Maximilian Lueders

solitariness

• Model: Artistic 2

• Size: 912 X 2072 (1.89 MP)

• Used settings:

  • Prompt: enchantress looking at viewer, slightly angled, biophile headshot by Stephanie Hill and Ed Emshwiller, wet on wet painting, hairstyle, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, ochre, several textiles, brightness 1.8, displacement mapping 1.3, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-green dark-beige dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, moving, overall stylized illustration by Chris Foss, sweater, symmetrical, somber, desaturated hues, divisionism, crayon and ink paints, baroque old masters, gradients, cel-shaded surrealism, acutance 1.8, malleability 1.4, uncanny valley effect, stylized by William Bradley and John Buscema. Designed and contoured by Robert McCall, integrated color scheme, impasto details, essence, anisotropic filtering 1.7, shadow mapping 1.7, displacement mapping 1.8, texture mapping 1.8 for dispersed lighting, dynamic retrofuturistic style, malleability 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows, ethereal, magical ambiance, opulent, micro-level intricacy, snappy comic aesthetic, 1970s vintage illustration meets street-art in maximalist and trippy darkened tones & light delicate blending wheatgrass-like patterns, parsley-patterns-style details, distinctive, artistic style akin to a sophisticated 1970s comic book, natural reference, green gradients, ultra-stylized charcoal textures by Robert McCall, dry brush technique in a gothical setting, fantastical and otherworldly american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, color scheme. Morute style, aesthetic by Robert McCall. Merged styles of Debbie Criswell & Freda People & orphism by Kate Beaton, textured paper, hairstyle, intricate ink hatching technique for volumetric effect, , pen and ink style, comic book art 1.7 by James Audubon and Sofie Swetter Fronn, 3 layers in logarithmic distance with DOF, whimsical woman in her 40's with transparent colored outlines and brushstrokes, stylized colorful illustration, warped, high contrasting, vivid colors, high contrasting, hand-drawn painting with different charcoal textures, diverse lighting characteristics, soft pencils colorings for outlines and colored shapes. Styles intertwined by Tom Bonson, Gabriel Pacheco, Edward Gorey, Caras Ionut, Ralph Steadman, Ho Baron, Man Ray, John Buscema. Full size image, no text, no copyright. Transparently multilayered UHD, HDR, dof, debeh, bokeh, intricate 128k effects , moving, brightness 1.8, displacement mapping 1.3, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-green dark-green dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, overall stylized illustration by Chris Foss, symmetrical by William Holman Hunt, mystical lighting, antique textures, expressive brushwork, delicate pencil details, alcohol-ink textures, gouache elements, painterly fantasy illustration. Watercolor wash details, dim cel-shaded background.in nuances, acrylic details, glazing and shiny, intricate linework, raw style, chaotic composition, uncanny valley effect, warm coloring, traumacore elements, subtle plasticity, color glitches, charcoal effect. Detailed ink hatching for volume, influenced by Camille Rose Garcia, Francis Picabia, Man Ray.
  • Using base image: Yes

Peak

• Model: DaVinci2

• Size: 1256 X 1504 (1.89 MP)

• Used settings:

  • Prompt: Rhenish Expressionism, luminous and serene, enchantress looking at viewer, slightly angled. Foampunk with exaggerated acutance and malleability, moving, overall stylized illustration by Chris Foss, intricate linework, raw style, chaotic composition, uncanny valley effect, warm coloring, traumacore elements, subtle plasticity, color glitches in ink hatching for volume, influenced by Camille Rose Garcia, biophile essence by Stephanie Hill and Ed Emshwiller, wet on wet painting by Richard Corben reminiscent of the style of Debbie Harry, diverse filigreed streaks, hairstyle, wet on wet painting by Richard Corben, hairstyle, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, ochre, light reflections, reflective mapping 1.8, texture mapping 1.3, dynamic lighting 1.7, several textiles, brightness 1.8, displacement mapping 1.3, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-green dark-beige dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, moving, overall stylized illustration by Chris Foss, sweater, symmetrical, somber, desaturated hues, softened edges, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, ochre, light reflections, reflective mapping 1.8, texture mapping 1.3, dynamic lighting 1.7, several textiles, brightness 1.8, displacement mapping 1.3, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-green dark-beige dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, moving, overall stylized illustration by Chris Foss,s, ultra-stylized charcoal textures by Robert McCall, dry brush technique in a gothical setting, fantastical and otherworldly american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, color scheme. Morute style, aesthetic by Robert McCall. Merged styles of Debbie Criswell & Freda People & orphism by Kate Beaton, textured paper, hairstyle, intricate ink hatching technique for volumetric effect, , pen and ink style, comic book art 1.7 by James Audubon and Sofie Swetter Fronn, 3 layers in logarithmic distance with DOF, whimsical woman in her 40's with transparent colored outlines and brushstrokes, stylized colorful illustration, warped, high contrasting, vivid colors, high contrasting, hand-drawn painting with different charcoal textures, diverse lighting characteristics, soft pencils colorings for outlines and colored shapes. Styles intertwined by Tom Bonson, Gabriel Pacheco, Edward Gorey, Caras Ionut, Ralph Steadman, Ho Baron, Man Ray, John Buscema. Full size image, no text, no copyright.
  • Using base image: Yes

Gothic Moon

• Model: DaVinci2

• Size: 1184 X 1584 (1.88 MP)

• Used settings:

  • Prompt: By Sophie Swetter Fronn, pen and ink style, comic book art by James Audubon and Sofie Swetter Fronn, 3 layers in logarithmic distance with DOF, stylized composition, impeccable sublime styling & design, scenary depth, complex Art Noir, Art Nouveau, comic book cover art, gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, bluish gradients, several textiles, brightness 1.8, displacement mapping 1.8, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-blue dark-beige dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, moving, overall stylized illustration by Chris Foss, intricate linework, raw style, chaotic composition, uncanny valley effect, warm coloring, traumacore elements, subtle plasticity, color glitches in ink hatching for volume, influenced by Camille Rose Garcia, Francis Picabia, Man Ray. Modern hand-drawn style with charcoal textures, diverse lighting, soft pencil outlines by Tom Bonson,
  • Using base image: Yes

Vibrant Feathered Portrait

• Model: Z-Image Turbo

• Size: 1248 X 1152 (1.44 MP)

• Used settings:

  • Prompt: Sublime headshot by Taia Morley, stylized female. Feather motif. Doodle Naive art, Zentangle Style. Impasto brush strokes texture and coloring by Peter Nottrott. Mixed media image: a whimsical woman in her 40's with transparent colored outlines and brushstrokes, stylized colorful illustration, warped, high contrasting, vivid colors, high contrasting, hand-drawn painting with different charcoal textures, diverse lighting characteristics, soft pencils colorings for outlines and colored shapes. Styles intertwined by Tom Bonson, Gabriel Pacheco, Edward Gorey, Caras Ionut, Ralph Steadman, Ho Baron, Man Ray, John Buscema. Full size image, no text, no copyright. Transparently multilayered UHD, HDR, dof, debeh, bokeh, 128k, negative lucas numbers, precise hand-drawn street-art style made of faulty lines, dof, debeh, bokeh, UHD, HDR, polished & hallucinatory, recovered sensuality, dispersive lighting to enhance the dreamy and dusky ambiance. <lora:Hand Drawn Bohemian:1.0> <lora:MisanthropyRemix:1.0> <lora:MJ Moodboard 7d:1.0>, snappy coloring, complex appearance, scathing hues and tints, snappish outlines, tetradic coloring scheme light-beige dark-white light-red rosewood-pink, edgy mimic, somber attitude, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, cottagegore, juminocore, soft wind-shaped patterns and weathered textures by Edgar Ende, balanced grain, tesselation 1.3, liminal space, uncanny valley effect, mip-mapping 1.3, warm coloring 1.9, traumacore 1.9, plasticity 1.3, overexposed. Modern hand-drawn style with charcoal textures, diverse lighting, soft pencil outlines. Styles intertwined by Tom Bonson, Gabriel Pacheco, Edward Gorey, dispersive lighting to enhance the dreamy and dusky ambiance. captivating minimal masterpiece of a portrait of a unique and elegant woman with a beautiful facial gesture, with clean white and black, and purple/red hi-lites, halftone circels and lines, with decent contours of mixed lines and circles of different thickness and transparency, amazing high-contrast technique that highlight of the forms on abstract shape background. highly detailed digital painting, high definition, crisp quality, acrylic art by Jackson Pollock & Jeremy Mann, 128k
  • Using base image: Yes

Ashes

• Model: DaVinci2

• Size: 1032 X 1840 (1.90 MP)

• Used settings:

  • Prompt: Renaissance Painting Style and colors, fusion of crayonism and mixed media, featuring ultra-stylized charcoal textures by Robert McCall, dry brush technique in a gothical setting, fantastical and otherworldly american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, color scheme. Morute style, aesthetic by Robert McCall. Merged styles of Debbie Criswell & Freda People & orphism by Kate Beaton, textured paper, hairstyle, intricate ink hatching technique for volumetric effect, detailed splattered design, grains and dots, splashes, rain-soaked textures, reflective surfaces, Unreal Engine rendering, VRay lighting effects, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, ochre, and sea-green, several textiles, brightness 1.8, displacement mapping 1.3, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-green dark-green dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, moving, overall stylized illustration by Chris Foss, symmetrical, somber, by William Holman Hunt, mystical lighting, antique textures, expressive brushwork, delicate pencil details, alcohol-ink textures, gouache elements, subtle gold-leaf effects, timeless atmosphere, painterly fantasy illustration. Deep indigo, crimson, charcoal, silver mist, antique, muted burgundy, moonlit ivory, smoky faded copper colors, intricate linework, raw style, chaotic composition, uncanny valley effect, warm coloring, traumacore elements, subtle plasticity, color glitches, charcoal effect. Detailed ink hatching for volume, influenced by Camille Rose Garcia, Francis Picabia, Man Ray. Modern hand-drawn style with charcoal textures, diverse lighting, soft pencil outlines by Tom Bonson, Gabriel Pacheco, Edward Gorey, dispersive lighting to enhance the dreamy and dusky ambiance. <lora:Hand Drawn Bohemian:1.0>, <lora:MisanthropyRemix:1.0>, <lora:MJ Moodboard 7d:1.0>, precise hand-drawn linework. quilling fantasy, gradient inking colors, brightness 1.9, parallax occlusion 1.2, raytraced shadows 1.8, divisionism, radiance, cottagegore 1.7, close-up, layers of fabric, crackles, contraptions, frilly blouse, tessellated, sculpted, cel-shaded, somber attitude, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, uncanny valley effect, mip-mapping 1.3, warm coloring 1.9, street-art style made of faulty lines, volumetric light, intricately angled perspective and intelligible, graspable lines for erosion patterns, maximalism, quaint,
  • Using base image: Yes

Mechanica

• Model: DaVinci2

• Size: 1376 X 1376 (1.89 MP)

• Used settings:

  • Prompt: Renaissance Painting Style and colors, fusion of crayonism and mixed media, featuring ultra-stylized charcoal textures by Robert McCall, diffuse lighting, ambient occlusion, Polished Surrealism, unreal engine, 128K, UHD, crisp quality, light reflections, RHADS, raygun gothic merged with corporate hippie-style, vibrant colors and a blend of gouache with singular paintbrush strokes. Embrace the dry brush technique in a gothical setting, fantastical and otherworldly american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, tetradic color scheme light-beige ochre dark-white light-yellow. Morute style, aesthetic by Robert McCall. Merged styles of Debbie Criswell & Freda People & orphism by Kate Beaton, textured paper. Hands holding hairstyle, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, ochre, several textiles, brightness 1.8, displacement mapping 1.3, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-yellow dark-beige dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, moving, overall stylized illustration by Chris Foss, sweater, symmetrical, somber, desaturated hues, divisionism, crayon and ink paints, baroque old masters, gradients, cel-shaded surrealism, acutance 1.8, malleability 1.4, uncanny valley effect, stylized by William Bradley and John Buscema. Designed and contoured by Robert McCall, integrated color scheme, impasto details, essence, anisotropic filtering 1.7, shadow mapping 1.7, displacement mapping 1.8, texture mapping 1.8 for dispersed lighting, dynamic retrofuturistic style, malleability 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows, ethereal, magical ambiance, opulent, micro-level intricacy, snappy comic aesthetic, 1970s vintage illustration meets street-art in maximalist and trippy darkened tones & light delicate blending, ethereal, painterly, flowing, graceful, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, uncanny valley effect, mip-mapping 1.3, warm coloring 1.9,
  • Using base image: Yes

Disco

• Model: DaVinci2

• Size: 1104 X 1712 (1.89 MP)

• Used settings:

  • Prompt: Vibrant headshot by Bernhard Prinz and John Buscema, dollcore, caricature, irrefutable, incontrovertible, unassailable, irrefragable textures, raygun gothic merged with corporate hippie-style, vibrant colors and a blend of gouache with singular paintbrush strokes. Embrace the dry brush technique in a gothical setting, fantastical and otherworldly american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, tetradic color scheme light-beige lilac dark-white light-purple, several crackles in gradient hues, plasticity 1.8, unchallengeable boomer-woman in a close-up, psychedelic Pop-art headshot akin to surrealism, reflective mapping 1.3, apparent, seeming, ostensible, feigned appearance, negative lucas numbers, slighlty exaggerated features, slightly overexposed, color glitches, color scheme of Gainsboro-grey light-lilac dark-pink dark-purple, reflective mapping 1.3, charchoal effect, style of Jean-Michel Basquiat & Esao Andrews & Stan Lee & Roberto Matta, wet on wet technique by Chaim Soutine, copal by Antoni Tapies, shaped in watercolors and ink Arshile Gorky Psychedelic surrealism, post-modern composition akin to postimpressionism by Edward Gorey & Nadya Rusheva, pop art & maximalism & outsider art, crayonism, vintage luxury, scruffy Lithograph details and alcohol ink. Mixed media, multi-perspective mixing artistic styles, looking for hidden details & syntactical connections, intricate ink hatching technique for volumetric effect, detailed splattered design, grains and dots, splashes, rain-soaked textures, reflective surfaces, Unreal Engine rendering, VRay lighting effects, volumetric fog, comic noir inkwash style, flowing organic shapes, varying line thickness, cinematic postprocessing, plasticity by Milo Manara, blotting, pointilism reminiscence, negative lucas numbers, quaint line-art akin to a geometrical sgraffitto, very neat american gothic,
  • Using base image: Yes

Neon Gothic

• Model: DaVinci2

• Size: 1240 X 1528 (1.89 MP)

• Used settings:

  • Prompt: Mysterious Sketch art female upper body portrait on textured paper. Hands holding hairstyle, ultra-stylized charcoal textures, raygun gothic merged with corporate hippie-style, vibrant colors and a blend of gouache with singular paintbrush strokes. Embrace the dry brush technique in a gothical setting, fantastical and otherworldly american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, tetradic color scheme light-beige ochre dark-white light-yellow, several crackles in textiles, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-yellow dark-beige dark-grey, overpainted fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd,several crackles in textiles, displacement mapping 1.3, line-art, moving, overall stylized illustration by Chris Foss, symmetrical, somber, desaturated hues, divisionism, crayon and ink paints, baroque old masters, gradients, cel-shaded surrealism, acutance 1.8, malleability 1.4, uncanny valley effect, stylized by William Bradley and John Buscema. Designed and contoured by Robert McCall, integrated color scheme, tetradic coloring scheme of yellow, light-ochre, orange, and red, playing with tints and hues. Crafted by the legendary Stan Lee, envision porcelain skin with an orpism twist, using small to medium shadows, translucent, stylized textured background, warped, and highly stylized, creating a fantastical, unreal, and enchanting scene. Transport viewers to a world that is captivating and otherworldly, resonating with the artistic essence of William Bradley and Robert McCall, by Margit Eisenschmid and Man Ray, on textured paper, hairstyle, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, radiance, cottagegore 1.7, close-up, expressive brushwork. Methodocal, mystical, flowing, graceful, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, uncanny valley effect, mip-mapping 1.3, warm coloring 1.9,
  • Using base image: Yes

Platinum

• Model: DaVinci2

• Size: 992 X 1904 (1.89 MP)

• Used settings:

  • Prompt: Angled upper body portrait in style of Coquette Noir, Boudoir Chic, Bimbocore, Dark Doll Core by Angel Planells and Man Ray with a vector-heart-style reminiscence by Frank Miller. Geometrical art with Zentangle, Smooth and silky. Coarse and rough textures in background, foampunk 1.8 in style of Taia Morley, uhd, hdr, dof, debeh, bokeh, joyful, dispersive lighting to enhance the dreamy and dusky ambiance. <lora:Hand Drawn Bohemian:1.0>, <lora:MisanthropyRemix:1.0>, <lora:MJ Moodboard 7d:1.0>, precise hand-drawn linework. quilling fantasy, dispersive lighting from top, bleeding ink effect, tetradic color scheme goldenrut-yellow sea-green dark-ochre rosewood-pink, female malleability 1.3, debeh, bokeh, neat american gothic, debeh, bokeh, UHD, HDR, polished & hallucinatory, recovered sensuality, dispersive lighting to enhance the dreamy and dusky ambiance. <lora:Hand Drawn Bohemian:1.0> <lora:MisanthropyRemix:1.0> <lora:MJ Moodboard 7d:1.0>, ethereal headshot by William Holman Hunt, mystical textures, tessellated, sculpted, cel-shaded, White Hair & Painted Meadow in background. teal in plastered textures, Straw-White, Closed Profile painterly ethereal, beautiful young woman sits in profile, eyes closed. Black lace bodice; the skirt becomes a patchwork of small color-panes, textile bloom. collagraphy, mixed media, plaster wash, oil coloring, clearly legible warm cream paper, misted mint, sea-green, glass, turquoise, oxidized teal, deep brown gradients and charcoal green, frontal gaze, color wash placement, cream paper textures, unfinished painterly outlines, woman in her late twenties, precise broad texturing, recovered sensuality, dispersive lighting to enhance the dreamy and dusky ambiance. <lora:Hand Drawn Bohemian:1.0> <lora:MisanthropyRemix:1.0> <lora:MJ Moodboard 7d:1.0>, ethereal headshot by William Holman Hunt, mystical textures, tessellated, sculpted, cel-shaded, autumn academia, eat american gothic, debeh, bokeh, UHD, HDR, polished & hallucinatory, irregular teal brushwork. charcoal and softly smudged subtle pine-green wash, broad watery mint shapes and darker blue-green, pale washes along the lower and outer edges, blocky dry-brush colorings & lifted pigment, translucent overlaps, small drips, granulation, deckled-looking interruptions fpr visual simplicity, rough cold-press watercolor paper using transparent wash, dry brush, diluted ink and thinned print-transfer texture, glossy, photographic or digitally airbrushed. photographic or digitally airbrushed textures, raygun gothic merged with corporate hippie-style, vibrant colors and a blend of an enchanting scene stylized by William Bradley and John Buscema. Designed and contoured by Robert McCall, integrated color scheme details, line-art in maximalist and trippy darkened tones & cymatics and geometrical patterns, malleability 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows,
  • Using base image: Yes

Punk

• Model: DaVinci2

• Size: 1280 X 1480 (1.89 MP)

• Used settings:

  • Prompt: Headshot by Stephanie Hill, sketch of a female punk rocker with mohawk hairstyle. Groovy surrealism by Edgar Ende and Man Ray, photographic or digitally airbrushed textures, raygun gothic merged with corporate hippie-style, vibrant colors and a blend of an enchanting scene stylized by William Bradley and John Buscema. Designed and contoured by Robert McCall, integrated color scheme details, line-art in maximalist and trippy darkened tones & cymatics and geometrical patterns, malleability 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows, outlines by Paul Kidby. upper body portrait in an retrofuturistic setting, colored with pinkish washes of watercolor, striking contrast to the lines and stippling of the artwork by Asia Spettel and Carl Lundgren. Bright colorings, immediate surroundings are rendered in vibrant colorings of dissolving fading lines and spikes, warm colored retropunk, steampunk reminiscence, vintage flair, brightness 1.3, playful outlines by Walter Molino, malleability 1.8, hues by Gerald Brom, traumacore style by Horace Pippin and Earl Moran, plasticity 1.8, dynamic lines by Asia Spettel, polished finish, whimsical sublime color palette with striking contrasts, side view, whimsical and intricate details, transparent watercolors blending seamlessly for malleability and vibrancy, wet on wet painting, psychedelic postimpressionism by Stan Lee & Asia Spettel & Edward Gorey, lines coming from top to bottom for multi-layer rendering creating depth by the imagination of Man Ray, texture mapping 1.8, scene glows with soft pastel tones, golden tones, diverse textures, blending surrealism, art nouveau, and vintage children’s book illustration, rendered as stunning Chinese watercolor with gradient inking tinges. Blending pop-art fantasy with elegant baroque designs, the textured paper. japanese watercolor and Chinese pencil sketch techniques, as if created by Carl Lundgren, Asia Spettel, Aubrey Beardsley, and Vivienne Westwood. subtle spatial depth, slightly intricate background elements, low angle perspective, trippy, detailed swirls, cymatics, geometrical linework, portrait, foampunk 1.8,
  • Using base image: Yes

Golden Mosaic

• Model: DaVinci2

• Size: 1328 X 1424 (1.89 MP)

• Used settings:

  • Prompt: Mural in style of Jackie Morris and Jane Newland, but with touch of magic realism. Female Headshot, debeh, bokeh, UHD, HDR, polished & hallucinatory, rough cold-press watercolor paper using transparent wash, dry brush, diluted ink and thinned print-transfer texture, glossy, photographic or digitally airbrushed textures, raygun gothic merged with corporate hippie-style, vibrant colors and a blend of an enchanting scene stylized by William Bradley and John Buscema. Designed and contoured by Robert McCall, integrated color scheme details, line-art in maximalist and trippy darkened tones & cymatics and geometrical patterns, malleability 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows, ethereal, magical ambiance, opulent, micro-level intricacy, snappy comic aesthetic, 1970s vintage illustration psychedelic art, glossy glowing, merged styles of Rebecca Guay & Aubrey Beardsley for stylized embodiment, dreamlike op-art essence, anisotropic filtering 1.7, shadow mapping 1.7, displacement mapping 1.8, texture mapping 1.8 for dispersed lighting, dynamic retrofuturistic style, malleability 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows, ethereal, magical ambiance, opulent, micro-level intricacy, snappy comic aesthetic, 1970s vintage illustration meets street-art in maximalist and trippy darkened cymatics and geometrical patterns akin to coral-like and dendritic structures rendered in a kaleidoscope of bright colors like turquoise, deep blue, purple, light-pink, beige, light-yellow, and hints of lilac, reminiscent of psychedelic art, neo-folk art with a high level of detail and rich, saturated colors, glossy glowing, merged styles of Rebecca Guay & Aubrey Beardsley for stylized embodiment, watercolor and ink, swooping cursive strokes, evocative and delicate blending. hyper-detailed 3D illustration, uhd, hdr, dof, debeh, bokeh, negative lucas numbers, liminal, dynamic lighting 1.8, phong shading 1.3, cel shading technique, very refined, soft glowing diaphanous lighting, reflective mapping 1.3, expressive coloring with visible brushstrokes and color blending, line-art, orphism for shifted hues, embossed texture, tranquil, striking glossy sheen for tints, intricate abstract motifs, geometrical organic patterns,
  • Using base image: Yes

Purple goth

• Model: DaVinci2

• Size: 992 X 1904 (1.89 MP)

• Used settings:

  • Prompt: Angled upper body portrait in style of Coquette Noir, Boudoir Chic, Dark Doll Core. painting by Angel Planells and Man Ray with a vector-heart-style reminiscence by Frank Miller. Geometrical art with Zentangle, neat american gothic, debeh, bokeh, UHD, HDR, polished & hallucinatory, rough cold-press watercolor paper using transparent wash, dry brush, line-art in maximalist and trippy darkened tones & cymatics and geometrical patterns, malleability 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows, ethereal, magical ambiance, opulent, micro-level intricacy, snappy comic aesthetic, 1970s vintage illustration psychedelic art, glossy glowing, merged styles of Rebecca Guay & Aubrey Beardsley for stylized embodiment, dreamlike diluted ink and thinned print-transfer texture, glossy, photographic or digitally airbrushed textures, raygun gothic merged with corporate hippie-style, vibrant colors and a blend of gouache with singular paintbrush strokes, dry brush technique in a gothical setting, fantastical and otherworldly american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, tetradic color scheme light-beige ochre dark-white light-lilac, dispersive lighting to enhance the dreamy and dusky ambiance. <lora:Hand Drawn Bohemian:1.0> <lora:MisanthropyRemix:1.0> <lora:MJ Moodboard 7d:1.0>, ethereal headshot by William Holman Hunt, mystical textures, tessellated, sculpted, cel-shaded in plastered textures, Straw-White, Closed Profile painterly ethereal, beautiful skirt becomes a patchwork of small color-panes, textile bloom. collagraphy, mixed media, plaster wash, oil coloring, clearly legible warm cream paper, deep gradients and charcoal gaze, color wash placement, cream paper textures, unfinished painterly outlines, woman in her late twenties, precise broad texturing, recovered sensuality, dispersive lighting to enhance the dreamy and dusky ambiance. <lora:Hand Drawn Bohemian:1.0> <lora:MisanthropyRemix:1.0> <lora:MJ Moodboard 7d:1.0>, ethereal headshot by William Holman Hunt, mystical textures, tessellated, sculpted, cel-shaded, autumn academia, neat american gothic, debeh, bokeh, UHD, HDR, polished & hallucinatory, irregular brushwork. charcoal and softly smudged broad watery mint shapes and pale washes along the lower and outer edges, blocky dry-brush colorings & lifted pigment, translucent overlaps, small drips, granulation, deckled-looking interruptions fpr visual simplicity,
  • Using base image: Yes

Serene Twilight

• Model: DaVinci2

• Size: 1360 X 1392 (1.89 MP)

• Used settings:

  • Prompt: Mural in style of Jackie Morris and Jane Newland, but with touch of magic naturalism. Female Headshot, enchanting lakeview scene stylized by William Bradley and John Buscema. Designed and contoured by Robert McCall,styled by Walter Molino and Tomas Sanchez, stylized by Emshwiller, tessellated patterns, sculpted details, dispersive lighting for a dusky dreamy feel. Hand-drawn bohemian style, MisanthropyRemix, MJ Moodboard 7d, precise linework, background in patterns, op-art essence, anisotropic filtering 1.7, shadow mapping 1.7, displacement mapping 1.8, texture mapping 1.8 for dispersed lighting, dynamic retrofuturistic style, mystical, moonlit night lighting, ancient, mysterious, eerie glow, enchanted atmosphere, intricate details, diffused brightness 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows, ethereal, magical ambiance, opulent, micro-level intricacy, snappy comic aesthetic, 1970s vintage illustration meets line-art in maximalist and trippy darkened tones & cymatics and geometrical patterns, malleability 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows, ethereal, magical ambiance, integrated color scheme, multi-layered eyes, squiggly tiny impasto details, mip-mapping 1.3, warm coloring 1.9, outwashed colorings, orphism elements, neat American gothic details, bokeh effect, ultra-high definition resolution, HDR lighting, opulent micro-level intricacy, snappy comic aesthetic, 1970s vintage illustration psychedelic art, glossy glowing, merged styles of Rebecca Guay & Aubrey Beardsley for stylized embodiment, dreamlike headshot, side view, curls, mip-mapping 1.3, ambiance, watercolor medium, delicate blending, ethereal colors, emotional depth, contrasting shadows, soft textures by Sam Gilliam and Edward Gorey inspired, anisotropic filtering 1.7, shadow mapping 1.7, displacement mapping 1.8, texture mapping 1.8 for dispersed lighting, dynamic retrofuturistic style, malleability 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows, ethereal, magical ambiance, opulent, micro-level intricacy, snappy comic aesthetic, 1970s vintage illustration meets street-art in maximalist and trippy darkened tones & light, cymatics and geometrical patterns, Watercolor and Ink masterpiece, heavily washed effect, swirls and twirls of lines and color around the faded edges, details faded away before the sunrise, dreamy, delicate blending, ethereal, painterly, flowing, graceful, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, uncanny valley effect,
  • Using base image: Yes

