Maximilian Lueders

Fascinator

• Model: DaVinci2

• Size: 1328 X 1424 (1.89 MP)

• Used settings:

  • Prompt: Squiggly dotted lines and complex chaotic sketchy hatchings coloured with watercolours, merged styles of Guy Anderson & Stan Lee & Bridget Bate Tichenor, Cubist-inspired abstracted upper body portrait, feminine 1920's expressionism, collagraphy with flecks and dotting motif, dabs, spots, speckles, dots, splashes, micro-level intricacy, snappy comic book aesthetic, 1970s vintage illustration meets sgraffito in merged styles of Katie Acheson Wolford & Ho Baron & Stan Lee & Julius Horsthuis & Differantly, intricately detailed, vibrant tones, hyper-detailed features, watercolor and ink, set against stained mosaic reflections with a shabby chic aesthetic by Jamie Heiden, blending styles of Guy Anderson and William Bradley, emphasizing glowing reflections and a liminal stylized appearance, symmetrical composition, densely packed with intricate details, maximalist and trippy aesthetic with darkened greyish tones & light pastels, glowing tones, mystical foampunk 1.5, subtle coloring ((abstract female headshot, dynamic lighting 1.3, fantasy sketch art artwork, bo-golden) 4:11, dark fantasy, <lora:ponyv4_noob1_2_adamW-000017:0.75>, harmonious contrast, immersive depth, overall composition by Arshile Gorky, swingy, caricature, zentangle style, reflective mapping 1.3, phong shading 1.3, intricate, high contrast, warm pastel shades, warm gradients in hues, earthy tans, deep bold linework, filigreed black accents, geometrical color shapes, liquid forms, fluid lines, dynamic composition, avant-garde interpretation art, textured brushstrokes, surreal elements by Ho Baron and Man Ray, merged styles of Gorey & O'Keeffe, fantasy, neo-traditional tattoo art influence, detailed digital illustration with crisp outlines and gradients, serene and transformative atmosphere, simplistic linocut-inspired stylized portrait, depth of field effect, ink drawing with high contrast, Gorey-inspired anime style with bright elements, Phong shading, cel shading, vibrant linocut, dynamic ink art in motion merged with line-art elements. geometrical, flowing hair with highlights, plasticity 1.6, complexion 1.2, ambient occlusion 1.2, dynamic lighting 1.9,, grungy academical art by Man Ray & Arshile Gorky & Tanya Shatseva & Keith Haring, rough textures, warm pastels creating an impressionistic and ethereal atmosphere in a warm light, highlighting clean lines, geometric shapes, extremely detailed background, harmonious contrast, immersive depth, overall composition by Adam Martinakis & Paul Kidby, extremely detailed textures, slightly warped, color shapes, op-art, bauhaus, architectural reminiscence, overworked linework, preciseGelsculpt64k, tesselated encoustic hairstreaks, liminal, shabby retro_artstyle, tetradic color scheme light-green dark-gray light-pink light-black, opulent, gradients of cyan and beige, warm color palette,
  • Using base image: Yes

Flares galore

• Model: Artistic 2

• Size: 1232 X 1536 (1.89 MP)

• Used settings:

  • Prompt: style of Ed Binkley and Stan Lee, portraying a female face emerged from several gradients of reddish and light-brown tones, polished foampunk lighting by Ed Paschke & Man Ray, & Arshile Gorky, each with unique textures, oil pastels in vibrant hues by Tanya Shatseva, embodiment by Keith Haring & Paul Kidby, extremely detailed textures, slightly warped, color shapes, op-art by Man Ray & Francis Bacon & Egon Schiele, soft architectural reminiscence, overworked forms, precise Gelsculpt 64k, tesselated encoustic hairstreaks, liminal, shabby retro_artstyle, tetradic color scheme light-grey dark-blue light-blue light-lilac, opulent, micro-level intricacy, snappy comic book aesthetic, 1970s vintage illustration meets sgraffito in maximalist and trippy aesthetic with darkened greyish tones & light pastels, glowing tones, mystical foampunk 1.5, subtle coloring ((abstract female headshot, dynamic lighting 1.3, fantasy sketch art artwork, bo-golden) 4:11, dark fantasy, <lora:ponyv4_noob1_2_adamW-000017:0.75>, harmonious contrast, immersive depth, overall composition by Arshile Gorky, swingy, caricature, zentangle style, reflective mapping 1.3, phong shading 1.3, deep bold linework, filigreed black accents, geometrical color shapes, liquid forms, fluid lines, dotted lines and complex contrast, warm pastel shades, warm gradients in hues, earthy tans, deep bold linework, liminal, shabby retro_artstyle, tetradic color scheme light-green dark-gray light-pink light-black, opulent, gradients of cyan and beige, warm color palette,
  • Using base image: Yes

Plainness

• Model: DaVinci2

• Size: 1472 X 1280 (1.88 MP)

• Used settings:

  • Prompt: Expressionistic headshot by Man Ray & Gabriele Münter, acrylic ink and charcoal for line art, incorporating Japanese ink wash painting techniques (Sumi-e) and fine ink illustrations. Achieve a fusion of ink sketch outlines with watercolor, stylization 1.4, tetradic color scheme dark-red burnt-orange dark-yellow light-grey, brightened harsh lighting from the right side liminal, sgrafitto, 3d effect, brightness 1.3, plasticity 1.3, mip-mapping style of Scott Wade and Wayne Barlow, vibrant art by John Buscema and Frank Frazetta, lush coloring in gradients, seamless integration of elements, painterly blend, 1970s vintage illustration, stylization 1.4, negative lucas numbers, reflective mapping 1.3, expressive coloring with visible brushstrokes and color blending, line-art, orphism for shifted hues, embossed texture, tranquil, striking red lips, vibrant teal-blue eyes, glossy sheen for tints, intricate abstract motifs, geometrical organic patterns, lush coloring in gradients bent and blended edges in the contours of a silhouette, rayleigh scattering effects, very splashy action painting reminiscence, warm gradeint coloring, warm tones, abstracted, overexposed, very dreamy 3d effects, 3d color shifts, boggy, miry ink art in motion, softened reflections, diaphanous luminous glow from the inside, mip-mapping, collage art reminiscence, ((abstracted, dynamic lighting 1.3, fantasy artwork), 4:11), hues, displacement mapping 1.3, ambient occlusion 1.2, soft washes, indiecore, warm tones, textures, colorful details akin to coloring by Mike Zeck & Barclay Shaw, expressive with visible brushstrokes and color blending, line-art, orphism & hues, embossed texture, tranquil face, glossy sheen, intricate abstract motifs, geometric shapes, organic patterns, expressionistic art in 128k resolution for precise line-art detailing & blending mixed media of watercolor and ink by John Buscema, very refined, soft glowing diaphanous lighting, reflective mapping 1.3, expressive coloring with visible brushstrokes and color blending, line-art, orphism for shifted hues, soft washes, indiecore, warm tones, candyfloss textures, transparent layers, brightness 1.3, color shapes for hues, tinted texture mapping 1.9, soft washes, watercoloring marks, 128k, UHD, HDR linework by Christophe Louis & Mira Lou, color shifts, ultra-fine texture, fine lines. coloring by Mike Zeck, plasticity 1.8 by Barclay Shaw, polished orphism,
  • Using base image: Yes

In Scales

• Model: DaVinci2

• Size: 1137 X 940 (1.07 MP)

• Used settings:

  • Prompt: Glowing iridescent scales shimmering under neon lights, a figure exuding subtle defiance, captured in a headshot, watercolor and ink by Lee Krasner, paint-stained colors, flowing hair with orange and rosewood-pink highlights, plasticity 1.6, complexion 1.2, ambient occlusion 1.2, traumacore 1.9, foampunk 1.5, subtle coloring 1.9, parallax occlusion 1.5, 3 point lighting, beautiful gentildonna intricate details created using an ink wash technique, enhancing the chromatic dispersion effect, dynamic ink art in motion, orphism inspiration, pop art nostalgia, strikingly handsome female, single face focus, one face, soft eroticism, patterns, shimmering accents, mosaic patchwork, soft watercolor textures, Bagshaw-inspired style, high-quality, multi-color, muted graffiti, rich color palette of light-blue, magenta-red, and light-green, elegant and dreamy ambiance,revealing, smart, joyful, reminiscent of 1980s synthwave, digital creation, vibrant and beautifully colored. Texturally styled akin to HR Giger, William Turner, Cameron Gray, and Ho Baron, coloring reminiscent of Catrin Welz-Stein's acrylic ink and charcoal line art, zentangle style mix. hikaru, quilling, opaque multi-layered eyes, detailed grey gradients, dyed, vintage, pop-art, harmonious Zentangle patterns, luminous, intricate geometric shapes, precise symmetry, fantasy art, motion and speed, digital art, catenaries, line-art, filigree patterns, elements of grunge surrealism reminiscent of Ho Baron and Man Ray. The subject's scales reflect a myriad of colors, from deep blues to vibrant purples, with hints of burnt-orenge and fiery red. The setting is a mysterious landscape, combining elements of decay and magic, with rich colors inducing movement and emotion, harmonious contrast, immersive depth, UHD, HDR, Mip-mapping 1.8, collagraphy print, realistic close-up. Layered and stylized portraiture by Ed Binkley akin to John Buscema's ambiance in a symbolic and meaningful style. Partly high contrast and stylization 1.3, plasticity 1.6, cool, geometrical linework, portrait, intricate surrealism, nice backlight, opaque, very 1990s, hyperdetailed 3d illustration, cel shading, digital, beautifully colored, anime style watercoloring, awesome, washed out colors by James Wilson Morrice, pulp art, reflective mapping by Rebecca Saray & Paolo Roversi, reflections by Jamie Heiden,transparent layers, brightness 1.3, color shapes for hues, tinted texture mapping 1.9, soft washes, watercoloring marks, 128k, UHD, HDR linework by Christophe Louis & Mira Lou, color shifts, ultra-fine texture, fine lines. coloring by Mike Zeck, plasticity 1.8 by Barclay Shaw, polished orphism,
  • Using base image: Yes

Against Compulsion

• Model: DaVinci2

• Size: 1208 X 1568 (1.89 MP)

• Used settings:

  • Prompt: crisp outlines and gradients, serene and transformative textures, natural atmosphere, simplistic linocut-inspired stylized portrait, depth of field effect, ink drawing with high contrast, Gorey-inspired anime style with bright elements, Phong shading, cel shading, vibrant linocut, dynamic ink art in motion merged with line-art elements. geometrical, flowing hair with highlights, plasticity 1.6, complexion 1.2, ambient occlusion 1.2, dynamic lighting 1.9,, grungy academical art by Man Ray & Arshile Gorky & Tanya Shatseva & Keith Haring, rough textures, warm pastels creating an impressionistic and ethereal atmosphere in a warm light, highlighting clean lines, geometric shapes, extremely detailed background, harmonious contrast, immersive depth, overall composition by Adam Martinakis & Paul Kidby, extremely detailed textures, textured color shapes, op-art, silhouette reference, plasticity 1.3 for a dynamic and visually engaging look, enhanced by lora:aidmaGLOW-FLUX-V0.1.safetensors:0.5 effects. 3 point lighting, back-lit, plasticity 1.3, frenzy, contouring forms, warped, tall and lean details, mip-mapping, focus on form and color, modern, digital illustration cel-shaded with vibrant colors, dynamic lighting to create an editorial atmosphere with a critical tone, plasticity akin to Ed Binkley, complex stylization by Alexander Calder, slighly dyed hairdo, glossy long hairstreaks, brightness 1.3, Ru1n3d_illu, 69yottea_style_illu, 3d effects, collagraphy print, close-up. Layered and stylized portraiture. Elegantly balanced fusion of luminous beauty and subtle patchwork intricacies, following the 2/3 rule composition. Layered futuristic steampunk elements. Stylisation 1.5, reflective mapping 1.3, featuring geometrical 3D effects by Stan Lee and Ho Baron and William Bradley with stylized linework, cel-shaded, dynamic lighting,<lora:zy_illustrious_Realism_Enhancer_v1:0.45>, impossible light transitions, g0thicPXL, 3D effects, 3D shading, ultra 3D effect, octane render, volumetric lighting, 1980s advertising art, complex lines, flexible color palette, subtle color accents, intricate linework, clear contours, illusion of depth and texture, tranquil ambiance, movement within stillness, subtle ethereal aesthetics, intricate details, frontal view, NixPort vibes, Novuschroma color palette with a touch of lora:h1dak0_s0u_style:1.5, uhd hdr octane render illustration incorporating a mix of lora:aiai-Glimra-Flux-Dev-v2.safetensors:0.5 and MechaP0s design influences. Squiggly dotted lines and complex chaotic sketchy hatchings coloured with watercolours, merged styles of Guy Anderson & Stan Lee & Bridget Bate Tichenor, vibrant linocut, dynamic ink art in motion merged with line-art elements. geometrical, tetradic color scheme light-green dark-gray light-pink light-black, opulent, gradients of cyan and beige, warm color palette,
  • Using base image: Yes

