Maximilian Lueders

Maritime Breeze

• Model: DaVinci2

• Size: 1056 X 1792 (1.89 MP)

• Used settings:

  • Prompt: Artwork by Headshot styled by Walter Molino and by Tomas Sanchez, stylized, psychedelic postimpressionism by Israel Hoffmann and Edward Gorey, mixed media creation, intricate fine line-art, fugarative work, polished composition, artistically precise execution. darkened sea-green colorings in orphism style, collage art reminiscence, pulp art by Rebecca Saray, slightly warped, psychedelic and trippy coloring by Paul Kidby & Edward Gorey, retropunk, sci-fi, hues in burnt-orange, gradients, embellished, rim lighting, brightness 1.3, league of legends,<lora:h1dak0_s0u_style:1.5>, <lora:aiai-Glimra-Flux-Dev-v2.safetensors:0.5>, MechaP0s, <lora:aidmaGLOW-FLUX-V0.1.safetensors:0.5>, coloring by Ed Binkley, light-brown and greyish gradients, MechaP0s, <lora:aidmaGLOW-FLUX-V0.1.safetensors:0.5>, enlarged eyes, hikaru motifs a la Ray Caesar, stylized headshot, anime portrait, smile, p0nyd1sney1ncasev1x0n2. Scumbling paints. Enchantress looking at viewer, slightly angled, biophile headshot by Tim Collom, wet on wet painting, wheatgrass-like patterns, parsley-patterns-style details, figurative, psychedelic, artsy postimpressionism by Stan Lee & Nadya Rusheva, cloisonné-like effect, malleability 1.3, warm watercoloring and acrylic washes, woman's features with abstract, covered with a variety of fluid oil paint, panicle patterns, pointilism technique with ink bleeding effects styled like corymbs on textured paper, inspired by Wayne England, cloisonné-like effect, the watercolor washes add depth and texture. The overall composition is harmonious and visually captivating, blending realism in the woman's features with fluid and flowing forms in her hair and the surrounding environment. <lora:Hand Drawn Bohemian:1.0> <lora:MisanthropyRemix:1.0> <lora:MJ Moodboard 7d:1.0>, snappy coloring, vicious appearance, scathing hues and tints, snappish outlines, fierce coloring, edgy mimic, mixed media creation, intricate fine line work, polished composition, artistically precise execution with darkened colorings in orphism style, collage art reminiscence, pulp art, displacement mapping 1.4, reflective mapping by Rebecca Saray, slightly warped, psychedelic and trippy coloring by Paul Kidby & Edward Gorey, large amount of reflections by Jamie Heiden and Wayne England, ethereal fantasy realm, UHD, HDR, negative lucas numbers, exaggerated features, action painting merged with baroque art, intricate detailing, vibrant lighting effects. volumetric light, colorful ambient occlusion, Plasticity 1.3, ambient occlusion 1.3, mip-mapping, shadow mapping 1.8, parallax occlusion 1.3, shadow mapping 1.3, slim brushstrokes for intricate linework, dark academia merged with juminocore style, creamy coloring. Feminine, tetradic color scheme light-yellow baby-blue dark-white teal. dark-beige and chalky ivory, tarnished glimmers, abstract fluid art, flowing textures, ethereal, fractured and deconstructed composition, repetitive vibrant lighting effects.
  • Using base image: Yes

Rockweed

• Model: DaVinci2

• Size: 1232 X 1536 (1.89 MP)

• Used settings:

  • Prompt: Feminine headshot by Ed Emshwiller, tetradic color scheme light-blue starfleet-blue dark-blue green-blue, eveningtime with last sunrays and first stars by Jean-Baptiste Monge, watercolor and ink, heavily washed effect, swirls and cymatics, catenaries and lines, color wash effect around the edges, faded edges, intricate details, fantasy, beautiful, UHD, HDR, dof, debeh, bokeh, negative lucas numbers, colorful, fantastical Poster art, stylized. Orphism, outlined patterns akin to parsley or Grevillea, trippy gradients, Wixarika Folk Art style, quaint, synthetic essence, mip-mapping, intricate texture mapping 1.7, orphism, hues and tints, gradient colorings, pulp art reminiscence, displacement mapping, mip-mapping 1.3, phong shading 1.3, volumetric lighting, polished surfaces, dyed, rounded edges, only curvaceous linework, subsurface scattering, ambient occlusion, colorful ray tracing, coloring by Coby Whitmore and Stan Lee, intricate, balanced coloring, very smooth american gothic & precise Gelsculpt 64K, rich metallic colors. Harmonious blend of light-black, goldenrut-yellow, oxblood-red, Moonwashed Aqua, Celadon Mist, Glacier Mint, Old Turquoise Rain, chalky ivory, tarnished gold glimmers, cel-shaded illusion of depth. Gravitational 3D effects in style of Maggie Vandewalle and Katie Acheson Wolford, lighting by Takehiko Inoue, embodiment by Ester Emmy Maria Helenius, with a texture similar to pointillism or stippling, composed of numerous small, circular dots of varying sizes and tones that create depth and shading for layered textures, reminiscent of a 1970s comic book cover by Stan Lee. line-art by Ilya Zomb, deep bold linework, filigreed accents, Moody and somber atmosphere, desaturated color palette, complex stylization by Alexander Calder, mainly squiggly, Linocut portrait, smeary, stylized, funky upper body portrait, contoured, thinned watercolor, 3d brushed texture outines, impossible light transitions, hues, tints of Ed Binkley, reminiscent of Man Ray and Fern Coppedge's styles. Stylized painting by Bob Eggleton and Helen Dardik, featuring colorful and charming elements with flowing patterns and intricate filigree details. Balanced and visually crafted composition with Hopper's muted tones. Subtly biophile, painted by Bob Larkin and Edward Hopper & Ester Emmy Maria Helenius, reflective mapping 1.8, fluid wet-on-wet oil technique, tetradic color scheme, dark collage art reminiscence, abstract fluid art, flowing textures, ethereal, digital painting, high resolution, intricate details, soft and gentle lighting, rough texture, somber undertones, iconic elements, non-figurative representation, enamel paint style, fractured and deconstructed composition, repetitive vibrant lighting effects. volumetric light, colorful ambient occlusion, colorful ray tracing, linework by Georgia O'Keeffe, very smooth american gothic & precise Gelsculpt 64K, divisionism, sculpted,
  • Using base image: Yes

Pungent

• Model: DaVinci2

• Size: 864 X 1376 (1.19 MP)

• Used settings:

