Prompt: The Centre Pompidou-Metz is a large hexagon structured round a central spire reaching 77 m (253 ft), alluding to the 1977 opening date of the original Centre Pompidou of Paris. It possesses three rectangular galleries (Gallery 1, 2, and 3) weaving through the building at different levels, jutting out through the roof with huge picture windows angled towards landmarks such as the Saint-Stephen Gothic cathedral, the Imperial railway station, the Arsenal Concert Hall built by Spanish architect Ricardo Bofill, the Arènes indoor sport arena built by French architect Paul Chemetov, and the Seille park. The great nave covers 1,200 m2 (13,000 sq ft) and provides flexibility for the exhibition of large artworks, with the ceiling rising progressively from a height of 5.7 m (19 ft) to 18 m (59 ft).
Prompt: Elaborate and intricate psychedelic painting of historic Chicago with historic streetcar, Chicago in 1969, frank lloyd wright architecture, overcast or cloudy sky with intricate images, paintings in the windows, outdoor cafe
Prompt: Neo-futurism architecture is a contemporary architectural style that emphasizes technology, innovation, and futurism. It often features bold geometric forms, clean lines, and a combination of materials such as glass, steel, and concrete. With regards to crater form in Neo-futurism architecture, it is a unique design element that adds a dramatic and futuristic touch to buildings. The crater form is inspired by the idea of creating a space that mimics the natural formation of a crater or volcanic area. This results in a building with a concave or bowl-like shape, with a depression in the center. The use of crater form in Neo-futurism architecture is often seen in buildings such as museums, cultural centers, and public spaces. The design creates an immersive experience for visitors, drawing them into the center of the space where they can interact with the environment in a unique and engaging way.
Prompt: Neo-futurism with the architectural element of shells is a style that incorporates organic, shell-like forms into its designs. This style is characterized by its use of curved lines, biomorphic shapes, and a focus on creating fluid, dynamic spaces. The use of innovative materials and technologies, such as curved glass and lightweight metals, is also an important aspect of this style. The result is a futuristic, organic aesthetic that is both visually striking and highly functional. In some cases, Neo-futurism with the architectural element of shells may also incorporate elements of biomimicry, using natural forms and processes as inspiration for design. Overall, this architectural style is a bold departure from traditional forms, showcasing the potential for a harmonious relationship between the built environment and the natural world.
Prompt: Known as the 'Romanesque Sistine Chapel', the Abbey-Church of Saint-Savin contains many beautiful 11th- and 12th-century murals which are still in a remarkable state of preservation. Located in the Nouvelle-Aquitaine region, the Abbey Church of Saint-Savin-sur-Gartempe, is an ancient abbey founded or refounded during the Carolingian era by Saint Benoît d’Aniane, father of western monasticism, under the protection of Charlemagne and his successors. Rebuilt in the 11th century, it bears witness to western Roman architecture with its well-balanced volumes. Its murals, executed at the end of the 11th or early 12th century, are an exceptional ensemble of medieval imagery. The edifice is mounted by a Gothic spire, of almost 80 metres in height, dating from the 14th century and reconstructed in the 19th century.
Prompt: A pergola is most commonly an outdoor garden feature forming a shaded walkway, passageway, or sitting area of vertical posts or pillars that usually support cross-beams and a sturdy open lattice, often upon which woody vines are trained. The origin of the word is the Late Latin pergula, referring to a projecting eave.
Prompt: Tange envisioned that the Expo should be primarily conceived as a big festival where human beings could meet. Central to the site he placed the Festival Plaza onto which were connected a number of themed displays, all of which were united under one huge roof. In his Tokyo Bay Project Tange spoke about the living body having two types of information transmission systems: fluid and electronic. That project used the idea of a tree trunk and branches that would carry out those types of transmission in relation to the city. Kawazoe likened the space frame roof of the Festival Plaza to the electronic transmission system and the aerial-themed displays that plugged into it to the hormonal system.
Prompt: In a gravity dam, the force that holds the dam in place against the push from the water is Earth's gravity pulling down on the mass of the dam. The water presses laterally (downstream) on the dam, tending to overturn the dam by rotating about its toe (a point at the bottom downstream side of the dam). The dam's weight counteracts that force, tending to rotate the dam the other way about its toe. The designer ensures that the dam is heavy enough that the dam's weight wins that contest. In engineering terms, that is true whenever the resultant of the forces of gravity acting on the dam and water pressure on the dam acts in a line that passes upstream of the toe of the dam. The designer tries to shape the dam so if one were to consider the part of the dam above any particular height to be a whole dam itself, that dam also would be held in place by gravity, i.e., there is no tension in the upstream face of the dam holding the top of the dam down. The designer does this because it is usually more practical to make a dam of material essentially just piled up than to make the material stick together against vertical tension.
