Prompt: In the dark night sky, a large red moon rises above the city, resembling blood spilled across the heavens. Its color is eerie and ominous, casting a dark hue over the surroundings.
The city seems engulfed in this bloody glow, with buildings rising like dark shadows, while the lights on the streets appear pale and subdued beneath this ominous light. The contours of the structures look sharp and menacing, as if cloaked in dark mystery.
On the streets, people pass by in silence, their silhouettes appearing almost surreal under the red moon. Every step they take seems to echo through the quiet night, while shadows move in rhythm with the bloody light.
Distant sounds of the city can be heard in the distance, muffled and blurred under the influence of the nighttime sky. Every sound becomes eerily amplified under the influence of the red moon, adding to the heightened sense of tension and mystery in the already very quiet environment.
This scene creates a feeling of discomfort and mystery, transforming the city into a place that seems to have emerged from a dark dream, where every shadow and light may conceal some secret or danger.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: Ginger-haired Girl at the Abandoned Amusement Park
In the silence of twilight, she steps into an abandoned amusement park, where rusted rides creak faintly in the wind. The once-bright carousel horses are now chipped and faded, their colors dulled by time.
The ginger-haired girl stands at the center, her curls painted in fiery Impasto strokes, glowing like a lantern in the fading light. She wears a long coat that flutters as the breeze moves through broken gates and forgotten stalls.
With a gentle hand, she touches the peeling surface of a carousel horse, and the memory of laughter seems to echo in the air. The Mixing Palette Knife carves bold textures into the cracked paint and tangled weeds, while Glazing layers of violet and gold sky fall over the scene, giving it an eerie beauty—half melancholy, half magic.
Above her, the Ferris wheel looms like a giant skeleton, but its shadow frames her as if she were the soul that returned to breathe life into the place. She looks around with eyes wide open—not afraid, but curious, almost enchanted, as if she found poetry hidden in decay.
The scene feels like a secret story: a meeting of youth, fire, and forgotten dreams.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Kitchen at 2 A.M.”
A small apartment kitchen, late at night. Only one lamp is on.
The ginger girl leans against the counter, barefoot, wearing an oversized shirt. Her hair falls loose, painted with gentle Palette Knife strokes, softer than in daylight. She’s holding a chipped mug, steam rising.
Across from her, the Black girl sits on the table edge, hoodie half-zipped. Her posture is relaxed but alert. Her hair, built with Impasto, absorbs the warm light.
On the fridge behind them:
a small rainbow magnet, a handwritten note that says “Be kind to yourself”, and a faded event flyer from Pride Week — all lightly washed with Glazing so they feel part of the space, not decoration.
On the kitchen table, a spilled drop of colored ink has stained a notebook page — accidental, imperfect, real.
They are talking — mid-sentence, mid-thought.
No drama. No posing.
Just two people sharing exhaustion, safety, and trust.
Mood: intimacy without spectacle, everyday queer life, emotional depth.
Prompt: In the style of Louis Jover: In the deep darkness, in the heart of a lost forest, stands an unusual creature exuding mystical beauty. Its body seems to be fused from two worlds - the upper part represents a graceful and feminine figure, while the lower part transforms into the elegance of a cello.
The upper body is slender and elegant, resembling a ballerina in motion, with long hair flowing in the wind, revealing the beautiful contours of her face. Her eyes shine like stars in the sky, while the smile on her lips exudes an inexplicable sensuality and mystery.
The lower body morphs into a cello - elongated and curved parts form shapes and lines reminiscent of the recognizable features of the instrument. The body is adorned with intricate details and ornamental decorations, akin to those seen on a real cello. Above the "head" of the instrument, where the scroll would be, lies the transition between the female body and the instrument, creating a bridge between two worlds.
In the background, the moonlight filters through dense tree branches, creating a magical atmosphere in which this being comes to life. The light illuminates every detail of her unique appearance, emphasizing the mystique and enchantment hidden within her exotic nature.
This scene evokes a sense of wonder and fascination, prompting questions and fantasies about the origin and destiny of this extraordinary creature. Whether she is a divine being, a musical entity, or something entirely different remains a mystery that intrigues every observer who encounters this otherworldly being.
