Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 91, Gokyōgoku Sesshō Saki no Daijōdaijinn of the Ogura Hyakunin Isshu: "In my cold bed, / Drawing close my folded quilt, / I sleep alone, / While all through the frosty night / I hear a cricket's lonely sound." The linocut shows a close-up of a cricket at night on a wooden porch, with every detail highlighted and gleaming in the pale moonlight. Behind the cricket is a window through which we see the back of a young Japanese amn's head as he is lying on his side on a bed, his simple, padded quilt folded around him. The focus of the image is on the cricket. Linocut emulating traditional Japanese woodcut style, several layers, reduced color palette of rich colors, shades of blue, black, white and brown. Clarity of rendering, masterful print. Exquisite Japanese folio.
Prompt: Full-width, broad, 16:9 format of a delicate linocut all the way to the edge, rich colors, executed on rough handmade paper of poem number 92, Nijōin no Sanuki, of the Ogura Hyakunin Isshu: "Like a rock at sea, / At ebb-tide hidden from view, / Is my tear-drenched sleeve: / Never for a moment dry, / And no one knows it is there." The linocut shows a frontal close-up of a Japanese woman in an intricately patterned, richly colored ceremonial silk kimono. Her hands and underarms are hidden from view, each hand and underarm tucked away in the sleeve of the other hand, so that the lowest parts of the sleeves are bunched up. We do not see the bottoms of the sleeves, which are apparently wet with tears. The woman is stone-faced and stands in front of a row of yellow-leaved ginko saplings in fall. Color palette of rich colors, shades of red, yellow, magenta and blue in the kimono, yellow for the ginko leaves. Clarity of rendering, masterful print. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with somber colors, executed on rough handmade paper of poem number 85, Shun’e Hōshi, of the Ogura Hyakunin Isshu: "Through an unsleeping night / Longingly I pass the hours, / While the day's dawn lags. / And now the bedroom shutters / Are keeping light and life from me." The image shows a young woman from the side as she is sitting in her bed, her knees drawn to her chin, and her arms hugging her knees. She is sitting on a soft bedpread that glints in what little light comes through the bedroom shutters. She is dressed in a loose-fitting, highly intricately patterned, cotton nightrobe tied with a satin sash. The linocut is exceedingly detailed, with a zentangle-like esthetic, and shows the jilted young lady waiting forlornly and in vain all night for her lover. The somber brown and anthracite colors befit her mood. Extreme detail, clarity of rendering, timeless, symbolical motif executed with great mastery. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 84 - Fujiwara no Kiyosuke Ason
Model:
AIVision
Size:
3840 X 2160
(8.29 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed, finely cut, multilayer linocut showing the topic of poem number 84, Fujiwara no Kiyosuke Ason, of the Ogura Hyakunin Isshu: "If I live on longer, / shall I again, I wonder, / yearn for these days? / The world that I once saw as / bitter, now, is dear to me." A dog-eared, somewhat faded, grainy, sepia photograph of a child in tattered winter clothing standing alone in an icy, mountainous landscape lies on a weathered, pockmarked, rough wooden table. The photograph close-up fills nearly the entire image. The child's face is dirty, its expression grim. The table stands in a dimly lit room, and is lit from above by a single, naked light bulb, which fully illuminates the photograph in extreme detail. The focus of the image is on the sepia photograph. The highly symbolic image is executed in shades of tan, brown and ivory. The linocut is so fine that we see every single detail of the grainy photograph and of the old, pockmarked table. Exquisite Japanese linocut folio in full 16:9 width.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed, finely cut, multilayer linocut showing the topic of poem number 83, Dōin Hōshi, of the Ogura Hyakunin Isshu: "From this world I think / That there is nowhere to escape. / I wanted to hide / In the mountains' farthest depths; / But there I hear the stag's cry." see light from the hallway shining on an old, closed, heavy-plank wooden basement door. The door has a brass knob and shield-mounted stag antlers. The basement door leads to a refuge for the plagued poet to hide away when the worl becomes too much for him. Highly symbolic image. The linocut is so fine that we see every single wood fiber of the door's planks perfectly lit in dimensional detail, every twist and turn of the antlers, and every spot on the brass doorknob. Exquisite Japanese linocut folio in full 16:9 width.
