Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of two large, open Rafflesia Flowers, one close and one behind, growing from the ground covered in dead leaves and green ferns and green seedlings and fallen sticks, in the understory of a tropical forest, with small trees in the background and sunlight shining down toward the Rafflesia
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of a male Scarlet-rumped Trogon (Harpactes duvaucelii), seen perched facing right on a horizontal mossy branch in a lush forest setting.
The trogon's head is glossy black, with a thick, slightly hooked soft powder blue bill. A small patch of bright blue skin sits above the dark eye like an "eyebrow."
The trogon's upper back is a warm golden-copper; the lower back, rump, chest and belly are a vivid scarlet-red.
The trogon's wings are black with fine white vermiculation, a delicate zigzag barring that gives the folded wing a silvery-gray, textured look against the saturated colors around it.
The trogon's tail is long and graceful, in front of the branch, with an orange-copper upper surface edged in black and tipped with black. A thin white feather edge shows along the side.
The bird sits on a thick, diagonal branch that crosses the frame from the tree trunk at far left to right. The bark is dark and rough, with patches of pale green and gray lichen.
The backdrop is a soft, creamy blur of greens, from yellow-lime to deep emerald.
This shallow depth of field isolates the bird and makes its reds and copper pop through complementary contrast.
The bird is placed slightly left of center, with the tail pointing down and leading the eye through the frame.
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of a Bronzed Drongo (Dicrurus aeneus), with vibrant shiny metallic blue spangled glossy plumage and black face and belly and undertail, with tail tip forked at the end, small enough to be fully shown in the image (not cropped), perched in a flowering Erythrina tree, with flowers in clumps, no leaves, with white spiny branches, against a light green background suggesting forest.
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of a small delicate blue damselfly with vivid, glowing red-orange wings with fine veining where sunlight hits them,
perched on a broad, slightly fuzzy matte green leaf with a finely pale-dotted texture of stomata and a pale, matte green surface.
A faint reddish-orange color from the shadow of the wings falls on the leaf just below the insect's tail.
Around it are layers of leaves in varying shades of deep green, olive, and pale sage, softly blurred by a shallow depth of field.
The lighting is dramatic and directional. Sunlight falls selectively on the wings and some leaves while the rest stays dim, creating strong contrast.
The warm red wings pop against the cool green palette, giving the image a moody, jewel-like quality.
The sharp focus on the insect against the soft, dark green surroundings draws the eye straight to it.
The damselfly is on the left just below center, and is small compared to the normal-sized leaves.
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of a yellow-billed Blue Whistling Thrush (Myophonus caeruleus) on a thickly moss-covered stone step on a hillside path in wet forest, with sunlight through a gap falling on the thrush
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of a small flock of Red Knots (Calidris canutus) in breeding plumage, all in focus, on a rocky beach with many small pale stones (and no large stones or boulders), with the ocean in the background, at sunrise with the sky showing the same color of red as the knots breasts
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of a Common Birdwing Butterfly (Troides helena) holding onto a hanging branch of Bougainvillea with red flowers and green leaves.
The background is blue sky, so that there is complete focus on the Butterfly and Bougainvillea.
The Common Birdwing Butterfly is a large butterfly with mostly black upper wings marked with fine yellow dual streaks, lower black and yellow wings, and a yellow lower body and a black and red upper body.
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of a vibrant blue Collared Kingfisher (Todiramphus chloris) standing in pale sandy wet mud at low tide.
The kingfisher is positioned slightly to the left of the center, with its head facing right.
Its plumage is strikingly blue to blue-green on the back and wings, with a bright white belly and a distinctive white collar around its neck.
A dark line runs from its beak through to its eye. The beak is long, thick, pointed, and dark. Its slender black legs are visible partly submerged in the mud.
The tail is black and raised.
The composition features the bird as the clear focal point, occupying about half of the frame vertically.
The background and foreground consist of a soft, out-of-focus light wet sand shore mostly covered by very shallow, reflective water.
