Prompt: Prompt by jexiq q: Masterpiece: Scene Description in Mixed Palette Knife, Impasto, Glazing Techniques: Spring Garden at Dawn.
On a canvas illuminated by the soft hues of sunrise, spring comes alive in all its glory. In the Mixing Palette Knife technique, the foreground features an old wooden bench beneath a blooming cherry tree. Knife strokes outline the rough texture of the bench, while the cherry blossoms are crafted with layers of white and pink tones, creating the illusion of petals trembling in the breeze. A few fallen petals lie on the dewy grass, their edges shimmering in the morning light. In the middle ground, the Impasto technique brings the flower garden to life. Tulips, daffodils, and violets in vibrant red, yellow, and purple tones stand out against the lush greenery. Thick layers of paint add depth and texture to each flower, while a wooden fence, covered in moss and bathed in the first rays of sunlight, peeks through the blooms. In the background, rendered in the Sfumato technique, the forest gently merges with the sky in soft blue and purple tones. The sun is just beginning to rise over the horizon, with golden and orange rays filtering through the treetops. Mist hovers over the ground, creating a dreamy and ethereal effect. The entire canvas radiates life and tranquility, as the morning air carries the scent of fresh blossoms and the promise of a new day.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Kitchen at 2 A.M.”
A small apartment kitchen, late at night. Only one lamp is on.
The ginger girl leans against the counter, barefoot, wearing an oversized shirt. Her hair falls loose, painted with gentle Palette Knife strokes, softer than in daylight. She’s holding a chipped mug, steam rising.
Across from her, the Black girl sits on the table edge, hoodie half-zipped. Her posture is relaxed but alert. Her hair, built with Impasto, absorbs the warm light.
On the fridge behind them:
a small rainbow magnet, a handwritten note that says “Be kind to yourself”, and a faded event flyer from Pride Week — all lightly washed with Glazing so they feel part of the space, not decoration.
On the kitchen table, a spilled drop of colored ink has stained a notebook page — accidental, imperfect, real.
They are talking — mid-sentence, mid-thought.
No drama. No posing.
Just two people sharing exhaustion, safety, and trust.
Mood: intimacy without spectacle, everyday queer life, emotional depth.
Prompt: In a quiet park, under the light of the autumn sun, sits an old bench. On it, leaning side by side, are two completely different individuals. On one side, there's a young girl, dressed in bright colors, adorned with tattoos that tell the story of her life. Opposite her sits an older man, with a calm expression on his face, holding a book in his hand and wearing glasses.
In the background, the trees sway gently in the wind, and leaves fall in the colorful hues of autumn. The sunlight breaks through the branches, creating magical patterns on the ground. Birds sing in the distance, while the sound of footsteps is occasionally heard nearby.
As we sit with them on the bench, we realize that these two completely different worlds are drawn to each other. They sit in silence, sharing space and a moment, even though they have never met before. Their stories, intertwined and diverse, create a unique symphony of life unfolding right before our eyes.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Imagine the scene: The sun is blazing in a clear blue sky as a young couple cleans their modern silver car. The guy, wearing a baseball cap and casual shorts, playfully sprays water onto the car, while the girl, in a summer dress, leans down to scrub the wheels with a soapy sponge. The car glistens under the sunlight, water cascading down its sleek body. Foreground: The couple's focused actions take center stage, the car radiating with a fresh coat of water and suds. Their wet shoes splash onto the concrete driveway, where soap bubbles dance around. Background: Behind them, a neat row of suburban houses with colorful flower beds lines the street. Tall trees sway gently, casting cool shadows over parts of the yard. To the side, a garden hose lies coiled near a stack of brightly colored car-cleaning supplies. In the distance, the hum of a neighbor's lawnmower adds to the summer ambiance. Palette Knife Technique: Adds sharp, detailed textures to the reflections of water droplets on the car and enhances the couple’s playful energy in the movements of water. impasto Technique: Used on the greenery of the trees and garden, bringing out the richness of summer foliage, as well as the soap bubbles, giving them a bouncy, light feel as they catch the sunlight.
Prompt: The photograph depicts a scene of family therapy. In the center of the frame is the THERAPIST, seated either at a table or near the family members, while the other family members are scattered throughout the room. Their facial expressions reflect a wide range of emotions, from sadness to relief, as the therapist facilitates the conversation and asks questions. The atmosphere is calming and supportive, with an emphasis on mutual support and collaboration. The lighting is soft, creating a warm atmosphere in the therapy room. The photograph conveys the dynamics of family therapy and the family's efforts to resolve their issues with the support of the therapist.
