#ukraine

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Quinta da Regaleira [ˈkĩ.tɐ dɐ ˈʁɨ.ɡɐ.lɐj.ɾɐ] is a quinta located near the historic centre of Sintra, Portugal. It is classified as a World Heritage Site by UNESCO within the "Cultural Landscape of Sintra". Along with the other palaces in the area such as the Quinta do Relógio, Pena, Monserrate and Seteais palaces, it is considered one of the principal tourist attractions of Sintra. The property consists of a Romantic palace and chapel, and a luxurious park that features lakes, grottoes, wells, benches, fountains, and a vast array of exquisite constructions. The palace is also known as "The Palace of Monteiro the Millionaire", which is based on the nickname of its best known former owner, António Augusto Carvalho Monteiro. The palace was designed by the Italian architect Luigi Manini.
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  • Prompt: handmade knife from Ukraine
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Fantastic knife

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  • Prompt: Knife from fantastic galaxy material in Ukrainian style
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Africanfuturism is a cultural aesthetic and philosophy of science that centers on the fusion of African culture, history, mythology, point of view, with technology based in Africa and not limiting to the diaspora.[1][2] It was coined by Nigerian American writer Nnedi Okorafor in 2019 in a blog post as a single word. Nnedi Okorafor defines Africanfuturism as a sub-category of science fiction that is "directly rooted in African culture, history, mythology and point-of-view..and...does not privilege or center the West," is centered with optimistic "visions in the future," and is written by (and centered on) "people of African descent" while rooted in the African continent. As such its center is African, often does extend upon the continent of Africa, and includes the Black diaspora, including fantasy that is set in the future, making a narrative "more science fiction than fantasy" and typically has mystical elements.[3] It is different from Afrofuturism, which focuses mainly on the African diaspora, particularly the United States. Works of Africanfuturism include science fiction, fantasy, alternate history, horror and magic realism.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Science fiction elements can include, among others: Temporal settings in the future, or in alternative histories.[271] Space travel, settings in outer space, on other worlds, in subterranean earth, or in parallel universes.[31] Aspects of biology in fiction such as aliens, mutants, and enhanced humans.[272][273] Predicted or speculative technology such as brain-computer interface, bio-engineering, superintelligent computers, robots, and ray guns and other advanced weapons.[272][274] Undiscovered scientific possibilities such as teleportation, time travel, and faster-than-light travel or communication.[275] New and different political and social systems and situations, including Utopian, dystopian, post-apocalyptic, or post-scarcity.[276] Future history and evolution of humans on Earth or on other planets.[277] Paranormal abilities such as mind control, telepathy, and telekinesis.[278]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Respected authors have written science fiction. Mary Shelley wrote a number of science fiction novels including Frankenstein; or, The Modern Prometheus (1818), and is considered a major writer of the Romantic Age.[221] Aldous Huxley's Brave New World (1932) is often listed as one of England's most important novels, both for its criticism of modern culture and its prediction of future trends including reproductive technology and social engineering.[222][223][224][225] Kurt Vonnegut was a highly respected American author whose works contain science fiction premises or themes.[226][227][228] Other science fiction authors whose works are widely considered to be "serious" literature include Ray Bradbury (including, especially, Fahrenheit 451 (1953) and The Martian Chronicles (1951)),[229] Arthur C. Clarke (especially for Childhood's End),[230][231] and Paul Myron Anthony Linebarger, writing under the name Cordwainer Smith.[232] In his book "The Western Canon", literary critic Harold Bloom includes Brave New World, Solaris, Cat's Cradle (1963) by Vonnegut, and The Left Hand of Darkness as culturally and aesthetically significant works of western literature.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Ursula K. Le Guin also criticized the more traditional view on the difference between "hard" and "soft" SF: "The 'hard' science fiction writers dismiss everything except, well, physics, astronomy, and maybe chemistry. Biology, sociology, anthropology—that's not science to them, that's soft stuff. They're not that interested in what human beings do, really. But I am. I draw on the social sciences a great deal."
