Prompt: Rhenish Expressionism, luminous and serene, cunning enchantress looking at viewer, slightly angled, biophile headshot by Stephanie Hill and Ed Emshwiller, wet on wet painting by Richard Corben, hairstyle, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, gradients of warm green tones and light reflections, slick multi-layered eyes & hair, american punkrock, reflective mapping 1.3, ((abstract female headshot, dynamic lighting 1.3, fantasy sketch art artwork, bo-golden) 4:11, dark fantasy, <lora:ponyv4_noob1_2_adamW-000017:0.75>, 1970s pulp art, sci-fi fantasy art style by John Buscema, dramatic high-contrast lighting, bold saturated colors of deep red, magenta, and light-purple. Ethereal, cosmic atmosphere merging the styles of Donato Giancola and Frank Kelly Freas and Frank Miller. Epic outlines and soft edges, restrained pastel touches, softened and warm digital gradients, gradient inking colors, brightness 1.9, parallax occlusion 1.2, raytraced shadows 1.8, divisionism, radiance, cottagegore 1.7, close-up, timeless atmosphere, painterly fantasy illustration, charcoal, silver mist, antique, muted green, moonlit ivory, blue-violet, faded colors, cel-shaded, somber attitude, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, uncanny valley effect, mip-mapping 1.3, warm coloring 1.9, traumacore 1.9, juminocore, fantastical artistic style akin to a sophisticated 1970s comic book, natural reference, green gradients, ultra-stylized charcoal textures by Robert McCall, dry brush technique in a gothical setting, fantastical and otherworldly american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, color scheme. Morute style, book cover aesthetic by Robert McCall. Merged styles of Debbie Criswell & Freda People & orphism by Kate Beaton, textured paper, hairstyle, intricate ink hatching technique for volumetric effect, pen and ink style, comic book art 1.7 by James Audubon and Sofie Swetter Fronn, 3 layers in logarithmic distance with DOF, whimsical woman in her 40's with transparent colored outlines and brushstrokes, stylized colorful illustration, warped, high contrasting, vivid colors, high contrasting, hand-drawn painting with different charcoal textures, diverse lighting characteristics, soft pencils colorings for outlines and colored shapes. Styles intertwined by Tom Bonson, Gabriel Pacheco, Edward Gorey, gouache elements, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, moving, overall stylized illustration by Chris Foss, gradient inking colors, tessellated, sculpted, cel-shaded illustration by Jackie Morris and John Buscema, cel-shaded surrealism, acutance 1.8, malleability 1.4, uncanny valley effect,Feminine portrait by David Hockney, 20 year old female, adolescence, dyed, stylization 1.3 by Stan Lee teeming irregular strokes and texturing. American Gothic-inspired woodblock print blending elements of Post-Avantgarde and pointillism, layered stylization, joyful, vivid, figurative & complex orphism with paper-cut technique, (((highlights and ultra-clarity in an enchanting orphism & polished foampunk style), dynamic lighting by Ed Paschke) 8:5), coloured with watercolours, merged styles of Guy Anderson & Stan Lee & Bridget Bate Tichenor, Cubist-inspired abstracted upper body portrait, feminine 1920's expressionism, collagraphy
Prompt: Rhenish Expressionism, luminous and serene, cunning enchantress looking at viewer, slightly angled, biophile headshot by Stephanie Hill and Ed Emshwiller, wet on wet painting by Richard Corben, hairstyle, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, gradients of warm green tones and light reflections, slick multi-layered eyes & hair, american punkrock, reflective mapping 1.3, ((abstract female headshot, dynamic lighting 1.3, fantasy sketch art artwork, bo-golden) 4:11, dark fantasy, <lora:ponyv4_noob1_2_adamW-000017:0.75>, 1970s pulp art, sci-fi fantasy art style by John Buscema, dramatic high-contrast lighting, bold saturated