Prompt: The photograph depicts a scene of family therapy. In the center of the frame is the THERAPIST, seated either at a table or near the family members, while the other family members are scattered throughout the room. Their facial expressions reflect a wide range of emotions, from sadness to relief, as the therapist facilitates the conversation and asks questions. The atmosphere is calming and supportive, with an emphasis on mutual support and collaboration. The lighting is soft, creating a warm atmosphere in the therapy room. The photograph conveys the dynamics of family therapy and the family's efforts to resolve their issues with the support of the therapist.
Prompt: Prompt by jexiq q: Masterpiece: Scene Description in Mixed Palette Knife, Impasto, Glazing Techniques: Children's Joy in the Spring Garden.
Foreground: In the foreground, a group of children in colorful clothes is gathering vibrant flower petals scattered across the grass. Their hands are outstretched, and laughter fills the air. One child holds a small green butterfly net in one hand while clutching a bouquet of dandelions in the other. This part is rendered in Impasto technique, with thick strokes that make the texture of the flowers and grassy ground almost tangible. Midground: In the middle of the scene, a small wooden table covered with a white tablecloth stands under the shade of a large tree. On the table are an antique teapot and cups, surrounded by bowls filled with freshly picked strawberries. Two little girls sit on old chairs, pretending to have a tea party. Here, the Mixing Palette Knife technique is used to achieve sharp lines and detailed features on the table, with soft transitions of light and shadow. Background: In the distance, a garden full of blooming tulips and lilacs stretches out. Butterflies flutter above the flowers, while sunbeams pierce through the tree canopies, creating golden and green reflections. The sky is painted in delicate shades of blue and white, done in Glazing technique, to achieve transparency and depth. The entire scene exudes warmth and cheerfulness, perfectly blending the harmony of nature, children's laughter, and the tranquility of spring.
Prompt: Under the full moon, its light piercing the night sky, creating an atmosphere of magical silence. The moon hangs low, almost touching the horizon, as it reflects off the surface of the tranquil river, its gentle glow casting a luminous path towards the edge.
On the water, a lone boat rests, perfectly nestled in the idyllic landscape. The shadow of the boat and its rower stretches across the water's surface, creating a stark contrast between light and dark. Within the boat, the angler waits eagerly, poised to cast his line into the depths below.
The moon illuminates the boat and the angler with its mystical radiance, revealing the details of their silhouettes and highlighting their solitude in this unusual nocturnal setting. Its light creates a magical ambiance, where time seems to stand still, leaving space for the angler's quiet work under the full moon. Meanwhile, in the distance, the shadows of the modern city skyline loom, a stark reminder of the bustling world beyond this serene scene.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Vinyl & Silence.
In a dim apartment above an old bookstore, sunlight cuts through half-closed blinds. The ginger woman, wearing an oversized men's shirt, stands by the record player, gently lowering the needle. The Afro-American woman lies on the rug, eyes closed, listening. An old Polaroid rests in her hand. The room is quiet, then the soft crackle of vinyl. No words, but everything is said.
Techniques: Mixing Palette Knife to capture the fractured light across the floor and wall. Glazing for the translucent play of shadows on their bodies. Impasto to bring out the coarse texture of the rug and the sharp edges of the record player.
Prompt: In a modern, large city covered in snow, the scene comes alive with the unique charm of winter. In one corner of the park, children are having fun making snowmen and throwing snowballs in their play. Their laughter and joy echo as snow projectiles fly through the air.
Tall skyscrapers dominate the horizon, providing a contrast to the natural whiteness of the snow. Their silhouettes stand as guardians of the city, observing the lively scene of play below. The distant sun illuminates the urban scene, casting a magical light on the white snow slopes.
In the background, modern skyscrapers display windows lit with warm light, creating a sense of warmth and comfort despite the cold winter. The city sounds are muted by the layer of snow, making room for the laughter and joy of children.
