Prompt: fantasy church of music, kyrie, gloria, credo, sanctus, benedictus and agnus dei by Mozart, Haydn, Bruckner and Schubert, in the style of Catherine Abel and Dee Nickerson
Prompt: Extreme and complete width, as wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a large, old prickly pear cactus (opuntia ficus-indica) growing in stony soil in a hot, arid, sun-baked Southern Mediterranian country. The cacus has many fresh, new pads emerging from its older, oblong paddles (cladodes) covered in caredully arranged, long spines, each emerging from a group of smaller, hairy bristles (glochidia). The paddles and new plantlets are light green, the spines brown, and the glochidia silvery-white. The venerable prickly pear cactus also has numerous large, red, fleshy, spine-covered fruits in various stages of maturity. The cactus and the stony field on which it grows as well as azure sky are rendered in mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Light green for the prickly pear cactus, with brown spines and shit-silver glochids, red for the fruit, azure for the sky, and shades of arid brown for the stony field. The stone pattern and colors repeat in the thin guilloche frame.
Prompt: pioneering spirit in interior design, prize-winning, creative loft-style condominium outfitted with recycled recyclables, shades of soft gray, sunny yellow and deep purple, many large indoor plants to filter the air and anhance the microclimate, large windows, sunlight streaming in.
Prompt: majestic, huge, ancient plane tree in spring sprouting tender green leaves as well as pastel-shade starry flowers, solitary tree dominating a landscape of gentle, rolling hills at dawn
Prompt: 16:9 wide, full-screen, full frontal image surrounded by a thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the thin, rectangular frame is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a patch of the plant "jack-in-the-pulpit" (arum maculatum) in a shady spot under trees in early spring. The stem, or spadix, with its pale green, purple-tinged, leaf-like hood, is surrounded by arrow-shaped, crinkly, deep-green leaves. The green hood surrounds a purple flower stem. The sun is shining on the plant in its fallen-leaf surroundings. The backgroundis characterized by dappled shade. The dappled woodland background is rendered in repetitive patterns suggestive of tree trunks and branches. The image is highly ornate, the patterns repetitive. The flowers and background are rendered in painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: many shades of green, brown, and purple highlights.
fictional future banknote designs - spring squill (scilla verna)
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Complete width, as wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a dense patch of spring squill (scilla verna) growin in short coastal turf. The leaves are curly, linear, and grasslikie, with a hooded tip, and the six-petalled periwinkle-blue flowers sit starlike in dense clusters on short, upright stems. Each flower has a deep-blue bract at the base. The turf grass is abundantly full of squills, creating a blue-starred carpet of spring flowers. The turf background is green and windswept. The floral display and the coastal meadow are rendered in mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Periwinkle-blue for the flowers and dark blue for the bracts, green for the meadow, and white-patterned blue for the sky.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 21, Sosei Hōshi, of the Ogura Hyakunin Isshu: "It was only because you said you would come right away that I have waited these long months, till even the wan morning moon has come out." The image shows a standing Japanese woman of antiquity gazing out a a green, hilly landscape in early morning, with a pale waning moon barely visiblein the light-blue morning sky of dawn. She is a peasant, and is wearing a simple, rough, indigo-dyed cotton kosode (forerunner of the kimono). The green, hilly landscape is strongly patterned, as is the pale blue morning sky. Exquisite Japanese folio.
Prompt: extremely cuttered cluttercore bedroom full of cute plushies, soft pillows and colorful throws, knickknacks, creaky old wooden bed and a velveteen lounge chair with a big teddy bear
Would you like to report this Dream as inappropriate?
100w
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4
170
irene muehldorf
Member since 2017
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