colors of deep red, magenta, and light-purple. Ethereal, cosmic atmosphere merging the styles of Donato Giancola and Frank Kelly Freas and Frank Miller. Epic outlines and soft edges, restrained pastel touches, softened and warm digital gradients, gradient inking colors, brightness 1.9, parallax occlusion 1.2, raytraced shadows 1.8, divisionism, radiance, cottagegore 1.7, close-up, timeless atmosphere, painterly fantasy illustration, charcoal, silver mist, antique, muted green, moonlit ivory, blue-violet, faded colors, cel-shaded, somber attitude, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, uncanny valley effect, mip-mapping 1.3, warm coloring 1.9, traumacore 1.9, juminocore, fantastical artistic style akin to a sophisticated 1970s comic book, natural reference, green gradients, ultra-stylized charcoal textures by Robert McCall, dry brush technique in a gothical setting, fantastical and otherworldly american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, color scheme. Morute style, book cover aesthetic by Robert McCall. Merged styles of Debbie Criswell & Freda People & orphism by Kate Beaton, textured paper, hairstyle, intricate ink hatching technique for volumetric effect, pen and ink style, comic book art 1.7 by James Audubon and Sofie Swetter Fronn, 3 layers in logarithmic distance with DOF, whimsical woman in her 40's with transparent colored outlines and brushstrokes, stylized colorful illustration, warped, high contrasting, vivid colors, high contrasting, hand-drawn painting with different charcoal textures, diverse lighting characteristics, soft pencils colorings for outlines and colored shapes. Styles intertwined by Tom Bonson, Gabriel Pacheco, Edward Gorey, gouache elements, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, moving, overall stylized illustration by Chris Foss, gradient inking colors, tessellated, sculpted, cel-shaded illustration by Jackie Morris and John Buscema, cel-shaded surrealism, acutance 1.8, malleability 1.4, uncanny valley effect,Feminine portrait by David Hockney, 20 year old female, adolescence, dyed, stylization 1.3 by Stan Lee teeming irregular strokes and texturing. American Gothic-inspired woodblock print blending elements of Post-Avantgarde and pointillism, layered stylization, joyful, vivid, figurative & complex orphism with paper-cut technique, (((highlights and ultra-clarity in an enchanting orphism & polished foampunk style), dynamic lighting by Ed Paschke) 8:5), coloured with watercolours, merged styles of Guy Anderson & Stan Lee & Bridget Bate Tichenor, Cubist-inspired abstracted upper body portrait, feminine 1920's expressionism, collagraphy
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Prompt:
Rhenish Expressionism, luminous and serene, cunning enchantress looking at viewer, slightly angled, biophile headshot by Stephanie Hill and Ed Emshwiller, wet on wet painting by Richard Corben, hairstyle, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, gradients of warm green tones and light reflections, slick multi-layered eyes & hair, american punkrock, reflective mapping 1.3, ((abstract female headshot, dynamic lighting 1.3, fantasy sketch art artwork, bo-golden) 4:11, dark fantasy, <lora:ponyv4_noob1_2_adamW-000017:0.75>, 1970s pulp art, sci-fi fantasy art style by John Buscema, dramatic high-contrast lighting, bold saturated colors of deep red, magenta, and light-purple. Ethereal, cosmic atmosphere merging the styles of Donato Giancola and Frank Kelly Freas and Frank Miller. Epic outlines and soft edges, restrained pastel touches, softened and warm digital gradients, gradient inking colors, brightness 1.9, parallax occlusion 1.2, raytraced shadows 1.8, divisionism, radiance, cottagegore 1.7, close-up, timeless atmosphere, painterly fantasy illustration, charcoal, silver mist, antique, muted green, moonlit ivory, blue-violet, faded colors, cel-shaded, somber attitude, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, uncanny