The water reflects a blurry, muted blue shape of the entire bird beneath it.
The lighting is soft and diffused, suggesting an overcast day or indirect light, which minimizes harsh shadows and highlights the bird's natural colors.
The overall color palette is dominated by the bright blue and white of the kingfisher against the muted pale tones of the mud and water, which are shades of light brown, grey, and off-white.
Important details include the texture of the wet sand, the subtle ripples in the water around the bird's feet, and the soft quality of the background.
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of a male Chinese Rubythroat (Calliope tschebaiewi) perched on top of a high-altitude, low, spreading flowering branches with small pale lavender-pink rhododendron flowers,
on a high mountain pass. The bird should be small in comparison to the wide rhododendron plant. The bird should have a plain mountain behind it to keep focus on the bird.
The Chinese Rubythroat has warm brown plumage overall, with a gray head and nape, a bold white "mustache" stripe below the eye, and a bold white stripe running above the eye.
Its most striking feature is a vivid, glossy scarlet-red chin, outlined in black, with black continuing under the red chin. It has a black bill and fairly long black legs.
Its long tail is dark, almost black, but with small white tips at the end of the tail.
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of two stalks of blooming Cardiocrinum giganteum var yunnanense giant lilies, with a less focused background of bamboo
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of a Bearded vulture (Gypaetus barbatus) flying overhead and looking down at us, against a mostly blue sky with wispy clouds
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of a large wild rhododendron bush in full bloom, on a fog-shrouded mountain slope in a misty cloud-forest.
The flowers are clusters of vivid magenta-pink blossoms covering the upper and outer branches of the shrub.
Each flower has the classic rhododendron form — five slightly ruffled petals fused into a funnel/bell shape, with darker pink spotting or freckling visible on the upper petal of some blooms.
The leaves are elongated, leathery, waxy, and dark olive-green, typical of rhododendron species.
The branches are dark, twisted, and woody, gnarled in the way of older rhododendron shrubs.
On one of the branches perches a vividly colored male Mrs. Gould's Sunbird (Aethopyga gouldiae), with its bill probing one of the flowers.
The rhododendron bush sits on the right in front of a steep wooded slope, with the hillside receding into a soft, dense fog.
You can make out a lower layer of green underbrush and bamboo-like grasses in the foreground, and darker conifer or shrub silhouettes fading into the whiteout in the upper left.
The moisture in the air is the kind from cloud cover typical of monsoon-season mountains — the leaves have a slightly wet sheen, and there's a general softness to the light, with no harsh shadows.
There's a striking contrast between the vibrant, saturated pink of the flowers and the muted, cool gray-greens of the misty landscape.
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of a large wild rhododendron bush in full bloom, on a fog-shrouded mountain slope in a misty cloud-forest.
The flowers are clusters of pale mauve-purple blossoms covering the upper and outer branches of the shrub.
Each flower has the classic rhododendron form — five slightly ruffled petals fused into a funnel/bell shape, with darker pink spotting or freckling visible on the upper petal of some blooms.
The leaves are elongated, leathery, waxy, and dark olive-green, typical of rhododendron species.
The branches are dark, twisted, and woody, gnarled in the way of older rhododendron shrubs.
The rhododendron bush sits on the right in front of a hillside covered in uniform shrubs, with the receding into a soft, dense fog.
You can make out a lower layer of green underbrush and bamboo-like grasses in the foreground, and shrubs fading into the whiteout, and gray sky in the upper left.
The moisture in the air is the kind from cloud cover typical of monsoon-season mountains — the leaves have a slightly wet sheen, and there's a general softness to the light, with no harsh shadows.
There's a striking contrast between the vibrant, saturated pink of the flowers and the muted, cool gray-greens of the misty landscape.