Cyberpunk

• Model: DaVinci2

• Size: 1152 X 1648 (1.90 MP)

• Used settings:

  • Prompt: A mesmerizing headshot by Kera Till, fusion of crayonism and mixed media, featuring ultra-stylized charcoal textures, raygun gothic merged with corporate hippie-style, vibrant colors, and a blend of gouache with singular paintbrush strokes. Embrace the dry brush technique in a gothical dollcore setting, evoking a fantastical and otherworldly aura akin to anime. Dive into a tetradic coloring scheme of yellow, light-ochre, orange, and red, playing with tints and hues. Crafted by the legendary Stan Lee, envision porcelain skin with an orpism twist, using small to medium circles and burnt-orange shadows. Picture oval and translucent bubbles, accented in gold, stylized apricot, and pale pink against a textured background. Let the illustration be exaggerated, warped, and highly stylized, creating a fantastical, unreal, and enchanting scene. Transport viewers to a world that is captivating and otherworldly, resonating with the artistic essence of William Bradley and Robert McCall, by Margit Eisenschmid and Man Ray, female upper body portrait on textured paper, hairstyle, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, ochre trousers, several crackles in textiles, brightness 1.8, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-yellow dark-beige dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, moving, overall stylized illustration by Chris Foss, sweater, symmetrical, somber, desaturated hues, divisionism, crayon and ink paints, baroque old masters, gradients, cel-shaded surrealism, acutance 1.8, malleability 1.4, uncanny valley effect, stylized by William Bradley and John Buscema. Designed and contoured by Robert McCall, integrated color scheme, impasto details, essence, anisotropic filtering 1.7, shadow mapping 1.7, displacement mapping 1.8, texture mapping 1.8 for dispersed lighting, dynamic retrofuturistic style,mip-mapping 1.3, delicate light filtering, raytraced shadows, ethereal, magical ambiance, opulent, micro-level intricacy, snappy comic aesthetic, 1970s vintage illustration meets street-art in maximalist and trippy darkened tones & light, cymatics and geometrical patterns, Watercolor and Ink masterpiece, heavily washed effect, swirls and twirls of lines and color around the faded edges, details faded away before the sunrise, dreamy, delicate blending, ethereal, painterly, flowing, graceful, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, uncanny valley effect, warm coloring 1.9,
  • Using base image: Yes

Stained

• Model: DaVinci2

• Size: 1272 X 1488 (1.89 MP)

• Used settings:

  • Prompt: Headshot styled by Walter Molino and by Tomas Sanchez, deep view and perspective stylized and outlined by Emshwiller, geometrical orphism, negative lucas numbers, quaint line-art akin to a geometrical sgraffitto, malleability 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows, ethereal, magical ambiance, opulent, micro-level intricacy, snappy 1970s vintage illustration meets street-art in maximalist and trippy darkened tones & light, cymatics and geometrical patterns, Watercolor and Ink masterpiece, heavily washed effect, swirls and twirls of lines and color around the edges, faded edges, details faded away, colors and surroundings are fitting to a being on the deck of a large science vessel enjoying the morning before the sunrise, coincidental pigment marks, styled by Walter Molino and by Tomas Sanchez, stylized and outlined by Emshwiller, orphism, line-art details, neat american gothic, psychedelic line-art features by Israel Hoffmann and Edward Gorey, bleeding ink effect, flattened outlines, warm tones & painterly elegance, sophisticated line-art aesthetic, imperfect tactile quality, flat and graphic elements, atmospheric ambiance, expressive brushwork, understated realism. colorful ambient occlusion 1.8, colorful ray tracing by Georgia O'Keeffe, very smooth precise Gelsculpt 64K, divisionism, sculpted, deconstructed, very neat american gothic, vivid postimpressionism, cel-shaded, raw and experimental essence, tiny impasto details, synthetic essence, anisotropic filtering 1.7, shadow mapping 1.7, displacement mapping 1.8, in style of Jackie Morris and Jane Newland, whimsical and vibrant full body portrait made of detailed linework, impressionism-inspired motifs, enchanting storytelling, diverse textures, warm color palette, dynamic lighting, imaginative fusion of realism and imagination, dreamlike magical realism, intricate linework elements, expressive brushwork, whimsical surfaces, intricate texture details, charming narrative, mixed media approach, intricate layering, intricate patterns, by Kate Baylay, merged styles of Mark Hearld & Javier Mariscal & Helen Dardik, reminiscent of Jennifer Lommers, lighting by Sam Toft, hues by Didier Lourenço, embodiment by Jackie Morris & Flora Bowley. enchanting scene stylized by William Bradley and John Buscema. Designed and contoured by Robert McCall, integrated color scheme, tiny impasto details, op-art essence, anisotropic filtering 1.7, shadow mapping 1.7, displacement mapping 1.8, texture mapping 1.8 for dispersed lighting, dynamic retrofuturistic style, dreamy geometrical organic patterns, plasticity 1.8, visible textures, distressed plaster surface, faded pigments, aged and weathered appearance, rough acrylic textures, ink drawing details, polished surface,
  • Using base image: Yes

