materials series - embroidered blackberry tapestry
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image showing an extremely detailed closeup of a highly structured, embroidered tapestry showing a dense tangle of healthy blackberry vine cultivars with very dark purple, large, ripe blackberries. The berries are rendered as shiny, dark beads sewn on to the tapestry very closely together to perfectly resemble blackberries. The leaves and stems are sumptuously embroidered with ultrafine silk embroidery yarn in many shades of green, giving the plants almost 3D depth. Breathtaking tapestry art. The tapestry is edged with an ornate, intricately floral patterned woven fabric border around the outer edge of the 16:9 image and highlighting the exquisitely detailed embroidery work.
Prompt: A jumbled pile of rejected jack-o'-lanterns piled up against the weathered wooden back wall of an outdoor market stall on a cold November 1 morning, viewed extremely close up. The jack-o'-lanterns all have some kind of damage: mold, cracks, spots, some are split in half. The atmosphere of the farmer's market is autumnal, warm and inviting; the lighting is direct, bright, and natural, highlighting the extremely ornate, intricate details of the moldy, cracked jack-o'-lanterns. Still life rendered full-screen, sunlit, sharp-focus, macro-view, very close-up and in watercolor. The still life is painted completely and all the way to the edges of the paper. The jack-o'-lanterns are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
forest series - magical circularly recycled paper scrap forest
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Front view of a forest crafted entirely from recycled paper and carton boxes. The forest sports the colors of the illustrations on the carton boxes and the various colors of the recycled paper scraps. The trunks, branches, twigs and leaves are all made of various types of paper, crepe paper, construction paper in many colors, carton boxes of all types. The forest is dense and beautiful, and environmentally friendly. Collaborative sculptural art project of renowned contemporary paper and carton artists like Alex Uribe, Sylvie Reno, Mark Langan, and Chris Gilmour. Each tree is individually crafted and arranged in extreme, esthetic detail from thousands of paper and carton scraps, giving the trees an almost naturalistic appearance, from the trunk to the leaves. Sculptural masterpiece of a huge-scale forest landscape. Visionary circular recycling and upcycling project.
fictional banknote from the series "European wildflowers" -Japanese knotweed (reynoutria japonica)
Model:
AIVision
Size:
5464 X 3656
(19.98 MP)
Used settings:
Prompt: Extra full and wide, 16:9, fully wide mage extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a dense thicket of extremely invasive Japanese knotweed (reynoutria japonica) springing from the cracks of an abandoned asphalt road. The heart-shaped, smooth, green, delicately veined leaves grow alternately on drooping branches emerging from hollow, red-tinged stalks that resemble bamboo. It is July, and tiny while flowers densely populate countless thin, erect racemes that rise from the stalks between each leaf pair. The plants stand out against the dark gray asphalt in the background. While the patch of knotweed is quite dense, it displays eye-pleasing repetitive patterns on account of its leaf placement and the decorative flowering racemes.The plants and the background are rendered in mesmerizingly repetitive patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Green for the leaves, white for the flowers, red-tinged green for the stalks, and dark gray for the asphalt.
Prompt: fantasy piñata cathedral made of papier-mâché, brightly colored in pinks, purples, greens, ochres, reds and magenta, many paper streamers, large cathedral located on a grassy knoll, sunlit,blue sky with fluffy clouds in the background
Prompt: Extra wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full-frontal, close-up view of a melamine bouquet of cut calla lilies lying outstretched on a wooden table. The calla lilies are fashioned from melamine: the flowers from pure white material, and the leaves from dark green, veined melamine. The melamine used for the calla lily project is shiny and about half an inch thick, and was shaped and bent into the various floral shapes by heating. The lush bouquet lies artlessly arranged on the table as an unconventional showpiece. The table is made of dark oak and is polished to a sheen, dully reflecting the bouquet. The image has painstaking, extreme detail.
