Half-body portrait of a young woman with reddish hair

solitariness

146

Artist
Maximilian...
DDG Model
Artistic 2
Access
Public
Created
1w ago
Similar Try Try style
Public
146

0

48
- Share
  
  https://deepdreamgenerator.com/ddream/90hho154ecc COPY LINK
- Info
  solitariness
  
  Model: Artistic 2
  
  Size: 912 X 2072 (1.89 MP)
  
  Used settings:
  
  Prompt: enchantress looking at viewer, slightly angled, biophile headshot by Stephanie Hill and Ed Emshwiller, wet on wet painting, hairstyle, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, ochre, several textiles, brightness 1.8, displacement mapping 1.3, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-green dark-beige dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, moving, overall stylized illustration by Chris Foss, sweater, symmetrical, somber, desaturated hues, divisionism, crayon and ink paints, baroque old masters, gradients, cel-shaded surrealism, acutance 1.8, malleability 1.4, uncanny valley effect, stylized by William Bradley and John Buscema. Designed and contoured by Robert McCall, integrated color scheme, impasto details, essence, anisotropic filtering 1.7, shadow mapping 1.7, displacement mapping 1.8, texture mapping 1.8 for dispersed lighting, dynamic retrofuturistic style, malleability 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows, ethereal, magical ambiance, opulent, micro-level intricacy, snappy comic aesthetic, 1970s vintage illustration meets street-art in maximalist and trippy darkened tones & light delicate blending wheatgrass-like patterns, parsley-patterns-style details, distinctive, artistic style akin to a sophisticated 1970s comic book, natural reference, green gradients, ultra-stylized charcoal textures by Robert McCall, dry brush technique in a gothical setting, fantastical and otherworldly american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, color scheme. Morute style, aesthetic by Robert McCall. Merged styles of Debbie Criswell & Freda People & orphism by Kate Beaton, textured paper, hairstyle, intricate ink hatching technique for volumetric effect, , pen and ink style, comic book art 1.7 by James Audubon and Sofie Swetter Fronn, 3 layers in logarithmic distance with DOF, whimsical woman in her 40's with transparent colored outlines and brushstrokes, stylized colorful illustration, warped, high contrasting, vivid colors, high contrasting, hand-drawn painting with different charcoal textures, diverse lighting characteristics, soft pencils colorings for outlines and colored shapes. Styles intertwined by Tom Bonson, Gabriel Pacheco, Edward Gorey, Caras Ionut, Ralph Steadman, Ho Baron, Man Ray, John Buscema. Full size image, no text, no copyright. Transparently multilayered UHD, HDR, dof, debeh, bokeh, intricate 128k effects , moving, brightness 1.8, displacement mapping 1.3, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-green dark-green dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, overall stylized illustration by Chris Foss, symmetrical by William Holman Hunt, mystical lighting, antique textures, expressive brushwork, delicate pencil details, alcohol-ink textures, gouache elements, painterly fantasy illustration. Watercolor wash details, dim cel-shaded background.in nuances, acrylic details, glazing and shiny, intricate linework, raw style, chaotic composition, uncanny valley effect, warm coloring, traumacore elements, subtle plasticity, color glitches, charcoal effect. Detailed ink hatching for volume, influenced by Camille Rose Garcia, Francis Picabia, Man Ray.
  
  Using base image: Yes
- Report
  
  Would you like to report this Dream as inappropriate?