This scene represents the perfect blend of urban landscape and the magic of winter joy, highlighting the beauty of togetherness and play amidst a large, modern city.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Imagine a scene: On a quiet lakefront, the autumn air is crisp, with the stillness of early morning just before dawn. A light mist hovers above the water, where a lone figure, a young man, stands on a small wooden dock. He wears a simple gray sweater, faded jeans, and sneakers. His hands are buried deep in his pockets as he gazes out over the lake, but it is the reflection in the water that holds the true story. Foreground: The reflection of the young man in the glassy lake, captured with palette knife technique, is sharp and vivid, almost more defined than his actual form. His figure in the water is slightly distorted but the expression on his face, though upside-down in the reflection, is clear — a mix of contemplation and serenity. The soft ripples in the water move gently with the breeze, altering the reflection slightly, creating depth and movement in the calmness. Background: The trees lining the lake are rendered in impasto technique, their vibrant autumn colors — deep oranges, reds, and yellows — thickly applied to give texture to each leaf. The mist in the distance, light and ethereal, blends into the stillness of the morning, softening the edges of the scene. This serene moment, focused on the reflection, creates a sense of peaceful introspection. The quiet of the autumn morning, paired with the mirrored image in the water, suggests a deeper understanding of self, as the world reflects back what the young man carries within.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Foreground: The horse is painted using the Mixing Palette Knife technique, where the muscular figure of the strong black horse is defined by thick, energetic strokes of paint. Every muscle is highlighted, and his skin glistens under the light as he pulls the plow through the surface of the soil. The plow, old and steel, is depicted with the Impasto technique, where the texture captures the rust and years of use, cutting deep furrows through the dark earth. The soil is also painted with the Impasto technique, with thick, rich layers of paint conveying the fertility and weight of the land. The Man: The man walks behind the horse, his hand gripping the plow handle firmly. His body, painted with the Mixing Palette Knife technique, clearly shows the strain—his muscles are tense, and his shirt is soaked with sweat. His face, rendered with deep layers of paint in the Impasto technique, has pronounced wrinkles illuminated by the morning light, and his eyes are fixed on the ground ahead. Beads of sweat on his forehead add to the sense of the labor's intensity, while the sun highlights every detail of his dedication. Midground: Behind them, the endless field stretches out, interrupted by the furrows left by the plow. The soft, golden sunlight falls on the ground, casting shadows that emphasize the texture of the earth, painted with the Impasto technique. In the distance, traces of other fields can be seen, where the dark soil has already been tilled, and above the horizon, gentle white clouds painted with the Mixing Palette Knife technique hover, giving a sense of width and space.
Background: At the edge of the field stands an old oak tree, painted with thick strokes of the Impasto technique, where its rough, weathered branches symbolize the strength of nature. Near the tree, a small group of birds flies above the plowed field, their wings captured with quick, smeared strokes,
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Alla Prima, Sfumato and Glazing Technique: The Mysterious Shadow in the Canyon.
Foreground (Impasto & Glazing): The sun blazes above, casting harsh light on the red, weathered rocks of the canyon. Jagged edges of stone, textured with thick brushstrokes (Impasto), gleam in the intense daylight. Scattered among the rocks, a torn journal rests, its pages fluttering in the dry wind, covered in cryptic runes. A rusted compass is half-buried in the sand, its needle frozen, encased in layers of shimmering paint (Glazing), reflecting the heat of the desert. Nearby, a charred branch lies in the sand, remnants of a fire now reduced to embers. Middle ground (Sfumato & Chiaroscuro): The cloaked figure stands at the canyon's edge, the wide expanse of earth stretching out before them, their back to the viewer. The cloak billows in the wind, revealing only shadows and brief glimpses of their silhouette. The contours of their hand rest upon a carved stone, bathed in the soft glow of fading sunlight (Sfumato). Far below, the canyon narrows into a dark abyss, where the wind carries the faintest whispers of forgotten tales. Background (Alla Prima & Glazing): The vast canyon walls stretch endlessly, painted with sweeping strokes (Alla Prima), rising dramatically to meet a vivid, cloudless sky. The distant rocks shimmer, almost ethereal in the heat, while layers of translucent paint (Glazing) suggest distant structures, perhaps ruins, far below the cliffside. The quiet stillness is only broken by the occasional screech of a vulture soaring overhead.