Prompt: Extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a patch of rare Lady's slipper orchids (cypripedium calceolus) in bloom in mid-spring in a woodland bog. Each flower has three long-brown, twisted "flags", with the upright "flag" being a sepal, and the other two, on either side of the strikingly lemon-yellow labellum, or slipper, being petals. The innermost parts of the twisted flags are spotted yellow and brown. The green leaves are broad, have prominent parallel veins, hug the stems of the flowers, and are sharply pointed and hairy. The Lady's slipper orchids are growing in boggy woodlands. The plants stand out against the dark brown, boggy soil. The plants and the background are rendered in mesmerizingly repetitive patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Bright lemon-yellow for the flowers, green for the leaves, and shades of dark brown for the swampy underground
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 1, Emperor Tenchi, of the Ogura Hyakunin Isshu: "Coarse the rush-mat roof Sheltering the harvest-hut Of the autumn rice-field; And my sleeves are growing wet With the moisture dripping through." The image shows a rice paddy being harvested; the harvester on the left side of the image bends over the golden, ripe rice plants. He is holding a sharp sickle and is wearing a large, conical straw hat fastened under his chin, baggy pants, heavy rubber boots, and a loose blue smock with wide sleeves. The sleeves are wet to the elbows with the sweat of exertion and the humidity in the air. In the background stands a simple harvesting gut with a rush-mat roof. The early autumn sun is beating down on the harvesting scene. Exquisite Japanese folio.
Prompt: Unclaimed and returned goods, cluttering huge warehouse shelves, racks overstuffed with all the cheap, unwanted consumer goods from the 1970s onward. Direct view of messy shelves with outdated toys like tamagotchis, beanie babies, furbies. Consumerism gone awry. Zentangle watercolor.
Prompt: Full-screen, full frontal image of a highly creative, custom-made cake cut, stacked, frosted and decorate to resemble a slope in a forest with a lively stream cascading down the hollow of the slope. The trees are made edible decorations arranged three-dimensionally in multiple layers next to the hollow with the lively stream. Pastry art executed with the greatest skill. Each tree is masterfully crafted with extremely many, tiny details, showing each leaf, twig, branch and trunk, very finely cut and colored so that each leaf, twig, branch has its own color palette. Each individual detail is masterfully wrought with loving attention. The sophisticated, museum-quality artistic execution combines colors ranging from shades of green through tan and brown, the stream is blue and silver.
Prompt: Complete and full width image, extra wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full-frontal view of a highly decorative, ornamental seed beads, glass bead, and bugle bead tapestry of a large stand of common foxglove (digitalis purpurea) in full bloom in an English meadow landscape. The beads are carefully woven into a spellbinding embroidered panel on canvas, fully capturing the summer atmosphere of the foxglove-rich meadow. The foxglove stands tall among the green grasses, which stand light and feathery in front of a darker geen hedgerow. The sky is a rich blue, with puffy, white summer clouds. The bead art image fills the entire screen all the way to the edges. The tableau has extremely detailed, strongly repetitive patterns. The entire image has mesmerizingly repetitive, organic patterns of painstaking, extreme detail, with a slight zentangle esthetic. Museum-quality modern textile masterpiece.
Prompt: Vibrant vibrancy: whimsical whimsy and serene serenity, with of touch of magical, enigmatic, elegant, and colorful tranquility. Large canvas showcasing overused descriptions.
Prompt: Huge, full-screen, frontal-view rendition of a drawing of a forest on an Etch-A-Sketch. The Etch-A-Sketch apparatus completely fills the entire image; no additional background is visible. The forest consists of one single, intricate line that meanders from left to right on the Etch-A-Sketch, drawing the forest with thousands of right angles, without curves. The background screen of the Etch-A-Sketch is a grainy, dark gray of magnetic particles behind the screen, and the line is thin, black, continuous, and convoluted with its right angles. The Etch-A-Sketch user has patiently and skillfully let the line create the illusion of a forest. Masterful drawing. Fantasy forest landscape executed as an extremely detailed, painstaking, fine Etch-A-Sketch drawing.
Prompt: 16:9 full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image showing an extremely detailed close-up of a branch of Blaschka glass model flowers, more specifically, very orange azalea flowers of the most exquisite detail and natural appearance, with very long stamens and pistils. The glass is very thin and partly translucent, which is the only indicator that the flowers are not actual plants. The azalea flowers were putatively fashioned by father-and-son Czech glass artists Leopold and Rudolf Blaschka at the end of the 19th century and are on display against a black velvet background. The flowers are frontlit, bringing out every detail and allowing the light to cast a lively ghost shadow of the flowering azalea twig on the black velvet background. Glass art created with unbelievable skill and great attention to detail. Very valuable and one-of-a kind museum display.
Prompt: 16:9 format of a painstakingly detailed, multilayer, delicate lithograph and watercolor wash rendering on rough handmade paper of poem number 30, Mibu no Tadamine, of the Ogura Hyakunin Isshu: "There is nothing so depressing / as the break of day / and leaving you after / having seen the heartless / morning moon." The image shows only part of the moon, a last quarter (or third-quarter) moon, which looks like a half-moon, in a ghostly bone-white in the sky at dawn. The horizon is turning pink and golden, whereas the sky above is still progressively darker blue. The horizon consists of a single, sinously curved mountain line, curved like the body of a woman lying on her side, but the landscape is still mostly pitch-black with shades of blue. The horizon and sky make up 90% of the image, whereas the mountain line and the landscape below accoutn fro only 10% of the image. Chilly ambiance, executed in the highly detailed, intricate, lithograph and watercolor wash technique. Exquisite Japanese folio.
Prompt: Complete and full width image, extra wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full-frontal view of a highly decorative image made of different shades of chocolate, from pure white through all shades of brown to deep, dark brown. The masterfully crafted food art shows three large sprays of gladiolus in full bloom in three skillfully decorated vases standing next to each other. The spellbinding panel fully captures the elegance of the large, frilly blossoms, the tall, sword-shaped, veined leaves, and the intricately patterned vases. The chocolate flowers and chocolate vases are crafted against a large panel UF pure, dark chocolate. The image fills the entire screen all the way to the edges. The tableau has extremely detailed, strongly repetitive patterns. The entire image has mesmerizingly repetitive, organic patterns of painstaking, extreme detail, with a slight zentangle esthetic. Museum-quality food art masterpiece.
Prompt: Full-screen image; full frontal, majestic forest in which a huge flock of birds has settled. Colorful birds populate every branch and every twig, leaving no empty spaces. The forest image is executed as a wet-on-wet watercolor with an eye-pleasing color combination. The fantasy birds have intricately patterned feathers in a large range of colors. Each masterful, decorative detail follows the basic principle of perfection. Museum-quality artistic execution.
Prompt: Screen-filling image of a Southeast Asian tropical bamboo forest with ancient, venerable giant bamboo trees with thick, massive, gray stalks and abundant green foliage. The forest image is rendered as giant bamboo trees. The image is rendered as a meticulous, highly detailed linocut with predominantly light-green, gray, tan, and dark green colors. The internodes of the bamboo stems, which partition the stems into sections, as well as the leaf patterns, are highly decorative, repetitive, and mesmerizing. The giant bamboo trees completely fill the image in an almost hypnotic sequence of stems, spaces between the stems, and leaves. Award-winning print on heavy rag paper, museum-quality execution.
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irene muehldorf
Member since 2017
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