Prompt: In the style of Louis Jover: In the deep darkness, in the heart of a lost forest, stands an unusual creature exuding mystical beauty. Its body seems to be fused from two worlds - the upper part represents a graceful and feminine figure, while the lower part transforms into the elegance of a cello.
The upper body is slender and elegant, resembling a ballerina in motion, with long hair flowing in the wind, revealing the beautiful contours of her face. Her eyes shine like stars in the sky, while the smile on her lips exudes an inexplicable sensuality and mystery.
The lower body morphs into a cello - elongated and curved parts form shapes and lines reminiscent of the recognizable features of the instrument. The body is adorned with intricate details and ornamental decorations, akin to those seen on a real cello. Above the "head" of the instrument, where the scroll would be, lies the transition between the female body and the instrument, creating a bridge between two worlds.
In the background, the moonlight filters through dense tree branches, creating a magical atmosphere in which this being comes to life. The light illuminates every detail of her unique appearance, emphasizing the mystique and enchantment hidden within her exotic nature.
This scene evokes a sense of wonder and fascination, prompting questions and fantasies about the origin and destiny of this extraordinary creature. Whether she is a divine being, a musical entity, or something entirely different remains a mystery that intrigues every observer who encounters this otherworldly being.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Vinyl & Silence.
In a dim apartment above an old bookstore, sunlight cuts through half-closed blinds. The ginger woman, wearing an oversized men's shirt, stands by the record player, gently lowering the needle. The Afro-American woman lies on the rug, eyes closed, listening. An old Polaroid rests in her hand. The room is quiet, then the soft crackle of vinyl. No words, but everything is said.
Techniques: Mixing Palette Knife to capture the fractured light across the floor and wall. Glazing for the translucent play of shadows on their bodies. Impasto to bring out the coarse texture of the rug and the sharp edges of the record player.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: A young ginger-haired woman sits at her desk, viewed from behind, working on a computer. The room is dim, her shoulders wrapped in a soft sweater. The monitor glows gently, illuminating her hair and the edge of her face. On the glassy surface of the screen, her reflection appears — her front face softly visible, thoughtful and calm, eyes half lost in the light. The scene feels intimate, quiet, as if she’s staring into her own reflection more than the work itself.
Techniques: Mixing Palette Knife for background texture and fabric detail; Impasto for the glow on her hair and the edge of the monitor; Glazing for the reflection — delicate and semi-transparent, showing her face in the monitor with smooth transitions between light and shadow.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Imagine a scene: Foreground: A narrow, cobblestone street winds its way through a quiet, foggy town, illuminated by the dim glow of street lamps. The wet cobblestones are painted using sharp Palette Knife strokes, each stone’s texture visible as the light bounces off their damp surface. In the center of the scene, a woman in a long, woolen coat walks slowly, her figure shrouded in the mist. The fabric of her coat is depicted using thick layers of Impasto, emphasizing its warmth and heaviness. Her footsteps are muffled by the fog, while her scarf flutters in the breeze, painted with swift, delicate brushstrokes to capture its movement. Midground: To her left, a row of townhouses fades into the mist, their outlines softened with gentle, sweeping Impasto strokes to suggest the quiet stillness of the evening. The windows of the houses glow faintly from within, their golden light spilling onto the fog-covered street. The textures of the bricks and window frames are detailed using Palette Knife, adding a sharp contrast to the fog’s softness. Across the street, a few trees, now bare, stretch their dark branches upward. The bark of the trees is rough and detailed, created using quick Palette Knife strokes, while the last few remaining autumn leaves cling to the branches, thickly painted with bright reds and oranges. Background: Further into the distance, the fog becomes denser, nearly obscuring the far end of the street where a café’s faint neon sign flickers. The neon sign, done in sharp Palette Knife strokes, cuts through the fog with a vibrant glow, while the soft, swirling mist around it is layered with thick Impasto to convey the depth and quiet mystery of the night. The street disappears into this soft haze, giving the impression that the evening stretches endlessly into the unknown.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: Ginger-haired Girl at the Abandoned Amusement Park
In the silence of twilight, she steps into an abandoned amusement park, where rusted rides creak faintly in the wind. The once-bright carousel horses are now chipped and faded, their colors dulled by time.