Pink and Warm

• Model: DaVinci2

• Size: 1088 X 1744 (1.90 MP)

• Used settings:

  • Prompt: Mysterious Sketch art female 3/4 body portrait on textured paper. Hands holding hairstyle, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, ochre trousers, several crackles in textiles, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-yellow dark-beige dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, by Margit Eisenschmid and Man Ray, on textured paper. Hands holding hairstyle, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, ochre trousers, several crackles in textiles, brightness 1.8, displacement mapping 1.3, line-art, moving, overall stylized illustration by Chris Foss, symmetrical, somber, desaturated hues, divisionism, crayon and ink paints, baroque old masters, gradients, cel-shaded surrealism, acutance 1.8, malleability 1.4, uncanny valley effect, stylized by William Bradley and John Buscema. Designed and contoured by Robert McCall, integrated color scheme, impasto details, essence, anisotropic filtering 1.7, shadow mapping 1.7, displacement mapping 1.8, texture mapping 1.8 for dispersed lighting, dynamic retrofuturistic style, malleability 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows, ethereal, magical ambiance, opulent, micro-level intricacy, snappy comic aesthetic, 1970s vintage illustration meets street-art in maximalist and trippy darkened tones & light, cymatics and geometrical patterns, Watercolor and Ink masterpiece, heavily washed effect, swirls and twirls of lines and color around the faded edges, details faded away before the sunrise, dreamy, delicate blending, ethereal, painterly, flowing, graceful, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, uncanny valley effect, mip-mapping 1.3, warm coloring 1.9, styled by Walter Molino and Tomas Sanchez, stylized by Emshwiller, tessellated patterns, sculpted details, dispersive lighting for a dreamy feel. Hand-drawn style, patterns and geometric sensibilities and linework. <lora:ponyv4_noob1_2_adamW-000017:0.75>, 1970s pulp art, sci-fi fantasy art style by John Buscema, dramatic high-contrast lighting, bold saturated colors of deep red, magenta, and light-orange. Ethereal, cosmic atmosphere merging the styles of Donato Giancola and Frank Kelly Freas and Frank Miller. Epic outlines and soft edges, restrained pastel touches, softened and warm digital gradients, gradient inking colors, brightness 1.9, parallax occlusion 1.2, raytraced shadows 1.8, divisionism, radiance, cottagegore 1.7, close-up, expressive brushwork. Methodocal, mystical, flowing, graceful, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, uncanny valley effect, mip-mapping 1.3, warm coloring 1.9,
  • Using base image: Yes

Gradient Bob

• Model: Artistic 2

• Size: 1280 X 1480 (1.89 MP)

• Used settings:

  • Prompt: Mysterious Sketch art by Margit Eisenschmid and Man Ray, female upper body portrait on textured paper. Hands holding hairstyle, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, ochre trousers, several crackles in textiles, brightness 1.8, displacement mapping 1.3, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-yellow dark-beige dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, moving, overall stylized illustration by Chris Foss, sweater, symmetrical, somber, desaturated hues, divisionism, crayon and ink paints, baroque old masters, gradients, cel-shaded surrealism, acutance 1.8, malleability 1.4, uncanny valley effect, stylized by William Bradley and John Buscema. Designed and contoured by Robert McCall, integrated color scheme, impasto details, essence, anisotropic filtering 1.7, shadow mapping 1.7, displacement mapping 1.8, texture mapping 1.8 for dispersed lighting, dynamic retrofuturistic style, malleability 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows, ethereal, magical ambiance, opulent, micro-level intricacy, snappy comic aesthetic, 1970s vintage illustration meets street-art in maximalist and trippy darkened tones & light, cymatics and geometrical patterns, Watercolor and Ink masterpiece, heavily washed effect, swirls and twirls of lines and color around the faded edges, details faded away before the sunrise, dreamy, delicate blending, ethereal, painterly, flowing, graceful, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, uncanny valley effect, mip-mapping 1.3, warm coloring 1.9,
  • Using base image: Yes

Pink Mural

• Model: DaVinci2

• Size: 1016 X 1856 (1.89 MP)

• Used settings:

  • Prompt: Mural in style of Jackie Morris and Jane Newland, whimsical and vibrant full body portrait made of detailed linework, impressionism-inspired motifs, enchanting storytelling, diverse textures, warm color palette, dynamic lighting, imaginative fusion of realism and imagination, dreamlike magical realism, intricate linework elements, expressive brushwork, whimsical surfaces, intricate texture details, charming narrative, mixed media approach, intricate layering, intricate patterns, by Kate Baylay, merged styles of Mark Hearld & Javier Mariscal & Helen Dardik, reminiscent of Jennifer Lommers, lighting by Sam Toft, hues by Didier Lourenço, embodiment by Jackie Morris & Flora Bowley. enchanting scene stylized by William Bradley and John Buscema. Designed and contoured by Robert McCall, integrated color scheme, tiny impasto details, op-art essence, anisotropic filtering 1.7, shadow mapping 1.7, displacement mapping 1.8, texture mapping 1.8 for dispersed lighting, dynamic retrofuturistic style, malleability 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows, ethereal, magical ambiance, opulent, micro-level intricacy, snappy comic aesthetic, 1970s vintage illustration meets street-art in maximalist and trippy darkened tones & light, cymatics and geometrical patterns, Watercolor and Ink masterpiece, heavily washed effect, swirls and twirls of lines and color around the edges, faded edges, details faded away, colors and surroundings are fitting to a being on the deck of a large science vessel enjoying the morning before the sunrise, dreamy geometrical organic patterns,
  • Using base image: Yes