valley effect, mip-mapping 1.3, warm coloring 1.9, traumacore 1.9, juminocore, fantastical artistic style akin to a sophisticated 1970s comic book, natural reference, green gradients, ultra-stylized charcoal textures by Robert McCall, dry brush technique in a gothical setting, fantastical and otherworldly american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, color scheme. Morute style, book cover aesthetic by Robert McCall. Merged styles of Debbie Criswell & Freda People & orphism by Kate Beaton, textured paper, hairstyle, intricate ink hatching technique for volumetric effect, pen and ink style, comic book art 1.7 by James Audubon and Sofie Swetter Fronn, 3 layers in logarithmic distance with DOF, whimsical woman in her 40's with transparent colored outlines and brushstrokes, stylized colorful illustration, warped, high contrasting, vivid colors, high contrasting, hand-drawn painting with different charcoal textures, diverse lighting characteristics, soft pencils colorings for outlines and colored shapes. Styles intertwined by Tom Bonson, Gabriel Pacheco, Edward Gorey, gouache elements, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, moving, overall stylized illustration by Chris Foss, gradient inking colors, tessellated, sculpted, cel-shaded illustration by Jackie Morris and John Buscema, cel-shaded surrealism, acutance 1.8, malleability 1.4, uncanny valley effect,Feminine portrait by David Hockney, 20 year old female, adolescence, dyed, stylization 1.3 by Stan Lee teeming irregular strokes and texturing. American Gothic-inspired woodblock print blending elements of Post-Avantgarde and pointillism, layered stylization, joyful, vivid, figurative & complex orphism with paper-cut technique, (((highlights and ultra-clarity in an enchanting orphism & polished foampunk style), dynamic lighting by Ed Paschke) 8:5), coloured with watercolours, merged styles of Guy Anderson & Stan Lee & Bridget Bate Tichenor, Cubist-inspired abstracted upper body portrait, feminine 1920's expressionism, collagraphy
Modifiers:
bokeh
elegant
dof
extremely detailed
fantasy
bright studio setting
studio lighting
intricate
8k
beautiful
dynamic lighting
fantastic view
ultra detailed
4K 3D
colourful
focused
American Gothic
subsurface scattering
Art Nouveau
Hyper detailed
Chris Foss
cel-shaded
Ambient occlusion
refined
Shadow mapping
ink outlines
Hatching
Attention to detail
Brightness
3D effects
AIVision
Calman Shemi
Arlie Opal
clean crisp lines & linework & shapes & angles
Other-worldly beauty & mythical & golden ratio
Pastel colors of light yellow, ochre, amber, kali, beige,
Space age, streamline, Buckminster Fuller, digital ink and paint
enhancing symmetry, precision & golden ratio, angular
3 layers in logarithmic distance with DOF
anthropomorphized
1970s advertising art
natural lighting and shadows creating a chiaroscuro effect, soft diffused light, studio lighting
AIVision model
close-up, hyperdetalization, shadow mapping
Raytraced, 3 layers with dof, spatiality with acceptance of Speed, Velocity, Acceleration, Motion
Dynamic lighting, plasticity, luminosity, bioluminescent glow, Layered geometric art
4k 4K 3D
4k 3D, ambient occlusion, subsurface scattering, anisotropic filtering, raytraced shadows
Coby Whitmore, Annette Schmucker, Shozo Shimamoto
Gothic, Forestpunk, Fairycore, Dethereal, New Romanticism,
Dreamscape, auracore, vaporwave, wavery texture
Gothical surrounding, dark fantasy style, eldritch atmosphere,
Headshot, close-up portrait, detailed skin texture
Colorful yam, saturated colors, high coloring 1.4
Luminosity
Hues, high coloring 1.9, saturated colors 1.5
35 mm fuji color film --ar 2:3
mixed media, patchwork, quaint,
anisotropic filtering
raytraced shadows
luminous 3d effects,
Anglo Gothic
editorial illustrations, geometrical, brushstroke fields, graphic design-inspired illustration
bold line work
intricate complex patterns
Art Noir
1950s advertising art advertising art.