The ginger-haired girl stands at the center, her curls painted in fiery Impasto strokes, glowing like a lantern in the fading light. She wears a long coat that flutters as the breeze moves through broken gates and forgotten stalls.
With a gentle hand, she touches the peeling surface of a carousel horse, and the memory of laughter seems to echo in the air. The Mixing Palette Knife carves bold textures into the cracked paint and tangled weeds, while Glazing layers of violet and gold sky fall over the scene, giving it an eerie beauty—half melancholy, half magic.
Above her, the Ferris wheel looms like a giant skeleton, but its shadow frames her as if she were the soul that returned to breathe life into the place. She looks around with eyes wide open—not afraid, but curious, almost enchanted, as if she found poetry hidden in decay.
The scene feels like a secret story: a meeting of youth, fire, and forgotten dreams.
A Cozy Moment of Friendship and Care - DiversitySaturday
Model:
AIVision
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A hyper-realistic, warm, intimate scene painted with Mixing Palette Knife, Impasto, Glazing, and Color Ink Wash techniques. A ginger-haired girl and a Black girl sit together on a sunlit living-room floor on a quiet Sunday morning. The ginger girl is cross-legged, wearing an oversized white shirt, laughing softly, while the Black girl sits behind her, braiding her hair with slow, loving hands. Sunlight pours through the window, creating thick, textured highlights on their skin and soft shadows on the floor.
The LGBT pride flag hangs casually on the wall behind them, partly illuminated. Color ink wash adds delicate strokes of soft yellow, peach, and warm rose around their figures, emphasizing tenderness and unity. The scene feels real, peaceful, intimate — a celebration of simple love and everyday diversity.
Prompt: In a laboratory illuminated by gentle white light, two researchers are conducting experiments with focus and precision. At the center of their attention, glassware slides on metal stands as they carefully pour liquids from one vessel to another. Every drop is measured with meticulous care, and every step is accompanied by a concentrated expression on their faces.
Through the window, sunlight streams through the clouds, casting a network of shadows that dance across the laboratory floor. These shifting shadows, following the shape of the sun, create a magical spectacle, resembling a dance of shadows that contributes to maintaining an atmosphere of concentration and wonder.
In the background of the laboratory, behind the researchers, a blue light offers a contrast to the white light, creating a harmonious balance between different hues. This blue light, with its pristine clarity, adds an additional element of mystery and depth to the scene, as the researchers tirelessly continue their work, fully immersed in the world of science and discovery.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: "Reflections After the Rain"
The ginger-haired girl and her dark-skinned friend stand by a large glass window of a boutique, moments after the rain has stopped.
The city glows in soft twilight, and raindrops still slide down the window, catching the light like tiny crystals.
Their reflections appear on the glass — half-transparent, half-real — blending with the warm glow from inside the shop.
The reflections are created with Glazing technique, giving the glass a subtle depth, as if layers of air and memory lie between them.
The soft blur of streetlights behind them is rendered in Mixing Palette Knife, creating a shimmering, uneven surface that mimics wet pavement.
Her ginger hair, lit by a golden streetlamp, is painted in Impasto strokes, thick and tactile, glowing with every highlight of light.
They lean closer, smiling at something only they can hear — their laughter caught both in air and in reflection.
Between them and their mirrored selves, the thin veil of glass becomes a story — one painted in pastel lilacs, gentle rose, silver-blue and muted gold tones.
It’s a moment of quiet magic — where two girls, one evening, and a sheet of rain-streaked glass become a living painting.
Prompt: In an attractive and modern close-up scene, the focus is on the hand skillfully creating a digital illustration on a tablet. Fingers move swiftly across the screen as they shape a vivid landscape. The light from the screen illuminates the person's face, revealing an expression of concentration and creativity. Around them, a modern interior filled with minimalist details creates an elegant backdrop for artistic creation. In the background, a window is visible, through which gentle sunlight filters, adding warmth and atmosphere to the picture.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: Sunset Letters.