  • Prompt: Line-art in watercolor accents, dreamish, brightness 1.8, styled by Walter Molino and by Tomas Sanchez, stylized, psychedelic postimpressionism by Israel Hoffmann and Edward Gorey, mixed media creation, intricate fine line-art, Upper body portrait in street-art style made of faulty lines, erosion patterns, recursive topographic rings, hidden texures emerging from elevation lines, abandoned shapes buried inside flowing geometrical lines upward into the sky, akin to geography illustrations, optical illusion, sacred geometry, collagraphy, multi-layered mixed media collage, hand-drawn textures, otherworldly and mythical artwork by Frank Miller, Buscema-inspired stylzation fused with estranged cartography, ivory gradients, rough paper texture, charcoal and gouache, burnt orange, metallic copper, gold lining, inked bright gradients of indigo, dark brown, oxblood-red, goldenrut-yellow, jade, and very earthy tones; museum-quality mixed media, rendered in 128k, negative lucas numbers, bias, awesome grainy illustration with visible textures, coarse grain, warm noise, screenprinted and xeroxed imperfections, tactile paper quality, bold graphic shapes, dramatic negative space, strong contrast, and a handcrafted retro printmaking aesthetic. Rich colours, cropping, dissoluted linework. figarative work, polished composition, artistically precise execution. enlarged eyes, hikaru motifs a la Ray Caesar, stylized headshot, anime portrait, smile, p0nyd1sney1ncasev1x0n2. Scumbling paints, biophile by Tim Collom, wheatgrass-like patterns, parsley-patterns-style details, figurative, psychedelic, artsy postimpressionism by Stan Lee & Nadya Rusheva, cloisonné-like effect, malleability 1.3, warm watercoloring and acrylic washes, watercolor washes add depth and texture. The overall composition is harmonious and visually captivating, blending realism in the woman's features with fluid and flowing forms in her hair and the surrounding environment. <lora:Hand Drawn Bohemian:1.0> <lora:MisanthropyRemix:1.0> <lora:MJ Moodboard 7d:1.0>, intricate detailing, vibrant lighting effects. volumetric light, colorful ambient occlusion, Plasticity 1.3, ambient occlusion 1.3, mip-mapping, shadow mapping 1.8, parallax occlusion 1.3, shadow mapping 1.3, slim brushstrokes for intricate linework, dark academia merged with juminocore style, creamy coloring. Feminine, dark-beige and chalky ivory, tarnished glimmers, abstract fluid art, flowing textures, ethereal, fractured and deconstructed composition, repetitive vibrant lighting effects.
  • Using base image: Yes

Crimson Cream

• Model: DaVinci2

• Size: 1312 X 1424 (1.87 MP)

• Used settings:

  • Prompt: Headshot styled by Walter Molino and by Tomas Sanchez, stylized, psychedelic postimpressionism by Stan Lee & Nadya Rusheva, covered with a variety of fluid oil paint, panicle patterns, octane render, liminal, generosity, kindness, negative lucas numbers, UHD, HDR, quaint, stylized pointilism technique with ink bleeding effects styled like corymbs on textured paper, inspired by Edward Gorey, vibrant red, oxblood-red, light-pink, rosewood-pink, orange gradients, warm palette, mixed media creation, intricate fine line-art, fugarative work, polished composition, artistically precise execution. darkened pinkish colorings in orphism style, collage art reminiscence, pulp art by Rebecca Saray, slightly warped, psychedelic and trippy coloring by Paul Kidby & Edward Gorey, retropunk, sci-fi, hues in burnt-orange, gradients, embellished, rim lighting, brightness 1.3, league of legends,<lora:h1dak0_s0u_style:1.5>, <lora:aiai-Glimra-Flux-Dev-v2.safetensors:0.5>, MechaP0s, <lora:aidmaGLOW-FLUX-V0.1.safetensors:0.5>, coloring by Ed Binkley, light-brown and greyish gradients, MechaP0s, <lora:aidmaGLOW-FLUX-V0.1.safetensors:0.5>, enlarged eyes, hikaru motifs a la Ray Caesar, stylized headshot, anime portrait, smile, p0nyd1sney1ncasev1x0n2, (artist: nyantcha:0.25), fantasy, otherworldly sailor moon meets league of legends,<lora:h1dak0_s0u_style:1.5>, <lora:aiai-Glimra-Flux-Dev-v2.safetensors:0.5>, p0nyd1sney1ncasev1x0n2, complexion 1.3, <lora:ponyv4_noob1_2_adamW-000017:0.45>, <lora:aosiai123_style:0.95>, displacement mapping, shadow mapping1.8, mythp0rt, g0thicPXL in style of adepta sororitas, groovy, circular dots of varying sizes and tones that create depth and shading for layered textures, reminiscent of a 1970s comic book cover by Stan Lee. line-art by Ilya Zomb, phong shading 1.3,
  • Using base image: Yes

Swirls

• Model: DaVinci2

• Size: 1472 X 1288 (1.90 MP)

• Used settings:

  • Prompt: Female headshot, enchantress, acutance 1.8, negative lucas numbers, wet on wet painting, psychedelic postimpressionism by Stan Lee & Nadya Rusheva, moody dark-white linework, malleability 1.3, catchy outlines by Walter Molino, hues by Overton Loyd, funky traumacore style by Horace Pippin and Earl Moran, introspection. Maximalism, rule of thirds 1.3, abstract expressionism in merged styles of Ray Caesar & Paul Kidby, hues by Mike Zeck and Arshile Gorky & Francesco Clemente, Gradient colors brown and yellow blend seamlessly, evoking a sandy mist. The setting is very dark and secretive, with a quietly dangerous and creepy undertone, akin to the storytelling prowess of Stan Lee. Gradient color inking, negative lucas numbers, uhd, hdr, dof, debeh, bokeh, liminal octane render, volumetric light, colorful ambient occlusion, colorful ray tracing, coloring by Coby Whitmore and Stan Lee, intricate inking features, balanced coloring, rule of thirds. Plasticity 1.3, academical art piece, reminiscent of comic book style, executed in a sketch style. Capture the scene from a camera view, emphasizing a front low-angle perspective. Utilize a Pen and ink style, squiggly serigraph patterns. acutance 1.8, negative lucas numbers, wet on wet painting, psychedelic postimpressionism by Stan Lee & Nadya Rusheva, moody, malleability 1.3, catchy outlines by Walter Molino, hues by Gerald Brom, traumacore style by Horace Pippin and Earl Moran, rule of thirds, academical art piece, reminiscent of comic book style, executed in a sketch style. Capture the scene from a camera view, emphasizing a front low-angle perspective. Utilize a Pen and ink style for intricate details, blending wet on trippy warm colors for unique watercolor and ink elements with crisp & clean lines. Focus on gestural drawing techniques adding squiggly serigraph patterns. ambient occlusion 1.3, parallax occlusion 1.3, LiDAR point cloud, shadow mapping 1.3, brushstrokes for intricate linework, dark academia style, stacked-up hues by John James Audubon, boggy enchantress, miry ink art in motion, sharp tinges, enlightened tones, crafted colorations, acutance 1.8, softened reflections, malleability 1.3, diaphanous luminous glow from the inside, mip-mapping, funky collage art reminiscence, whimsy, enthusiastic, slightly effusive, gushing, infatuated, enraptured gradient colors for shadow mapping by John Buscema and Frank Frazetta and Jean Dubuffet, cottagecore style by Horace Pippin and Earl Moran, rule of thirds. Upper body portrait, edwardian ink art in motion, ink and pen, posture is slightly tilted, cloudy, turbid watercoloring, dim, gloomy, bleak, concentration, empathy, very smooth american gothic & precise Gelsculpt 64K, divisionism, sculpted, colorful ambient occlusion, colorful ray tracing, coloring by Coby Whitmore and Stan Lee, intricate portrait features, balanced coloring, very smooth american gothic
  • Using base image: Yes