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Imagine a scene: Foreground: A narrow, cobblestone street winds its way through a quiet, foggy town, illuminated by the dim glow of street lamps. The wet cobblestones are painted using sharp Palette Knife strokes, each stone’s texture visible as the light bounces off their damp surface. In the center of the scene, a woman in a long, woolen coat walks slowly, her figure shrouded in the mist. The fabric of her coat is depicted using thick layers of Impasto, emphasizing its warmth and heaviness. Her footsteps are muffled by the fog, while her scarf flutters in the breeze, painted with swift, delicate brushstrokes to capture its movement. Midground: To her left, a row of townhouses fades into the mist, their outlines softened with gentle, sweeping Impasto strokes to suggest the quiet stillness of the evening. The windows of the houses glow faintly from within, their golden light spilling onto the fog-covered street. The textures of the bricks and window frames are detailed using Palette Knife, adding a sharp contrast to the fog’s softness. Across the street, a few trees, now bare, stretch their dark branches upward. The bark of the trees is rough and detailed, created using quick Palette Knife strokes, while the last few remaining autumn leaves cling to the branches, thickly painted with bright reds and oranges. Background: Further into the distance, the fog becomes denser, nearly obscuring the far end of the street where a café’s faint neon sign flickers. The neon sign, done in sharp Palette Knife strokes, cuts through the fog with a vibrant glow, while the soft, swirling mist around it is layered with thick Impasto to convey the depth and quiet mystery of the night. The street disappears into this soft haze, giving the impression that the evening stretches endlessly into the unknown.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: "Evening on the Rooftop of the World"
In the foreground, a young woman with long ginger hair sits on the edge of an old rooftop, turned slightly to the side, her curls lifted by the wind into golden-orange swirls. Her eyes gaze into the distance, her face calm yet subtly defiant — tender and strong all at once. The city's night light seems to glow from within her, as if her soul is radiating through her skin. Here, we use the palette knife to capture the raw energy of the wind, the emotion in her posture, the dynamic tension of stillness.
The middle ground is the aged rooftop itself — weathered tiles, their color faded, bearing the weight of untold stories. The Impasto technique brings their texture to life, each deep red, earthy brown, and muted ochre layered thickly, like the strata of memory. Beside her lies an open notebook and a pencil — symbols of her inner world, her unspoken words etched silently into the night.
In the background, the city at dusk unfolds. The sky melts from amber into deep violet, glazed over with soft, transparent layers. The windows of distant buildings flicker like blinking thoughts, while a lone airplane slices through the twilight, leaving a trail like an unfinished sentence. This part is subtle, ethereal — like dreams not yet dreamed.
Mood of the painting: The scene conveys a quiet strength — a solitude that is not empty, but sacred. The ginger-haired girl isn’t a symbol of sadness, but of presence — wholeness. She doesn’t seek to be seen. She simply is, and that alone brings color to the world.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene Description: Encaustic Technique: Golden Cornfields in Wax Technique.
Foreground: The wax technique brings out the rich, textured layers of the golden corn stalks, their leaves shimmering with hints of amber and ochre. Each stalk appears robust, heavy with ripe kernels, crafted with thick, waxy strokes that create a tactile, almost three-dimensional feel. The farmer stands prominently, wearing a weathered straw hat that casts a soft shadow over his sun-kissed face. His shirt, slightly crumpled, reveals fine lines of wax blending shades of earthy browns and faded blues, hinting at years of labor under the sun. His rough hands, detailed with subtle wax contours, clutch a simple tool, reflecting dedication and resilience. Middle Ground: Stretching beyond the farmer, the cornfield unfolds like a golden sea. The wax technique enhances the undulating patterns, with variations in gold, warm yellows, and burnt sienna, capturing the play of sunlight and gentle breeze. Occasional green husks peek through, adding depth and contrast. Shadows from the tall stalks ripple across the field, created with delicate wax shading, enhancing the sense of movement and life. Background: In the distance, the sky melts into a gradient of soft oranges and purples, a subtle transition achieved through smooth, blended wax layers. Faint silhouettes of distant trees and a rustic barn provide a serene horizon line. The sunlight, low and golden, bathes everything in a warm glow, with wax highlights emphasizing the richness of the harvest and the quiet pride of the land. This scene captures not just the abundance of the cornfield but also the spirit of the farmer, immortalized through the warm, vivid texture of wax.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: On the rooftop at dusk, the ginger-haired girl leans against a low brick wall, knitting a long scarf that ripples in the evening breeze; the sky behind her burns with layered palette knife streaks of violet and orange, her hair catching the light in fiery impasto swirls, while the soft glow of the city below is veiled in delicate glazing, creating a dreamlike haze, and every thread she pulls seems to stitch her gently into the vast, breathing canvas of the night.
Prompt: In the light of the full moon, deep in the forest enveloped in mysterious magic, stands an ancient stone circle, where magic meets science. In the center of the circle, a druid dressed in ancient robes stands beside a huge cauldron boiling, emitting thick steam into the night air.
