Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Vinyl & Silence.
In a dim apartment above an old bookstore, sunlight cuts through half-closed blinds. The ginger woman, wearing an oversized men's shirt, stands by the record player, gently lowering the needle. The Afro-American woman lies on the rug, eyes closed, listening. An old Polaroid rests in her hand. The room is quiet, then the soft crackle of vinyl. No words, but everything is said.
Techniques: Mixing Palette Knife to capture the fractured light across the floor and wall. Glazing for the translucent play of shadows on their bodies. Impasto to bring out the coarse texture of the rug and the sharp edges of the record player.
Prompt: In the style of Louis Jover: In the deep darkness, in the heart of a lost forest, stands an unusual creature exuding mystical beauty. Its body seems to be fused from two worlds - the upper part represents a graceful and feminine figure, while the lower part transforms into the elegance of a cello.
The upper body is slender and elegant, resembling a ballerina in motion, with long hair flowing in the wind, revealing the beautiful contours of her face. Her eyes shine like stars in the sky, while the smile on her lips exudes an inexplicable sensuality and mystery.
The lower body morphs into a cello - elongated and curved parts form shapes and lines reminiscent of the recognizable features of the instrument. The body is adorned with intricate details and ornamental decorations, akin to those seen on a real cello. Above the "head" of the instrument, where the scroll would be, lies the transition between the female body and the instrument, creating a bridge between two worlds.
In the background, the moonlight filters through dense tree branches, creating a magical atmosphere in which this being comes to life. The light illuminates every detail of her unique appearance, emphasizing the mystique and enchantment hidden within her exotic nature.
This scene evokes a sense of wonder and fascination, prompting questions and fantasies about the origin and destiny of this extraordinary creature. Whether she is a divine being, a musical entity, or something entirely different remains a mystery that intrigues every observer who encounters this otherworldly being.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Imagine a scene: Foreground: A narrow, cobblestone street winds its way through a quiet, foggy town, illuminated by the dim glow of street lamps. The wet cobblestones are painted using sharp Palette Knife strokes, each stone’s texture visible as the light bounces off their damp surface. In the center of the scene, a woman in a long, woolen coat walks slowly, her figure shrouded in the mist. The fabric of her coat is depicted using thick layers of Impasto, emphasizing its warmth and heaviness. Her footsteps are muffled by the fog, while her scarf flutters in the breeze, painted with swift, delicate brushstrokes to capture its movement. Midground: To her left, a row of townhouses fades into the mist, their outlines softened with gentle, sweeping Impasto strokes to suggest the quiet stillness of the evening. The windows of the houses glow faintly from within, their golden light spilling onto the fog-covered street. The textures of the bricks and window frames are detailed using Palette Knife, adding a sharp contrast to the fog’s softness. Across the street, a few trees, now bare, stretch their dark branches upward. The bark of the trees is rough and detailed, created using quick Palette Knife strokes, while the last few remaining autumn leaves cling to the branches, thickly painted with bright reds and oranges. Background: Further into the distance, the fog becomes denser, nearly obscuring the far end of the street where a café’s faint neon sign flickers. The neon sign, done in sharp Palette Knife strokes, cuts through the fog with a vibrant glow, while the soft, swirling mist around it is layered with thick Impasto to convey the depth and quiet mystery of the night. The street disappears into this soft haze, giving the impression that the evening stretches endlessly into the unknown.
Prompt: In a quiet park, under the light of the autumn sun, sits an old bench. On it, leaning side by side, are two completely different individuals. On one side, there's a young girl, dressed in bright colors, adorned with tattoos that tell the story of her life. Opposite her sits an older man, with a calm expression on his face, holding a book in his hand and wearing glasses.
In the background, the trees sway gently in the wind, and leaves fall in the colorful hues of autumn. The sunlight breaks through the branches, creating magical patterns on the ground. Birds sing in the distance, while the sound of footsteps is occasionally heard nearby.
As we sit with them on the bench, we realize that these two completely different worlds are drawn to each other. They sit in silence, sharing space and a moment, even though they have never met before. Their stories, intertwined and diverse, create a unique symphony of life unfolding right before our eyes.
Prompt: Prompt by jexiq q: Masterpiece: Scene Description in Mixed Palette Knife, Impasto, Glazing Techniques: Children's Joy in the Spring Garden.