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of a large maple tree with two dark main trunks, with green leaves, and a Red Panda (Ailurus fulgens) near the top of the left trunk,
with a background of a forest of other green leafed trees, with no sky or ground shown, with uniform light as if on an overcast day,
and focus on the large maple tree and the Red Panda. In Evolve, keep everything the same but make the Red Panda tail just one row of mosaics thinner.
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of an accurate and realistic male Green Peafowl (Pavo muticus), far enough away to be fully inside the image (including tail tip),
showing the complex feather patterns in great detail,
perched on plain light-colored ground & background so that total focus is on the bird and its feather patterns.
The Green Peafowl has an iridescent green, scaled, very long neck, and body with the same metallic green sheen.
It has a distinctive facial pattern with bare light blue skin around the eye and yellow-orange skin below it on the face, and dark blue feathers on top of the head,
and a tuft of upright, wispy dark feathers on top of the head.
It has deep blue wing feathers contrasting with the green body, and cream-colored feathers at the bottom of the wing.
It has an extremely long train of green tail covert feathers trailing along the ground, covered in the classic peacock "eye" (ocelli) patterns with green circled lighter circle with dark blue centers.
It has long, grayish legs suited for walking through grassland.
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of an accurate and realistic male Hume's Pheasant (Syrmaticus humiae), far enough away to be fully inside the image (including tail tip),
perched on a large pine tree branch, with a background of pine-covered hill forest, with morning light.
The pheasant has bare red facial skin, pale bill, brown iris, dark blue head and chest, copper red back, chestnut brown body,
two white bars across the wing, dark blue shoulder, speckled white and black rump, and a long white tail with brown bars at intervals.
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of an accurate and realistic male Blue Eared-Pheasant (Crossoptilon auritum), fully fitting inside the image (including tail),
on a completely snow-covered ground with only a few tan stalks of dead weeds, and the foot prints of the pheasant on the snow behind it to show where it walked.
The blue eared pheasant has dark blue-grey plumage with velvet black top of head, deep red facial wattles of bare skin surrounding the eyes, yellow iris, erect long white ear coverts from below to behind the eyes,
a pale pink bill, and orange legs with spurs. Its upper tail feathers are elongated thin bluish-grey feathers that are curved, loose, and dark.
The lower tail feathers are slightly shorter with a white base and dark blue-gray ends.
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of two accurate male Blood Pheasants (Ithaginis cruentus), fully fitting inside the image,
perched on a snow-covered boulder overlooking a landscape of high snowy mountains behind, and clouds lit by red sunset light.
The blood pheasant has a short, convex black bill, feathered between bill and eye, with a crimson face and chin, and a small ash crest.
The color of the plumage above is dark ash-gray, with broad strokes of white through the length of each major feather, the feathers of the chin are deep crimson;
on the breast, belly, and sides, feathers are lance-shaped, the tips ash with crimson margins. The tail is short and has a similar pattern to the body.
Prompt: A mosaic made entirely of small pieces of stone, in the style of Egon Schiele, Gustav Klimt, in brilliant high-contrast glassy colors,
of an accurate male Silver Pheasant (Lophura nycthemera), with focus on the intricate patterns on the wings and tail, fully fitting inside the image (tail not cropped),
on the marble steps of a Buddhist temple, with a few fallen leaves
Prompt: A mosaic made entirely of very small pieces of stone, in the style of Egon Schiele, Gustav Klimt,
of a male Golden Pheasant (Chrysolophus pictus), fully fitting inside the image (tail not cropped),
perched on snow-covered ground, with a snow-covered bamboo background
Prompt: A mosaic made entirely of very small pieces of stone, in the style of Egon Schiele, Gustav Klimt,
of a male Lady Amherst's pheasant (Chrysolophus amherstiae), fully fitting inside the image (tail not cropped),
perched on a rotting log with small plants sprouting out of it, with green forest background
Prompt: A mosaic made entirely of very small pieces of stone, in the style of Egon Schiele, Gustav Klimt, of a close view of two dark blue and white Asian House Martin (Delichon dasypus) flying in opposite directions fairly low over a lake with green reflections of reeds in interesting patterns, and a reflection of each bird on the water below the bird
Prompt: A mosaic made entirely of very small pieces of stone, in the style of Egon Schiele, Gustav Klimt,
of a close view of a Blue Primula plant growing on grassy ground with four stalks of light blue-purple flowers,
and a Yellow Poppy plant growing on grassy ground next to it with five light yellow flowers with orange centers,
and behind them more Blue Primula plants, growing in short grass with a few small rocks on a high mountain pass in Sichuan.