The druid carefully adds rare ingredients to the cauldron, following ancient formulas inscribed on scrolls of papyrus. There is a murmuring in the cauldron, as if nature itself responds to the druid's sorcery. With each added component, the moonlight seems to intensify, and the forest whispers mysterious messages.
Around the circle, small glowing orbs flicker, ancient amulets protecting the ritual from unwanted spirits. Scents of exotic plants fill the air, while the firelight reflects off the forest trees.
As the potion brews, the druid's hand moves in complex motions, imbued with power and magic. His eyes are focused, his facial expressions serious, as he prepares to unleash the potent energy that will animate his intentions.
As the cauldron simmers gently, the nature around them seems to hold its breath, waiting for the outcome of this magical ritual. Everything is poised for the moment when the magical potion will be poured into vessels, bringing with it the strength and power that will alter the course of destiny.
Prompt: scene in the style of Claude Monet:
In the picturesque countryside of Giverny, France, a quaint wooden footbridge stretches gracefully over a serene pond adorned with water lilies. The lush, verdant landscape is dotted with colorful flowers, their vibrant hues reflecting off the tranquil water below.
Along the banks of the pond, weeping willows sway gently in the breeze, their long tendrils trailing in the water. Bees buzz lazily among the blossoms, adding to the symphony of nature's sounds.
On the footbridge, a young woman in a flowing dress stands with a parasol in hand, her silhouette casting a graceful shadow on the sun-dappled path. She gazes out over the tranquil scene with a sense of wonder and serenity, lost in the beauty of her surroundings.
In the distance, a rustic farmhouse peeks out from behind a grove of trees, its stone walls bathed in the warm glow of the afternoon sun. Smoke curls lazily from the chimney, adding to the idyllic charm of the countryside.
As the day wears on, the colors of the landscape shift and change with the shifting light, casting a soft, ethereal glow over the scene. In this moment, amidst the beauty of nature and the tranquility of the countryside, the young woman finds solace and inspiration, embodying the spirit of Monet's timeless masterpieces.
Prompt: In a laboratory illuminated by gentle white light, two researchers are conducting experiments with focus and precision. At the center of their attention, glassware slides on metal stands as they carefully pour liquids from one vessel to another. Every drop is measured with meticulous care, and every step is accompanied by a concentrated expression on their faces.
Through the window, sunlight streams through the clouds, casting a network of shadows that dance across the laboratory floor. These shifting shadows, following the shape of the sun, create a magical spectacle, resembling a dance of shadows that contributes to maintaining an atmosphere of concentration and wonder.
In the background of the laboratory, behind the researchers, a blue light offers a contrast to the white light, creating a harmonious balance between different hues. This blue light, with its pristine clarity, adds an additional element of mystery and depth to the scene, as the researchers tirelessly continue their work, fully immersed in the world of science and discovery.
Prompt: In an attractive and modern close-up scene, the focus is on the hand skillfully creating a digital illustration on a tablet. Fingers move swiftly across the screen as they shape a vivid landscape. The light from the screen illuminates the person's face, revealing an expression of concentration and creativity. Around them, a modern interior filled with minimalist details creates an elegant backdrop for artistic creation. In the background, a window is visible, through which gentle sunlight filters, adding warmth and atmosphere to the picture.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Ginger Girl and the Rainy Window”
A ginger-haired young woman sits by a large window on a rainy evening.
Her curls spill over her shoulders like wet copper threads, painted in bold impasto strokes with palette knife — thick, textured, alive.
Raindrops stream down the glass, each one done with delicate glazing, catching the glow of city lights outside — blurred neon pinks, soft blues, and golden reflections that seem to melt into each other.
She rests her chin on her hand, eyes wide and thoughtful, looking through the watery glass as if trying to read the future written in the drops. Her lips — full and slightly parted — carry a hint of unspoken words.
The room around her is dim, painted with earthy tones in rough textures, so her fiery hair and luminous skin stand out even more — almost like a beacon against the gray night.
In the reflection on the window, her face appears doubled: one real, one blurred — a quiet metaphor of her inner world, painted with glazing so thin that it feels like smoke on glass.