Foreground (Impasto Technique): On a wooden bench by the river, the ginger girl sits cross-legged in an oversized light hoodie that looks borrowed. Her hands are richly textured—she presses a fountain pen into thick paper, writing a letter by hand. The ink still glistens. Each line, each word is carved in like a relief, as if her thoughts are becoming tangible. Middle Ground (Mixing Palette Knife): Beside her, the Afro-American girl in an orange tulle skirt and denim jacket leans on a concrete table, adding her drawing to the letter. Her movements are painted with a palette knife—each brushstroke feels like part of a wider dance. The wind tousles her hair, but she doesn't flinch. In the shadow of petals fallen from trees, she shares silence through sketches. Background (Glazing Technique): In the background—the river glows under the setting sun, layered and translucent. Shades of pink and orange in the sky shimmer in the water. Gentle layers of glazing make the horizon feel timeless. On the far bank, barely visible silhouettes of the city—as if the world exists, but they choose to ignore it for now. Details: On the paper they write on, there’s the trace of a teardrop—it’s unclear whose, but it clearly meant something. Next to them, a thermos of tea and two cups: steam rising, warm and quiet. They don’t laugh out loud, but they understand each other completely.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: Pixels and Pancakes.
Foreground: The ginger girl sits cross-legged on the living room floor, holding an old-school joystick. Her eyes sparkle as she laughs, trying to win a round of a retro video game. There’s a smudge of flour on her cheek – a clear sign they’ve been making pancakes and playing at the same time. Her messy strands of hair and the fluffy texture of the pancakes beside her are rendered in thick, tactile Impasto strokes. Midground: The Black girl lies on her stomach in front of the TV, feet up in the air, gripping the second joystick. Her dreadlocks are playfully tied in a headscarf, captured with dynamic, expressive strokes using Mixing Palette Knife. Her retro-printed T-shirt reflects the game’s light, and her animated facial expression shows it all – excitement, competition, and pure joy. Background: The walls are covered with polaroid photos and handwritten notes. On the table next to them sits a half-eaten pile of chocolate and fruit-covered pancakes. Light from a lamp filters through a juice bottle, casting warm hues across the room with the help of Glazing technique – layers of light and shadow build a feeling of home, youth, and glowing happiness.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: In the heart of a park, beneath tree canopies breaking into shades of autumn, a ginger-haired girl sits on an old wrought-iron bench. The wind carries leaves in golden, red, and copper tones, while her fiery curls blend with the swirling colors of nature.
Her hair is painted with bold strokes of the palette knife, applied thick and rich, so it seems to burn under the glow of the setting sun. On her face, calm and contemplative, glazing creates transparent layers of light — her eyes glisten, and her lips appear to hold an unspoken story.
Her dress, in hues of green and mustard yellow, is shaped with the impasto technique, so every fold of the fabric has its own shadow and volume. At her feet, leaves are layered in thick textures of paint, almost relief-like, as if they could be lifted from the canvas.
The background is not just a park — it is a whirlwind of strokes, where the treetops shift from gold into red, and the ground shimmers in warm transitions. She sits quietly amid this chaos of colors, a silent figure of autumn who both creates it and belongs to it.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: Sour & Sweet – Farmers Market Adventure.
Foreground: At a fruit stand in an open-air market, the ginger-haired girl in a light linen jumpsuit holds a slice of watermelon in one hand and laughs heartily, holding her belly with the other. Her fingers are stained with red juice — painted in vivid detail with the mixing knife technique, making everything look soaked in vibrant flavors.
Midground: The African-American girl in a floral dress and with a basket full of mangoes and avocados leans toward a table with jars of honey. She’s just tasted something surprising — her expression a mix of confusion and delight. Her hairstyle is boldly emphasized with impasto texture — thick, layered strokes that reflect the light and add volume.
Background: The market buzzes with life: people, colors, sounds, and scents. Little flags flutter between the stalls in the breeze. In the distance, passersby stop to watch the two girls sample exotic flavors. Their joy and closeness dominate the color of the scene — two souls seeking something simply beautiful.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto and Mixing Palette Knife Techniques: Rainy Window, Shared Silence.
Techniques: Impasto (for the rain and textures), Mixing Palette Knife (for light and skin), Glazing (for the mood and shadows).
Foreground: A young couple sits on the wooden floor beside a tall window, backs resting against the wall. She holds a half-drunk mug of tea with both hands, steam curling gently. His arm brushes hers, a book lies face-down on his lap. Raindrops slide down the glass, catching afternoon light in thick, impasto strokes — painted with deliberate texture to reflect melancholy and warmth. Middle Ground: Behind them, a cluttered coffee table with a wool blanket, a half-eaten pear, and two candles barely flickering. A cat curls in the corner, asleep. The mixing palette knife technique gives everything a tactile, lived-in feel — the fabric, the wood, the small imperfections. Background: A faint silhouette of rainy trees seen through the fogged glass — built with glazing to create depth and a dreamy tone. Everything whispers stillness. It’s a moment suspended in time — not dramatic, but honest. Their silence says more than conversation.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: A young ginger-haired woman sits at the edge of a weathered wooden pier, the late afternoon light melting into gold across the horizon. Her copper hair blazes like a flame against the vast mirror of the water, every strand thickly layered with impasto strokes so it almost seems alive, moving with the breeze.