Humbling

• Model: DaVinci2

• Size: 904 X 1320 (1.19 MP)

• Used settings:

  • Prompt: Stylized portraiture by Rebecca Guay & Aubrey Beardsley, golden hairband, fantastical, plasticity 1.3, merged styles of Patrick Nagel & Edward Gorey, geometrical, polished orphism by Werner Peiner & Lotte B. Prechner, unique and avant-garde approach. Reflective mapping 1.3, displacement mapping 1.3, ambient occlusion 1.2, soft washes, indiecore, warm tones, candyfloss textures, transparent layers, brightness 1.3, color shapes for hues, tinted texture mapping 1.9, watercoloring marks, linework by Christophe Louis & Mira Lou,3d effects, coloring by Mike Zeck & Barclay Shaw, polished orphism, highlights and ultra-clarity, foampunk style lighting by Ed Paschke, dark fantasy meets surrealism, bokeh effects, UHD, HDR, 128k ((abstract female headshot, dynamic lighting 1.3, fantasy-art, bo-golden) 4:11), negative lucas numbers, polished coloring by Mike Zeck & Barclay Shaw, coveted, slightly warped cinematic view, soft washes, quilling indiecore, warm tones, candyfloss textures, reflective mapping by Rebecca Saray & Ed Binkley & Scott Wade, white encousitc linework of golden geometrical line-art, shifted asymmetrical line-art centers, polished orphism by Werner Peiner & Lotte B. Prechner, unique and avant-garde approach. Reflective mapping 1.3, displacement mapping 1.3, ambient occlusion 1.2, soft washes, indiecore, warm tones, candyfloss textures, transparent layers, brightness 1.3, color shapes for hues, tinted texture mapping 1.9, watercoloring marks, linework by Christophe Louis & Mira Lou, 3d effects, coloring by Mike Zeck & Barclay Shaw, polished orphism, highlights and ultra-clarity, bokeh effects, UHD, HDR, 128k ((abstract female headshot, dynamic lighting 1.3, fantasy-art, bo-golden) 4:11), negative lucas numbers, polished coloring by Mike Zeck & Barclay Shaw, coveted, slightly warped cinematic view, soft washes, quilling indiecore, warm tones, candyfloss textures, reflective mapping by Rebecca Saray & Ed Binkley & Scott Wade, white encousitc linework of golden geometrical line-art, shifted asymmetrical line-art centers, chuh4ib4ne, soft dynamic lighting, lineart for atmospheric depth, glossy highlights, nuanced painterly, highlights and ultra-clarity in an enchanting style,
  • Using base image: Yes

Resembled

• Model: DaVinci2

• Size: 1208 X 1568 (1.89 MP)

• Used settings:

  • Prompt: Expressionistic headshot by Man Ray & Gabriele Münter, acrylic ink and charcoal for line art, incorporating Japanese ink wash painting techniques (Sumi-e) and fine ink illustrations. Achieve a fusion of ink sketch outlines with watercolortrait, stylization 1.4, liminal, sgrafitto, 3d effect, brightness 1.3, plasticity 1.3, mip-mapping style of Scott Wade and Wayne Barlow, vibrant art by John Buscema and Frank Frazetta, lush coloring in gradients, seamless integration of elements, painterly blend, 1970s vintage illustration, stylization 1.4, negative lucas numbers, reflective mapping 1.3, expressive coloring with visible brushstrokes and color blending, line-art, orphism for shifted hues, embossed texture, tranquil, striking red lips, vibrant teal-blue eyes, glossy sheen for tints, intricate abstract motifs, geometrical organic patterns, lush coloring in gradients bent and blended edges in the contours of a silhouette, rayleigh scattering effects, very splashy action painting reminiscence, warm gradeint coloring, warm tones, abstracted, overexposed, tetradic color scheme dark-red burnt-orange dark-yellow light-grey, brightened harsh lighting from the right side, very dreamy3d effects, 3d color shifts, boggy, miry ink art in motion, softened reflections, diaphanous luminous glow from the inside, mip-mapping, collage art reminiscence, ((abstracted, dynamic lighting 1.3, fantasy artwork), 4:11), hues, displacement mapping 1.3, ambient occlusion 1.2, soft washes, indiecore, warm tones, textures, colorful details akin to coloring by Mike Zeck & Barclay Shaw The painting style is expressive with visible brushstrokes and color blending, line-art, orphism & hues, embossed texture, tranquil face, striking red lips, vibrant teal-blue eyes, glossy sheen, intricate abstract motifs, geometric shapes, organic patterns, expressionistic art in 128k resolution for precise line-art detailing & blending mixed media of watercolor and ink by Emil Nolde & Meret Oppenheim, storybook illustration in ink-and-wash style akin to John Buscema & Olga Oppenheimer, non-figurative, rough surfaces, very refined, soft glowing diaphanous lighting, reflective mapping 1.3, expressive coloring with visible brushstrokes and color blending, line-art, orphism for shifted hues,, soft washes, indiecore, warm tones, candyfloss textures, transparent layers, brightness 1.3, color shapes for hues, tinted texture mapping 1.9, soft washes, watercoloring marks, 128k, UHD, HDR linework by Christophe Louis & Mira Lou, color shifts, ultra-fine texture, fine lines. coloring by Mike Zeck, plasticity 1.8 by Barclay Shaw, polished orphism,
  • Using base image: Yes