Prompt: a complicated harbor in the style of Egyptian futuristic architecture, decorated with sapphire gold and onyx, A breathtaking borderland fantasycore artwork by Android Jones, Jean Baptiste monge, Alberto Seveso, Erin Hanson, Jeremy Mann. maximalist highly detailed and intricate professional photography, a masterpiece, 8k resolution concept art, 20 megapixels, sharp focus, a masterpiece, award winning, perfect light and shadow, crystal ice, arches and strings, icicles, great scale
Prompt: Venice is built on alluvial mud, and all buildings in the city were (and mostly still are) supported by large numbers of timber piles driven into the mud. Above that the normal building material is brick, although the grander facades were usually faced with Istrian stone, a fine limestone that is not strictly a marble, although it is often so called. This came by sea from quarries in Istria in the Terraferma, now in Croatia. Other stones with different colours were often used for contrast, especially a red stone from Verona. Marmorino stucco, made from grinding limestone, brick and terracotta fragments, was the typical finish for interior walls, and sometimes exteriors. Flat ceilings supported with timber beams were preferred to vaults, which might crack as the building settled on the pile foundations.
Prompt: A fantasy Biopunk architecture with Neo-futuristic sensibilities would be a striking and innovative vision of a living, breathing ecosystem, where technology and design intersect with biology and ecology. This architecture would feature an intricate network of living organisms serving as building materials, structural elements, and environmental systems, with a focus on futuristic, digital technologies incorporated into the building’s design. The exterior of the building would be a blend of organic forms, such as those seen in plant and animal life, and striking geometrical shapes that evoke a futuristic, technological landscape. The use of lighting would be paramount in this architecture, with dynamic light displays that change in response to environmental inputs, and bioluminescent organisms that light up sections of the building in different colors. Inside, the architecture would be no less impressive, with a combination of organic and industrial features. Living walls, floors and ceilings would create a sense of immersion in nature, while industrial elements such as steel, brass and bronze would provide a contrast to the natural elements.
Prompt: At the time of the new building's opening, SFMOMA touted itself as the largest new American art museum of the decade and, with its 50,000 square feet (4,600 m2) of exhibition space, the second-largest single structure in the United States devoted to modern art. (New York's Museum of Modern Art, with 100,000 square feet (9,300 m2) of gallery space, was then the largest single structure, while the nearly 80,000 combined square feet of Museum of Contemporary Art, Los Angeles put it in second place). The Botta building consists of galleries rising around a central, skylighted atrium, above an iconic staircase. Its external structure features a central 130-foot (40 m) tall cylinder, and a stepped-back stone facade. Botta's interior design is marked by alternating bands of polished and flame-finished black granite on the floor, ground-level walls, and column bases; and bands of natural and black-stained wood on the reception desks and coat-check desk.
Prompt: Neo-futurism is a relatively new architectural style that emerged in the mid-20th century as a reaction to the cold, sterile aesthetic of modernism. It is characterized by its use of curves, organic shapes, and the incorporation of technology and futuristic elements. This style emphasizes functionalism and efficiency while also creating a sense of dynamism and movement. Buildings designed in the neo-futurist style often feature innovative materials and unique technological systems, and they are often designed with sustainability and energy efficiency in mind.
Prompt: Conceived as a reaction to the strict geometry of the master plan, the Art & City museum by MAD Architects is an amorphous building that seems like it has landed on the earth. Its surrounding dunes, monumental stairways and belvederes have been generated from the empty Gobi desert which was here just a few years ago. Located in the new city center of Ordos, the space itself is deeply rooted into the local culture. Although it has contemporary presence, there is a chance to think over what the term “local culture” means, where it is rooted and what it can become in the future.
Prompt: Sci-Fi glass grid building design is a futuristic architectural style that utilizes a grid structure made entirely of glass. This style is characterized by its minimalist and futuristic approach, creating a sense of order and precision. In this style, the building is often composed of a series of interconnected glass cubes or panels, forming a grid-like structure. The exterior of the building may incorporate innovative glass technologies, such as smart glass or photovoltaic glass, generating electricity from sunlight and changing its opacity based on external conditions. The design often features a sleek and modern aesthetic with a focus on functionality and innovation. The use of clean lines, precise angles, and transparent surfaces creates a sense of spaciousness and openness, while the grid structure creates a sense of order and symmetry. The Sci-Fi glass grid building design is ideal for those who value cutting-edge technology and want to create a building that is both beautiful and functional. This style is perfect for commercial or public buildings, such as museums, libraries, or office spaces, where a modern aesthetic and sustainability are important factors.