brightness 1.4
anisotropic filtering 1.7
Alcohol ink effect. Silver
pastel colors of light yellow, creamy yellow, gold, fresh mint, teal, pistachio,
Radiance, illustrative maximalism, plasticity
Soft edges, rim lighting, luminous iridescence
High coloring, sharpened highlights, Sharp outlines, glowing bioluminescence in vivid colors, polychromatic
graceful and refined, mystical aura, romantic scenery, dreamy hues,
Alejandro Jodorovsky
high dynamic range lighting, texture detail enhancement, global illumination
3 layers in logarithmic distance with DOF, divisionism,
Erratic Hatching Texture, Widely Softened Edges, Contrast Of Lightness/Darkness, High Saturation Of Color Range
abstract dripped
parallax occlusion mapping, high contrast, tranquil, depth of field
Warm colored and designed patchwork in textiles & background
high quality, 64K, --ar 16:9 ,--v 6.0, --s 250
eccentric, dark fantasycore, irresistible beauty, gothical dark fantasy,
Expired film, xeroxed with Ilford Sprite 35-ii Reusable camera, push processing technique, grungy, shabby,
incredible magical realism, highly detailed patterns, Marinism, metal paints
Aligram
Enhance according to light source, Alt-Cinema pan-australis screengrab in Ceramica-lens, dappled illumination
champlevé watercolor technique
gradient dyed colors, tesselated, stippled, blotting, debeh, bokeh, dof, warm tones
3d effects, brightness 1.4, dynamic lighting 1.7, anisotropic filtering 1.7, ambient occlusion 1.6, raytraced shadows 1.8,
ambient occlusion 1.6
Watercolor and ink, oversprayed watercoloring, wavery textures, muted colors, custom_loss: grey
Ethereal ectoplasmic essence, intricate spatial dimensions, mythical poetic narrative, intelligent distortion interplay, vivid
brush strokes and paint splashes
clean crisp lines & linew
+ Prompt:Rhenish Expressionism, luminous and serene, cunning enchantress looking at viewer, slightly angled, biophile headshot by Stephanie Hill and Ed Emshwiller, wet on wet painting by Richard Corben, hairstyle, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, gradients of warm green tones and light reflections, slick multi-layered eyes & hair, american punkrock, reflective mapping 1.3, ((abstract female headshot, dynamic lighting 1.3, fantasy sketch art artwork, bo-golden) 4:11, dark fantasy, <lora:ponyv4_noob1_2_adamW-000017:0.75>, 1970s pulp art, sci-fi fantasy art style by John Buscema, dramatic high-contrast lighting, bold saturated colors of deep red, magenta, and light-purple. Ethereal, cosmic atmosphere merging the styles of Donato Giancola and Frank Kelly Freas and Frank Miller. Epic outlines and soft edges, restrained pastel touches, softened and warm digital gradients, gradient inking colors, brightness 1.9, parallax occlusion 1.2, raytraced shadows 1.8, divisionism, radiance, cottagegore 1.7, close-up, timeless atmosphere, painterly fantasy illustration, charcoal, silver mist, antique, muted green, moonlit ivory, blue-violet, faded colors, cel-shaded, somber attitude, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, uncanny valley effect, mip-mapping 1.3, warm coloring 1.9, traumacore 1.9, juminocore, fantastical artistic style akin to a sophisticated 1970s comic book, natural reference, green gradients, ultra-stylized charcoal textures by Robert McCall, dry brush technique in a gothical setting, fantastical and otherworldly american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, color scheme. Morute style, book cover aesthetic by Robert McCall. Merged styles of Debbie Criswell & Freda People & orphism by Kate Beaton, textured paper, hairstyle, intricate ink hatching technique for volumetric effect, pen and ink style, comic book art 1.7 by James Audubon and Sofie Swetter Fronn, 3 layers in logarithmic distance with DOF, whimsical woman in her 40's with transparent colored outlines and brushstrokes, stylized colorful illustration, warped, high contrasting, vivid colors, high contrasting, hand-drawn painting with different charcoal textures, diverse lighting characteristics, soft pencils colorings for outlines and colored shapes. Styles intertwined by Tom Bonson, Gabriel Pacheco, Edward Gorey, gouache elements, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, moving, overall stylized illustration by Chris Foss, gradient inking colors, tessellated, sculpted, cel-shaded illustration by Jackie Morris and John Buscema, cel-shaded surrealism, acutance 1.8, malleability 1.4, uncanny valley effect, overexposed impasto texture, dispersive lighting from top, bleeding ink effect and comic book art aesthetics, 3d meditating, open to mediatating, appreciating, stringy brightness 1.8, malleability 1.3, filamentous and encoustic line-art,