Prompt: enchantress looking at viewer, slightly angled, biophile headshot by Stephanie Hill and Ed Emshwiller, wet on wet painting, hairstyle, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, ochre, several textiles, brightness 1.8, displacement mapping 1.3, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-green dark-beige dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, moving, overall stylized illustration by Chris Foss, sweater, symmetrical, somber, desaturated hues, divisionism, crayon and ink paints, baroque old masters, gradients, cel-shaded surrealism, acutance 1.8, malleability 1.4, uncanny valley effect, stylized by William Bradley and John Buscema. Designed and contoured by Robert McCall, integrated color scheme, impasto details, essence, anisotropic filtering 1.7, shadow mapping 1.7, displacement mapping 1.8, texture mapping 1.8 for dispersed lighting, dynamic retrofuturistic style, malleability 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows, ethereal, magical ambiance, opulent, micro-level intricacy, snappy comic aesthetic, 1970s vintage illustration meets street-art in maximalist and trippy darkened tones & light delicate blending wheatgrass-like patterns, parsley-patterns-style details, distinctive, artistic style akin to a sophisticated 1970s comic book, natural reference, green gradients, ultra-stylized charcoal textures by Robert McCall, dry brush technique in a gothical setting, fantastical and otherworldly american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, color scheme. Morute style, aesthetic by Robert McCall. Merged styles of Debbie Criswell & Freda People & orphism by Kate Beaton, textured paper, hairstyle, intricate ink hatching technique for volumetric effect, , pen and ink style, comic book art 1.7 by James Audubon and Sofie Swetter Fronn, 3 layers in logarithmic distance with DOF, whimsical woman in her 40's with transparent colored outlines and brushstrokes, stylized colorful illustration, warped, high contrasting, vivid colors, high contrasting, hand-drawn painting with different charcoal textures, diverse lighting characteristics, soft pencils colorings for outlines and colored shapes. Styles intertwined by Tom Bonson, Gabriel Pacheco, Edward Gorey, Caras Ionut, Ralph Steadman, Ho Baron, Man Ray, John Buscema. Full size image, no text, no copyright. Transparently multilayered UHD, HDR, dof, debeh, bokeh, intricate 128k effects , moving, brightness 1.8, displacement mapping 1.3, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-green dark-green dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, overall stylized illustration by Chris Foss, symmetrical by William Holman Hunt, mystical lighting, antique textures, expressive brushwork, delicate pencil details, alcohol-ink textures, gouache elements, painterly fantasy illustration. Watercolor wash details, dim cel-shaded background.in nuances, acrylic details, glazing and shiny, intricate linework, raw style, chaotic composition, uncanny valley effect, warm coloring, traumacore elements, subtle plasticity, color glitches, charcoal effect. Detailed ink hatching for volume, influenced by Camille Rose Garcia, Francis Picabia, Man Ray.

Modifiers:

bokeh bright studio setting 8k portrait dynamic lighting fantastic view 4K 3D focused American Gothic subsurface scattering Art Nouveau raytracing cel-shaded Ambient occlusion Shadow mapping colored line patterns Divisionism Brightness Liquid-pearlescent-plasma and prismatic tilting 3D effects AIVision Calman Shemi Arlie Opal clean crisp lines & linework & shapes & angles Other-worldly beauty & mythical & golden ratio psychological assessment, brain scan, schematic evaluation, opulence 3 layers in logarithmic distance with DOF anthropomorphized Stacked lines oil on canvas 4K, splash dripping, splash strokes, Shadow Mapping, enhanced color vibrancy, undetailed, 3D effects, hyperdetailed composition 1970s advertising art Impeccable scenery, smooth dewy complexion, proportional human anatomy, aesthetically perfect AIVision model close-up, hyperdetalization, shadow mapping Raytraced, 3 layers with dof, spatiality with acceptance of Speed, Velocity, Acceleration, Motion shiny metallic colors, silver, gold, porcelain, black onyx Dynamic lighting, plasticity, luminosity, bioluminescent glow, Layered geometric art Anisotropic filtering, shadow mapping, luminous 3d effects, 4k 4K 3D 4k 3D, ambient occlusion, subsurface scattering, anisotropic filtering, raytraced shadows official art, extremely detailed CG unity 8k wallpaper, highly detailed Chris Foss, Alejandro Jodorovsky 3d effects, brightness, luminosity, anisotropic filtering, shadow mapping, raytraced shadows, ambient occlusion Dreamscape, auracore, vaporwave, wavery texture Stylized illustration, fine strokes, cel-shading Gothical surrounding, dark fantasy style, eldritch atmosphere, Luminosity 35 mm fuji color film --ar 2:3 bold line work, attention to detail, hyper detailed, refined, hatching, intricate complex patterns, mixed media, patchwork, quaint, anisotropic filtering raytraced shadows luminous 3d effects, shadow mapping, Anglo Gothic Cottagegore Coffinwood highly detailed textures Layered geometrical vector art, radiance, illustrative maximalism, sepia and brass colour palette. Marvel Comics Art Art Noir 1950s advertising art advertising art. brightness 1.4 highly detailed features dynamic lighting 1.7 anisotropic filtering 1.7 Alcohol ink effect. Silver Science-fiction illustration concept art, sharp focus, smooth edges,intricate, ray tracing, masterpiece Sculpted, Frantically Baroque High coloring, sharpened highlights, Sharp outlines, glowing bioluminescence in vivid colors, polychromatic graceful and refined, mystical aura, romantic scenery, dreamy hues, melting watercolor and black ink outlines on wet paper, soft, shading strokes, in sunshine, ethereal, S < AI Pastel colors of Citrine, Tea green, Silver, Khaki, Jasper, Burnt sienna, Cherry blossom, Desert sand, Khaki, Dark purple high dynamic range lighting, texture detail enhancement, global illumination Erratic Hatching Texture, Widely Softened Edges, Contrast Of Lightness/Darkness, High Saturation Of Color Range abstract dripped splashed and poured Warm colored and designed patchwork in textiles & background vision feature, fusion with geometric Construction, sgraffito with flowing rim light high quality, 64K, --ar 16:9 ,--v 6.0, --s 250 luminal soft parametric light and shade, Soft backlighting, Enhance according to light source, conceptual 21st Century Glamour incredible magical realism, highly detailed patterns, Marinism, metal paints Aligram Pastel Colors Of Lemon chiffon, Melon, Sky blue, Charcoal, Dartmouth green, Sandy brown, Almond beige champlevé watercolor technique, ink outlines gradient dyed colors, tesselated, stippled, blotting, debeh, bokeh, dof, warm tones mist, fairy light vortices, windy, mysterious, fairy lights, abstract neorealism 3d effects, brightness 1.4, dynamic lighting 1.7, anisotropic filtering 1.7, ambient occlusion 1.6, raytraced shadows 1.8, ambient occlusion 1.6 raytraced shadows 1.8, thinned watercolor on homemade paper, paint splatter and wet ink Watercolor and ink, oversprayed watercoloring, wavery textures, muted colors, custom_loss: grey Displacement mapping 1.3, mip-mapping 1.1, parallax occlusion 1.3, polished hues, fine linework, complexity, UHD, HDR, Ethereal ectoplasmic essence, intricate spatial dimensions, mythical poetic narrative, intelligent distortion interplay, vivid Slided lighting with ectoplasmic spatiality, mythopoetic distortion, lucid Obscurantism, surprisingly quaint, go wild, brush strokes and paint splashes