Foreground: In the foreground, a group of children in colorful clothes is gathering vibrant flower petals scattered across the grass. Their hands are outstretched, and laughter fills the air. One child holds a small green butterfly net in one hand while clutching a bouquet of dandelions in the other. This part is rendered in Impasto technique, with thick strokes that make the texture of the flowers and grassy ground almost tangible. Midground: In the middle of the scene, a small wooden table covered with a white tablecloth stands under the shade of a large tree. On the table are an antique teapot and cups, surrounded by bowls filled with freshly picked strawberries. Two little girls sit on old chairs, pretending to have a tea party. Here, the Mixing Palette Knife technique is used to achieve sharp lines and detailed features on the table, with soft transitions of light and shadow. Background: In the distance, a garden full of blooming tulips and lilacs stretches out. Butterflies flutter above the flowers, while sunbeams pierce through the tree canopies, creating golden and green reflections. The sky is painted in delicate shades of blue and white, done in Glazing technique, to achieve transparency and depth. The entire scene exudes warmth and cheerfulness, perfectly blending the harmony of nature, children's laughter, and the tranquility of spring.
Prompt: In a modern, large city covered in snow, the scene comes alive with the unique charm of winter. In one corner of the park, children are having fun making snowmen and throwing snowballs in their play. Their laughter and joy echo as snow projectiles fly through the air.
Tall skyscrapers dominate the horizon, providing a contrast to the natural whiteness of the snow. Their silhouettes stand as guardians of the city, observing the lively scene of play below. The distant sun illuminates the urban scene, casting a magical light on the white snow slopes.
In the background, modern skyscrapers display windows lit with warm light, creating a sense of warmth and comfort despite the cold winter. The city sounds are muted by the layer of snow, making room for the laughter and joy of children.
This scene represents the perfect blend of urban landscape and the magic of winter joy, highlighting the beauty of togetherness and play amidst a large, modern city.
Prompt: The photograph depicts a scene of family therapy. In the center of the frame is the THERAPIST, seated either at a table or near the family members, while the other family members are scattered throughout the room. Their facial expressions reflect a wide range of emotions, from sadness to relief, as the therapist facilitates the conversation and asks questions. The atmosphere is calming and supportive, with an emphasis on mutual support and collaboration. The lighting is soft, creating a warm atmosphere in the therapy room. The photograph conveys the dynamics of family therapy and the family's efforts to resolve their issues with the support of the therapist.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Imagine the scene: The sun is blazing in a clear blue sky as a young couple cleans their modern silver car. The guy, wearing a baseball cap and casual shorts, playfully sprays water onto the car, while the girl, in a summer dress, leans down to scrub the wheels with a soapy sponge. The car glistens under the sunlight, water cascading down its sleek body. Foreground: The couple's focused actions take center stage, the car radiating with a fresh coat of water and suds. Their wet shoes splash onto the concrete driveway, where soap bubbles dance around. Background: Behind them, a neat row of suburban houses with colorful flower beds lines the street. Tall trees sway gently, casting cool shadows over parts of the yard. To the side, a garden hose lies coiled near a stack of brightly colored car-cleaning supplies. In the distance, the hum of a neighbor's lawnmower adds to the summer ambiance. Palette Knife Technique: Adds sharp, detailed textures to the reflections of water droplets on the car and enhances the couple’s playful energy in the movements of water. impasto Technique: Used on the greenery of the trees and garden, bringing out the richness of summer foliage, as well as the soap bubbles, giving them a bouncy, light feel as they catch the sunlight.
Prompt: Under the full moon, its light piercing the night sky, creating an atmosphere of magical silence. The moon hangs low, almost touching the horizon, as it reflects off the surface of the tranquil river, its gentle glow casting a luminous path towards the edge.
On the water, a lone boat rests, perfectly nestled in the idyllic landscape. The shadow of the boat and its rower stretches across the water's surface, creating a stark contrast between light and dark. Within the boat, the angler waits eagerly, poised to cast his line into the depths below.
The moon illuminates the boat and the angler with its mystical radiance, revealing the details of their silhouettes and highlighting their solitude in this unusual nocturnal setting. Its light creates a magical ambiance, where time seems to stand still, leaving space for the angler's quiet work under the full moon. Meanwhile, in the distance, the shadows of the modern city skyline loom, a stark reminder of the bustling world beyond this serene scene.