Prompt
Rhenish Expressionism, luminous and serene, cunning enchantress looking at viewer, slightly angled, biophile headshot by Stephanie Hill and Ed Emshwiller, wet on wet painting by Richard Corben, hairstyle, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, gradients of warm green tones and light reflections, slick multi-layered eyes & hair, american punkrock, reflective mapping 1.3, ((abstract female headshot, dynamic lighting 1.3, fantasy sketch art artwork, bo-golden) 4:11, dark fantasy, <lora:ponyv4_noob1_2_adamW-000017:0.75>, 1970s pulp art, sci-fi fantasy art style by John Buscema, dramatic high-contrast lighting, bold saturated colors of deep red, magenta, and light-purple. Ethereal, cosmic atmosphere merging the styles of Donato Giancola and Frank Kelly Freas and Frank Miller. Epic outlines and soft edges, restrained pastel touches, softened and warm digital gradients, gradient inking colors, brightness 1.9, parallax occlusion 1.2, raytraced shadows 1.8, divisionism, radiance, cottagegore 1.7, close-up, timeless atmosphere, painterly fantasy illustration, charcoal, silver mist, antique, muted green, moonlit ivory, blue-violet, faded colors, cel-shaded, somber attitude, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, uncanny valley effect, mip-mapping 1.3, warm coloring 1.9, traumacore 1.9, juminocore, fantastical artistic style akin to a sophisticated 1970s comic book, natural reference, green gradients, ultra-stylized charcoal textures by Robert McCall, dry brush technique in a gothical setting, fantastical and otherworldly american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, color scheme. Morute style, book cover aesthetic by Robert McCall. Merged styles of Debbie Criswell & Freda People & orphism by Kate Beaton, textured paper, hairstyle, intricate ink hatching technique for volumetric effect, pen and ink style, comic book art 1.7 by James Audubon and Sofie Swetter Fronn, 3 layers in logarithmic distance with DOF, whimsical woman in her 40's with transparent colored outlines and brushstrokes, stylized colorful illustration, warped, high contrasting, vivid colors, high contrasting, hand-drawn painting with different charcoal textures, diverse lighting characteristics, soft pencils colorings for outlines and colored shapes. Styles intertwined by Tom Bonson, Gabriel Pacheco, Edward Gorey, gouache elements, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, moving, overall stylized illustration by Chris Foss, gradient inking colors, tessellated, sculpted, cel-shaded illustration by Jackie Morris and John Buscema, cel-shaded surrealism, acutance 1.8, malleability 1.4, uncanny valley effect,Feminine portrait by David Hockney, 20 year old female, adolescence, dyed, stylization 1.3 by Stan Lee teeming irregular strokes and texturing. American Gothic-inspired woodblock print blending elements of Post-Avantgarde and pointillism, layered stylization, joyful, vivid, figurative & complex orphism with paper-cut technique, (((highlights and ultra-clarity in an enchanting orphism & polished foampunk style), dynamic lighting by Ed Paschke) 8:5), coloured with watercolours, merged styles of Guy Anderson & Stan Lee & Bridget Bate Tichenor, Cubist-inspired abstracted upper body portrait, feminine 1920's expressionism, collagraphy
More about Neon dyed
Digital painting close-up of a glamorous woman with long, sleek, shiny light green hair parted in the middle, sharp facial features, bright green eyes with long black eyelashes, and bold red lips. She is framed against a painterly background in shades of green, purple, and brown, with loose, expressive brushstrokes creating a halo-like circle behind her head. The lighting casts soft shadows across her face, highlighting her cheekbones and smooth skin.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
Artist
