail of the tatami mat and the poets clothing finely worked with the linocutter's tool. The double exposure showing the scene with the High Priestess is executed in dark colors and in a bokeh esthetic. Deft execution, melancholy motif. Superlative technique. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 61 - Isé no Tayū

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• Size: 5460 X 3071 (16.77 MP)

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  • Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 61, Isé no Tayū, of the Ogura Hyakunin Isshu: "The eight-petalled cherries / from the Nara capital / of the ancient past / today nine layers thick / have bloomed within your court!" The image shows a single, venerable, gnraled, beautiful "yae-zakura" cherry tree whose last, eight-petaled cherry blossoms are still clinging to the tree. The remaining blossoms have fallen to the ground in a shower of pink and white, covering the ground in a thick layer of perfect, fallen petals. The tree stands protected in the corner of a brickwork wall enclosing a palace courtyard, with the April morning sun shining on the tree and casting its shadow on the elaborate terra cotta brickwork of the cozy wall corner behind it. Rendered in highly detailed wet watercolor technique, additionally highlighted with ink. Magenta pink blossoms, deft execution, introspective, peaceful nature motif. Superlative technique reminiscent of John Singer Sargent. Expressionist and highly emotive ambiance. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 60 - Koshikibu no Naishi

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• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 60, Koshikibu no Naishi, of the Ogura Hyakunin Isshu: "By Ōe Mountain / The road to Ikuno / Is far away, / And neither have I beheld / Nor crossed its bridge of heaven." The image shows a mountain, snow-capped Ōe Mountain, in the distance. A winding road leads through rolling wheat fields from the viewer to the mountain. An elaborate wooden bridge in the style of a painted, wooden Japanese temple over a small stream can be made out on the road ahead, Rendered as a fine woodcut partly additionally complemented by wet watercolor exectued in a style reminiscent of the great Japanese woodcut artists. Deft execution, peaceful landscape motif. Old masters' technique. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 59 - Izumi Shikibu

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• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate illustration with rich colors, executed on rough handmade paper of poem number 59, Akazome Emon, of the Ogura Hyakunin Isshu: "Though I'd have preferred / to have gone offf to bed / without hesitating, / the night deepened and / I watched the moon till it set!" The image shows a contemporary, young Japanese woman in a silk kimono with an elaborate bird and floral pattern and sumptuois, rich colors sitting on a chic, Italian, anthracite-colored sofa in her very modern apartment with a gray-and-cream interior decoration color scheme. She is softly lit by a living room floor lamp, whereas the remainder of the apartment is shadowy and dark. The young woman is apparently waiting for her lover to come, and has already been sitting on her sofa for many hours. Behind her, in a window, we see a very small, pale crescent moon high in the dark night sky. The image is exudes a melancholy and timeless ambiance. The image is rendered as an illustration in the manner of a glossy architectural magazine photograph with a model, the young woman in the brightly colored silk kimono, contrasting sharply with the surrounding color scheme. Extreme clarity of rendering, contemporary, symbolical motif. Masterful technique. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 58 - Daini no Sanmi

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• Size: 5960 X 3352 (19.98 MP)

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  • Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 58, Daini no Sanmi, of the Ogura Hyakunin Isshu: "As Mount Arima / Sends its rustling winds across / Ina's bamboo plains, / I will be just as steadfast / And never will forget you." The image shows a highly detailed field of bamboo grass in beaturuful shades of green and tan being blown and bent by the wind. The bamboo grass is bent away from the steady wind. The woodcut is the perfect medium to show, in painstaking detail, the repetitive patterns of the bamboo grass. On the horizon, in the distance, lies Mount Arima. Woodcut partly additionally complemented by wet watercolor exectued in a style reminiscent of the great Japanese woodcut artists. Deft execution, introspective, peaceful nature motif. Old masters' technique. Exquisite Japanese folio.
  • Using base image: No
  • Aspect Ratio: landscape_wide