The whole scene balances between solitude and tenderness, as if the rain is keeping her company in silence.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: In the heart of a park, beneath tree canopies breaking into shades of autumn, a ginger-haired girl sits on an old wrought-iron bench. The wind carries leaves in golden, red, and copper tones, while her fiery curls blend with the swirling colors of nature.
Her hair is painted with bold strokes of the palette knife, applied thick and rich, so it seems to burn under the glow of the setting sun. On her face, calm and contemplative, glazing creates transparent layers of light — her eyes glisten, and her lips appear to hold an unspoken story.
Her dress, in hues of green and mustard yellow, is shaped with the impasto technique, so every fold of the fabric has its own shadow and volume. At her feet, leaves are layered in thick textures of paint, almost relief-like, as if they could be lifted from the canvas.
The background is not just a park — it is a whirlwind of strokes, where the treetops shift from gold into red, and the ground shimmers in warm transitions. She sits quietly amid this chaos of colors, a silent figure of autumn who both creates it and belongs to it.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: A young ginger-haired woman sits at the edge of a weathered wooden pier, the late afternoon light melting into gold across the horizon. Her copper hair blazes like a flame against the vast mirror of the water, every strand thickly layered with impasto strokes so it almost seems alive, moving with the breeze.
Behind her, the sky is a wild symphony of colors — streaks of rose, amber, and violet, spread with a palette knife, bold and textured, clashing yet harmonizing like unfinished thoughts of the universe. A thin glazing of translucent blue drapes over the scene, softening the sharp edges, giving the air that dreamlike glow of something eternal.
Her gaze drifts into the distance, as if she’s watching the line where the earth dissolves into infinity, her expression poised between serenity and an untold longing. The water around her reflects not only the sunset but fragments of her — the fiery crown of her hair, the pale softness of her cheek, the quiet strength in her shoulders.
It is a portrait not just of a woman, but of a soul suspended in time — where nature, color, and silence merge into a moment too sacred to fade.
Unity in Color: A Mural of Resilience-Diversity Saturday
Model:
AIVision
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “The Window of Voices” - Diversity Saturday
A sunlit urban studio with tall industrial windows; a ginger-haired young woman and a dark-skinned woman stand side by side at a long mural wall.
They paint a large, dynamic social-justice mural using Mixing Palette Knife, thick Impasto textures, soft Glazing layers, and sweeping strokes of colored ink wash.
The mural depicts raised hands, diverse faces, and the words “WE BELONG HERE”.
Behind them, an LGBT Pride flag hangs loosely from a metal beam, catching the warm light.
The ginger woman adds bold abstract shapes with a palette knife, while the other woman uses fluid ink to create translucent, ribbon-like forms that move across the mural like wind.
Their shadows overlap on the wall, symbolizing unity and shared identity.
The mood is powerful, artistic, and focused — not posed, but captured in the middle of important work.
Vibrant colors. Expressive textures. A scene of diversity, activism, and artistic collaboration.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Imagine a scene: A small family dining room comes to life in soft pastel tones. The table, crafted from warm oak wood and textured with Mixing Palette Knife strokes, is adorned with the remains of a shared breakfast. A loaf of freshly baked bread, its crust golden and crumbling in thick impasto layers, rests on a simple white cutting board. Beside it, a half-full jar of strawberry jam glistens under the morning light, its surface reflecting shades of crimson and soft pink through the Ink technique, adding a sharp vibrancy to the otherwise muted tones. The morning sun streams through the window, its light diffused by sheer curtains rendered in delicate Mixing Palette Knife strokes, creating a hazy interplay of pastel peach and lavender. A porcelain cup, decorated with pale blue floral patterns, sits on the table, still steaming with the remnants of coffee. The steam, captured in wisps of Ink detailing, spirals upwards, fading into the ambient warmth of the room. A woven basket brimming with oranges and bananas sits at the table's center, the fruits' textures exaggerated in thick, joyful impasto. Each orange glows in a muted coral tone, while the bananas carry soft yellow gradients, their curves accented with dark Ink outlines for contrast. On a nearby chair, a child’s woolen scarf, rendered in pastel blues and whites, is draped casually, as though forgotten in the rush of breakfast. The scarf’s soft folds and frayed edges are meticulously highlighted with a blend of impasto and precise Ink strokes. Through the window, a narrow alley dusted with snow comes into view, its edges blurred and softened by pale blues and grays. The faint tracks of footprints and a lone bicycle leaning against a wooden fence are sharp and distinct, detailed with Ink technique, drawing the viewer's eye outward.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Golden Breather”
Setting: Rooftop terrace after rainfall, late afternoon golden light
Foreground – Mixing Palette Knife: The terrace floor is made of uneven stone tiles, still wet from recent rain. Scattered leaves lie across the surface, their edges curling. The stones are rendered with thick, textured palette knife strokes — bold, angular lines that reflect small pools of water and broken light.
