Ogura Hyakunin Isshu No. 3 - Kakinomoto no Hitomaro
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Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 3, Kakinomoto no Hitomaro, of the Ogura Hyakunin Isshu: "Oh, the foot-drawn trail Of the mountain-pheasant's tail Drooped like down-curved branch! Through this long, long-dragging night Must I lie in bed alone?" The image shows a forlorn, old man in a Japanese patterned cotton robe lying supine on a stark bed, arms crossed over his chest, staring into the sky. Outside his bedroom window, it is the break of dawn. A foggy, orange glow lies over the landscape. In the morning haze, we can make out a mountain footpath leading up to a snowy peak. Exquisitely detailed Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 26, Teishinkō, of the Ogura Hyakunin Isshu: "O autumn leaves / on the peak of Ogural Hill, / if you have a heart, / I would that you would wait / for one more royal progress." The image shows a single, old, large, magnificent Japanese maple tree with a gnarled trunk, winding branches, and feathery, scarlet leaves. The tree stands on a gently sloping, green, grassy mountainside. Some maple leaves are drifting downward on a breeze; they are curled into heart shapes. The leaves are awaiting a visit by the emperor. The patterns in the image are highly complex, with a woodcut esthetic. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 13, Emperor Yōzei, of the Ogura Hyakunin Isshu: "From Tsukuba's peak Falling waters have become Mina's still, full flow: So my love has grown to be Like the river's quiet deeps." The image focuses on a silver, glittering waterfall cascading from the green, richly wooded peak of Mount Tsukuba. At the bottom of the waterfall, a deep, dark-blue pool with a swirling pattern forms. From the pool, the gentle, blue river Mina issues forth. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 19, Lady Ise, of the Ogura Hyakunin Isshu: "Even for a time Short as a piece of the reeds In Naniwa's marsh, We must never meet again: Is this what you are asking me?" The image shows a Japanese woman of antiquity from the back. She is dressed in highly ornamented, precious robes. Her hair is put up in an an extravagant hairdo. Her slumped shoulders and the cast of her head indicate that she is melancholy, as she wistfully gazes out over strongly repetitively patterned, sumptuous reeds lining the banks of Naniwa (Osaka) inlet. Behind the reeds, blue water twinkles in the sunlight. The sky above is bedecked with intricately patterned cirrocumulus clouds. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 24, Kanké (Sugawara no Michizane), of the Ogura Hyakunin Isshu: "This time around / I couldn't even bring the sacred streamers / --Offering Hill-- / but if this brocade of leaves it to the gods' liking..." The image shows autumn on Mount Tamuke, with red-leaved trees ringing the mountain. Almost transparently overlaid over the image of the mountain is a nusa, a rather large wand from the top of which many thin, white paper streamers hang down. The wand is used in Shinto religious ceremonies. The red-leaved trees shine through the nearly transparent, full top layer. The mountain and trees exhibit patterns typical of a woodblock print. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 20, Motoyoshi Shinnō, of the Ogura Hyakunin Isshu: "Miserable, now, it is all the same, Channel-markers of Naniwa - even if it costs my life, I will see you again!" The image shows a Japanese prince sitting on his haunches on the shore of Naniwa Inlet, looking at the miotsukushi, or water markers - wooden posts - placed in shallow areas as safe navigation guides. The Crown Prince is dressed in a sokutai, an enveloping formal robe of golden, heavily patterned silk. The still waters of the inlet twinkle in the sunlight. The nearly cloudless sky is a cerulean blue. Exquisite Japanese folio.
The Knight's Watch Verse II - A fire burns in his heart, it can almost devour him ...
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AIVision
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1792 X 1024
(1.84 MP)
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Prompt: A fire burns in his heart, it can almost devour him,
If he only held the hand of his loved one, would he succeed?
He would probably hold his loved one tenderly in his arms,
How long must he endure until heaven show mercy?
The Knight's Watch Verse VI - The darkness now surrounds him, the sun has set
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Prompt: The darkness now surrounds him, the sun has set,
Courage and bravery never desert him in his endeavors,
For the glory of his fair maiden - he moved out,
In the hope of his deeds' splendor she will one day be kind to him.
The Lament for the Rohirrim III - They have passed like rain on the mountain
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AIVision
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1792 X 1024
(1.84 MP)
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Prompt: They have passed like rain on the mountain, like a wind in the meadow;
The days have gone down in the West behind the hills into shadow.
Who shall gather the smoke of the dead wood burning,
Or behold the flowing years from the Sea returning?
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 12, The Monk Henjo, of the Ogura Hyakunin Isshu: "Let the winds of heaven Blow through the paths among the clouds And close their gates. Then for a while I could detain These messengers in maiden form." The image shows four beautiful Gosechi dancers in their colorful, elaborate, ornamented, multi-layered silk kiminos called jūni-hitoea, holding cypress fans, wearing their hair in an elaborate hairdo, and dancing to celebrate the rice harvest. Above the dancers, ominous, dark clouds are gathering decoratively, blown together by a strong wind. The purpose of the clouds is to detain the four "heavenly madens" from returning to heaven. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 16, Ariwara no Yukihira, of the Ogura Hyakunin Isshu: "Though we are parted, If on Mount Inaba's peak
I should hear the sound Of the pine trees growing there, I'll come back again to you." The image shows Inaba mountain, on whose slopes a verdant pine forest grows, in the distance. In the foreground, we see a small group of young Japanese Middle Counselors wearing intricately patterned silk black-and-gold robes with a high collar at the back of their necks, over loose, abstractly patterned white-and-gold pants. The noblemen are thronging around one of their members to bid him farewell and good luck for his assignment to Inaba province. Exquisite Japanese folio.