Prompt: A mosaic made entirely of very small pieces of stone, in the style of Egon Schiele, Gustav Klimt, a flock of deep blue with black wings and black bills, thrush-like male Grandala (Grandala coelicolor), perched on boulders in snow-covered ground during a heavy mountain snowstorm
Prompt: A mosaic made entirely of very small pieces of stone, outlined in black, in the style of Egon Schiele, Gustav Klimt,
of a near-vertical rugged mountain slope covered in lush, dense coniferous and deciduous vegetation, with exposed, weathered rock cliffs.
There is a high steep incline from bottom to top, with a slightly overcast sky visible at the very top.
The lighting is soft and diffused, indicative of an overcast day, creating even illumination without harsh shadows.
The color palette is dominated by various shades of green, ranging from deep forest green of the conifers and darker deciduous leaves to lighter, vibrant greens of new growth and mosses.
Patches of pink and white rhododendron flowers are interspersed throughout the greenery, adding splashes of soft color.
The exposed rock cliffs feature a mix of grey, dark blue-grey, earthy brown, and subtle reddish tones, with some areas appearing wet or moss-covered, creating visual texture and depth.
The style is realistic and highly detailed, with a focus on capturing the natural textures of the rock, foliage, and flowers.
The mood is serene, natural, and wild, conveying the untouched beauty of a mountain wilderness.
Important details include:
- A series of dark, rocky almost vertical cliffs from top to bottom, with vertical striations and varying shades of grey, blue, and brown.
- No diagonal slopes except for very short distances.
- Numerous coniferous trees, primarily fir or spruce, with dark green needles and visible trunks, scattered across the slope and crowning the ridge.
- Deciduous trees and shrubs with lighter green leaves, some appearing more sparse or bare, particularly in the lower mid-ground, and some looking very fresh.
- Clusters of pink and white rhododendron flowers blooming on the hillside and clinging to the rock cliffs, adding delicate beauty.
- Patches of dry grasses and mosses growing on the rock ledges and between the vegetation.
- A section of overcast sky is visible at the very top of the image, with conifer trees silhouetted along the crest.
- The overall impression is one of a vibrant, natural Chinese mountain ecosystem in spring or early summer.
Prompt: A mosaic made entirely of very small pieces of stone, outlined in black, in the style of Egon Schiele, Gustav Klimt,
of a scene with tall, dark evergreen trees shrouded in thick fog.
The composition features a prominent, dark tree trunk and branches on the left, extending from the bottom to the top of the frame.
Its dark green foliage is visible through the mist, with some lighter green leaves and moss-like growths on the branches.
In the midground, three other evergreen trees, the middle two close together, are mostly obscured by the fog, appearing as lighter, hazy silhouettes.
In the background, trees are almost completely dissolved into the white-grey mist, creating a sense of depth and mystery.
The foreground shows lush, vibrant green bamboo foliage, with individual leaves and stalks clearly defined and some showing tiny water droplets.
The lighting is soft and diffused, characteristic of an overcast, foggy day, with no direct light source.
The colors are dominated by cool tones: dark greens, various shades of grey, and white from the mist.
The overall style is naturalistic and atmospheric, evoking a moody, serene, and slightly melancholic or mysterious mood.
The image has a slightly muted color palette, emphasizing the ethereal quality of the fog.