Behind her, the sky is a wild symphony of colors — streaks of rose, amber, and violet, spread with a palette knife, bold and textured, clashing yet harmonizing like unfinished thoughts of the universe. A thin glazing of translucent blue drapes over the scene, softening the sharp edges, giving the air that dreamlike glow of something eternal.
Her gaze drifts into the distance, as if she’s watching the line where the earth dissolves into infinity, her expression poised between serenity and an untold longing. The water around her reflects not only the sunset but fragments of her — the fiery crown of her hair, the pale softness of her cheek, the quiet strength in her shoulders.
It is a portrait not just of a woman, but of a soul suspended in time — where nature, color, and silence merge into a moment too sacred to fade.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Mixing Palette Knife, Glazing Techniques: A man making soap in an abandoned cinema.
Foreground – Thick Impasto strokes on an old wooden bench, where a man in a torn coat sits. In his hands, a bowl of melted soap, scented with lavender and ash. His fingers gently stir the liquid — use Mixing Palette Knife to feel the rough texture, like kneading the past. Middle ground – Around him, on the cold cinema tiles, are soap shapes: some dry, some still warm in molds made from film strips. Light from a broken projector casts a soft Glazing glow — like reflections of forgotten stories. Background – Old red seats, half-collapsed, covered in dust. On the still-standing screen, shadows dance — birds that now live there, flying like projections from lost reels. Impasto for the canvas, Glazing for the light coming through a hole in the roof.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto and Mixing Palette Knife Techniques: Break Between Rides.
Mixing Palette Knife (background and lighting contrasts), Impasto (clothing and hair), Pastel (face, shadows, emotion).
In the foreground, a young girl sits on a bench at a tram stop. Her hair is messy, dyed in shades of violet and blue, and she’s wearing a short black tulle skirt, fishnet tights, and an oversized jacket covered in patches and pins—a mix between punk rock and modern artistic expression. On one foot she has a sneaker, on the other a combat boot—as if she hasn’t quite decided who she wants to be. Resting in her lap is a sketchbook, and she’s quietly drawing the passersby with a soft pastel pencil. Her fingers are smudged with chalk and charcoal.
In the middle ground, an older woman watches the girl with a mix of wonder and confusion, while beside them a tram passes, its window reflections shimmering across the pavement, captured with Mixing Palette Knife strokes that add motion and tension. In the background, gray buildings fade beneath a pink-blue sunset sky, the light spilling like a pastel haze—warm tones blending with cold, while the wind plays with paper scraps and the hem of the girl’s skirt. The whole scene breathes in the rhythm of the city—soft, but relentless.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Alla Prima, Sfumato and Glazing Technique: The Shadow in the Mountain Wilderness.
Foreground (Impasto & Glazing): Sharp winds lash against the frozen edges of the mountain path, leaving behind layers of hardened snow and ice that glisten under the gray sky (Glazing). Jagged black rocks pierce through the snowy drifts, cracked and weathered, streaked with moss that stubbornly clings to the harsh heights (Impasto). The broken remains of trees jut out from the snow like bones frozen in time, while a lone raven shakes the snow off its wings, perching on a brittle branch. Middle Ground (Sfumato & Chiaroscuro): At the edge of the abyss, the Shadow stands, draped in a long cloak that the wind twists and lifts into chaotic waves of darkness (Sfumato). His face remains hidden beneath the hood, while his hand rests on the hilt of a sword buried in the snow. The sun breaks through the clouds, casting a sharp shadow on the white surface—a fracture of darkness in an expanse of endless light (Chiaroscuro). His gaze is fixed beyond the precipice, where the valley dissolves into a deep, misty void. Background (Alla Prima & Glazing): On the horizon, mountain peaks rise like petrified waves, bathed in cold light reflecting off the eternal snow (Alla Prima). Clouds roll beneath him, as if he is floating on the edge of the world, while in the distance, through a veil of mist, faint lights flicker from an unknown settlement hidden within the rock (Glazing). The silence is absolute, broken only by the occasional howl of the wind carrying distant sounds—perhaps the echo of drums, or just the storm playing tricks in the heights.