Ogura Hyakunin Isshu No. 81 - Gotokudaiji no Sadaijin
Model:
AIVision
Size:
3840 X 2160
(8.29 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed, richly colored, multilayer, extremely finely tooled linocut of poem number 81, Gotokudaiji no Sadaijin, of the Ogura Hyakunin Isshu: "When I turned my look / Toward the place where I had heard / the cuckoo's call, / The only thing I found / Was the moon of early dawn." The early dawn of late spring is visible on the horizon, coloring the clouds and sky in magenta, pink, orange, and yellow. The sky above is turquoise, deepening to midnight blue the higher it rises over the horzon. In the distance, dark tree silhouettes line the horizon. Far above the horizon, in the darkest part of the sky, sits a tiny crescent moon, just a very small, white sliver high in the sky. A very small bird silhouette stands out dark against the low yellow of the horizon. The bird, a lesser cuckoo, is symbolic of the beginning of summer. Masterful, painstakingly executed, extremely detailed linocut combined with a wet watercolor wash. Exquisite Japanese foilio.
Ogura Hyakunin Isshu No. 80 - Taikenmon-in no Horikawa
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut executed on rough handmade paper of poem number 80, Taikenmon-in no Horikawa, of the Ogura Hyakunin Isshu: "I do not evn know / how long your feelings will last. / My long black hair / is all diheveled and, this morning, / my thoughts, too, are in a tangle!" The image shows a young, contemprary Japanese woman sitting crosslegged and barefoot on her futon in her small, sparsely furnished but tidy apartment. She is hanging her head in confusion, and has her palms up to her face, covering her face fully. Her long, black hair is tangled. She is wearing a modern silk morning robe with a tiny, beautiful floral pattern in rich pastels. The early morning sun is streaming in the window, highlighting her tangled hair and her silk morning robe. The color palette otherwise is reduced to tans, ivory and brown, so that the hair and the morning robe are highlighted. The image is rendered as an exceedingly detailed, zentangle-like linocut. The hair and the morning robe are executed in profound detail, whereas the surroundings are executed more schematically. Extreme detail, clarity of rendering, timeless, symbolical morning-after motif combining a traditional linocut and contemporary zentangle esthetic and masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed, multilayer linocut of poem number 79, Sakyō Dayū Akisuke, of the Ogura Hyakunin Isshu: "See how clear and bright / Is the moonlight finding was / through the riven clouds / That, with drifting autumn wind, / Gracefully float in the sky." The night sky is filled with altocumulus clouds between which a crescent moon throws shafts of light onto the dark, windblown autumn meadow. The clouds closest to the moon are backlit by the white crescent moon. The other clouds are grayish, or even black at the edges of the midnight-blue sky. The moon and the clouds close to it take pride of place in this masterful, extremely detailed linocut. Exquisite Japanese foilio.