A Cozy Moment of Friendship and Care - DiversitySaturday
Model:
AIVision
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A hyper-realistic, warm, intimate scene painted with Mixing Palette Knife, Impasto, Glazing, and Color Ink Wash techniques. A ginger-haired girl and a Black girl sit together on a sunlit living-room floor on a quiet Sunday morning. The ginger girl is cross-legged, wearing an oversized white shirt, laughing softly, while the Black girl sits behind her, braiding her hair with slow, loving hands. Sunlight pours through the window, creating thick, textured highlights on their skin and soft shadows on the floor.
The LGBT pride flag hangs casually on the wall behind them, partly illuminated. Color ink wash adds delicate strokes of soft yellow, peach, and warm rose around their figures, emphasizing tenderness and unity. The scene feels real, peaceful, intimate — a celebration of simple love and everyday diversity.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: "Evening on the Rooftop of the World"
In the foreground, a young woman with long ginger hair sits on the edge of an old rooftop, turned slightly to the side, her curls lifted by the wind into golden-orange swirls. Her eyes gaze into the distance, her face calm yet subtly defiant — tender and strong all at once. The city's night light seems to glow from within her, as if her soul is radiating through her skin. Here, we use the palette knife to capture the raw energy of the wind, the emotion in her posture, the dynamic tension of stillness.
The middle ground is the aged rooftop itself — weathered tiles, their color faded, bearing the weight of untold stories. The Impasto technique brings their texture to life, each deep red, earthy brown, and muted ochre layered thickly, like the strata of memory. Beside her lies an open notebook and a pencil — symbols of her inner world, her unspoken words etched silently into the night.
In the background, the city at dusk unfolds. The sky melts from amber into deep violet, glazed over with soft, transparent layers. The windows of distant buildings flicker like blinking thoughts, while a lone airplane slices through the twilight, leaving a trail like an unfinished sentence. This part is subtle, ethereal — like dreams not yet dreamed.
Mood of the painting: The scene conveys a quiet strength — a solitude that is not empty, but sacred. The ginger-haired girl isn’t a symbol of sadness, but of presence — wholeness. She doesn’t seek to be seen. She simply is, and that alone brings color to the world.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Foreground: The horse is painted using the Mixing Palette Knife technique, where the muscular figure of the strong black horse is defined by thick, energetic strokes of paint. Every muscle is highlighted, and his skin glistens under the light as he pulls the plow through the surface of the soil. The plow, old and steel, is depicted with the Impasto technique, where the texture captures the rust and years of use, cutting deep furrows through the dark earth. The soil is also painted with the Impasto technique, with thick, rich layers of paint conveying the fertility and weight of the land. The Man: The man walks behind the horse, his hand gripping the plow handle firmly. His body, painted with the Mixing Palette Knife technique, clearly shows the strain—his muscles are tense, and his shirt is soaked with sweat. His face, rendered with deep layers of paint in the Impasto technique, has pronounced wrinkles illuminated by the morning light, and his eyes are fixed on the ground ahead. Beads of sweat on his forehead add to the sense of the labor's intensity, while the sun highlights every detail of his dedication. Midground: Behind them, the endless field stretches out, interrupted by the furrows left by the plow. The soft, golden sunlight falls on the ground, casting shadows that emphasize the texture of the earth, painted with the Impasto technique. In the distance, traces of other fields can be seen, where the dark soil has already been tilled, and above the horizon, gentle white clouds painted with the Mixing Palette Knife technique hover, giving a sense of width and space.
Background: At the edge of the field stands an old oak tree, painted with thick strokes of the Impasto technique, where its rough, weathered branches symbolize the strength of nature. Near the tree, a small group of birds flies above the plowed field, their wings captured with quick, smeared strokes,
Prompt: Prompt by jexiq q: Masterpiece: Scene Description in Mixed Palette Knife, Impasto, Glazing Techniques: Dance of Light on the Frozen Lake.
Foreground: In the foreground, a frozen lake stretches out like a crystal mirror, with cracks forming an intricate mosaic of nature. The ice surface is crafted using the Mixing Palette Knife technique, with sharp strokes defining its depth and fragility, while subtle light refracting on the ice is achieved with Glazing layers, adding transparency and the illusion of coldness. At the edge of the lake, two pairs of skates rest in the snow, while thin branches of frozen willows droop towards the surface. The details of the branches are painted precisely with fine Impasto layers, giving texture and life to the snow-covered twigs. Midground: In the middle ground, two people in thick coats glide across the ice. Their figures are created with dynamic strokes of the Mixing Palette Knife, with layered textures suggesting movement and energy. Their shadows on the ice become dark, fluid shapes, rendered with Glazing to capture the soft reflections of evening light. Behind them, a small wooden bridge spans the lake’s two shores, covered in a blanket of snow. Beams of golden light emanate from a lamp on the bridge, adding warmth to the scene, while the wood’s texture is painted with Impasto layers to highlight the aged, rustic structure. Background: In the background, mountain peaks rise toward the clouds, covered in a dense layer of snow that glistens under the final rays of the setting sun. These mountains are shaped with strong, rough strokes of the Mixing Palette Knife, with contrasts between shadows and light creating depth and grandeur. The sky above transitions gradually from golden hues to soft purples, painted with layered Glazing technique. Stars are delicately added with fine touches of white, giving the scene a magical, finishing touch.