The Knight's Watch Verse VII - Will she hear his heart's plea, will she receive him with love?
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AIVision
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1792 X 1024
(1.84 MP)
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Prompt: Will she hear his heart's plea, will she receive him with love?
Or will he be put to the test, what will it require?
But one thing is certain, as a nobleman, he is a brave knight,
And he withstands the blows of fate, no matter how bitter they may be.
The Knight's Watch Verse IX - A sign of her kind favor would make him so happy
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AIVision
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1792 X 1024
(1.84 MP)
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Prompt: A sign of her kind favor would make him so happy,
For joy he wouldn't know: should he cry, should he laugh?
He now sees her resting peacefully and lying gently in bed,
If he were an eagle, he would fly to her as fast as he could.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 27, Chūnagon Kanésuké, of the Ogura Hyakunin Isshu: "Like Izumi River / that wells up and flows, / dividing the Moors of Urns / when did I see her, I wonder, / fthat I should yearn for her so?" The image shows lively river flowing wiht currents and eddies, which flow together to show a lovely Japanese woman of antiquity, if you look closely. The patterns in the image are highly complex, with a woodcut esthetic. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 23, Ōe no Chisato, of the Ogura Hyakunin Isshu: "When I look at the moon / I am overcome by the sadness / of a thousand, thousand things - / even though it is not Fall / for me alone." The image shows a waning, yellow moon, which has just risen over the horizon, in a starry, dark sky. Naked, black tree branches reach into the sky, creting intricate patterns. The large sickle of the moon peeks forth from a clearing between the branches. The meadow on the ground is even darker than the sky. A melancholy mood permeates the picture. The sky and the meadow have typical patterns of a woodblock print. Exquisite Japanese folio.
The Knight's Watch Verse X - With a smile on his face, he falls asleep on this dark night
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AIVision
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1792 X 1024
(1.84 MP)
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Prompt: With a smile on his face, he falls asleep on this dark night,
The fire is now burning down, his loyal warhorse is keeping watch with him,
But his love gives him strength and keeps his heart so warm,
For in the distance she waits, sleeping softly and quietly, the heart-throb of his love.
The Knight's Watch Verse V - The lover appears before his eyes, he sees her in his thoughts
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AIVision
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1792 X 1024
(1.84 MP)
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Prompt: The lover appears before his eyes, he sees her in his thoughts,
The sight delights him deeply, no, he will never waver,
He would give everything for the moment, to see her in the face,
If he can hug her tenderly, he can confess his love to her.
Prompt: Ethereal portrait of a beautiful ancient goddess. “Hmong Textile Patchwork" By Enki Bilal & Paul Klee & Jennifer Lommers & Hans Hartung & Meghan Duncanson & Mark Rothko & Dee Nickerson & Victor Brauner & Didier Lourenço & ∞
Prompt: Natuur is voor tevredenen of legen.
En dan: wat is natuur nog in dit land?
Een stukje bos, ter grootte van een krant,
Een heuvel met wat villaatjes ertegen.
–
Geef mij de grauwe, stedelijke wegen,
De in kaden vastgeklonken waterkant,
De wolken, nooit zo schoon dan als ze, omrand
Door zolderramen, langs de lucht bewegen.
–
Alles is veel voor wie niet veel verwacht.
Het leven houdt zijn wonderen verborgen
Tot het ze, opeens, toont in hun hoge staat.
–
Dit heb ik bij mijzelve overdacht,
Verregend, op een miezerige morgen,
Domweg gelukkig, in de Dapperstraat.
Ogura Hyakunin Isshu No. 29 - Ōshikōchi no Mitsune
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
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Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 29, Ōshikōchi no Mitsune, of the Ogura Hyakunin Isshu: "Must it be by chance, / if I am to pluck one, that I pluck it? - / white chrysanthemums / on which the first frost / lies bewilderingly." The image shows a close-up of a single, magnificent white chrysanthemum with dozens of petals. The first frost, a hoarforst, lies on the petals. Each petal is covered with dozens of tiny, crystalline frost grains. The golden sun is shining on the petals, causing each and every hoarfrost crystal to reflect rainbow colors, so that the entire chrysanthemum blossom shines and shimmers with rainbow light reflections. Breathtaking nature spectacle executed in the most painstaking linocut and watercolor wash technique. Exquisite Japanese folio.
IT WILL BE AUTUMN XV - In dreams, he travels to her, to his love, his happiness
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AIVision
Size:
1792 X 1024
(1.84 MP)
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Prompt: In dreams, he travels to her, to his love, his happiness, and his cat, with gentle paws, settles down beside him, as both drift into peaceful slumber.
Prompt: My thorny thoughts, my thorny thoughts,
You bring me only woe!
Why do you on the paper stand
So sadly row on row? ...
Why did the winds not scatter you
Like dust across the steppes?
Why did ill-luck not cradle you
To sleep upon its breast? ...
My thoughts, my melancholy thoughts,
My children, tender shoots!
I nursed you, brought you up -- and now
What shall I do with you? ...
Go to Ukraine, my homeless waifs!
Your way make to Ukraine
Along back roads like vagabonds,
But I'm doomed here to stay.
There you will find a heart that's true
And words of welcome kind,
There honesty, unvarnished truth
And, maybe, fame you'll find ...
So welcome them, my Motherland,
Ukraine, into your home!
Accept my guileless, simple brood
And take them for your own!
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