Connection

• Model: DaVinci2

• Size: 1952 X 2184 (4.26 MP)

• Used settings:

  • Prompt: Stylized portraiture by Rebecca Guay & Aubrey Beardsley, golden hairband, fantastical, plasticity 1.3, merged styles of Patrick Nagel & Edward Gorey, geometrical, vivid cubism & orphism, negative lucas numbers, coherent coloring by Mike Zeck & Barclay Shaw, coveted, slightly warped cinematic view, triadic color scheme rosewook-pink dark-brown cream-yellow, abstracted expressionistic line-art, reflective mapping 1.2, geometrical linework illustration, pattern recognition, severe, plasticity 1.4, stylization 1.4, educated, Rayleigh effect & Raman scattering, erudite, mip-mapping in layered hues by William Bradley, stictly edgy underground comic style, neurographic lines following silhouettes with color transitions, intense light-dark contrast, mysterious depth, slightly asymmetrical, well-defined textured coloring in gradients, vibrant, unconventional, digital illustration, high resolution surfaces, very refined, soft glowing diaphanous lighting, reflective mapping 1.3, expressive coloring with visible brushstrokes and color blending, line-art, orphism for shifted hues, embossed texture, tranquil, striking red lips, vibrant teal-blue eyes, glossy sheen for tints, intricate abstract motifs, geometrical organic patterns, lush coloring in gradients & colored inking outlines, warm tones, abstracted pulp art, expressionistic coloring overlay, cel-shaded, plasticity 1.3, reflective mapping by Rebecca Saray, indiecore, avant-garde approach. Reflective mapping 1.3, displacement mapping 1.3, ambient occlusion 1.2, soft washes, liminal surreal effect, prudish, brightness 1.3, plasticity 1.3, mip-mapping style of Scott Wade and Wayne Barlow for quilling indiecore, warm tones, candyfloss textures, reflective mapping by Rebecca Saray. Antique reminiscence, shiny gold leaf backdrop, bronze ornate borders, Art Nouveau patterns by Ed Binkley & Scott Wade, white encousitc linework of golden geometrical line-art, shifted asymmetrical line-art centers, teal and azure hues, warm tones, soft diffused lighting, digital artwork, detailed textures by Alphonse Mucha, coloring by Gustav Klimt. Deep view, tetradic coloring scheme light-pink dark-yellow starfleet-blue gray, foampunk details, (2/3 rule composition:0.5). FS, NixPort, novuschroma, iridescent,
  • Using base image: No
  • Aspect Ratio: auto

Subtle

• Model: DaVinci2

• Size: 1376 X 1376 (1.89 MP)

• Used settings:

  • Prompt: portrait, by Barbara Canepa and Frank Miller, enlarged, line-art, unique patterns, negative lucas numbers, polished coloring by Mike Zeck & Barclay Shaw, coveted, polished orphism, gradients of reddish and light-brown tones, polished foampunk lighting by Ed Paschke, teeming irregular strokes and texturing. American Gothic-inspired woodblock print blending elements of Post-Avantgarde and pointillism, layered stylization, watery and wavery elements and shapes, abstracted composition, tesselated foampunk details, (2/3 rule composition:0.5).Sketchy and chaotic ink hatching, intricate squiggly lines, irregular textures, loose strokes, multi-textured, layered geometrical bas relief & op art features by Earl Moran & Haddon Sundblom, 1930s pulp art by Bob Larkin, gradients of reddish and light-brown tones, polished foampunk lighting by Ed Paschke, very beautiful orphism. Circle opaque & swirls in zentangle style by Ernst Ludwig Kirchner, patchwork background, golden lines-motif, complex hues, embossed linework, by Erich Heckel & Karl Schmidt-Rottluff, tranquil, reflective mapping by Rebecca Saray, indiecore, orphism,, precise line-art detailing blending mixed media of watercolor and ink by Emil Nolde & Meret Oppenheim, storybook illustration in ink-and-wash style akin to John Buscema & Olga Oppenheimer, non-figurative, edgy underground comic style, neurographic lines following silhouettes with color transitions, intense light-dark contrast, mysterious depth, slightly magical, well-defined background details, low angle close-up view, textured, vibrant coloring in green gradients, surreal atmosphere, i mip-mapping style of Scott Wade and Wayne Barlow, line-art motif by Saul Leiter & Yevgeny Zamyatin, Vibrant ink art in motion, collage art reminiscence, female, liminal surreal effect, prudish, brightness 1.3, reflective mapping 1.3, mip-mapping style of Scott Wade and Wayne Barlow, cel-shaded, plasticity 1.4, embossed details, juminocore. Vibrant hatchings, intricate textures, linework of squiggly lines, pastel watercolors, dynamic scratching, splashing, blotting with a quill pen, busy, bustling, lively, teeming irregular strokes and texturing. American Gothic-inspired woodblock print blending elements of Post-Avantgarde and pointillism, layered stylization, watery and wavery elements and shapes, abstracted composition, tesselated foampunk details, (2/3 rule composition:0.5).Sketchy and chaotic ink hatching, intricate squiggly lines, irregular textures, loose strokes, pastel watercolors, dirty aquarelle, splashing colors, blotting, scratching, splatter, overspray, cold-pressed rough paper, dissolved chaos, masterpiece, gorgeous, evocative, sumptuous, aesthetic, unique, HD,
  • Using base image: Yes

Psych Nouveau

• Model: DaVinci2

• Size: 1376 X 1376 (1.89 MP)

• Used settings:

  • Prompt: style of Ed Binkley and Stan Lee, portraying a female face emerged, cymatics, polished foampunk lighting by Ed Paschke, very beautiful orphism. Circle opaque vortexes & swirls & fractals in zentangle style by Ernst Ludwig Kirchner, glossy sheen for tints, intricate abstract motifs, geometrical organic patterns, lush coloring in gradients bent and blended edges in the contours of a silhouette, rayleigh scattering effects, very splashy action painting reminiscence, warm gradeint coloring, warm tones, abstracted, overexposed, tetradic color scheme dark-red burnt-orange dark-yellow light-grey, brightened harsh lighting from the right side, very dreamy expressionistic art in 128k, phong shading, precise line-art detailing & blending mixed media of watercolor and ink by Emil Nolde & Meret Oppenheim, storybook illustration in ink-and-wash style akin to John Buscema & Olga Oppenheimer, non-figurative, rough surfaces, very refined, soft glowing diaphanous lighting, reflective mapping 1.3, expressive coloring with visible brushstrokes and color blending, line-art, orphism for shifted hues, embossed texture, tranquil, striking red lips, glossy sheen for tints, intricate abstract motifs, geometrical organic patterns, lush coloring in gradients, parallax occlusion 1.3, orphism, chuh4ib4ne, soft dynamic lighting, lineart, atmospheric depth, glossy highlights, nuanced painterly, highlights and ultra-clarity in an enchanting style, polished orphism by Werner Peiner & Lotte B. Prechner, ambient occlusion 1.2, soft washes, indiecore, warm tones, textures, transparent layers, brightness 1.3, color shapes for hues, tinted texture mapping 1.9, 128k, UHD, HDR linework by Christophe Louis & Paul Kidby, color shifts, illuminated by glimmering light blending with textures, coloring by Mike Zeck & Barclay Shaw, orphism, intricate textures, displacement mapping 1.3, 3d effects, coloring by Mike Zeck & Barclay Shaw, polished orphism, highlights and ultra-clarity, foampunk style lighting by Ed Paschke, dark fantasy meets surrealism, bokeh effects, UHD, HDR, 128k ((abstract female headshot, dynamic lighting 1.3, fantasy-art, bo-golden) 4:11),
  • Using base image: Yes

Android

• Model: DaVinci2

• Size: 952 X 1256 (1.20 MP)

• Used settings:

  • Prompt: portrait by Paul Derouet & Edward Gorey. complex sketchy hatchings with watercolors, very beautiful slender anime heroine, vascillating line-art, orphism. 3d color shifts, boggy, miry ink art in motion, softened reflections, diaphanous luminous glow from the inside, mip-mapping, collage art reminiscence, ((abstracted, dynamic lighting 1.3, fantasy artwork), 4:11), hues, displacement mapping 1.3, ambient occlusion 1.2, soft washes, indiecore, warm tones, textures, colorful details akin to coloring by Mike Zeck & Barclay Shaw The painting style is expressive with visible brushstrokes and color blending, line-art, orphism & hues, embossed texture, tranquil face, striking red lips, glossy sheen, intricate abstract motifs, geometric shapes, organic patterns, expressionistic art in 128k resolution for precise line-art detailing & blending mixed media of watercolor and ink by Emil Nolde & Meret Oppenheim, storybook illustration in ink-and-wash style akin to John Buscema & Olga Oppenheimer, non-figurative, rough surfaces, very refined, soft glowing diaphanous lighting, reflective mapping 1.3, expressive coloring with visible brushstrokes and color blending, line-art, orphism for shifted hues, warm coloring palette, seamless integration of elements, painterly blend, 1970s vintage illustration, stylization 1.4, negative lucas numbers, polished coloring by Mike Zeck & Barclay Shaw, coveted, polished orphism, slightly warped cinematic view, soft washes, indiecore, warm tones, precise edges, metallic surfaces, soft lighting, watercolor washes, art nouveau reference,
  • Using base image: Yes

Dethroned

• Model: DaVinci2

• Size: 1208 X 1568 (1.89 MP)

• Used settings:

  • Prompt: Expressionistic headshot by Man Ray & Gabriele Münter, acrylic ink and charcoal for line art, incorporating Japanese ink wash painting techniques (Sumi-e) and fine ink illustrations. Achieve a fusion of ink sketch outlines with watercoloring, negative lucas numbers, reflective mapping 1.3, expressive coloring with visible brushstrokes and color blending, line-art, orphism for shifted hues, embossed texture, tranquil, striking red lips, vibrant teal-blue eyes, glossy sheen for tints, intricate abstract motifs, geometrical organic patterns, lush coloring in gradients bent and blended edges in the contours of a silhouette, rayleigh scattering effects, very splashy action painting reminiscence, warm gradient coloring, warm tones, abstracted, stylization 1.4, liminal, sgrafitto, 3d effect, brightness 1.3, plasticity 1.3, mip-mapping style of Scott Wade and Wayne Barlow, vibrant art by John Buscema and Frank Frazetta, lush coloring in gradients of goldenrut-yellow, deep crimson, maize yellow, fiery red-orange, gold, and goldenrut-yellow reminiscent of Klimt's palette, seamless integration of elements, painterly blend, 1970s vintage illustration, stylization 1.4,overexposed, tetradic color scheme dark-red burnt-orange dark-yellow light-grey, brightened harsh lighting from the right side, very dreamy 3d effects, 3d color shifts, boggy, miry ink art in motion, softened reflections, diaphanous luminous glow from the inside, mip-mapping, collage art reminiscence, ((abstracted, dynamic lighting 1.3, fantasy artwork), 4:11), hues, displacement mapping 1.3, ambient occlusion 1.2, soft washes, indiecore, warm tones, textures, colorful details akin to coloring by Mike Zeck & Barclay Shaw The painting style is expressive with visible brushstrokes and color blending, line-art, orphism & hues, embossed texture, tranquil face, striking red lips, glossy sheen, intricate abstract motifs, geometric shapes, organic patterns, expressionistic art in 128k resolution for precise line-art detailing & blending mixed media of watercolor and ink by Emil Nolde & Meret Oppenheim, storybook illustration in ink-and-wash style akin to John Buscema & Olga Oppenheimer, non-figurative, rough surfaces, very refined, soft glowing diaphanous lighting, reflective mapping 1.3, expressive coloring with visible brushstrokes and color blending, line-art, orphism for shifted hues,
  • Using base image: Yes