Evolution steps: (See in details)

Step 5

Step 4

Step 3

Step 2

Step 1

Evolution started from:

+ Prompt: enchantress looking at viewer, slightly angled, biophile headshot by Stephanie Hill and Ed Emshwiller, wet on wet painting, hairstyle, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, ochre, several textiles, brightness 1.8, displacement mapping 1.3, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-green dark-beige dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, moving, overall stylized illustration by Chris Foss, sweater, symmetrical, somber, desaturated hues, divisionism, crayon and ink paints, baroque old masters, gradients, cel-shaded surrealism, acutance 1.8, malleability 1.4, uncanny valley effect, stylized by William Bradley and John Buscema. Designed and contoured by Robert McCall, integrated color scheme, impasto details, essence, anisotropic filtering 1.7, shadow mapping 1.7, displacement mapping 1.8, texture mapping 1.8 for dispersed lighting, dynamic retrofuturistic style, malleability 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows, ethereal, magical ambiance, opulent, micro-level intricacy, snappy comic aesthetic, 1970s vintage illustration meets street-art in maximalist and trippy darkened tones & light delicate blending wheatgrass-like patterns, parsley-patterns-style details, distinctive, artistic style akin to a sophisticated 1970s comic book, natural reference, green gradients, ultra-stylized charcoal textures by Robert McCall, dry brush technique in a gothical setting, fantastical and otherworldly american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, color scheme. Morute style, aesthetic by Robert McCall. Merged styles of Debbie Criswell & Freda People & orphism by Kate Beaton, textured paper, hairstyle, intricate ink hatching technique for volumetric effect, , pen and ink style, comic book art 1.7 by James Audubon and Sofie Swetter Fronn, 3 layers in logarithmic distance with DOF, whimsical woman in her 40's with transparent colored outlines and brushstrokes, stylized colorful illustration, warped, high contrasting, vivid colors, high contrasting, hand-drawn painting with different charcoal textures, diverse lighting characteristics, soft pencils colorings for outlines and colored shapes. Styles intertwined by Tom Bonson, Gabriel Pacheco, Edward Gorey, Caras Ionut, Ralph Steadman, Ho Baron, Man Ray, John Buscema. Full size image, no text, no copyright. Transparently multilayered UHD, HDR, dof, debeh, bokeh, intricate 128k effects , moving, brightness 1.8, displacement mapping 1.3, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-green dark-green dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, overall stylized illustration by Chris Foss, symmetrical by William Holman Hunt, mystical lighting, antique textures, expressive brushwork, delicate pencil details, alcohol-ink textures, gouache elements,timeless , painterly fantasy illustration., Watercolor wash details, dim cel-shaded background.in nuances, acrylic details, glazing and shiny