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In social science and politics, power is the social production of an effect that determines the capacities, actions, beliefs, or conduct of actors.[1] Power does not exclusively refer to the threat or use of force (coercion) by one actor against another, but may also be exerted through diffuse means (such as institutions).[1][2] Power may also take structural forms, as it orders actors in relation to one another (such as distinguishing between a master and an enslaved person, a householder and their relatives, an employer and their employees, a parent and a child, a political representative and their voters...), and discursive forms, as categories and language may lend legitimacy to some behaviors and groups over others.[1]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Transhumanism is a philosophical and intellectual movement which advocates the enhancement of the human condition by developing and making widely available sophisticated technologies that can greatly enhance longevity and cognition. Transhumanist thinkers study the potential benefits and dangers of emerging technologies that could overcome fundamental human limitations, as well as the ethics of using such technologies. Some transhumanists believe that human beings may eventually be able to transform themselves into beings with abilities so greatly expanded from the current condition as to merit the label of posthuman beings. Another topic of transhumanist research is how to protect humanity against existential risks, such as nuclear war or asteroid collision.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Some theories, most notably special and general relativity, suggest that suitable geometries of spacetime or specific types of motion in space might allow time travel into the past and future if these geometries or motions were possible.[23]: 499  In technical papers, physicists discuss the possibility of closed timelike curves, which are world lines that form closed loops in spacetime, allowing objects to return to their own past. There are known to be solutions to the equations of general relativity that describe spacetimes which contain closed timelike curves, such as Gödel spacetime, but the physical plausibility of these solutions is uncertain.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Science fiction aliens are both metaphors and real possibilities. One can probe the nature of humanity with aliens that by contrast illustrate and comment upon human nature. Still, as evidenced by widespread belief in alien visitors (see UFOs) and efforts to detect extraterrestrial radio signals, humans also crave companionship in a vast, cold universe and aliens may represent hopeful, compensatory images of the strange friends we have been unable to find. Thus, aliens will likely remain a central theme in science fiction until we actually encounter them.[2]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Avatar (marketed as James Cameron's Avatar) is a 2009 epic science fiction film directed, written, co-produced, and co-edited by James Cameron and starring Sam Worthington, Zoe Saldana, Stephen Lang, Michelle Rodriguez,[6] and Sigourney Weaver. It is the first installment in the Avatar film series. It is set in the mid-22nd century, when humans are colonizing Pandora, a lush habitable moon of a gas giant in the Alpha Centauri star system, in order to mine the valuable mineral unobtanium.[a] The expansion of the mining colony threatens the continued existence of a local tribe of Na'vi, a humanoid species indigenous to Pandora. The title of the film refers to a genetically engineered Na'vi body operated from the brain of a remotely located human that is used to interact with the natives of Pandora.[10]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Alliance–Union universe is a fictional future history created by Cherryh. It spans the third and fourth millennia,[1] and is centered around humanity's exploration and colonization of space.[2] Three economic powers have arisen, Earth Company, operating from Earth, the Alliance, a confederation of trade merchants operating interstellar freighters between Earth, space stations and colonized planets, and the Union, a breakaway government based on the planet of Cyteen.[1] The Earth Company's attempts to control the expansions into space are defeated during the Company Wars, and the Union clashes with both the Alliance and Earth Company in their quest to expand their territories using cloned humans called azi.[3][1]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Spy-fi can be defined as media that centers around the adventures of a protagonist (or protagonists) working as a secret agent or a spy. Usually, these adventures will revolve around defeating a rival superpower or singular enemy from achieving a nefarious aim. Content may include themes such as world domination, world destruction, futuristic weapons, and gadgets. Settings vary from outright fantasy, such as outer space or under the sea, to real but exotic locations.[citation needed] Spy-fi does not necessarily present espionage as it is practiced in reality but rather glamorizes spy-craft through its focus on high-tech equipment, agencies, and organizations with nearly limitless resources and incredibly high-stakes adventures.[citation needed]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A fictional universe, or fictional world, is a self-consistent setting with events, and often other elements, that differ from the real world. It may also be called an imagined, constructed, or fictional realm (or world). Fictional universes may appear in novels, comics, films, television shows, video games, and other creative works.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The horror genre has ancient origins, with roots in folklore and religious traditions focusing on death, the afterlife, evil, the demonic and the principle of the thing embodied in the person.[3] These manifested in stories of beings such as demons, witches, vampires, werewolves and ghosts. European horror-fiction became established through works of the Ancient Greeks and Ancient Romans.[4] Mary Shelley's well-known 1818 novel about Frankenstein was greatly influenced by the story of Hippolytus, whom Asclepius revives from death.[5] Euripides wrote plays based on the story, Hippolytos Kalyptomenos and Hippolytus.[6] In Plutarch's The Lives of the Noble Grecians and Romans in the account of Cimon, the author describes the spirit of a murderer, Damon, who himself was murdered in a bathhouse in Chaeronea.[7]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In its broadest definition, supernatural fiction overlaps with examples of weird fiction, horror fiction, vampire literature, ghost story, and fantasy. Elements of supernatural fiction can be found in writing from the genre of science fiction. Amongst academics, readers and collectors, however, supernatural fiction is often classed as a discrete genre defined by the elimination of "horror", "fantasy", and elements important to other genres.[1] The one genre supernatural fiction appears to embrace in its entirety is the traditional ghost story.[2]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Horror is a genre of fiction that is intended to disturb, frighten or scare.[1] Horror is often divided into the sub-genres of psychological horror and supernatural horror, which are in the realm of speculative fiction. Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing".[2] Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Even stories set in the far future or fantasy worlds portray societal failures recognizable to contemporary audiences.[22] These failures may include oppressive imbalances of wealth or power, degradation of natural habitat or processes, and impacts of climate change. Evidence of injustices, like social exclusion and environmental racism, may be present. Disastrous consequences are not necessarily averted but solarpunk tends to present a counter-dystopian perspective. Their worlds are not necessarily utopian but rather solarpunk seeks to present an alternative to a pessimistic, consequential dystopian outcome.[23] To achieve this, themes of do it yourself ethics, convivial conservation, self-sustainability, social inclusiveness and positive psychology are often present. This perspective also more closely embeds the ideals of punk ideologies, such as anti-consumerism, egalitarianism and decentralization, than cyberpunk which typically includes protagonists with punk beliefs but in settings that are used more of a warning of a potential future.[23][24]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Solarpunk is a literary and artistic movement that envisions and works toward actualizing a sustainable future interconnected with nature and community.[3][4] The "solar" represents solar energy as a renewable energy source and an optimistic vision of the future that rejects climate doomerism,[5] while the "punk" refers to the countercultural, post-capitalist, and decolonial enthusiasm for creating such a future.[6]
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