Prompt: In a Louis Jover-Inspired Scene: Through the old-fashioned window opening to a picturesque landscape, gentle sunlight filters into the small workspace. In the center of the room stands a wooden easel surrounded by painting supplies - paints, brushes, and a palette.
In front of the easel stands a middle-aged figure, dressed in casual attire, whose hands skillfully manipulate the brush on the canvas. His focus is undivided, and expressions of concentration and passion are evident on his face. What draws attention is that he is painting a self-portrait, and the figure emerging on the canvas is incredibly lifelike, almost as if it were alive.
The face on the painting exudes deep emotions - genuine joy and quiet sadness, weaving a layered narrative about the artist's inner world. The eyes on the self-portrait gaze directly at the observer, giving the sense that the figure is coming out of the painting and attempting to communicate with the real world.
In the background, through the window, stretches a beautiful landscape - green meadows, forests, and mountains fading into the distance. This depiction of nature contrasts with the intensity of the artist's work, adding depth and harmony to the overall scene.
This scene captures the magic of art and creativity, portraying a moment where the boundaries between reality and art blur, giving the feeling that the figure is emerging from the painting, bringing with it a breath of life and emotion.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto and Mixing Palette Knife Techniques: A Young Man on a Rooftop at Dawn.
Foreground – Mixing Palette Knife: On the edge of an old city rooftop sits a young man in a navy-blue sweater, a barely lit cigarette resting between his fingers. The wind tousles his hair, and beside him stands a small potted plant he’s grown himself — rosemary, still young. A palette knife is used to create expressive texture in his clothes and hair, with short, sharp strokes that capture restlessness and introspection. Middle ground – Impasto: Behind him is a small chair and a wooden crate filled with old books and dried-up markers. On the rooftop floor, the paint is chipped and coarse, with remnants of his earlier chalk drawings — clouds, words, dates. Thick layers of paint depict these life traces like an imprint of his inner struggle and ongoing search. Background – Glazing: The sky panorama behind him is painted in soft, translucent layers — the first rays of sunlight break through grayish clouds, and dawn gently shifts from indigo to gold. The city has not yet awakened, only a few chimneys puff in the distance. The atmosphere radiates quiet strength — a moment between darkness and light, between what was and what is yet to come.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A ginger-haired girl kneels on a small apartment balcony, repairing her bicycle on a warm late-afternoon sun. Her copper hair glows like real flame as the sunlight hits it, with glazing layers adding soft golden reflections.
The metal frame of the bicycle is textured using palette-knife strokes, giving it a slightly rough, realistic shine. Tiny flecks of impasto white highlight the spokes and bolts she’s tightening with a small wrench.
The balcony floor—scattered with a pump, a rag, and a bottle of chain oil—is washed with a thin color ink wash, creating soft shadows that bleed slightly, giving the scene a casual, everyday softness.
She squints one eye, checking if the wheel is straight. A smudge of grease marks her cheek. Her oversized T-shirt hangs loosely, and her bare feet tap rhythmically on the warm tiles.
Behind her, inside the apartment, warm colors blur in a glazing haze, hinting at plants on a shelf and a mug on the kitchen counter—nothing too defined, just atmosphere.
The whole scene feels intimate and real, like a quiet moment of life where she’s fully focused on something simple, ordinary, and hers.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Mixing Palette Knife, Glazing Techniques: A Man in a Suit Roasting Chestnuts at Dawn. (Mixing Palette Knife: background and mood, Impasto: figure and chestnuts, Glazing: light from the shop window): Foreground: A man in an elegant navy suit kneels beside an old metal pan, flames flickering as he carefully roasts chestnuts. His gloves are made of velvet, yet he moves with a ritualistic tenderness. Impasto captures the texture of firelight and the almost tangible scent of roasted nuts. Middle ground: Beside him, an open briefcase leans against the wall—papers spilling out along with a small plush toy. A thin trail of spilled coffee stains the concrete. The color palette is earthy golds with hints of sleepy blue from the dawn. Background: Mixing Palette Knife breathes fog over a quiet boulevard. A bakery's sign glows faintly, while Glazing layers the glass with a soft reflection of morning light not yet claimed by the day.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: On the rooftop at dusk, the ginger-haired girl leans against a low brick wall, knitting a long scarf that ripples in the evening breeze; the sky behind her burns with layered palette knife streaks of violet and orange, her hair catching the light in fiery impasto swirls, while the soft glow of the city below is veiled in delicate glazing, creating a dreamlike haze, and every thread she pulls seems to stitch her gently into the vast, breathing canvas of the night.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Golden Breather”
Setting: Rooftop terrace after rainfall, late afternoon golden light
Foreground – Mixing Palette Knife: The terrace floor is made of uneven stone tiles, still wet from recent rain. Scattered leaves lie across the surface, their edges curling. The stones are rendered with thick, textured palette knife strokes — bold, angular lines that reflect small pools of water and broken light.