Patched

• Model: Artistic 2

• Size: 1136 X 1664 (1.89 MP)

• Used settings:

  • Prompt: portrait, headshot, style of Ed Binkley and Stan Lee, portraying a female face in her mid-30's, emerged from a fantastical landscape, triadic color scheme, abstract expressionistic, reflective mapping by Rebecca Saray, indiecore, multi-textured, layered geometrical assemblage, bas relief & op art features by Earl Moran & Haddon Sundblom, 1930s pulp art by Bob Larkin, gradients of reddish and light-brown tones, polished foampunk lighting by Ed Paschke, very beautiful orphism. Circle opaque & swirls in zentangle style by Ernst Ludwig Kirchner, patchwork background, golden lines-motif, complex hues, embossed linework, by Erich Heckel & Karl Schmidt-Rottluff, tranquil, reflective mapping by Rebecca Saray, indiecore, orphism,, precise line-art detailing blending mixed media of watercolor and ink by Emil Nolde & Meret Oppenheim, storybook illustration in ink-and-wash style akin to John Buscema & Olga Oppenheimer, non-figurative, edgy underground comic style, neurographic lines following silhouettes with color transitions, intense light-dark contrast, mysterious depth, slightly magical, well-defined background details, low angle close-up view, textured, vibrant coloring in green gradients, surreal atmosphere, i mip-mapping style of Scott Wade and Wayne Barlow, line-art motif by Saul Leiter & Yevgeny Zamyatin, Vibrant ink art in motion, collage art reminiscence, female, liminal surreal effect, prudish, brightness 1.3, reflective mapping 1.3, mip-mapping style of Scott Wade and Wayne Barlow, 1girl. line-art motif by Saul Leiter & Yevgeny Zamyatin, Vibrant ink art in motion, collage art reminiscence, cel-shaded, plasticity 1.4, embossed details, juminocore. Vibrant hatchings, intricate textures, linework of squiggly lines, pastel watercolors, dynamic scratching, splashing, blotting with a quill pen, busy, bustling, lively, teeming irregular strokes and texturing. American Gothic-inspired woodblock print blending elements of Post-Avantgarde and pointillism, layered stylization, watery and wavery elements and shapes, abstracted composition, tesselated foampunk details, (2/3 rule composition:0.5).Sketchy and chaotic ink hatching, intricate squiggly lines, irregular textures, loose strokes, pastel watercolors, dirty aquarelle, splashing colors, blotting, scratching, splatter, overspray, cold-pressed rough paper, dissolved chaos, masterpiece, gorgeous, evocative, sumptuous, aesthetic, unique, HD, enchanting, fuzzy, ephemeral, spectacular, dreamy, ethereal, ultra-fine texture, fine lines. Line-art, rough surfaces, hues and tints, vivid cubism, intricate textures, linework of squiggly lines, wet pastel watercolors, dynamic lighting 1.3,, foampunk details, (2/3 rule composition:0.5). FS, NixPort, novuschroma, iridescent, permissiveness, expressed licentiousness, slight dissoluteness, high coloring for stark contrasts, stylization 1.4, complex
  • Using base image: Yes

Contextual

• Model: DaVinci2

• Size: 992 X 1208 (1.20 MP)

• Used settings:

  • Prompt: anime_screenshot, neon_genesis_evangelion, futuristic foampunk portrait, stylized female headshot blending anime_screenshot with digital art, reflective mapping 1.3, texture mapping 1.3, prudish abstracted cartoon elements with bold outlining, evocative, sumptuous, aesthetic, unique, HD, enchanting, fuzzy, ephemeral, Female Headshot, Female portrait, teeming irregular strokes and texturing. American Gothic-inspired woodblock print blending elements of Post-Avantgarde and pointillism, layered stylization, watery and wavery elements and shapes, abstracted composition, tesselated, tetradic coloring scheme light-pink dark-blue starfleet-blue sky-blue, foampunk details, (2/3 rule composition:0.5). FS, NixPort, novuschroma, iridescent, lacquer, prismatic light, 69yottea_style_illu, mΨh0r_a97Q, refraction, contrast side lighting, displacement mapping 1.3, 3d effects, coloring by Mike Zeck & Barclay Shaw, polished orphism,, illuminated by glimmering light blending with textures, coloring by Mike Zeck & Barclay Shaw, orphism, intricate textures, displacement mapping 1.3, 3d effects, coloring by Mike Zeck & Barclay Shaw, polished orphism, highlights and ultra-clarity in an enchanting, polished orphism & polished foampunk style lighting by Ed Paschke, dark fantasy meets surrealism, bokeh effects, UHD, HDR, 128k ((abstract female headshot, dynamic lighting 1.3, fantasy sketch art artwork, bo-golden) 4:11),
  • Using base image: Yes

gloaming

• Model: DaVinci2

• Size: 1376 X 1368 (1.88 MP)

• Used settings:

  • Prompt: style of Ed Binkley and Stan Lee, portraying a female face emerged from a fantastical landscape, gradients of reddish and light-brown tones, polished foampunk lighting by Ed Paschke, very beautiful orphism. Circle opaque & swirls in zentangle style by Ernst Ludwig Kirchner, patchwork background, golden lines-motif, complex hues, embossed linework, by Erich Heckel & Karl Schmidt-Rottluff, tranquil, reflective mapping by Rebecca Saray, indiecore, orphism, retropunk composition, precise line-art detailing blending mixed media of watercolor and ink by Emil Nolde & Meret Oppenheim, storybook illustration in ink-and-wash style akin to John Buscema & Olga Oppenheimer, non-figurative, edgy underground comic style, neurographic lines following silhouettes with color transitions, intense light-dark contrast, mysterious depth, slightly magical, well-defined background details, low angle close-up view, textured, vibrant coloring in green gradients, surreal atmosphere, imaginative and unconventional, digital illustration, high resolution surfaces, very refined, soft glowing diaphanous lighting, reflective mapping 1.3, expressive coloring with visible brushstrokes and color blending, line-art, orphism for shifted hues, embossed texture, tranquil, striking red lips, vibrant teal-blue eyes, glossy sheen for tints, intricate abstract motifs, geometrical organic patterns, lush coloring in gradients bent and blended edges in the contours of a silhouette, rayleigh scattering effects, very splashy action painting reminiscence, warm gradeint coloring, warm tones, abstracted, overexposed, tetradic color scheme dark-red burnt-orange dark-yellow light-grey, brightened harsh lighting from the right side, very dreamy,expressionistic art in 128k resolution for precise line-art detailing & blending mixed media of watercolor and ink by Emil Nolde & Meret Oppenheim, storybook illustration in ink-and-wash style akin to John Buscema & Olga Oppenheimer, non-figurative, rough surfaces, very refined, soft glowing diaphanous lighting, reflective mapping 1.3, expressive coloring with visible brushstrokes and color blending, line-art, orphism for shifted hues, embossed texture, tranquil, striking red lips, glossy sheen for tints, intricate abstract motifs, geometrical organic patterns, lush coloring in gradients of goldenrut-yellow, deep auburn, maize-yellow, light-brown, lush gold, and warm green gradients, parallax occlusion 1.3, orphism, chuh4ib4ne, soft dynamic lighting, lineart, atmospheric depth, glossy highlights, nuanced painterly, highlights and ultra-clarity in an enchanting style, polished orphism by Werner Peiner & Lotte B. Prechner, unique and avant-garde approach. Reflective mapping 1.3, displacement mapping 1.3, ambient occlusion 1.2, soft washes, indiecore, warm tones, candyfloss textures, transparent layers, brightness 1.3, color shapes for hues, tinted texture mapping 1.9, soft washes, watercoloring marks, 128k, UHD, HDR linework by Christophe Louis & Mira Lou, color shifts,intricate squiggly lines, irregular textures, loose strokes, pastel watercolors, cold-pressed rough paper, dissolved chaos, masterpiece, gorgeous, evocative, sumptuous, stylized, unique, HD, enchanting, fuzzy, ethereal, ultra-fine texture, fine lines. coloring by Mike Zeck, plasticity 1.8 by Barclay Shaw, polished orphism, slightly warped cinematic view,
  • Using base image: Yes

Jungle Vibes

• Model: DaVinci2

• Size: 984 X 1208 (1.19 MP)

• Used settings:

  • Prompt: Expressionistic headshot by Man Ray & Gabriele Münter, acrylic ink and charcoal for line art, incorporating Japanese ink wash painting techniques (Sumi-e) and fine ink illustrations. Achieve a fusion of ink sketch outlines with watercolor, precise line-art detailing blending mixed media of watercolor and ink by Emil Nolde & Meret Oppenheim, storybook illustration in ink-and-wash style akin to John Buscema & Olga Oppenheimer, non-figurative, edgy underground comic style, neurographic lines following silhouettes with color transitions, intense light-dark contrast, mysterious depth, slightly magical, well-defined background details, coarse brush strokes, low angle close-up view, detailed and textured, vibrant coloring in green gradients, surreal atmosphere, imaginative and unconventional, digital illustration, high resolution surfaces, very refined, soft glowing diaphanous lighting, reflective mapping 1.3, expressive coloring with visible brushstrokes and color blending, line-art, orphism for shifted hues, embossed texture, tranquil, striking red lips, vibrant teal-blue eyes, glossy sheen for tints, intricate abstract motifs, geometrical organic patterns, lush coloring in gradients of goldenrut-yellow, deep lawn-green, maize-yellow, spinach-green, lush gold, and warm green gradients, parallax occlusion 1.3, orphism, chuh4ib4ne, soft dynamic lighting, lineart, atmospheric depth, glossy highlights, nuanced painterly, highlights and ultra-clarity in an enchanting style, polished orphism by Werner Peiner & Lotte B. Prechner, polished foampunk lighting by Ed Paschke, very beautiful orphism. Circle opaque motif. Glistening hues, embossed linework, tranquil face, striking red lips, vibrant teal-blue eyes, glossy sheen, dynamic lighting 1.3, ((abstracted, dynamic lighting 1.3, fantasy artwork), 4:11), hues, displacement mapping 1.3, ambient occlusion 1.2, soft washes, indiecore, warm tones, textures, colorful details akin to coloring by Mike Zeck, embodiment akin to Barclay Shaw's style, anisotropic filtering 1.7, ((abstract female headshot, dynamic lighting 1.3, fantasy sketch art artwork, bo-golden) 4:11), hues by Edward Gorey
  • Using base image: Yes

Vibrant Pop Art Portrait of a Woman

• Model: DaVinci2

• Size: 896 X 1328 (1.19 MP)

• Used settings:

  • Prompt: portrait, teeming irregular strokes and texturing. American Gothic-inspired woodblock print blending elements of Post-Avantgarde and pointillism, displacement mapping 1.3, layered stylization, complex orphism with paper-cut technique, (((highlights and ultra-clarity in an enchanting, polished orphism & polished foampunk style), dynamic lighting by Ed Paschke) 8:5), fantasy meets surrealism, bokeh effects, UHD, HDR, 128k ((abstract female headshot, dynamic lighting 1.3, fantasy sketch art artwork, bo-golden) 4:11), watery and wavery elements and shapes, abstracted composition, tesselated, tetradic coloring scheme light-pink dark-blue starfleet-blue sky-blue, reflective mapping by Rebecca Saray, indiecore, retropunk composition, high level of detail, unique and avant-garde approach. Reflective mapping 1.3, displacement mapping 1.3, ambient occlusion 1.2, soft washes, indiecore, warm tones, candyfloss textures & layers, brightness 1.3, color shapes for hues, tinted texture mapping 1.9, soft washes, watercoloring marks, 128k, UHD, HDR linework by Christophe Louis & Mira Lou, color shifts, foampunk details, (2/3 rule composition:0.5). FS, NixPort, novuschroma, iridescent, lacquer, prismatic light, 69yottea_style_illu, mΨh0r_a97Q, refraction, contrast side lighting, displacement mapping 1.3, 3d effects, coloring by Mike Zeck & Barclay Shaw, polished orphism, enlightened, illuminated by glimmering light blending with textures, coloring by Mike Zeck & Barclay Shaw, orphism, intricate textures, displacement mapping 1.3, 3d effects, coloring by Mike Zeck & Barclay Shaw,
  • Using base image: Yes