Magenta Hair, Purple Eyes

• Model: DaVinci2

• Size: 1296 X 1464 (1.90 MP)

• Used settings:

  • Prompt: Headshot by Stephanie Hill, sketch of a female goth rocker with line-art hairstyle. Groovy surrealism by Edgar Ende and Man Ray, outlines by Paul Kidby. upper body portrait in an retrofuturistic setting, colored with pinkish washes of watercolor, striking contrast to the lines and stippling of the artwork by Asia Spettel and Carl Lundgren. Bright colorings, immediate surroundings are rendered in vibrant colorings of dissolving fading lines and spikes, warm colored retropunk, steampunk reminiscence, vintage flair, brightness 1.3, playful outlines by Walter Molino, malleability 1.8, hues by Gerald Brom, traumacore style by Horace Pippin and Earl Moran, plasticity 1.8, dynamic lines by Asia Spettel, polished finish, whimsical sublime color palette with striking contrasts, side view, whimsical and intricate details, transparent watercolors blending seamlessly for malleability and vibrancy, wet on wet painting, psychedelic postimpressionism by Stan Lee & Asia Spettel & Edward Gorey, lines coming from top to bottom for multi-layer rendering creating depth in warm tones, diverse textures, blending surrealism, poster art, and vintage children’s book illustration, akin to Vivienne Westwood. subtle spatial depth, slightly intricate background elements, 1970s psychedelic poster art vibes, delighted, joyful pulp-art details in light strokes, calm surfaces, softly brightened watercolor gradients, stark contrasts, spatial depth and deep view, vintage beauty. ink with watercolor added, close-up, pernickety, octane render, stylization 1.3, plasticity 1.6, dyed, screeching inkpunk 1.8, plushy detailed hairdo, non-figurative, cottagegore 1.7, inkpunk 1.7, subtle spatial depth,´low angle perspective, trippy, detailed swirls, cymatics, geometrical linework, portrait, foampunk 1.8,
  • Using base image: Yes

After the outburst

• Model: Z-Image Turbo

• Size: 1152 X 1648 (1.90 MP)

• Used settings:

  • Prompt: Side view portrait painted by Kurt Ard, coloring by Étienne Léopold Trouvelot. Mannerist oil painting blending seamlessly playful watercolor sketch details by James Cameron, surrealist illustration; heavy acrylic paint and black ink details; palette-knife strokes; rich textures; nervous inking; a blurring palette of sea-green, light-red, ochre, and dark cream; dramatic and slightly grotesque atmosphere; cinematic retropunk by John Reiner and Stan Lee, sci-fi details, deep view and perspective, reflective mapping, displacement mapping 1.8, raytraced shadows 1.3, LiDAR point cloud, UHD, HDR, ambient occlusion, fictitious, 128K, watercolor washes by Stephanie Hill, aesthetical solitude, hallucinatory, recovered sensuality, soft eroticism, deranged line-art & steampunk-inspired elements by David Gianotten, clumped and layered textures, fluid expressive color shapes, profile portrait with silhouettes, displacement mapping 1.3, mip-mapping, (collage art reminiscence, ((abstracted, dynamic lighting 1.3, brightness 1.8, concept artwork), raytraced shadows, 4:11), hues), technical details in warm tones, tetradic color scheme light-ochre beige light-teal light-red, confident mosaic-like imperfections, fluid, bleeding watercolor washes with sharp, metallic textures, cinematic tapestry effect. flowing Art Nouveau essence reminiscent of Louis Théophile Hingre and Jphn Buscema, William Turner's light influence, 1970s psychedelic poster art vibes, delighted, joyful pulp-art details in light strokes, calm surfaces, softly brightened watercolor gradients, stark contrasts, spatial depth and deep view, vintage beauty. ink with watercolor added, close-up, pernickety, octane render, stylization 1.3, plasticity 1.6, dyed, screeching inkpunk 1.8, plushy detailed hairdo, non-figurative, cottagegore 1.7, foampunk 1.7, subtle spatial depth, slightly intricate background elements, low angle perspective, trippy, detailed swirls, cymatics, geometrical linework, portrait, foampunk 1.8, 1960's style. Sanguine pulp art, dynamic lines, intricate neurographic details, vibrant watercolor palette, soft color transitions,warm gradient coloring, warm tones, hues, embossed texture, tranquilized abstract motifs, geometrical organic patterns for 3d effects, dof, debeh, bokeh, octane render, superb alternative, polished 3D illustration, rule of thirds 1.3, intricate facial features by Francesco Clemente, collagraphy print, close-up. Layered and stylized geometrical linocut style, octane render, reminiscent of a 1970s comic book cover by Stan Lee, line-art by Ilya Zomb, fine lines, stylization 1.3, plasticity 1.6, dyed, screeching inkpunk 1.8, plushy detailed hairdo, non-figurative, cottagegore 1.7, steamunk 1.7, subtle spatial depth, slightly intricate background elements, side view, trippy, detailed swirls, cymatics, geometrical linework reminiscent of 1960's style. Sanguine pulp art, dynamic lines, intricate neurographic details, diffuse lighting, ambient occlusion 1.8, Polished, UHD, HDR, 128K,
  • Using base image: Yes

Illusionary

• Model: DaVinci2

• Size: 1008 X 1520 (1.53 MP)

• Used settings:

  • Prompt: By Stephanie Hill, colored ink drawing in withered pale colors, octane render illustration 1.5, subtle pastel tones, squiggly line-art features, malleability 1.7, plasticity 1.4, brightness 1.9, parallax occlusion 1.2, shadow mapping 1.3, dynamic lighting 1.7, softened edges, small reflections, xeroxed, stylized, quilling, swirly visible textures 1.7, wet on wet painting, wheatgrass-like patterns, parsley-patterns-style details, psychedelic postimpressionism by Stan Lee & Nadya Rusheva, a cloisonné-like effect, malleability 1.3, warm watercoloring and acrylic washes, woman's features with abstract, covered with a variety of fluid oil paint, panicle patterns, pointilism technique with ink bleeding effects styled like corymbs on textured paper, inspired by Wayne England, social criticism, polished line-art features
  • Using base image: Yes

Weedy

• Model: DaVinci2

• Size: 1232 X 1536 (1.89 MP)

• Used settings:

  • Prompt: Enchanting female headshot featuring a mesmerizing cape with intricate overlapping flaps, adorned with panicle and parsley-patterns delicately intertwined, rendered in a watercolor palette of pelorous blue, forest green, dark grey, wilson white, and Windsor blue. The artwork exudes a psychedelic postimpressionism style reminiscent of Stan Lee and Aurelie Lise-Anne, characterized by curvilinear linework, transfigured elements, and abstract portrait aesthetics. The portrait captures an ethereal and prudish aura, enhanced by dynamic lighting creating a mystical ambiance. The color scheme includes hues of burnt-orange, gradients, and embellished with rim lighting for a dark fantasy, gothic theme with a touch of otherworldly and cyberpunk elements. The detailed portrait showcases enlarged eyes inspired by Hikaru motifs a la Ray Caesar, with a stylized anime touch in shades of pale ochre, light-blue, dark brown, and burnt-orange, complemented by metallic-honey tones. The artwork features tall and lean details, slightly warped and pixelated, exuding a joyful and smiling expression. The fantasy composition merges elements of Sailor Moon and League of Legends, creating a unique blend of fantasy and anime aesthetics. The piece is enriched with tribal motifs, reflective mapping, and shadow mapping, elevating the mythical and gothic undertones in the style of adepta sororitas. The artwork is envisioned as a high-quality digital illustration, meticulously colored by Ed Binkley,
  • Using base image: Yes

Unified

• Model: DaVinci2

• Size: 1144 X 1648 (1.89 MP)

• Used settings:

  • Prompt: Abstract geometric shapes intertwining, intricate line art with flowing and dynamic lines by Asia Spettel, polished finish, whimsical sublime color palette with striking contrasts, lines in patterns akin to wheatgrass and parsley, biophile, neo-classicism, dreamlike atmosphere, whimsical and intricate details, transparent watercolors blending seamlessly, acrylic coloring for malleability and vibrancy, mediaval, lines coming from top to bottom for multi-layer rendering creating depth, highest resolution to capture intricate details, inspired by the imagination of Man Ray, texture mapping 1.8, <lora:ppw_v8_Illuv2stable_128:0.50>, dyed, closed moutth, light transitions, phong shading 1.7, presumptuous, imaginative, volumetric lighting<lora:Dark lightingSlider:-0.2>, mip-mapping, <lora:zy_illustrious_Realism_Enhancer_v1:0.55>, addmicrodetails, overhead dynamic lighting, portrait in style of rapscallion by Hayk Shalunts, primitivism by Laurel Burch, regionalism by Mark Tedin, embodiment by Mark Ryden, mythp0rt, plasticity 1.8, shimesugaki, mesugaki, texture mapping 1.8, closed mouth, light transitions, phong shading 1.7, presumptuous, imaginative, volumetric lighting, <lora:Dark lightingSlider:-0.2>, dynamic lighting 1.3,<lora:zy_illustrious_Realism_Enhancer_v1:0.55>, add microdetails, overhead dynamic lighting, portrait in style of rapscallion by Cain Kuga, stylized tones, hues, tints, subtle coloring, liminal Vibrant psychedelic colors, bold Pop Art style, whimsically naive, surreal and dreamlike, exaggerated hyaku, very expressive and avant-garde composition, unique and intricate design, avant-garde style with a touch of surrealism, dynamic lighting effects enhancing the overall aesthetic.coloring by Coby Whitmore and Stan Lee, intricate portrait features, slightly angled side view, very smooth american gothic & precise Gelsculpt 64K, rich metallic colors. Harmonious blend of light-yellow, moonwashed aqua, celadon mist, light-ochre, dark-beige and chalky ivory, tarnished glimmers, abstract fluid art, flowing textures, ethereal, fractured and deconstructed composition, repetitive vibrant lighting effects.
  • Using base image: Yes

Pendant

• Model: DaVinci2

• Size: 1144 X 1648 (1.89 MP)

• Used settings:

  • Prompt: Upper body sketch with gown. Surrealism by Edgar Ende and Man Ray, outlines by Frank Miller. upper body portrait in an retrofuturistic setting, colored with even washes of watercolor, the serene planes of which form a striking contrast to the lines and stippling of the artwork by Asia Spettel and Carl Lundgren. Bright colourings, immediate surroundings are rendered in vibrant colorings, background consist just of dissolving fading lines and dots and very soft hints of colour, warm colored retropunk, steampunk reminiscence, vintage flair, brightness 1.3, playful outlines by Walter Molino, malleability 1.3, hues by Gerald Brom, traumacore style by Horace Pippin and Earl Moran, dynamic lines by Asia Spettel, polished finish, whimsical sublime color palette with striking contrasts, dreamlike atmosphere, whimsical and intricate details, transparent watercolors blending seamlessly for malleability and vibrancy, mediaval, shades and tints akin to a wet on wet painting, psychedelic postimpressionism by Stan Lee & Nadya Rusheva & Edward Gorey, lines coming from top to bottom for multi-layer rendering creating depth by the imagination of Man Ray, texture mapping 1.8, scene glows with soft pastel tones, golden tones, diverse textures, blending surrealism, art nouveau, and vintage children’s book illustration, rendered as stunning Chinese watercolor with gradient inking shadows, intricate detailing, and muted tinges. Blending gothic fantasy with elegant baroque designs, the textured paper. japanese watercolor and Chinese pencil sketch techniques, as if created by Carl Lundgren, Asia Spettel, Aubrey Beardsley, and Boris Vallejo.
  • Using base image: Yes

Stepping City Siren

• Model: DaVinci2

• Size: 1144 X 1648 (1.89 MP)

• Used settings:

  • Prompt: Upper body sketch with gown by Carl Lundberg. Surrealism by Edgar Ende and Man Ray, outlines by Frank Miller. upper body portrait in an retrofuturistic garden, funky collage art reminiscence, whimsy details akin to medieval Voynich Manuscript, enthusiastic, slightly effusive, gushing, infatuated, enraptured gradient colors of dark-red & magenta & light-purple and oxblood-red tones, 1face, solo, 3d effects, displacement mapping by John Buscema and Frank Frazetta and Jean Dubuffet, cottagecore style by Horace Pippin and Earl Moran, rule of thirds. Upper body portrait, vintage clothing, Gibson Girl Look, edwardian decay. Vibrant ink art in motion, pearlescent collage art, stylized by Katie Acheson Wolford & Frank Miller, warm colored retropunk, steampunk reminiscence, vintage flair, brightness 1.3, playful outlines by Walter Molino, malleability 1.3, hues by Gerald Brom, traumacore style by Horace Pippin and Earl Moran, dynamic lines by Asia Spettel, polished finish, whimsical sublime color palette with striking contrasts, dreamlike atmosphere, whimsical and intricate details, transparent watercolors blending seamlessly for malleability and vibrancy, mediaval, shades and tints akin to a wet on wet painting, psychedelic postimpressionism by Stan Lee & Nadya Rusheva & Edward Gorey,lines coming from top to bottom for multi-layer rendering creating depth by the imagination of Man Ray, texture mapping 1.8, overall composition by John James Audubon, boggy enchantress, 1970s pulp art, sci-fi fantasy art style by John Buscema, dramatic high-contrast lighting, bold saturated colors of deep red, magenta, and burnt-orange. Ethereal, cosmic atmosphere merging the styles of Donato Giancola and Frank Kelly Freas and Frank Miller. Epic. Science-Fiction Masterpiece. miry ink art in motion, sharp tinges, enlightened tones, crafted colorations, acutance 1.8, softened reflections, malleability 1.3, diaphanous luminous glow from the inside, mip-mapping, plushy embodiment by Julius Horsthuis & Frank Miller & Ed Binkley, linework by Christophe Louis & Mira Lou & Edward Weston, color shifts, cultivated wet on wet, ink and pen, posture is slightly tilted, cloudy, turbid, dim, gloomy, bleak, concentration, empathy, introspection. Maximalism, rule of thirds 1.3, abstract expressionism, hues by Mike Zeck and Arshile Gorky, stylization uses textured watercolor washes and linework with a shallow depth of field for 3d effects, fluid wet-on-wet oil technique, dark collage art reminiscence, pulp art, reflective mapping by Rebecca Saray & Paolo Roversi, reflections by Jamie Heiden, embodiment by James Wilson Morrice, plasticity akin to Ed Binkley, groovy tones that create depth and shading for layered textures, reminiscent of a 1970s comic book cover by Stan Lee. line-art by Ilya Zomb, phong shading, reflective mapping 1.8, fluid wet-on-wet oil technique, tetradic color scheme dark-red light-yellow light-pink oxblood-red, custom_loss: edge, parallax occlusion, displacement mapping 1.7, complexion 1.1, only curves, zentangle method, dynamic lighting 1.7, VFX-inspired softened lighting, bright, soft and red tones, highly abstract, intricate and fluid, subsurface scattering, elegant, artstation, 128K octane render, volumetric light, colorful
  • Using base image: Yes

Abstract Gunk to a Woman's Profile

• Model: Artistic 2

• Size: 1280 X 1480 (1.89 MP)

• Used settings:

  • Prompt: Abstract geometric shapes intertwining, headshot with Medici collar, side view, slightly angled, redundant, reminiscent of surrealism and dutch masters, overall composition by Carl Lundgren, shadow mapping 1.8, acutance 1.8. Illusion of depth. Gravitational 3D effects, cottagecore style by Earl Moran, Edgar Ende and Man Ray, outlines by Frank Miller. upper body portrait in retrofuturistic, warm colored retropunk style, regionalism reminiscence, vintage flair, brightness 1.3, playful outlines by Walter Molino, malleability 1.3, hues by Gerald Brom, traumacore style by Horace Pippin and Earl Moran, dynamic lines by Asia Spettel, polished finish, whimsical sublime color palette with striking contrasts, dreamlike atmosphere, whimsical and intricate details for malleability and vibrancy, ambient occlusion 1.3, parallax mapping 1.3, slim brushstrokes intricate line art with flowing and dynamic lines, polished finish, whimsical sublime color palette with striking contrasts, dreamlike atmosphere, whimsical and intricate details, transparent watercolors blending seamlessly, acrylic coloring for malleability and vibrancy, mediaval, mythp0rt, plasticity 1.8, shimesugaki, mesugaki, texture mapping 1.8, closed mouth, light transitions, phong shading 1.7, presumptuous, imaginative, volumetric lighting, <lora:Dark lightingSlider:-0.2>, dynamic lighting 1.3, mip-mapping, <lora:zy_illustrious_Realism_Enhancer_v1:0.55>, addmicrodetails, overhead dynamic lighting, portrait in style of rapscallion by Hayk Shalunts, primitivism by Laurel Burch, regionalism by Mark Tedin, embodiment by Mark Ryden, warped, psychedelic and trippy coloring by Paul Kidby & Edward Gorey, large amount of reflections by Jamie Heiden and Wayne England, ethereal fantasy realm, UHD, HDR, negative lucas numbers, exaggerated features, action painting merged with baroque art, intricate detailing, vibrant lighting effects. volumetric light, colorful ambient occlusion, Plasticity 1.3, ambient occlusion 1.3, mip-mapping, shadow mapping 1.8, parallax occlusion 1.3, shadow mapping 1.3, slim brushstrokes for intricate linework, dark academia merged with juminocore style, creamy coloring. Feminine, tetradic color scheme burnt-orange dark-orange light-beige rosewood-pink, raytraced shadows 1.8, <lora:zy_illustrious_Realism_Enhancer_v1:0.55>, overhead dynamic lighting, portrait in style of rapscallion by Cain Kuga, stylized tones, hues, tints, subtle coloring, ethereal, fractured and deconstructed composition, repetitive vibrant lighting effects.lines coming from top to bottom for multi-layer rendering creating depth, highest resolution to capture intricate details, inspired by the imagination of Man Ray, texture mapping 1.8, <lora:ppw_v8_Illuv2stable_128:0.50>, dyed, closed mouth, light transitions, phong shading 1.7, presumptuous, imaginative, volumetric lighting<lora:Dark lightingSlider:-0.2>, from bleeding watercolor contours, sketchy upper body portrait reminiscent of works by Debbie Criswell and Gabriel Pacheco. Rounded edges, vintage comic book art, 1980's celestial fantasy, concept art, line-art. Plasticity 1.9, overall atmosphere is rimmed by dark yellowish tones, browns, and muted red-orange gradients, ambient occlusion 1.3, mip-mapping,
  • Using base image: Yes

