#theatre

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Louvre or the Louvre Museum, is the world's most-visited museum, and a historic landmark in Paris, France. It is the home of some of the best-known works of art, including the Mona Lisa and the Venus de Milo. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Calatrava designed it from the outset in white concrete, like the rest of the ensemble, with a heavy metal. Its structure resembles a lattice, with a succession of 55 fixed and 54 floating arches of metal. The maximum height from the bottom of the arches fixed to the floating key is 18 meters. The tour covers the floor with wood Teak, a tropical wood suitable for installation in outdoor areas, as it supports the assault of wind and rain with a minimum wear.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Modern Architecture. The modernist style prioritise simplicity of form, clean structure, lack of ornamentation, and function over form. This style also took advantage of the advances in steel, glass and concrete. Some of the best known architects of the 20th century flourished during this era including Frank Lloyd Wright and Le Corbusier. It follows that some of the most iconic examples of Modern architecture include Frank Lloyd Wright’s Fallingwater house in the United States, Le Corbusier’s Villa Savoye in France, and Ludwig Mies van Der Rohe’s Neue Nationalgalerie in Berlin.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Designed in around 1910, the Fagus factory in Alfeld constitutes an architectural complex which foreshadows the modernist movement in architecture. Built by Walter Gropius, it is notable for the innovative use of walls of vast glass panels combined with an attenuated load-bearing structure. It bears testimony to a major break with the existing architectural and decorative values of the period, and represents a determined move towards a functionalist industrial aesthetic. The Fagus factory in Alfeld establishes several major fundamental aspects of modern functionalist architecture of the 20th century, in particular the curtain wall. It constitutes a homogeneous, territorial and built complex, rationally and completely designed to serve an industrial project. It expresses great architectural unity. The scheme is at once architectural, aesthetic and social, and bears witness to a determination to achieve humanist control of the social and aesthetic changes linked to industrialisation. The interior decorative and functional elements are attuned with the architecture and the social project. They represent one of the first consummate manifestations of industrial design.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Black and gray landscape.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Brooke comments that in Lothlórien, Tolkien had worked in his personal concern for nature. Further, she suggests that Lothlórien embodies Ruskin's principles of Gothic architecture. She argues that the centrality of the mallorn tree to the Elves makes architecture hard to distinguish from nature. Further, the colours of silver and gold in the hall of Galadriel and Celeborn recall both the silver-grey of the mallorn trunks and the circle of trees "arrayed in pale gold" in Lothlórien, and the Two Trees of Valinor, with Laurelin's golden fruit and Telperion's silver flower. This in turn, she writes, implies that the Elves of Lothlórien are wholly integrated with their forest environment. In Unfinished Tales, Tolkien speaks of the mallorn grove "carpeted and roofed with gold"; Brooke writes that this mixes the lexical fields of architecture and nature description, revealing the intertwining of the two in the Elvish realm.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Passive solar building design allows buildings to harness the energy of the sun efficiently without the use of any active solar mechanisms such as photovoltaic cells or solar hot water panels. Typically passive solar building designs incorporate materials with high thermal mass that retain heat effectively and strong insulation that works to prevent heat escape. Low energy designs also requires the use of solar shading, by means of awnings, blinds or shutters, to relieve the solar heat gain in summer and to reduce the need for artificial cooling. In addition, low energy buildings typically have a very low surface area to volume ratio to minimize heat loss. This means that sprawling multi-winged building designs (often thought to look more "organic") are often avoided in favor of more centralized structures. Traditional cold climate buildings such as American colonial saltbox designs provide a good historical model for centralized heat efficiency in a small-scale building.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Seattle Central Library is the flagship library of the Seattle Public Library system. The 11-story (185 feet or 56.9 meters high) glass and steel building in downtown Seattle, Washington was opened to the public on May 23, 2004. Rem Koolhaas and Joshua Prince-Ramus of OMA/LMN were the principal architects, and Magnusson Klemencic Associates was the structural engineer with Arup. Arup also provided mechanical, electrical, and plumbing engineering, as well as fire/life safety, security, IT and communications, and audio visual consulting. Hoffman Construction Company of Portland, Oregon, was the general contractor.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Mayan Theater in Los Angeles, California is a landmark former movie palace and current nightclub and music venue. Façade closeup, featuring the god Huitzilopochtli seated upon the symbolic earth monster, separated by stylized serpents/rattlesnakes. Mayan and Aztec motifs feature in low-relief across the entire building’s façade. Heavily featured is the figure of Huitzilopochtli, the Aztec god of the Sun and of war. The current colorful painting was added in 1968; prior to that the façade was described as being a “dull two-tone scheme of tan and orange”.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Ancient Roman architecture adopted the external language of classical Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are often considered one body of classical architecture. Roman architecture flourished in the Roman Republic and to even a greater extent under the Empire, when the great majority of surviving buildings were constructed. It used new materials, particularly Roman concrete, and newer technologies such as the arch and the dome to make buildings that were typically strong and well-engineered. Large numbers remain in some form across the former empire, sometimes complete and still in use to this day. Roman architecture covers the period from the establishment of the Roman Republic in 509 BC to about the 4th century AD, after which it becomes reclassified as Late Antique or Byzantine architecture. Few substantial examples survive from before about 100 BC, and most of the major survivals are from the later empire, after about 100 AD. Roman architectural style continued to influence building in the former empire for many centuries, and the style used in Western Europe