Gloss

• Model: Artistic 2

• Size: 1248 X 1512 (1.89 MP)

• Used settings:

  • Prompt: Mysterious Sketch art by Margit Eisenschmid and Man Ray, abstracted in the style of Frank Miller and Inga Moore, ochre crackles in textiles, multi-layered eyes, gradient hues in wide brushstrokes by Robert McCall, simpflified color scheme, smiling, translucent overlaps, small drips, granulation, dreamy and dusky ambiance. <lora:Hand Drawn Bohemian:1.0>, <lora:MisanthropyRemix:1.0>, <lora:MJ Moodboard 7d:1.0>, precise hand-drawn linework. quilling fantasy, gradient inking colors, cel-shaded, somber attitude, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, uncanny valley effect, mip-mapping 1.3, warm coloring 1.9, divisionism, radiance, cottagegore 1.7, close-up, expressive brushwork. Methodocal, flowing, graceful, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, uncanny valley effect, mip-mapping 1.3, warm coloring 1.9, rough acrylic textures, ink drawing details, polished surface, caricature reminiscence, expressive brushwork, distressed plaster surface, faded pigments akin to a collagraphy, aged and weathered appearance, crude collage and digital painting by Troy Brooks and Ho Baron and Sas Christian, beautiful sketch stylized by Marion Peck, sketch art with deep view and perspective stylized and outlined by Emshwiller, gradient inking colors, beautiful, raw and experimental essence, tiny impasto details, op-art essence, anisotropic filtering 1.7, shadow mapping 1.7, displacement mapping 1.8, texture mapping 1.8 for dispersed lighting, dynamic retrofuturistic style, malleability 1.3, prudish, warm coloring 1.9, raytraced shadows 1.3, cute traumacore 1.9, plasticity 1.8, ultra detailed, realistic metal textures, crisp contrasts, Dystopian futuristic headshot, intricate stylization reminiscence, holographic lighting, grains and dots, splashes, rain-soaked textures, reflective surfaces, multi-perspective, dramatic angles, Unreal Engine rendering, VRay lighting effects, volumetric fog, comic noir inkwash style, flowing organic shapes, varying line thickness, cinematic postprocessing, plasticity by Milo Manara, blotting, pointilism reminiscence, negative lucas numbers, quaint line-art akin to a geometrical sgraffitto, very neat american gothic, liminal, rough acrylic textures, ink drawing details, bluish gradient inking colors, tractography technique for geometrical orphism by William Holman Hunt & Vladimir Fedotko, set in a liminal space, ultra-high-definition resolution (UHD), HDR for dynamic range, depth of field (DOF), detailed background elements (debeh), bokeh effects, hikary lighting, 3D effects to enhance depth, resembling a watercolor painting style of dark-wave, pale washes along the lower and outer edges, blocky dry-brush colorings & lifted pigment,
  • Using base image: Yes

Golden scale

• Model: DaVinci2

• Size: 1400 X 1352 (1.89 MP)

• Used settings:

  • Prompt: Flowing watercolor and fountain pen ink, textured paper, wet-on-wet technique akin to style of Martin Welzel, blurred ink lines merging into colorful washes, gradient inking, malleability 1.8, stylized headshot, intricate filigree details, visual narrative, peotic swirling abstract background in deep pastel hues, subtle gold accents for opulent mystery, soft and diffused lighting. Flakes and varying brushstrokes of light-yellow and crayola yellow and spring-green, zentangle, abstracted, warped, geometrical features by Ed Binkley, vibrant colors, and a blend of gouache with singular paintbrush strokes. Embrace the dry brush technique in a gothical dollcore setting, evoking a fantastical and otherworldly aura akin to anime. Dive into a tetradic coloring scheme of light-blue, light-beige, light-orange, and yellow, playing with tints and hues. Crafted by the legendary Stan Lee, envision porcelain skin with an orpism twist, using small to medium circles. Chaotic, distressed plaster surface, abstract illustration mixing media, wide brushstrokes by Robert McCall, simplified color scheme, smiling, funny, figurative, textures of rennet and whey, comic/manga, pen and ink, cel shading art style. fluid caricature reminiscence, stylized linework, outlined, cel shading technique, very refined, reflective mapping 1.3, expressive coloring with visible brushstrokes and color blending, line-art, orphism for shifted hues, embossed texture, tranquil, striking glossy sheen for tints, intricate abstract motifs, geometrical organic patterns, expressive, distressed plaster surface, flattened outlines, warm tones & painterly elegance, sophisticated line-art aesthetic, imperfect tactile quality, flat and graphic elements, atmospheric ambiance, stylized and outlined by Emshwiller, orphism, line-art details, plasticity 1.3, coral-like and dendritic structures rendered in a kaleidoscope of bright colors like turquoise, deep crayola-yellow, pale yellow, light-blue, beige, light-yellow, and hints of lilac, reminiscent of psychedelic art, neo-folk art with a high level of detail and rich, saturated colors, glossy glowing, merged styles of Rebecca Guay & Aubrey Beardsley for stylized embodiment, watercolor and ink, swooping cursive strokes, evocative and delicate blending. hyper-detailed 3D illustration, uhd, hdr, dof, debeh, bokeh, negative lucas numbers, liminal, dynamic lighting 1.8, phong shading 1.3, neat american gothic,
  • Using base image: Yes