Morning's dew

• Model: DaVinci2

• Size: 1136 X 1664 (1.89 MP)

• Used settings:

  • Prompt: Mysterious fair woman portrait, textured metallic ink outlines, encaustic medium, merged styles of Kees van Dongen and Man Ray, academical art style, highly stylized painting, emulsion color shifts, glittery accents, abstract splattering paint, lush gradient blend, harmonious pastel color palette, intricate details, captivating gaze, enigmatic aura, soft lighting, tinted texture mapping 1.9, soft washes, watercoloring marks, coloring by Mike Zeck & Barclay Shaw, coveted, polished orphism & polished foampunk style lighting by Ed Paschke, dark fantasy meets surrealism, bokeh effects, UHD, HDR, 128k ((abstract female headshot, dynamic lighting 1.3, fantasy sketch art artwork, bo-golden) 4:11), hues by Hieronymus Bosch, artful composition, alluring and elegant, rich textures, artistic tinted texture mapping 1.9, soft washes, watercoloring marks, coloring by Mike Zeck & Barclay Shaw, coveted, polished orphism & polished foampunk style lighting by Ed Paschke, dark fantasy meets surrealism, bokeh effects, UHD, HDR, 128k ((abstract female headshot, dynamic lighting 1.3, fantasy sketch art artwork, bo-golden) 4:11), hues by Hieronymus Bosch,
  • Using base image: Yes

Out of the Gaze

• Model: DaVinci2

• Size: 1224 X 1544 (1.89 MP)

• Used settings:

  • Prompt: portrait, stylization 1.4,1girl, double exposure effect, style of Scott Wade and Wayne Barlow, liminal video still, vivid watercolor and ink masterpiece with remniscences of Käthe Kollwitz & Marta Worringer, heavily washed effect, by Lotte B. Prechner, expressive strokes by Emy Roeder, wet on wet technique by Bertha Oppenheimer, slightly contemplative setting, detailed line work, delicate blending, ethereal, shabby 2000's retro artstyle, calm and easing tints,128k, UHD, Rapscallionstyle, intricate texture mapping 1.3, dyed, stacked-up perspective for rounded edges, only curvaceous linework, <lora:Dark lightingSlider:-0.2>, thinned outlines, plasticity 1.3, sympathic upper body portrait, 3d effects, UHD, HDR, 128k octane render, 3D illustration, rule of thirds 1.3, intricate facial features by Francesco Clemente, ultra-sharp, 128K resolution, double exposure effect, sharp digital painting, surreal, double exposure effect, smart hyperrealism, crystalline and opaque forms, colored line patterns, serenity, reminiscent of geometrical art, gothical composition,abstract <lora:Dark lightingSlider:-0.2>, thinned watercolor, abstract expressionistic, reflective mapping by Rebecca Saray, Line-art, orphism. Circle opaque motif. Soft watercolor washes, blending wet on wet, intricate ink and pen lines, delicate alcohol wash effects, ephemeral and dreamlike atmosphere, diaphanous lighting creating a sense of ethereality, incorporation of coarse textures for depth, a touch of surrealism, polished details adding sophistication in blue hues, embossed textures, foampunk 1.6, shadow mapping 1.5, raytraced shadows 1.3, phong shading 1.3, subtle coloring 1.9, Byzantine face type, hues by Hieronymus Bosch, tints, color gradients, brightness 1.6,
  • Using base image: Yes

Scratching for Depth

• Model: Artistic 2

• Size: 1136 X 1664 (1.89 MP)

• Used settings:

  • Prompt: portrait, stylization 1.4, liminal surreal effect, prudish, brightness 1.3, plasticity 1.3, mip-mapping style of Scott Wade and Wayne Barlow, line-art motif by Saul Leiter & Yevgeny Zamyatin, Vibrant ink art in motion, collage art reminiscence, female, liminal surreal effect, prudish, brightness 1.3, reflective mapping 1.3, mip-mapping style of Scott Wade and Wayne Barlow, 1girl. line-art motif by Saul Leiter & Yevgeny Zamyatin, Vibrant ink art in motion, collage art reminiscence, cel-shaded, plasticity 1.4, embossed details, juminocore. Vibrant hatchings, intricate textures, linework of squiggly lines, pastel watercolors, dynamic scratching, splashing, blotting with a quill pen, busy, bustling, lively, teeming irregular strokes and texturing. American Gothic-inspired woodblock print blending elements of Post-Avantgarde and pointillism, layered stylization, watery and wavery elements and shapes, abstracted composition, tesselated, tetradic coloring scheme light-pink teal starfleet-blue sky-blue, foampunk details, (2/3 rule composition:0.5).Sketchy and chaotic ink hatching, intricate squiggly lines, irregular textures, loose strokes, pastel watercolors, dirty aquarelle, splashing colors, blotting, scratching, splatter, overspray, cold-pressed rough paper, dissolved chaos, masterpiece, gorgeous, evocative, sumptuous, aesthetic, unique, HD, enchanting, fuzzy, ephemeral, spectacular, dreamy, ethereal, ultra-fine texture, fine lines. Line-art, rough surfaces, hues and tints, vivid cubism, intricate textures, linework of squiggly lines, wet pastel watercolors, dynamic lighting 1.3,, foampunk details, (2/3 rule composition:0.5). FS, NixPort, novuschroma, iridescent, permissiveness, expressed licentiousness, slight dissoluteness, high coloring for stark contrasts, stylization 1.4, complex
  • Using base image: Yes