Prompt: In the heart of the urban metropolis, as the city sleeps, a dramatic scene unfolds under the night sky. The onset of rain adds an extra element of excitement and tension to an already intense situation.
Rain as a curtain of secrets: Raindrops fall like tiny pearls, creating a rhythmic sound on the sidewalks and vehicles. City lights refract on wet surfaces, adding a sparkling effect to the scene.
Rotating police lights: Police cars arrive at the scene with rotating lights shining vividly through raindrops, illuminating the news vehicle and resembling the ambiance of a nighttime thriller.
Journalists under umbrellas: The journalistic team works swiftly under umbrellas, resisting the rain as cameras capture every moment. The rain adds a sense of drama to their effort to broadcast live.
Slippery surfaces and reflections: Wet asphalt becomes slippery under the feet of pedestrians, adding an element of danger to the scene. Light reflections on rainy surfaces create additional visual dynamism.
The city as the backdrop of a mysterious drama: Lighted billboards on nearby buildings are dimly reflected on the cobblestone, creating an image of the city as the stage for a mysterious drama unfolding.
This scene emphasizes the rain as an integral part of the dramatic moment, highlighting tension, danger, and urgency around the news vehicle becoming the focal point under the night sky.
Unity in Color: A Mural of Resilience-Diversity Saturday
Model:
AIVision
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “The Window of Voices” - Diversity Saturday
A sunlit urban studio with tall industrial windows; a ginger-haired young woman and a dark-skinned woman stand side by side at a long mural wall.
They paint a large, dynamic social-justice mural using Mixing Palette Knife, thick Impasto textures, soft Glazing layers, and sweeping strokes of colored ink wash.
The mural depicts raised hands, diverse faces, and the words “WE BELONG HERE”.
Behind them, an LGBT Pride flag hangs loosely from a metal beam, catching the warm light.
The ginger woman adds bold abstract shapes with a palette knife, while the other woman uses fluid ink to create translucent, ribbon-like forms that move across the mural like wind.
Their shadows overlap on the wall, symbolizing unity and shared identity.
The mood is powerful, artistic, and focused — not posed, but captured in the middle of important work.
Vibrant colors. Expressive textures. A scene of diversity, activism, and artistic collaboration.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: A young ginger-haired woman sits at her desk, viewed from behind, working on a computer. The room is dim, her shoulders wrapped in a soft sweater. The monitor glows gently, illuminating her hair and the edge of her face. On the glassy surface of the screen, her reflection appears — her front face softly visible, thoughtful and calm, eyes half lost in the light. The scene feels intimate, quiet, as if she’s staring into her own reflection more than the work itself.
Techniques: Mixing Palette Knife for background texture and fabric detail; Impasto for the glow on her hair and the edge of the monitor; Glazing for the reflection — delicate and semi-transparent, showing her face in the monitor with smooth transitions between light and shadow.
Prompt: In the dark night sky, a large red moon rises above the city, resembling blood spilled across the heavens. Its color is eerie and ominous, casting a dark hue over the surroundings.
The city seems engulfed in this bloody glow, with buildings rising like dark shadows, while the lights on the streets appear pale and subdued beneath this ominous light. The contours of the structures look sharp and menacing, as if cloaked in dark mystery.
On the streets, people pass by in silence, their silhouettes appearing almost surreal under the red moon. Every step they take seems to echo through the quiet night, while shadows move in rhythm with the bloody light.
Distant sounds of the city can be heard in the distance, muffled and blurred under the influence of the nighttime sky. Every sound becomes eerily amplified under the influence of the red moon, adding to the heightened sense of tension and mystery in the already very quiet environment.
This scene creates a feeling of discomfort and mystery, transforming the city into a place that seems to have emerged from a dark dream, where every shadow and light may conceal some secret or danger.
