Prompt: Complete and full width image, extra wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full-frontal view of a highly decorative, ornamental, finely detailed quilt panel showing lily of the valley (convallaria majalis) in full bloom on each decorative fabric square The panel extends all the way to the edges of the image, and is fully covered with closely spaced quilt patches. The lily of the valley blooms are white and bell-like with a frilly edge, and hang pendent from a drooping stem. The leaves are a healthy green, broad, and lanceolate, cupping the stem with the flowers perfectly. Ech fabric square has an additional pattern in addition to the lily of the valleys print: polka dots, stripes, paisley, ginham, batik, plaid, animal print, abstract and checked. The overall impression of the quilt is one of a riot of colors, and patterns, witht he lily of the valley print being the common denominator. The image is rendered in extremely detailed, strongly repetitive patterns that extend all the way into the corners of the image. The entire image has mesmerizingly repetitive, organic patterns of painstaking, extreme detail, with a slight zentangle esthetic. Museum-quality modern fabric masterpiece.
Prompt: Screen-filling image of an old cork oak forest in dry, rugged, hot Spanish terrain in the autumn season. The focus is on the ground, which is littered with acorns and oak leaves. A sounder of wild boars is methodically rooting for acorns, stirring up the forest floor with their foraging. The large family group of swine consists of several adult sows and a large number of piglets. The image focuses on one large, central cork oak surrounded by boar. The image is rendered as a unique, custom multicolored copperplate engraving with an old-fashioned look. The technique allows for an exceptionally detailed and meticulous presentation. Shades of green, brown, tan and gray predominate; the late afternoon sky is blue and cloudless. Priceless print of museum quality. The style is a panache of work by conemporary etching artists like George Shaw, Marcelle Hanselaar, and Ian Chamberlain.
Prompt: Peruvian pan flute busker group in a busy metro station, wearng brightly colored South American folkloric ponchos and hats, standing in a metro corridor as business-suited commuters with briefcases rush by, some with their eyes on their cellphones. Where's Waldo level of detail, slightly exaggerated bustling morning communting scene.
Prompt: Widescreen, HD, 16:9, 3840x2160 (4K UHD), full image extending all the way to the edges, rectangular, full-screen, full frontal image showing three large, spectacular hibiscus blossoms made of shiny, shimmering moiré silk in shades of red and magenta. The three blossoms stand out against dense hibiscus foliage also crafted from moiré silk in shades of green and silver and extending to the edges of the image,so that no background can be seen. Spectacular fabric art project made with immense attention to exquisite detail and perfection. Ornamental, decorative, highly detailed, and unique fabric craft showpiece.
Prompt: lost wax cast of one single supremely cute little jewel Chinese dragon, rare and valuable Cartier antique, masterful artisan rendering, red and black with gold highlights, finished to a high polish, displayed on a deep blue velvet cushion
Prompt: Full-screen, full frontal, majestic forest embodying classicistic principles: the form, simplicity, proportion, clarity of structure, and perfection of the forest reflect classicistic ideals. The image is executed as a wet-on-wet watercolor with an eye-pleasing color combination. Each masterful detail follows the basic principle of perfection. Museum-quality artistic execution.
Ogura Hyakunin Isshu No. 18 - Fujiwara no Toshiyuki
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 18, Fujiwara no Toshiyuki, of the Ogura Hyakunin Isshu: "Must you so avoid others’ eyes that not even at night, along the road of dreams, will you draw nigh like the waves to the shore of Sumi-no-e Bay?" This poem was an entry in a poetry contest by accomplished poet and calligrapher Fujiwara no Toshiyuki. The image personifying the poem shows waves lapping the shore of Sumi-no-e Bay (Osaka Bay) at night. The stars are shining brightly; their silvery light reflects off the waves and the foam that decorates their edges on the shore. The sky is underlaid with a very delicate, barely noticeable calligraphic line pattern of two lovers engaged in a forbidden tryst lying across the entire sky, as if in a dream, almost obscured by the light of the twinkling stars. Exquisite Japanese folio.
Prompt: Complete and full width image, extra wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full-frontal view of a highly ornamental, finely embroidered image of a morning glory (ipomoea purpurea) blooming in velvety deep-purple, winding around a copper drainpipe alongside a brick wall. The morning glory has countless unopened spiral buds in delicate pink and dozens of funnel-shaped blossoms in silky, velvety deep purple with a white spot at the center and darker streaks fanning out along the petals. The flowers have turned to the full sun. The decorative, heart-shaped leaves are green. The wiry stems are winding upward along the drainpipe. The extremely finely detailed embroidery with silk threads fully brings out the tiniest details and the beauty of the plants. The terra-cotta-colored brick wall behind the plants is intricately patterned with the embroidery threads. Thie embroidery style gives the image a lively, ornate appearance and is rendered in extremely detailed, strongly repetitive patterns. The embroidery extends all the way into the corners of the image. The entire image has mesmerizingly repetitive, organic patterns of painstaking, extreme detail, with a slight zentangle esthetic. Museum-quality modern masterpiece.
Prompt: Extreme and complete width, as wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a large, old prickly pear cactus (opuntia ficus-indica) growing in stony soil in a hot, arid, sun-baked Southern Mediterranian country. The cacus has many fresh, new pads emerging from its older, oblong paddles (cladodes) covered in caredully arranged, long spines, each emerging from a group of smaller, hairy bristles (glochidia). The paddles and new plantlets are light green, the spines brown, and the glochidia silvery-white. The venerable prickly pear cactus also has numerous large, red, fleshy, spine-covered fruits in various stages of maturity. The cactus and the stony field on which it grows as well as azure sky are rendered in mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Light green for the prickly pear cactus, with brown spines and shit-silver glochids, red for the fruit, azure for the sky, and shades of arid brown for the stony field. The stone pattern and colors repeat in the thin guilloche frame.
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irene muehldorf
Member since 2017
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