In the lower left corner, her hand rests against the cold floor, slightly red from the chill. The skin is depicted with short, decisive strokes, combining pale pinks, cold blues, and reds — raw, alive, tactile.
Midground – Impasto:
The ginger-haired girl sits on an old metal chair without a backrest. Her hair is heavy, layered, and vividly textured using impasto technique — each strand sculpted, individually curved, glistening from humidity. The colors shift from dark copper at the roots to orange and sunlit gold at the tips.
She wears an oversized beige shirt, sleeves rolled up to the elbows, the fabric damp on the shoulders. The folds are thick and sculptural — every crease formed with heavy paint, catching the warm light. Her legs are folded, bare feet touching the wet stone floor. The skin on her legs shines softly, built with layered tones of warm beige and moss green, showing light and shadow. In her right hand, she loosely holds an open book. The pages flutter slightly in the breeze, caught mid-motion — the wind wants to take them, but her fingers still anchor the moment.
Background – Glazing: Behind her, a low terrace wall and a distant city skyline. The entire background is rendered using glazing — smooth, transparent layers that suggest depth without sharp lines. The late afternoon sun filters through post-rain mist and light urban fog, bathing the scene in warm gray, violet, and soft amber tones.
The city beyond is blurred — rooftops, chimneys, and hazy outlines dissolve gently into light. Everything in the distance feels suspended, as if painted into memory rather than reality.
Scene Mood: Quiet. Damp. Warm where the sunlight lands. A moment suspended in breath and silence.
She isn’t looking at the viewer — she’s gazing at the open book, not reading, just being. Time has paused.
She hasn’t.
Prompt: In a Louis Jover-Inspired Scene: Through the old-fashioned window opening to a picturesque landscape, gentle sunlight filters into the small workspace. In the center of the room stands a wooden easel surrounded by painting supplies - paints, brushes, and a palette.
In front of the easel stands a middle-aged figure, dressed in casual attire, whose hands skillfully manipulate the brush on the canvas. His focus is undivided, and expressions of concentration and passion are evident on his face. What draws attention is that he is painting a self-portrait, and the figure emerging on the canvas is incredibly lifelike, almost as if it were alive.
The face on the painting exudes deep emotions - genuine joy and quiet sadness, weaving a layered narrative about the artist's inner world. The eyes on the self-portrait gaze directly at the observer, giving the sense that the figure is coming out of the painting and attempting to communicate with the real world.
In the background, through the window, stretches a beautiful landscape - green meadows, forests, and mountains fading into the distance. This depiction of nature contrasts with the intensity of the artist's work, adding depth and harmony to the overall scene.
This scene captures the magic of art and creativity, portraying a moment where the boundaries between reality and art blur, giving the feeling that the figure is emerging from the painting, bringing with it a breath of life and emotion.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Mixing Palette Knife, Glazing Techniques: Winter Morning at the Market.
Foreground (Mixing Palette Knife & Impasto): An elderly woman in a thick wool coat stands behind a wooden stall, her hands, rough from years of work, gripping a cup of hot coffee. Her face, lined with wrinkles, radiates warmth as she watches the passersby. Apples and pears arranged on the table look like small, colorful works of art, with thick layers of paint giving them texture and shine.
Middle ground (Impasto & Glazing): People in woolen coats and scarves move between the stalls, their breath mixing with the scent of roasted chestnuts. Light reflects off the wet cobblestones, creating rippling reflections between warm and cool tones. A forgotten umbrella leans against a wooden crate filled with walnuts, as if someone left it behind in a hurry. Background (Glazing): An old town square, framed by misty outlines of buildings, flickers under the weak winter sun. Snow from the night before slowly melts, leaving glossy traces on rooftops and gutters. The sky is a pale blue with soft peach tones, hinting at another quiet, cold morning.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A ginger-haired girl kneels on a small apartment balcony, repairing her bicycle on a warm late-afternoon sun. Her copper hair glows like real flame as the sunlight hits it, with glazing layers adding soft golden reflections.