Prompt: Extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a patch of rare Lady's slipper orchids (cypripedium calceolus) in bloom in mid-spring in a woodland bog. Each flower has three long-brown, twisted "flags", with the upright "flag" being a sepal, and the other two, on either side of the strikingly lemon-yellow labellum, or slipper, being petals. The innermost parts of the twisted flags are spotted yellow and brown. The green leaves are broad, have prominent parallel veins, hug the stems of the flowers, and are sharply pointed and hairy. The Lady's slipper orchids are growing in boggy woodlands. The plants stand out against the dark brown, boggy soil. The plants and the background are rendered in mesmerizingly repetitive patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Bright lemon-yellow for the flowers, green for the leaves, and shades of dark brown for the swampy underground
fictional future banknote designs - common daisy (bellis perennis)
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 wide, full-screen, full frontal image surrounded by a thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the thin, rectangular frame is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a patch of common daisies (bellis perennis), also known as lawn daisies, growing in short turf. A dozen blooms rise from a patch of several plants with rosettes of small, rounded, spoon-shaped, shiny green leaves growing flat to the ground. The daisies have a bright yellow eye and myriads of short, slender petals with red tips. The short turf background is intensely patterned. The image is highly ornate, the patterns repetitive. The flowers and turf background are rendered in painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Shades of green, yellow, and white.
Prompt: Full-screen cloisonné forest panel. The huge, stunning enamel panel covers the entire image. It shows skillfully designed cloisonné work depicting a forest in the style of old Chinese cloisonné master craftspeople. The technique is exquisite, and the level of detail is unusually high, indicating that an entire workshop of artists labored for countless hours to make this panel for an unnamed emperor's palace. The wires separating the tiny enamel fields are made of gold thread; the enamel colors scintillate and shimmer in rich shades of blue, green, gold and tan, with occasional red and white fields depicting spring flowers and yellow fields for the sun and sunrays. The panel is intended as a showpiece in the emperor's salon and will cover an entire wall, giving observers the feeling that they are looking into an enchanted forest. Mathematical precision and museum-quality artistic execution.
What's for lunch? On top of spaghetti, all covered with cheese...
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: On top of spaghetti all covered with cheese
I lost my poor meatball when somebody sneezed
Humorous drawing depicting a a nursery rhyme, mountain of spaghetti, cheese on top, meatballs rolling around. Colorful nursery rhyme illustration.
Prompt: Full-screen, full frontal, extremely detailed wooden wall showing a forest view. The masterful wood inflay depicts trees are arranged in multiple layers to provide a feeling of depth and perspective. The dozens of types of wood used to make the tiny inlay pieces ranges from light birdseye maple wood to red bloodwood to very dark African blackwood. The inlaid pieces bring out the trunks, twigs, branches and individual leaves in astounding detail. The entire tableau is very finely sanded and burnished to a high sheen. The details showing each leaf, twig, branch and trunk, are breathtakingly naturalistic. Each of the many thousand pieces of wood has its unique color and pattern. Each detail is masterfully wrought. The museum-quality artistic execution makes this tableau worthy of furnishing the most exquisite castle.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 1, Emperor Tenchi, of the Ogura Hyakunin Isshu: "Coarse the rush-mat roof Sheltering the harvest-hut Of the autumn rice-field; And my sleeves are growing wet With the moisture dripping through." The image shows a rice paddy being harvested; the harvester on the left side of the image bends over the golden, ripe rice plants. He is holding a sharp sickle and is wearing a large, conical straw hat fastened under his chin, baggy pants, heavy rubber boots, and a loose blue smock with wide sleeves. The sleeves are wet to the elbows with the sweat of exertion and the humidity in the air. In the background stands a simple harvesting gut with a rush-mat roof. The early autumn sun is beating down on the harvesting scene. Exquisite Japanese folio.
Prompt: 16:9 wide, extra wide, full-screen, full frontal image surrounded by a thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a large patch of purple deadnettles (lamium purpureum) in full bloom in March. The patch is growing in the half-shade of a large tree, with the evening sun shining on the blooming plants. The flowers are a bright, reddish purple, and stand out between the densely spaced, purple-red leaves at the top of the stem. Further down on the stem, the leaves are greener, with purple edges, and spaced further apart. The lowest leaves on the stems are completely green. All leaves are strongly veined and hairy, exhibiting repetitive, pleasant patterns .The tops of the purple nettles are illuminated by the sun, and stand out against the dark green background of shade below the tree. The image is highly ornate, the patterns organic. The flowers and background are rendered in painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: shades of purple, green and dark green, and dark brown and tan for the tree and the guilloche border.
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irene muehldorf
Member since 2017
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