Prompt: Masterpiece, a full-screen, multi-block linocut print in a broad format, illustrating the autumn poem. The scene is a painstakingly detailed, symbolic depiction of solitude and transience. A humble, temporary hut stands in the middle of autumn fields, its rough thatch roof rendered with a chaotic web of jagged, cross-hatched lines. A lone figure sits within, their form a dark, solid silhouette against the fragile walls. The dampness described in the poem is visualized through the entire print; the cold, predawn atmosphere is palpable, with fine stippling and subtle horizontal grooves covering the fields to suggest a heavy, dew-laden ground. The sleeves of the figure's robe, dampened night by night, are depicted with dark, saturated patches of indigo and grey ink, contrasting starkly with the drier areas of the garment. The surrounding autumn grasses and fields are a complex tapestry of organic patterns and zentangle-like textures, carved to feel both abundant and withering. Above, the early morning sky is a gradient of muted, layered inks, from a soft, melancholic grey to the barest hint of watery gold at the horizon. The overall mood is one of profound loneliness and poetic reflection, achieved through a masterful interplay of intricate detail, high-contrast symbolism, and the raw, textured beauty of the linocut medium. Ukiyo-e, linocut, key block, bold outlines, flat colors, intricate, atmospheric, high-contrast, textured, stylistic, symbolic, screen-filling.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed linocut rendering of poem number 73, Gonchūnagon Masafusa, of the Ogura Hyakunin Isshu: "beautiful winter landscape with snowfall, a snow-covered flower garden with large white petals, shimmering gold accents, a magnificent golden sunset, a mosaic background, soft watercolor textures, wet-on-wet technique, a Klimt-inspired style, a rich color palette of gold, white, and mother-of-pearl, an elegant and dreamy atmosphere, Gustav Klimt's artistic flair, Artstation, high resolution for detailed brushstrokes and textures. White, mother-of-pearl, and light blue tones, vibrant composition, harmonious blend, colorful floral elements, playful design, detailed illustration, bright and bold colors, digital art, high resolution, Artstation , An oil painting with visible brush strokes of a surreal, dreamlike landscape where melting clocks drip from barren trees onto a checkered desert floor, under a sky filled with floating roses. More barren trees in the background resembling a forest. A faceless woman sits in the center on a bench. The scene is rendered an uncanny, unsettling aesthetic. The style is soft impressionism, with delicate brushstrokes and a muted color palette, evoking the works of Monet and Berthe Morisot , On that far mountain / On the slope below the peak / Cherries are in flower. / Oh, let the mountain mists / Not arise to hide the scene." A profusion of double-flowering, old sakura cherry trees are in bloom on a mountain slope. A group of friends has come to celebrate a picnic at the bottom of the slope and to view the abundance of pink blossoms. While they are hoping the weather will hold, they have prepared for rising mist by wearing raincoats. Possible inclement weather aside, the time is perfect for cherry blossom viewing, as all trees are in full bloom. Painstakingly and masterfully executed contemporary linocut in several layers. Spring ambiance. Exquisite contemporary Japanese folio.
Ogura Hyakunin Isshu No. 74 - Minamoto no Toshiyori Ason
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed linocut rendering of poem number 74, Minamoto no Toshiyori Ason, of the Ogura Hyakunin Isshu: "It was not for this / I prayed at the holy shrine: / That she would become / As pitiless and as cold / As the storms on Hase's hills." A modern-day Japanese traveler is coming down the mountain through a snowstorm, his staff in his hand and his cloak whipped about by the relentless wind. He is returning from pilgrimage, glum and unhappy. In heavy cloud cover, we see the image of a scornful face of a woman with piercing eyes looking at the traveler exposed to the brunt of the bad weather. Early winter ambiance, painstakingly detailed linocut, especially of the cloud cover with the scornful woman's face. Exquisite Japanese foili depicting unrequited love.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed linocut rendering of poem number 73, Gonchūnagon Masafusa, of the Ogura Hyakunin Isshu: "An oil painting with visible brush strokes of a surreal, dreamlike landscape where melting clocks drip from barren trees onto a checkered desert floor, under a sky filled with floating roses. More barren trees in the background resembling a forest. A faceless woman sits in the center on a bench. The scene is rendered an uncanny, unsettling aesthetic. The style is soft impressionism, with delicate brushstrokes and a muted color palette, evoking the works of Monet and Berthe Morisot , On that far mountain / On the slope below the peak / Cherries are in flower. / Oh, let the mountain mists / Not arise to hide the scene." A profusion of double-flowering, old sakura cherry trees are in bloom on a mountain slope. A group of friends has come to celebrate a picnic at the bottom of the slope and to view the abundance of pink blossoms. While they are hoping the weather will hold, they have prepared for rising mist by wearing raincoats. Possible inclement weather aside, the time is perfect for cherry blossom viewing, as all trees are