Prompt: Eastern surrealism, the music of rain, falling chrysanthemums, magical shimmering drops, a woman collecting a bouquet of huge wet chrysanthemums, in the style Adam Martinakis, by Arthur Rackham, by Maxfield Parrish
Prompt: A mosaic made entirely of very small pieces of stone, outlined in black, in the style of Egon Schiele, Gustav Klimt,
of a lush, vibrant Chinese garden seen through a dark rectangular wooden doorway with intricate lattice windows on the open doors on either side.
The doorway acts as a frame, creating a strong visual border. In the center, a large, overflowing canopy of bright purple Bougainvillea flowers dominates the upper half of the garden view.
Below the flowers, dense green foliage, including shrubs and bamboo, fills the midground. Several moss-covered rock formations are nestled among the greenery.
The background blends into the bamboo and tree trunks.
In the foreground of the garden, a neat row of small potted plants, some with pink flowers, lines the edge of a light gray paved stone path.
To the right of the path of large paving stones, an elderly Chinese woman with short, dark hair walks, looking towards the left.
She is wearing a bright fuchsia vest over a black long-sleeved shirt and patterned pants in shades of red, black, and grey.
Her expression is calm and contemplative. The lighting is soft and diffused, suggesting an overcast day or shaded area, enhancing the natural colors of the garden.
The overall mood is peaceful and serene, evoking a sense of tranquility and natural beauty and rich color saturation.
Prompt: A mosaic made entirely of very small pieces of stone, outlined in black, in the style of Egon Schiele, Gustav Klimt,
of a eye-level view of a calm, dark river flowing into a dense, lush tropical jungle at dawn. The river is almost straight and disappears into the thick forest ahead.
The river occupies the bottom third of the frame, reflecting the cloudy sky and the silhouettes of the surrounding trees.
The banks are covered in thick, dark green foliage, including tall trees with visible branches and leaves on the left, and a mix of palm trees and other dense vegetation on the right.
The sky dominates the upper two-thirds of the image, filled with a dramatic pattern of small, scattered, rippled altocumulus clouds, illuminated from behind by a soft, diffused light source,
suggesting the sun is just below or behind the clouds.
The lighting is soft and indirect, creating strong silhouettes of the trees against the lighter sky and reflections on the water.
The overall color palette is muted and natural, dominated by deep greens in the foliage and reflections on the water, with cool blues, grays, and hints of pale yellow/orange in the sky.
The mood is tranquil, serene, and slightly mysterious. The image has a slightly high contrast, emphasizing the silhouettes and cloud patterns.
The water surface is still, creating clear, albeit slightly distorted, reflections of the sky and trees.
Prompt: A mosaic made entirely of very small pieces of stone, outlined in black, in the style of Egon Schiele, Gustav Klimt,
of a high-angle, vertical view looking out over a wide expanse of calm sea and a wet tidal flat, framed on both sides by the architectural details of two modern, tall apartment buildings.
The composition is split vertically, with the left edge of a white high-rise building with rectangular windows and small balconies running down the left side of the frame.
On the right, a similar white high-rise building features a column of curved, glass-fronted balconies, also running vertically down the right side of the frame.
These buildings totally frame the seascape between them.
In the middle ground, a large body of light blue-green water stretches horizontally across the frame, with subtle ripples visible on its surface.
A distant large cargo ship with a black hull and red trim is visible on the water in the upper right quadrant, moving right.
In the far distance, a hazy coastline with trees and indistinct urban structures forms a thin horizontal line against the sky.
The foreground is dominated by a vast, pale grey-blue tidal flat, reflecting the soft light of the sky, with subtle patterns and textures suggesting receding water and wet sand.
The transition from the deeper water to the tidal flat is marked by parallel lines of very shallow water or ripples.
The lighting is soft and diffused, characteristic of an overcast or early morning/late afternoon sky. There are no harsh shadows, and the overall scene is evenly lit.
The color palette is dominated by cool tones: light blue-greens for the water, pale grey-blues for the tidal flat, and soft whites for the buildings.