Gloop

• Model: Artistic 2

• Size: 1136 X 1648 (1.87 MP)

• Used settings:

  • Prompt: A hauntingly beautiful female figure emerges from bleeding watercolor contours, sketchy upper body portrait reminiscent of works by Debbie Criswell and Gabriel Pacheco. Rounded edges, comic book art, 1980's celestial fantasy, concept art, line-art. Plasticity 1.9, overall atmosphere is dark, moody, and derelict, with a strong sense of decay and a hint of steam-punk or post-impressionistic elements. The color palette is dominated by dark yellowish tones, browns, and muted red-orange gradients, ambient occlusion 1.3, mip-mapping, shadow mapping 1.8, acutance 1.8. Illusion of depth. Gravitational 3D effects, cottagecore style by Earl Moran,Upper body sketch with gown. Surrealism by Edgar Ende and Man Ray, outlines by Frank Miller. upper body portrait in an retrofuturistic garden, warm colored retropunk, steampunk reminiscence, vintage flair, brightness 1.3, playful outlines by Walter Molino, malleability 1.3, hues by Gerald Brom, traumacore style by Horace Pippin and Earl Moran, dynamic lines by Asia Spettel, polished finish, whimsical sublime color palette with striking contrasts, dreamlike atmosphere, whimsical and intricate details, transparent watercolors blending seamlessly for malleability and vibrancy, ambient occlusion 1.3, parallax mapping 1.3, slim brushstrokes for intricate linework, dark academia merged with punkrock-style, creamy coloring. Feminine, malleability 1.3, shadow mapping 1.6, crystalline and opaque forms, liminal, overexposed, acutance 1.9, enlightened, brightness 1.3, hyper-translucent outlines, reflective mapping 1.8, folk art merges storybook illustration style with a dark gothical twist, cs-cr1stal-v2, UHD, HDR, 128k, harsh 3d effects, malleability 1.3, dynamic lighting from top to bottom, upper body portrait, side view, highlighting, gradient inking colors in vibrant shades of pastel tones, refracting 3 point lighting interwoven seamlessly blending with textures, delicate outlines, soft coloring, translucent rays dissolving, visible textures, shimmering, raytraced shadows 1.3, glassy fragments textured wit small cracks, fine black outlines, translucence 1.4, otherworldly complexity, structured surreal aesthetical style of Alex Grey and Ho Baron. Brightness 1.3, liminal, mip-mapping 1.3, phong shading 1.2, polished surfaces, tetradic color scheme dark-yellow goldenrut-yellow light-yellow burnt-orange, shaded watercoloring for illuminated diaphonous lighting, enchanting outlines and poitilism by Yayoi Kusama, awesome malleability 1.3, cel-shaded optical illusion with paint drops, deep view, bold linework, mediaval, shades and tints akin to a wet on wet painting, psychedelic postimpressionism by Stan Lee & Nadya Rusheva & Edward Gorey, lines coming from top to bottom for multi-layer rendering creating depth by the imagination of Man Ray, texture mapping 1.8,
  • Using base image: Yes

Liquids

• Model: Artistic 2

• Size: 1042 X 1339 (1.40 MP)

• Used settings:

  • Prompt: enchantress, wet on wet painting by Carl Lundgren, vibrant ink art in motion by John Buscema and Frank Frazetta and Jean Dubuffet transparent layers, prismatic soft washes, watercoloring, liminal, simplistic, synthetic essence, negative lucas numbers, polished iridescence, reflective mapping 1.3, pointilism technique with ink bleeding effects styled like corymbs on textured paper, inspired by Wayne England, <lora:Hand Drawn Bohemian:1.0> <lora:MisanthropyRemix:1.0> <lora:MJ Moodboard 7d:1.0>, mixed media creation, intricate fine line work composition, artistically precise execution. darkened colorings in orphism style, gradient inking colors, female, 1face, upper body portrait, 3d effects, UHD, HDR, 128k octane render, 3D illustration, rule of thirds 1.3, intricate facial features by Francesco Clemente, brightness 1.3, color shapes for hues, dreamlike shapes akin to Roy Lichtenstein. Brightened pastel tones, storytelling composition with tinted texture mapping 1.9, soft washes, heroine, watercoloring marks, liminal, simplistic, synthetic essence, negative lucas numbers, complex hues, reflective mapping 1.3, gradient inking colors, indiecore, 1face, upper body portrait, 3d effects, UHD, HDR, 128k octane render, superb, expressionistic alternative, polished 3D illustration, rule of thirds 1.3, intricate facial features by Francesco Clemente & James Wilson Morrice, warm collagraphy print, close-up. Layered and stylized portraiture by Katie Acheson Wolford & Ho Baron & Ester Emmy Maria Helenius, intricate mip-mapping 1.3, dyed, rounded edges, only curvaceous linework, <lora:Dark lightingSlider:-0.2>, thinned watercolor, abstracted, expressionistic, reflective mapping by Rebecca Saray, indiecore, warm tones, tetradic color scheme teal dark-beige dark-brown light-grenn, several beige gradients, visible drips, blurred contours, a sense of circulation and vision, polished orphism, linework by Christophe Louis & Mira Lou, overall composition by Arshile Gorky, foampunk 1.6, shadow mapping 1.5, raytraced shadows 1.3, phong shading 1.3, subtle coloring 1.9, Byzantine face type. 128k, UHD, HDR displacement mapping 1.3, natural lighting casting soft shadows, artistic interpretation. 3d effect, color shifts, boggy, miry ink art in motion, softened reflections, diaphanous luminous glow from the inside, mip-mapping, collage art reminiscence, whimsy details akin to Voynich Manuscript, coloring by Mike Zeck & Barclay Shaw, coveted, polished orphism & polished foampunk style lighting by Ed Paschke, dark fantasy meets surrealism, bokeh effects, UHD, HDR, 128k ((abstract female headshot, dynamic lighting 1.3, fantasy sketch art artwork, bo-golden) 4:11), hues by Hieronymus Bosch,
  • Using base image: Yes

Serotinal

• Model: DaVinci2

• Size: 1256 X 1504 (1.89 MP)

• Used settings:

  • Prompt: enchantress, wet on wet painting, psychedelic postimpressionism by Stan Lee & Nadya Rusheva, covered with a variety of fluid oil paint, panicle patterns, pointilism technique with ink bleeding effects styled like corymbs on textured paper, inspired by Wayne England, <lora:Hand Drawn Bohemian:1.0> <lora:MisanthropyRemix:1.0> <lora:MJ Moodboard 7d:1.0>, mixed media creation, intricate fine line work, polished composition, artistically precise execution. darkened colorings in orphism style, collage art reminiscence, pulp art, displacement mapping 1.4, reflective mapping by Rebecca Saray, slightly warped, psychedelic and trippy coloring by Paul Kidby & Edward Gorey, large amount of reflections by Jamie Heiden and Wayne England, ethereal fantasy realm, UHD, HDR, negative lucas numbers, exaggerated features, action painting merged with baroque art, intricate detailing, vibrant lighting effects. volumetric light, colorful ambient occlusion, Plasticity 1.3, ambient occlusion 1.3, mip-mapping, shadow mapping 1.8, parallax occlusion 1.3, shadow mapping 1.3, slim brushstrokes for intricate linework, dark academia merged with juminocore style, creamy coloring. Feminine, tetradic color scheme light-yellow baby-blue dark-white teal. Poster art, stylized orphism, outlined, trippy yellowish gradients, American Folk Art style, quaint essence, mip-mapping, intricate texture mapping 1.7, pulp art reminiscence, volumetric lighting, polished surfaces, dyed, rounded edges, only curvaceous linework,subsurface scattering, ambient occlusion, colorful ray tracing, coloring by Coby Whitmore and Stan Lee, intricate portrait features, slightly angled side view, very smooth american gothic & precise Gelsculpt 64K, rich metallic colors. Harmonious blend of light-black, moonwashed aqua, celadon mist, Glacier Mint, Old Turquoise Rain, dark-beige and chalky ivory, tarnished glimmers, abstract fluid art, flowing textures, ethereal, fractured and deconstructed composition, repetitive vibrant lighting effects.
  • Using base image: Yes

Droplets

• Model: DaVinci2

• Size: 1320 X 1432 (1.89 MP)

• Used settings:

  • Prompt: enchantress, wet on wet painting, psychedelic postimpressionism by Stan Lee & Nadya Rusheva, inspired by Wayne England, <lora:Hand Drawn Bohemian:1.0> <lora:MisanthropyRemix:1.0> <lora:MJ Moodboard 7d:1.0>, brightness 1.3, malleability 1.8, acutance 1.8, displacement mapping 1.3, dof, bokeh, soft eroticism, slightly ecstatic, very teasingly, polished, burnt-orange gradients merged with pelorous blue and light-blue and greenish metallic colors. Harmonious blend of light-black, moonwashed aqua, celadon mist, Glacier Mint, Old Turquoise Rain, dark-beige and chalky ivory, tarnished glimmers, abstract fluid art, flowing textures, ethereal vibrant lighting effects. volumetric light, colorful ambient occlusion, Plasticity 1.3, ambient occlusion 1.3, mip-mapping, shadow mapping 1.8, parallax occlusion 1.3, parallax mapping 1.3, slim brushstrokes for intricate linework, dark academia merged with punkrock-style, creamy coloring. Feminine, tetradic color scheme light-yellow baby-blue dark-white teal., fractured and deconstructed composition, repetitive vibrant lighting effects.mixed media creation, intricate fine line work, polished composition, artistically precise execution. darkened colorings in orphism style, collage art reminiscence, pulp art, shadow mapping 1.4, reflective mapping by Rebecca Saray, covered with a variety of fluid paint, panicle patterns, pointilism technique with ink bleeding effects styled like corymbs on textured paper, slightly warped, psychedelic and trippy coloring by Paul Kidby & Edward Gorey, large amount of reflections by Jamie Heiden and Wayne England, ethereal fantasy realm, UHD, HDR, negative lucas numbers, exaggerated features, action painting merged with baroque art, intricate detailing, Poster art, stylized orphism, outlined, trippy gradients, American Folk Art style, quaint essence, mip-mapping, intricate texture mapping 1.7, pulp art reminiscence, volumetric lighting, polished surfaces, dyed, rounded edges, only curvaceous linework,subsurface scattering, ambient occlusion, colorful ray tracing, coloring by Coby Whitmore and Stan Lee, intricate portrait features, slightly angled side view, very smooth american gothic & precise Gelsculpt 64K
  • Using base image: Yes

Kaleidoscope

• Model: DaVinci2

• Size: 1280 X 1472 (1.88 MP)

• Used settings:

  • Prompt: enchantress, wet on wet painting, psychedelic postimpressionism by Stan Lee & Nadya Rusheva, covered with a variety of fluid oil paint, panicle patterns, pointilism technique with ink bleeding effects styled like corymbs on textured paper, inspired by Paul Klee, vibrant red, amber, green, indigo, aquamarine, orange gradients, warm palette, mixed media creation, intricate fine line work, polished composition, artistically precise execution. darkened colorings in orphism style, collage art reminiscence, pulp art, reflective mapping by Rebecca Saray, slightly warped, psychedelic and trippy coloring by Paul Kidby & Edward Gorey, large amount of reflections by Jamie Heiden, ethereal fantasy realm, textured paper adding depth and authenticity, masterful blending of Chinese watercolor and Japanese painting techniques, Luis Royo-inspired detailing and artistically washed-out and deconstructed composition, repetitive pointilistic motifs, UHD, HDR, negative lucas numbers, exaggerated features, action painting merged with baroque art, intricate detailing, vibrant lighting effects. volumetric light, colorful ambient occlusion, colorful ray tracing, coloring by Georgia O'Keeffe, intricate portrait features, balanced coloring, very smooth american gothic & precise Gelsculpt 64K, embodiment by James Wilson Morrice, dyed, liminal, outlines by Walter Molino, malleability 1.3, outlined hues by Gerald Brom, creamy traumacore style by Horace Pippin and Earl Moran, rule of thirds. Plasticity 1.3, ambient occlusion 1.3, mip-mapping, displacement mapping 1.8, parallax occlusion 1.3, shadow mapping 1.3, slim brushstrokes for intricate linework, dark academia merged with juminocore style, creamy coloring. Feminine, tetradic color scheme light-yellow baby-blue dark-white teal. Poster art, stylized orphism, outlined, trippy yellowish gradients, American Folk Art style, quaint essence, mip-mapping, intricate texture mapping 1.7, pulp art reminiscence, volumetric lighting, polished surfaces, dyed, rounded edges, only curvaceous linework,subsurface scattering, ambient occlusion, colorful ray tracing, coloring by Coby Whitmore and Stan Lee, intricate portrait features, slightly angled side view, very smooth american gothic & precise Gelsculpt 64K, rich metallic colors. Harmonious blend of light-black, moonwashed aqua, celadon mist, Glacier Mint, Old Turquoise Rain, dark-beige and chalky ivory, tarnished glimmers, abstract fluid art, flowing textures, ethereal, fractured and deconstructed composition, repetitive vibrant lighting effects. volumetric light, colorful ambient occlusion, colorful ray tracing, coloring by Georgia O'Keeffe, very smooth american gothic & precise Gelsculpt 64K, divisionism, sculpted, cel-shaded optical illusion with paint drops. Illusion of depth. Gravitational 3D effects in style of Maggie Vandewalle and Katie Acheson Wolford, lighting by Takehiko Inoue, embodiment by Ester Emmy Maria Helenius, with a texture similar to pointillism or stippling, composed of numerous small petals and mussel-shaped shells, fluid wet-on-wet oil technique, dark collage art reminiscence, pulp art, reflective mapping by Rebecca Saray & Paolo Roversi, reflections by Jamie Heiden, embodiment by James Wilson Morrice, dyed, liminal, plasticity akin to Ed Binkley, groovy, circular dots of varying sizes and tones that create depth and shading for layered textures, reminiscent of a 1970s comic book cover by Stan Lee. line-art by Ilya Zomb, phong shading 1.3,
  • Using base image: Yes