in full bloom. Painstakingly and masterfully executed contemporary linocut in several layers. Spring ambiance. Exquisite contemporary Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed linocut rendering of poem number 73, Gonchūnagon Masafusa, of the Ogura Hyakunin Isshu: "On that far mountain / On the slope below the peak / Cherries are in flower. / Oh, let the mountain mists / Not arise to hide the scene." A profusion of double-flowering, old sakura cherry trees are in bloom on a mountain slope. A group of friends has come to celebrate a picnic at the bottom of the slope and to view the abundance of pink blossoms. While they are hoping the weather will hold, they have prepared for rising mist by wearing raincoats. Possible inclement weather aside, the time is perfect for cherry blossom viewing, as all trees are in full bloom. Painstakingly and masterfully executed contemporary linocut in several layers. Spring ambiance. Exquisite contemporary Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut in rich autumn colors, additionally highlighted with ink, executed on rough handmade paper of poem number 70, Ryōzen Hōshi, of the Ogura Hyakunin Isshu: "In my loneliness / I leave my little hut. / When I look around, / Everywhere it is the same: / One lone, darkening autumn eve." A modest wooden hut stands on a mountainside. A Japanese Buddhist monk in humble clothing sits, cross-legged, on the bare ground in front of the hut, meditating. It is late autumn, and evening. The sky is pink and yellow with the last light of the sun, which has set. At the edges of the sky, the dark blue of night is encroaching. The pink and yellow on the horizon is interrupted by the dark, backlit silhouette of a V-shaped formation of geese flyng south. The geese are a melancholy, poignant harbinger of the cold winter to come. Extreme detail, painstaking, masterful execution. Linocut in several layers. Clarity of rendering, exquisite technique. Traditional Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 62, Sei Shōnagon, of the Ogura Hyakunin Isshu: "The rooster's crowing / In the middle of the night / Deceived the hearers; / But at Osaka's gateway / The guards are never fooled." The image shows a magnificant, colorful rooster with ruffled feathers and wings open wide crowing zestily. He is sitting atop a pile of hay outside a lowly shed at midnight, and is lit by the half-moon. The image of the rooster completely dominates the picture. Ever details of his colorful feathers and cock's comb can be made out. Finest linocut additionally colored with wet watercolor. Magnificent feathers, very detailed hay in the haystack, every detail of the planks of wood of the shed behind the haystack finely worked with the linocutter's tool. Dark sky with a pale moon. Deft execution, whimsical nature motif. Superlative technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 56, Izumi Shikibu, of the Ogura Hyakunin Isshu: "Among my memories / or this world, from whence / Iwill soon be gone, / oh, how I wish there was / one mor meeting, now, with you!" We see a close-up of an very old but regal and elegant Japanese woman in profile. She has gray hair elegantly captured in a bun and is wearing loose, elegant, contemporary clothing. She has all the bearing of a noblewoman as she sits in front of a window at night, gazing out. The window captures a ghostly reflection of a former lover, a very handsome, 20-something Japanese man. The reflection is a projection of the Japanese woman's memory of her lover. The setting is contemporary, in a stark apartment with simple furniture and a single vase with an artfully arranged floral display. Wistful, melancholy, end-of-life atmosphere. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like linocut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 54, Gidō Sanshi no Haha, of the Ogura Hyakunin Isshu: "If remembering me / Will for him in future years / Be too difficult, / It would be well this very day / That I should end my life." The image shows a Japanese wedding couple during the Heian period. The Japanese bride and the Japanese groom are standing next to each other, facing the viewer. They are dressed in splendid robes made of silk with a floral pattern worven with shimmering colors. The woman is stone-faced and emotionless. The man is fully transparent, as if he were a ghost or only a figment of the woman's imagination. The couple is standing in a simple hallway into which the starlight shines. The colors are dark around the edges of the hallway, only the couple is well-lit, with the man being but a transparent projection. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like linocut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 51, Fujiwara no Sanekata, of the Ogura Hyakunin Isshu: "How can I tell her / How fierce my love for her is? / Will she understand / That the love I feel for her / Burns like Ibuki's fire plant?" The image shows an well-polished, ancient oak table with a bundle of dried mugwort tied with a satin ribbon. Next to the bundle of dried mugwort lies a moxibustion set. The therapy room in which the table stands is dark, only the table and the moxibustion parapernelia are well-lit. The image is rendered as an exceedingly detailed, highly symbolic zentangle-like woodcut, with strong, rich and varied colors. Extreme detail, clarity of rendering, timeless, symbolical motif combined with a classical woodcut and contemporary zentangle esthetic and masterful technique. Exquisite Japanese folio.