Prompt: in Louis Jover's signature style: In the quiet park, bathed in the gentle glow of autumn's sun, an aged bench rests. Upon it, nestled closely together, two contrasting souls find solace. On one end, a young woman, adorned in vibrant hues, her skin a canvas for tales inked in tattoos. Across from her, an elder gentleman, serenity etched upon his countenance, cradling a tome within his weathered hands, spectacles perched upon his nose.
In the backdrop, trees sway in a delicate dance to the whispering breeze, casting dappled shadows upon the earth. Leaves cascade in a symphony of color, painting the ground with the essence of fall. Sunlight filters through the canopy above, weaving intricate patterns upon the ground, like fragments of forgotten dreams. Birds serenade the scene with their melodic tunes, while the distant echo of footsteps adds to the rhythm of life.
As we observe this tableau, rendered in Louis Jover's signature style, we witness the convergence of disparate worlds. Though strangers, they share a moment of silent communion, their stories intermingling in the air. Through their presence, a unique tapestry of existence unfolds, a testament to the beauty found in the collision of lives, each brushstroke a whisper of the human experience.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: In the heart of a park, beneath tree canopies breaking into shades of autumn, a ginger-haired girl sits on an old wrought-iron bench. The wind carries leaves in golden, red, and copper tones, while her fiery curls blend with the swirling colors of nature.
Her hair is painted with bold strokes of the palette knife, applied thick and rich, so it seems to burn under the glow of the setting sun. On her face, calm and contemplative, glazing creates transparent layers of light — her eyes glisten, and her lips appear to hold an unspoken story.
Her dress, in hues of green and mustard yellow, is shaped with the impasto technique, so every fold of the fabric has its own shadow and volume. At her feet, leaves are layered in thick textures of paint, almost relief-like, as if they could be lifted from the canvas.
The background is not just a park — it is a whirlwind of strokes, where the treetops shift from gold into red, and the ground shimmers in warm transitions. She sits quietly amid this chaos of colors, a silent figure of autumn who both creates it and belongs to it.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Ginger Girl and the Rainy Window”
A ginger-haired young woman sits by a large window on a rainy evening.
Her curls spill over her shoulders like wet copper threads, painted in bold impasto strokes with palette knife — thick, textured, alive.
Raindrops stream down the glass, each one done with delicate glazing, catching the glow of city lights outside — blurred neon pinks, soft blues, and golden reflections that seem to melt into each other.
She rests her chin on her hand, eyes wide and thoughtful, looking through the watery glass as if trying to read the future written in the drops. Her lips — full and slightly parted — carry a hint of unspoken words.
The room around her is dim, painted with earthy tones in rough textures, so her fiery hair and luminous skin stand out even more — almost like a beacon against the gray night.
In the reflection on the window, her face appears doubled: one real, one blurred — a quiet metaphor of her inner world, painted with glazing so thin that it feels like smoke on glass.
The whole scene balances between solitude and tenderness, as if the rain is keeping her company in silence.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Golden Breather”
Setting: Rooftop terrace after rainfall, late afternoon golden light
Foreground – Mixing Palette Knife: The terrace floor is made of uneven stone tiles, still wet from recent rain. Scattered leaves lie across the surface, their edges curling. The stones are rendered with thick, textured palette knife strokes — bold, angular lines that reflect small pools of water and broken light.
In the lower left corner, her hand rests against the cold floor, slightly red from the chill. The skin is depicted with short, decisive strokes, combining pale pinks, cold blues, and reds — raw, alive, tactile.
Midground – Impasto:
The ginger-haired girl sits on an old metal chair without a backrest. Her hair is heavy, layered, and vividly textured using impasto technique — each strand sculpted, individually curved, glistening from humidity. The colors shift from dark copper at the roots to orange and sunlit gold at the tips.
She wears an oversized beige shirt, sleeves rolled up to the elbows, the fabric damp on the shoulders. The folds are thick and sculptural — every crease formed with heavy paint, catching the warm light. Her legs are folded, bare feet touching the wet stone floor. The skin on her legs shines softly, built with layered tones of warm beige and moss green, showing light and shadow. In her right hand, she loosely holds an open book. The pages flutter slightly in the breeze, caught mid-motion — the wind wants to take them, but her fingers still anchor the moment.