Rainy Phantasm

• Model: DaVinci2

• Size: 1088 X 1728 (1.88 MP)

• Used settings:

  • Prompt: A hauntingly beautiful female figure emerges from bleeding watercolor contours, gaudy, line-art, contoured sketchy upper body portrait reminiscent of works by Debbie Criswell and Gabriel Pacheco. celestial fantasy, concept art, negative lucas numbers, wet on wet painting, psychedelic postimpressionism by Stan Lee & Nadya Rusheva, biophile, warm tones, moody, rigid lines, watercoloring for illuminated diaphonous lighting, enchanting outlines and poitilism by Yayoi Kusama, awesome malleability 1.3, cel-shaded optical illusion with paint drops, deep view, scaled, several shades of light-pink for bold linework, acutance 1.8. Illusion of depth. Gravitational 3D effects, cottagecore style by Earl Moran, rule of thirds. Plasticity 1.3, ambient occlusion 1.3, parallax occlusion 1.3, raytraced shadows 1.3, hues by Yayoi Kusama, custom_loss: edge, parallax occlusion, plasticity 1.7, complexion 1.1, only curves, zentangle method, dynamic lighting 1.7, VFX-inspired softened lighting, bright, soft and red tones, highly abstract, intricate and fluid, subsurface scattering, very ephemeral scene, reflective mapping 1.3, ambient occlusion 1.3, shimmering twilight, transitioning into a hazy, rain-soaked background, dangerous enchantment, textures creating a misty, ethereal atmosphere mirrors the intricate detailing of Edward Gorey and the boldness of Frank Miller. The canvas texture is antique and extreme, enhancing the mysterious aura. Colors of pink, light-pink, rosewood-pink blend seamlessly, evoking a sandy mist. The setting is very dark and secretive, with a quietly dangerous and creepy undertone, akin to the storytelling process of Stan Lee. Gradient color inking, uhd, hdr, dof, debeh, bokeh, liminal octane render, volumetric light, colorful ambient occlusion, colorful ray tracing, coloring by Coby Whitmore and Stan Lee, intricate inking features, balanced coloring, very smooth american gothic & precise Gelsculpt 64K, divisionism, sculpted, colorful ambient occlusion, colorful ray tracing, coloring by Coby Whitmore and Stan Lee, intricate portrait features, balanced coloring, very smooth american gothic
  • Using base image: Yes

Summoned Upward

• Model: Artistic 2

• Size: 1136 X 1664 (1.89 MP)

• Used settings:

  • Prompt: Female headshot, enchantress, acutance 1.8, negative lucas numbers, wet on wet painting, psychedelic postimpressionism by Stan Lee & Nadya Rusheva, moody, malleability 1.3, catchy outlines by Walter Molino, hues by Overton Loyd, funky traumacore style by Horace Pippin and Earl Moran, rule of thirds. Plasticity 1.3, academical art piece, reminiscent of comic book style, executed in a sketch style. Capture the scene from a camera view, emphasizing a front low-angle perspective. Utilize a Pen and ink style for intricate details, blending wet on trippy warm colors for unique watercolor and ink elements with crisp & clean lines. Focus on gestural drawing techniques adding squiggly serigraph patterns. acutance 1.8, negative lucas numbers, wet on wet painting, psychedelic postimpressionism by Stan Lee & Nadya Rusheva, moody, malleability 1.3, catchy outlines by Walter Molino, hues by Gerald Brom, traumacore style by Horace Pippin and Earl Moran, rule of thirds. Plasticity 1.3, academical art piece, reminiscent of comic book style, executed in a sketch style. Capture the scene from a camera view, emphasizing a front low-angle perspective. Utilize a Pen and ink style for intricate details, blending wet on trippy warm colors for unique watercolor and ink elements with crisp & clean lines. Focus on gestural drawing techniques adding squiggly serigraph patterns. ambient occlusion 1.3, parallax occlusion 1.3, LiDAR point cloud, shadow mapping 1.3, brushstrokes for intricate linework, dark academia style, stacked-up hues by John James Audubon, boggy enchantress, miry ink art in motion, sharp tinges, enlightened tones, crafted colorations, acutance 1.8, softened reflections, malleability 1.3, diaphanous luminous glow from the inside, mip-mapping, funky collage art reminiscence, whimsy, enthusiastic, slightly effusive, gushing, infatuated, enraptured gradient colors for shadow mapping by John Buscema and Frank Frazetta and Jean Dubuffet, cottagecore style by Horace Pippin and Earl Moran, rule of thirds. Upper body portrait, vintage clothing, Gibson Girl Look, edwardian ink art in motion, pearlescent art stylized by Katie Acheson Wolford & Frank Miller & Ester Emmy Maria Helenius, plushy embodiment by Frank Miller & Ed Binkley, linework by Christophe Louis & Mira Lou & Edward Weston, ink and pen, posture is slightly tilted, cloudy, turbid, dim, gloomy, bleak, concentration, empathy, introspection. Maximalism, rule of thirds 1.3, abstract expressionism in merged styles of Ray Caesar & Paul Kidby, hues by Mike Zeck and Arshile Gorky & Francesco Clemente,
  • Using base image: Yes