Earthy

Earthy

• Model: Z-Image Turbo

• Size: 384 X 384 (0.15 MP)

• Used settings:

  • Prompt: Mysterious Sketch art, 1 female portrait on textured paper, swirls and twirls of lines and color around the faded edges, details faded away before the sunrise, dreamy, negative lucas numbers, softened reflections, diaphanous luminous glow from the inside, (collage art reminiscence, ((abstracted, dynamic lighting 1.3, concept artwork), 4:11), hues), by Michael Whelan & Alex Grey. Arthur Rackham's warm tones, colorful akin to coloring by Mike Zeck & Barclay Shaw, glossy sheen, negative lucas numbers, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female, micro-level intricacy, snappy comic aesthetic, 1970s vintage illustration meets street-art in maximalist and trippy darkened tones & light, cymatics and geometrical patterns, Watercolor and Ink masterpiece, heavily washed effect, uncanny valley effect, mip-mapping 1.3 for a luxurious touch. Book illustration art in 128k resolution for precise line-art detailing & blending mixed media of watercolor and ink art in motion, uhd, hdr, preciseGelsculpt64k, line-art, overall stylized illustration by Chris Foss, symmetrical appearance by William Holman Hunt, mystical lighting, antique textures, expressive brushwork, delicate pencil details, alcohol-ink textures, gouache elements, timeless , painterly illustration. Deep, muted moonlit ivory, smoky faded copper colors, linework, raw style, chaotic composition, uncanny valley effect, warm coloring, traumacore, subtle plasticity, color glitches, charcoal effect. Detailed ink hatching for volume, influenced by Camille Rose Garcia, delicate <lora:Hand Drawn Bohemian:1.0>, <lora:MisanthropyRemix:1.0>, <lora:MJ Moodboard 7d:1.0>, precise hand-drawn linework. quilling fantasy, gradient inking colors, cel-shaded, somber attitude, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, uncanny valley effect, brightness 1.8, displacement mapping 1.3, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-yellow dark-beige dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female, line-art, moving, overall stylized illustration by Chris Foss, sweater, symmetrical, somber, desaturated hues, divisionism, crayon and ink paints, intricate abstract shapes, organic shadows, very dreamy stylization 1.3 by Stan Lee teeming irregular strokes and texturing. American Gothic-inspired woodblock print blending elements of Post-Avantgarde and layered stylization, joyful, vivid, (highlights and ultra-clarity in an enchanting orphism & polished foampunk style), figurative & complex orphism with paper-cut technique, baroque, gradients, cel-shaded surrealism, acutance 1.8, malleability 1.4 mip-mapping 1.3, warm coloring 1.9, divisionism, radiance, cottagegore 1.7, close-up, expressive brushwork. Methodocal, flowing, graceful, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, american gothic 1.3, abstracted tetradic color scheme rosewood-pink light-yellow dark-beige dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, by Margit Eisenschmid and Man Ray, on textured paper, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, opulent,
  • Using base image: Yes