Prompt

enchantress looking at viewer, slightly angled, biophile headshot by Stephanie Hill and Ed Emshwiller, wet on wet painting, hairstyle, american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, ochre, several textiles, brightness 1.8, displacement mapping 1.3, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-green dark-beige dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, moving, overall stylized illustration by Chris Foss, sweater, symmetrical, somber, desaturated hues, divisionism, crayon and ink paints, baroque old masters, gradients, cel-shaded surrealism, acutance 1.8, malleability 1.4, uncanny valley effect, stylized by William Bradley and John Buscema. Designed and contoured by Robert McCall, integrated color scheme, impasto details, essence, anisotropic filtering 1.7, shadow mapping 1.7, displacement mapping 1.8, texture mapping 1.8 for dispersed lighting, dynamic retrofuturistic style, malleability 1.3, mip-mapping 1.3, delicate light filtering, raytraced shadows, ethereal, magical ambiance, opulent, micro-level intricacy, snappy comic aesthetic, 1970s vintage illustration meets street-art in maximalist and trippy darkened tones & light delicate blending wheatgrass-like patterns, parsley-patterns-style details, distinctive, artistic style akin to a sophisticated 1970s comic book, natural reference, green gradients, ultra-stylized charcoal textures by Robert McCall, dry brush technique in a gothical setting, fantastical and otherworldly american gothic 1.3, abstracted in the style of Frank Miller and Inga Moore, color scheme. Morute style, aesthetic by Robert McCall. Merged styles of Debbie Criswell & Freda People & orphism by Kate Beaton, textured paper, hairstyle, intricate ink hatching technique for volumetric effect, , pen and ink style, comic book art 1.7 by James Audubon and Sofie Swetter Fronn, 3 layers in logarithmic distance with DOF, whimsical woman in her 40's with transparent colored outlines and brushstrokes, stylized colorful illustration, warped, high contrasting, vivid colors, high contrasting, hand-drawn painting with different charcoal textures, diverse lighting characteristics, soft pencils colorings for outlines and colored shapes. Styles intertwined by Tom Bonson, Gabriel Pacheco, Edward Gorey, Caras Ionut, Ralph Steadman, Ho Baron, Man Ray, John Buscema. Full size image, no text, no copyright. Transparently multilayered UHD, HDR, dof, debeh, bokeh, intricate 128k effects , moving, brightness 1.8, displacement mapping 1.3, gradient hues, plasticity 1.8, tetradic color scheme rosewood-pink light-green dark-green dark-grey, fluidity, fine flowing hair illusion with warm tones for varying fibrous streaks, coloring and contouring by Overton Loyd, female diva, line-art, overall stylized illustration by Chris Foss, symmetrical by William Holman Hunt, mystical lighting, antique textures, expressive brushwork, delicate pencil details, alcohol-ink textures, gouache elements, painterly fantasy illustration. Watercolor wash details, dim cel-shaded background.in nuances, acrylic details, glazing and shiny, intricate linework, raw style, chaotic composition, uncanny valley effect, warm coloring, traumacore elements, subtle plasticity, color glitches, charcoal effect. Detailed ink hatching for volume, influenced by Camille Rose Garcia, Francis Picabia, Man Ray.

More about solitariness

Vertical medium close-up shot of a young woman with long reddish-brown hair in braids. She looks directly at the camera with a neutral expression. Her hair has an oily or wet texture, with some strands matted together. She has fair skin with a light dusting of freckles, and wears subtle makeup including reddish lipstick. A small mark is visible on her forehead. She wears a greyish-green long-sleeved shirt with ruffles around the neckline, adorned with what looks like splatters of yellow, brown, and black paint or mud. Her hands are in front of her holding a yellow fabric, and she wears dark gauntlets or bracers on her forearms. The background is an abstract, textured wall with vertical streaks of paint in various colors like grey, brown, and yellow, creating a grunge or industrial look. The lighting is soft, highlighting her facial features and the glossy texture of her hair and clothing.

#braids #freckles #paint #shirt #woman

solitariness

Prompt

More about solitariness

Comments

Loading Dream Comments...

Discover more dreams from this artist