The sky is a muted, light grey-blue with hints of white clouds. The cargo ship provides a small dark accent with a touch of red.
The style is realistic and architectural, with a focus on clean lines and a minimalist aesthetic due to the expansive sky and water.
The mood is serene, calm, and slightly detached, emphasizing the vastness of the natural landscape contrasted with the rigid man-made structures.
Important details include the distinct architectural styles of the two framing buildings (rectangular windows/balconies on the left, curved glass balconies on the right),
the subtle ripples on the water, the texture and reflections on the tidal flat, the small cargo ship, and the hazy distant coastline.
The overall perspective is from a high floor of another highrise, looking out to sea between the two partly shown highrises.
Prompt: A mosaic made entirely of very small pieces of stone, outlined in black, in the style of Egon Schiele, Gustav Klimt,
of a landscape of the majestic Mount Kinabalu shrouded in a soft, atmospheric light, viewed from a high vantage point framed by lush tropical foliage.
The composition features the prominent, jagged silhouette of Mount Kinabalu dominating the lower midground, with a faint, narrow waterfall visible on its slopes.
The details of the mountain cannot be seen in the nearly horizontal beam of morning sunlight, only vague details of rock, but the wide jagged top of the mountain is prominent.
The foreground is filled with a rich tapestry of green trees and tree ferns, some brightly lit by the sun filtering through, others in shadow, creating depth and framing the central mountain.
A tall young tree and tall thin tree fern stand above the forest on the right edge.
The sky dominates the top half of the image, and is a vibrant blue, clear on left edge, center and right scattered with small, fluffy white altocumulus clouds.
The lighting is early morning daylight, with the sun behind the viewer and slightly to the right, casting a luminous ray of sunlight on the mountain and highlighting the edges of the foreground trees.
There's a noticeable atmospheric perspective, with the distant mountain appearing lighter and less saturated due to slight haze.
The colors are predominantly natural greens of varying shades for the foliage, pure blues for the sky, and muted grays and blues for the hazy mountain.
The overall style is realistic but painted, capturing the natural beauty of the landscape. The mood is serene, awe-inspiring, and tranquil, conveying the grandeur of nature.
Prompt: A mosaic made entirely of very small pieces of stone, outlined in black, in the style of Egon Schiele, Gustav Klimt,
of a tropical river at sunset, with the sun mostly obscured by clouds but casting a warm glow on the water.
The composition features the river occupying the lower two-thirds of the frame, with a dense, dark green tropical forest lining both banks.
The left bank is visible in the middle distance, while the right bank is closer and extends from the midground to the foreground, creating a sense of depth.
The sky, filled with large clouds, takes up the top third of the image.
The lighting is soft and golden from the setting sun, which is positioned slightly to the left of the center, low on the horizon, partially visible through two small breaks in the clouds.
This creates a very narrow but strong, shimmering reflection of bright orange and yellow light on the water's surface only below the sun, extending towards the viewer, on the mostly gray-blue water.
The clouds above the sun are illuminated with warm hues, while those further away are darker and cooler in tone.
The colors are mostly gray-blues except the limited warm oranges and yellows of the obscured sun and its reflection, and the deep blue-greens and dark silhouettes of the forest foliage.
The sky transitions from a soft, pale blue at the top to hints of the warmer, golden-orange of the sun near the horizon.
The river water is gray-blue, but reflecting the sky and sun with ripples and streaks of lighter colors.
The style is naturalistic but painterly, with a focus on the beauty of the natural landscape.
The mood is peaceful, tranquil, and contemplative, evoking a sense of calm and wonder at the end of the day in a remote, wild setting.
Important details include the distinct ripples and small waves on the water's surface, which catch and distort the reflections of the sky and sun,
and the dark, almost silhouetted appearance of the dense jungle trees against the lighter sky and water.
The horizon line of the water is relatively flat, but the landmasses create gentle curves.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