Prompt: Vibrant Sakura tree in full bloom, linocut masterpiece on black craft paper, delicate pink and yellow blossoms, influenced by the style of Gustave Baumann, ultra-detailed with intricate linework, studio lighting for dramatic effect, 8k resolution for extreme detail, hyperrealistic rendering with crisp quality, HDR enhancement for vivid colors, pastel chalk color palette, ornate and coherent composition, reminiscent of quilling art, silk painting technique for a luxurious feel, Stained Glass-inspired design, symmetrical composition following the golden ratio, a mix of thick and thin lines for depth, jewelry-like intricacy.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 44, Chūnagon Asatada, of the Ogura Hyakunin Isshu: "If it should happen / That we never met again, / I would not complain; / And I doubt that she or I / Would feel that we were left alone." Two realistic, young, chic, urban, contemporary Japanese in their early twenties are standing completely back to back, ignoring each other. One is a young Japanese woman dressed as a Gothic Lolita. With his back to her, the second person is a young Japanese man in candy-colored, frilly and demure Jirai Danshi fashion that makes him look very feminine and coy. The two had a one-night stand, but, as they obviously live in very different spheres, their love is over. Now, they're ignoring each other and pretending that they're strangers. The image combines an extremely detailed, richly colored, linocut technique with contemporary bokeh elements and looks a bit like a realistic Lomo photograph. The clothes are shown in great detail, but the background, an urban setting, is bokeh. Extreme detail, cutting-edge contemporary motif. Masterful technique. Exquisite Japanese folio.
Prompt: Soft pink cherry blossoms, delicate yellow blooms, intricate linocut details, black craft paper background, vintage linocut style, inspired by Gustave Baumann, fine lines and textures, traditional Japanese art influence, contrast of vibrant colors on dark paper, elegant and detailed linocut work, Art Nouveau flair, precise carving technique, artistic interpretation of Sakura tree in full bloom.
Prompt: A captivating linocut of the rising sun, with a warm, golden disk emerging from the horizon. The sun casts a golden glow on the sky and the clouds are tinged with shades of orange and pink. The overall design gives off a cinematic vibe, with a vibrant color palette and dynamic composition. The typography is bold and modern, with the words 'Sunrise' in a striking font. The overall design is reminiscent of a movie poster, with a sense of great and drama, cinematic, typography, poster
Prompt: Create a contemplative linocut folk art scene depicting a detailed and elegant moose standing quietly in a serene, snow-covered forest. Tall, stylized trees frame the scene, while a beautifully patterned, warm red sun sets behind distant, rolling mountains. The intricate, carved-like detailing of the landscape creates a sense of tranquility and introspection."
Prompt: Create a contemplative linocut folk art scene depicting a detailed and elegant [deer] standing quietly in a serene, snow-covered forest. Tall, stylized trees frame the scene, while a beautifully patterned, warm red sun sets behind distant, rolling mountains. The intricate, carved-like detailing of the landscape creates a sense of tranquility and introspection."
Prompt: Wide-screen linocut of a macroviewed cluster of many large, purple clematis flowers in full bloom, with broad, slightly ruffled, veined petals and prominent, creamy-yellow stamens at the centers. Each bloom is approximately 10-15 cm in diameter. The flowers are complemented by fresh green, ovate leaves with a shiny surface and prominent veining. Several elongated, closed buds with hints of the same lilac-purple hue are interspersed among the open flowers. The background reveals a soft-focus view of a garden setting. The lighting is bright and natural, suggesting a sunny day with clear skies. Linocut in the combined style of Angie Lewis, Mark Hearld, Gustav Baumann, Richard Diebenkorn. William Wendt, Edward Hopper, Cyril Rolando, MW Kaluta, Maynard Dixon, Jan Davidsz de Heem, Bob Byerley, Cezary Paszkowski, Netochka Nezvanova, Luc Schuiten, Howard Arkley, Haruomi Izimi and Jeff Benesi.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