In the lower left corner, her hand rests against the cold floor, slightly red from the chill. The skin is depicted with short, decisive strokes, combining pale pinks, cold blues, and reds — raw, alive, tactile.
Midground – Impasto:
The ginger-haired girl sits on an old metal chair without a backrest. Her hair is heavy, layered, and vividly textured using impasto technique — each strand sculpted, individually curved, glistening from humidity. The colors shift from dark copper at the roots to orange and sunlit gold at the tips.
She wears an oversized beige shirt, sleeves rolled up to the elbows, the fabric damp on the shoulders. The folds are thick and sculptural — every crease formed with heavy paint, catching the warm light. Her legs are folded, bare feet touching the wet stone floor. The skin on her legs shines softly, built with layered tones of warm beige and moss green, showing light and shadow. In her right hand, she loosely holds an open book. The pages flutter slightly in the breeze, caught mid-motion — the wind wants to take them, but her fingers still anchor the moment.
Background – Glazing: Behind her, a low terrace wall and a distant city skyline. The entire background is rendered using glazing — smooth, transparent layers that suggest depth without sharp lines. The late afternoon sun filters through post-rain mist and light urban fog, bathing the scene in warm gray, violet, and soft amber tones.
The city beyond is blurred — rooftops, chimneys, and hazy outlines dissolve gently into light. Everything in the distance feels suspended, as if painted into memory rather than reality.
Scene Mood: Quiet. Damp. Warm where the sunlight lands. A moment suspended in breath and silence.
She isn’t looking at the viewer — she’s gazing at the open book, not reading, just being. Time has paused.
She hasn’t.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Mixing Palette Knife, Glazing Techniques: Winter Morning at the Market.
Foreground (Mixing Palette Knife & Impasto): An elderly woman in a thick wool coat stands behind a wooden stall, her hands, rough from years of work, gripping a cup of hot coffee. Her face, lined with wrinkles, radiates warmth as she watches the passersby. Apples and pears arranged on the table look like small, colorful works of art, with thick layers of paint giving them texture and shine.
Middle ground (Impasto & Glazing): People in woolen coats and scarves move between the stalls, their breath mixing with the scent of roasted chestnuts. Light reflects off the wet cobblestones, creating rippling reflections between warm and cool tones. A forgotten umbrella leans against a wooden crate filled with walnuts, as if someone left it behind in a hurry. Background (Glazing): An old town square, framed by misty outlines of buildings, flickers under the weak winter sun. Snow from the night before slowly melts, leaving glossy traces on rooftops and gutters. The sky is a pale blue with soft peach tones, hinting at another quiet, cold morning.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Late-Night Bus Stop”
Under the dim orange streetlamp, the ginger-haired girl stands at a lonely bus stop, her backpack slipping off one shoulder.
Mixing Palette Knife strokes carve the concrete pavement into rough, uneven planes, catching every crack and cold reflection.
Her hair glows like a small fire in the darkness, thick Impasto highlights giving each strand a tactile, lifted texture.
A thin drizzle starts—soft and persistent.
The scene deepens as Glazing layers wash over the background, building a quiet urban stillness.
Across her cheeks, a faint tiredness is rendered with a colored ink wash, a subtle teal shadow that hints at a long, complicated day rather than melodrama.
She scrolls her phone, sighs, then pockets it. A bus approaches—headlights blurring into soft halos.
She steps forward, realistic and unposed, adjusting her jacket with a quick, habitual tug.
Nothing cinematic—just a real girl catching one of the last buses home.
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jexiq q
Member since 2023
Artist statement
"Dear users,
If you like my prompt and decide to use it, I would greatly appreciate it if you could share the link to your picture. I would love to see how it turned out and appreciate your creativity!
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takes more iterations than the one before.
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Deep Dream
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Deep Dream
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