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Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

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  • Prompt: The revolution in materials came first, with the use of cast iron, drywall, plate glass, and reinforced concrete, to build structures that were stronger, lighter, and taller. The cast plate glass process was invented in 1848, allowing the manufacture of very large windows. The Crystal Palace by Joseph Paxton at the Great Exhibition of 1851 was an early example of iron and plate glass construction, followed in 1864 by the first glass and metal curtain wall. These developments together led to the first steel-framed skyscraper, the ten-story Home Insurance Building in Chicago, built in 1884 by William Le Baron Jenney.[3] The iron frame construction of the Eiffel Tower, then the tallest structure in the world, captured the imagination of millions of visitors to the 1889 Paris Universal Exposition.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Neo-futurism architecture with fractal geometry is an architectural style that combines the principles of neo-futurism with the use of fractal geometry. Fractal geometry is a mathematical concept that describes patterns that repeat themselves at different scales, creating self-similar shapes and structures. In neo-futuristic buildings with fractal geometry, the repetition of patterns at different scales is often used to create intricate and complex shapes. This can be seen in the use of repeating elements such as windows or balconies, which are arranged in a fractal pattern to create a sense of unity and harmony. Another way in which fractal geometry is used in neo-futuristic architecture is through the use of natural forms and shapes. Fractal patterns can be found in many natural forms, such as the branching of trees or the design of snowflakes. In neo-futuristic buildings, these natural forms are often incorporated into the design in a way that creates a sense of organic unity and flow.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: A key element of the Nuragic religion was that of fertility, connected to the male power of the Bull-Sun and the female one of Water-Moon. According to the scholars' studies, there existed a Mediterranean-type Mother Goddess and a God-Father (Babai). An important role was that of mythological heroes such as Norax, Sardus, Iolaos and Aristeus, military leaders also considered to be divinities. The excavations have indicated that the Nuragic people, in determinate periods of the year, gathered in common holy places, usually characterized by sitting steps and the presence of a holy pit. In some holy areas, such as Gremanu at Fonni, Serra Orrios at Dorgali and S'Arcu 'e Is Forros at Villagrande Strisaili, there were rectangular temples, with central holy room housing perhaps a holy fire. The deities worshipped are unknown, but were perhaps connected to water, or to astronomical entities (Sun, Moon, solstices).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Afrofuturism is a cultural aesthetic, philosophy of science, and history that explores the intersection of the African diaspora culture with science and technology. It addresses themes and concerns of the African diaspora through technoculture and speculative fiction, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afro-diasporic experiences.[1] While Afrofuturism is most commonly associated with science fiction, it can also encompass other speculative genres such as fantasy, alternate history, and magic realism.[2] The term was coined by Mark Dery, an American Cultural critic in 1993[3] and explored in the late 1990s through conversations led by Alondra Nelson.[4]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Neo-futurism and biomimetic architecture are two distinct architectural styles that can offer a fascinating combination when merged together. By integrating the best of both styles, we can create a harmonious blend of innovative technology and sustainable design inspired by nature. Below is a description of this combined architectural approach. In keeping with the Neo-futuristic approach, cutting-edge technology is seamlessly integrated into the building design. This can include advanced building systems, automation, and the use of digital fabrication techniques, such as 3D printing, to create complex and intricate forms. Just as ecosystems in nature are interconnected, Neo-Biomimetic architecture seeks to create buildings that are in harmony with their surroundings and function as a part of a larger system. This can include designing buildings that support local ecosystems, creating urban parks and green spaces, and promoting walkability and public transportation.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Conceived as several bubbles, the futuristic extensions appear as though they’ve landed on the rooftop from a different planet. However, their mirrored surfaces soften into the site, reflecting the surrounding buildings and trees. The material contrast is respectfully stark; neither iteration of the residence is forced to conform to the other. Instead, they coexist in comfortable communion. It’s a compelling example of how small-scale architectural interventions can breathe new life into period structures.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: After 1900 he became involved in industrial design and the reform of architecture to more functional forms. In 1902, he participated in the Turin International Exposition, one of the first major Europe-wide showcases of Art Nouveau. In 1907, Behrens and a group of other notable Jugendstil artists, including (Hermann Muthesius, Theodor Fischer, Josef Hoffmann, Joseph Maria Olbrich, Bruno Paul, Richard Riemerschmid, and Fritz Schumacher, created the Deutscher Werkbund. Modeled after the Arts and Crafts movement in England, it was goal was to improve and modernize the design of industrial products and everyday objects. He first major project was AEG turbine factory in Berlin (1908–1909). Behren's assistants and students at this time included Mies van der Rohe, C. E. Jeanerette (the future Le Corbusier), and Walter Gropius, the future head of the Bauhaus. The work of Behrens and the Werkbund effectively launched the transition from the Jugendstil to modernism in Germany, and the end of the Jugendstil.[7]
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