The metal frame of the bicycle is textured using palette-knife strokes, giving it a slightly rough, realistic shine. Tiny flecks of impasto white highlight the spokes and bolts she’s tightening with a small wrench.
The balcony floor—scattered with a pump, a rag, and a bottle of chain oil—is washed with a thin color ink wash, creating soft shadows that bleed slightly, giving the scene a casual, everyday softness.
She squints one eye, checking if the wheel is straight. A smudge of grease marks her cheek. Her oversized T-shirt hangs loosely, and her bare feet tap rhythmically on the warm tiles.
Behind her, inside the apartment, warm colors blur in a glazing haze, hinting at plants on a shelf and a mug on the kitchen counter—nothing too defined, just atmosphere.
The whole scene feels intimate and real, like a quiet moment of life where she’s fully focused on something simple, ordinary, and hers.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Late-Night Bus Stop”
Under the dim orange streetlamp, the ginger-haired girl stands at a lonely bus stop, her backpack slipping off one shoulder.
Mixing Palette Knife strokes carve the concrete pavement into rough, uneven planes, catching every crack and cold reflection.
Her hair glows like a small fire in the darkness, thick Impasto highlights giving each strand a tactile, lifted texture.
A thin drizzle starts—soft and persistent.
The scene deepens as Glazing layers wash over the background, building a quiet urban stillness.
Across her cheeks, a faint tiredness is rendered with a colored ink wash, a subtle teal shadow that hints at a long, complicated day rather than melodrama.
She scrolls her phone, sighs, then pockets it. A bus approaches—headlights blurring into soft halos.
She steps forward, realistic and unposed, adjusting her jacket with a quick, habitual tug.
Nothing cinematic—just a real girl catching one of the last buses home.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto and Mixing Palette Knife Techniques: Break Between Rides.
Mixing Palette Knife (background and lighting contrasts), Impasto (clothing and hair), Pastel (face, shadows, emotion).
In the foreground, a young girl sits on a bench at a tram stop. Her hair is messy, dyed in shades of violet and blue, and she’s wearing a short black tulle skirt, fishnet tights, and an oversized jacket covered in patches and pins—a mix between punk rock and modern artistic expression. On one foot she has a sneaker, on the other a combat boot—as if she hasn’t quite decided who she wants to be. Resting in her lap is a sketchbook, and she’s quietly drawing the passersby with a soft pastel pencil. Her fingers are smudged with chalk and charcoal.
In the middle ground, an older woman watches the girl with a mix of wonder and confusion, while beside them a tram passes, its window reflections shimmering across the pavement, captured with Mixing Palette Knife strokes that add motion and tension. In the background, gray buildings fade beneath a pink-blue sunset sky, the light spilling like a pastel haze—warm tones blending with cold, while the wind plays with paper scraps and the hem of the girl’s skirt. The whole scene breathes in the rhythm of the city—soft, but relentless.
Prompt: in Louis Jover's signature style: In the quiet park, bathed in the gentle glow of autumn's sun, an aged bench rests. Upon it, nestled closely together, two contrasting souls find solace. On one end, a young woman, adorned in vibrant hues, her skin a canvas for tales inked in tattoos. Across from her, an elder gentleman, serenity etched upon his countenance, cradling a tome within his weathered hands, spectacles perched upon his nose.
In the backdrop, trees sway in a delicate dance to the whispering breeze, casting dappled shadows upon the earth. Leaves cascade in a symphony of color, painting the ground with the essence of fall. Sunlight filters through the canopy above, weaving intricate patterns upon the ground, like fragments of forgotten dreams. Birds serenade the scene with their melodic tunes, while the distant echo of footsteps adds to the rhythm of life.
As we observe this tableau, rendered in Louis Jover's signature style, we witness the convergence of disparate worlds. Though strangers, they share a moment of silent communion, their stories intermingling in the air. Through their presence, a unique tapestry of existence unfolds, a testament to the beauty found in the collision of lives, each brushstroke a whisper of the human experience.
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jexiq q
Member since 2023
Artist statement
"Dear users,
If you like my prompt and decide to use it, I would greatly appreciate it if you could share the link to your picture. I would love to see how it turned out and appreciate your creativity!
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takes more iterations than the one before.
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