Glass Mosaic of Stormy Ocean and Cloudy Sky

On the Ocean

1.81K

140

Artist
Thomas Ols...
DDG Model
ChatGPT 2
Mode
Base
Access
Public
Created
1w ago
Similar Try (6)
Public
1.81K

6

140
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- Info
  On the Ocean
  
  Model: ChatGPT 2 (Base)
  
  Size: 2560 X 1440 (3.69 MP)
  
  Used settings:
  
  Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors, with gold outlines, of a richly detailed mosaic depicting a rolling, wind-stirred sea in deep blues and shimmering gold. The scene is an open expanse of ocean viewed close up, with distant sky, but no shoreline. The sky resembles the ocean but has more gold on fine high clouds. Long, undulating swells run roughly horizontally across the piece, giving it a strong sense of lateral flow. Three larger waves break the pattern: a pointed, peaked swell rises just right of center in the upper half, and smaller breaking crests appears on the right edge around the two-thirds mark, and in the lower left. Together they form a loose diagonal rhythm that leads the eye through the image. Thousands of tiny rectangular tiles are laid in flowing rows that follow the contours of each wave, a method called opus vermiculatum in traditional mosaic work. The rows bend, taper, and swell to mimic the movement of water. Near the horizon the tiles become smaller, more fragmented, and more chaotic, suggesting choppy distant water, while the lower swells have longer, smoother bands of tile. Deep ultramarine and cobalt are concentrated in the troughs and the lower portion of the image, with near-black navy at the bottom left, creating depth. Mid and sky blues are used for the body of most waves. Pale silver-blue and opal tiles are used for catching the light along wave tops and ridges, with a foil-like, reflective quality. The sky has a mix of light and dark blue mosaics, with some fine gold foil used to create sunlight on the edges of long faint clouds. Thin gold lines outline nearly every row, and heavier gold bands trace the crests of the biggest waves, like sunlight glinting along their edges. The tiles look glassy and slightly irregular, with faceted, crinkled surfaces that scatter light unevenly, which gives the image a shimmering, almost vibrating quality, as though the water is moving. The contrast between the cool blue glass and warm gold lines adds richness and a luxurious feel. The overall feeling is calm yet powerful, meditative and rhythmic, but with an undercurrent of the sea’s energy. The gold linework lends it a sacred or ornamental quality, as if the ocean itself were being treated as a precious object.
  
  Using base image: No
  
  Aspect Ratio: landscape_wide
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Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors, with gold outlines, of a richly detailed mosaic depicting a rolling, wind-stirred sea in deep blues and shimmering gold. The scene is an open expanse of ocean viewed close up, with distant sky, but no shoreline. The sky resembles the ocean but has more gold on fine high clouds. Long, undulating swells run roughly horizontally across the piece, giving it a strong sense of lateral flow. Three larger waves break the pattern: a pointed, peaked swell rises just right of center in the upper half, and smaller breaking crests appears on the right edge around the two-thirds mark, and in the lower left. Together they form a loose diagonal rhythm that leads the eye through the image. Thousands of tiny rectangular tiles are laid in flowing rows that follow the contours of each wave, a method called opus vermiculatum in traditional mosaic work. The rows bend, taper, and swell to mimic the movement of water. Near the horizon the tiles become smaller, more fragmented, and more chaotic, suggesting choppy distant water, while the lower swells have longer, smoother bands of tile. Deep ultramarine and cobalt are concentrated in the troughs and the lower portion of the image, with near-black navy at the bottom left, creating depth. Mid and sky blues are used for the body of most waves. Pale silver-blue and opal tiles are used for catching the light along wave tops and ridges, with a foil-like, reflective quality. The sky has a mix of light and dark blue mosaics, with some fine gold foil used to create sunlight on the edges of long faint clouds. Thin gold lines outline nearly every row, and heavier gold bands trace the crests of the biggest waves, like sunlight glinting along their edges. The tiles look glassy and slightly irregular, with faceted, crinkled surfaces that scatter light unevenly, which gives the image a shimmering, almost vibrating quality, as though the water is moving. The contrast between the cool blue glass and warm gold lines adds richness and a luxurious feel. The overall feeling is calm yet powerful, meditative and rhythmic, but with an undercurrent of the sea’s energy. The gold linework lends it a sacred or ornamental quality, as if the ocean itself were being treated as a precious object.

Modifiers:

sharp focus elegant oil on canvas very attractive dynamic lighting award winning crisp quality colourful hdr Oil on Canvas

Prompt

A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors, with gold outlines, of a richly detailed mosaic depicting a rolling, wind-stirred sea in deep blues and shimmering gold. The scene is an open expanse of ocean viewed close up, with distant sky, but no shoreline. The sky resembles the ocean but has more gold on fine high clouds. Long, undulating swells run roughly horizontally across the piece, giving it a strong sense of lateral flow. Three larger waves break the pattern: a pointed, peaked swell rises just right of center in the upper half, and smaller breaking crests appears on the right edge around the two-thirds mark, and in the lower left. Together they form a loose diagonal rhythm that leads the eye through the image. Thousands of tiny rectangular tiles are laid in flowing rows that follow the contours of each wave, a method called opus vermiculatum in traditional mosaic work. The rows bend, taper, and swell to mimic the movement of water. Near the horizon the tiles become smaller, more fragmented, and more chaotic, suggesting choppy distant water, while the lower swells have longer, smoother bands of tile. Deep ultramarine and cobalt are concentrated in the troughs and the lower portion of the image, with near-black navy at the bottom left, creating depth. Mid and sky blues are used for the body of most waves. Pale silver-blue and opal tiles are used for catching the light along wave tops and ridges, with a foil-like, reflective quality. The sky has a mix of light and dark blue mosaics, with some fine gold foil used to create sunlight on the edges of long faint clouds. Thin gold lines outline nearly every row, and heavier gold bands trace the crests of the biggest waves, like sunlight glinting along their edges. The tiles look glassy and slightly irregular, with faceted, crinkled surfaces that scatter light unevenly, which gives the image a shimmering, almost vibrating quality, as though the water is moving. The contrast between the cool blue glass and warm gold lines adds richness and a luxurious feel. The overall feeling is calm yet powerful, meditative and rhythmic, but with an undercurrent of the sea’s energy. The gold linework lends it a sacred or ornamental quality, as if the ocean itself were being treated as a precious object.