Background – Glazing: Behind her, a low terrace wall and a distant city skyline. The entire background is rendered using glazing — smooth, transparent layers that suggest depth without sharp lines. The late afternoon sun filters through post-rain mist and light urban fog, bathing the scene in warm gray, violet, and soft amber tones.
The city beyond is blurred — rooftops, chimneys, and hazy outlines dissolve gently into light. Everything in the distance feels suspended, as if painted into memory rather than reality.
Scene Mood: Quiet. Damp. Warm where the sunlight lands. A moment suspended in breath and silence.
She isn’t looking at the viewer — she’s gazing at the open book, not reading, just being. Time has paused.
She hasn’t.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto and Mixing Palette Knife Techniques: Break Between Rides.
Mixing Palette Knife (background and lighting contrasts), Impasto (clothing and hair), Pastel (face, shadows, emotion).
In the foreground, a young girl sits on a bench at a tram stop. Her hair is messy, dyed in shades of violet and blue, and she’s wearing a short black tulle skirt, fishnet tights, and an oversized jacket covered in patches and pins—a mix between punk rock and modern artistic expression. On one foot she has a sneaker, on the other a combat boot—as if she hasn’t quite decided who she wants to be. Resting in her lap is a sketchbook, and she’s quietly drawing the passersby with a soft pastel pencil. Her fingers are smudged with chalk and charcoal.
In the middle ground, an older woman watches the girl with a mix of wonder and confusion, while beside them a tram passes, its window reflections shimmering across the pavement, captured with Mixing Palette Knife strokes that add motion and tension. In the background, gray buildings fade beneath a pink-blue sunset sky, the light spilling like a pastel haze—warm tones blending with cold, while the wind plays with paper scraps and the hem of the girl’s skirt. The whole scene breathes in the rhythm of the city—soft, but relentless.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “At the Edge of Evening and Eyes”
Style: Emotional realism with quiet longing
On the rooftop at dusk, a ginger-haired girl sits right on the edge. Her legs dangle freely over the side, as if the ground below doesn’t concern her. She wears a light beige shirt, sheer like a thought, and faded denim jeans — like someone who walked straight out of a song yet to be written.
In her hands, she turns a lighter — not lighting it, just feeling its shape. The wind plays with her hair — scattered copper strands that, in the sun’s dying light, look like they were layered with a palette knife, stroke by stroke, while the sky kisses the horizon. Her eyes aren’t downcast — they look straight ahead, but not at the city below. She’s looking at the unseen — at what hasn’t happened, but could.
The impasto clouds behind her are more than backdrop — they are mood: pressed thick, dense, like unspoken words. Her shadow on the wall trembles gently, glazed in layers of orange and violet, softly merging with the color of the sky. On her wrist, a small tattoo — a bird in flight. Barely visible. Like a decision not yet made.
And in that moment, everything holds. Even the light.
She is the center of the frame. And she doesn’t move.
Because she knows — if she stands up, something will disappear.
And if she stays, maybe... maybe something might begin.
Prompt: scene in the style of Claude Monet:
In the picturesque countryside of Giverny, France, a quaint wooden footbridge stretches gracefully over a serene pond adorned with water lilies. The lush, verdant landscape is dotted with colorful flowers, their vibrant hues reflecting off the tranquil water below.
Along the banks of the pond, weeping willows sway gently in the breeze, their long tendrils trailing in the water. Bees buzz lazily among the blossoms, adding to the symphony of nature's sounds.
On the footbridge, a young woman in a flowing dress stands with a parasol in hand, her silhouette casting a graceful shadow on the sun-dappled path. She gazes out over the tranquil scene with a sense of wonder and serenity, lost in the beauty of her surroundings.
In the distance, a rustic farmhouse peeks out from behind a grove of trees, its stone walls bathed in the warm glow of the afternoon sun. Smoke curls lazily from the chimney, adding to the idyllic charm of the countryside.
As the day wears on, the colors of the landscape shift and change with the shifting light, casting a soft, ethereal glow over the scene. In this moment, amidst the beauty of nature and the tranquility of the countryside, the young woman finds solace and inspiration, embodying the spirit of Monet's timeless masterpieces.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Soft Morning, Still Heart”
The ginger-haired girl sits by the window, wrapped in a light pastel blanket that drapes softly over her knees. The room glows in hues of pale rose, misty lilac, and tender ivory — colors that breathe calm.
(Mixing Palette Knife Technique) — The morning sky is shaped in wide, gentle strokes — clouds melting into one another like half-remembered dreams. The knife leaves delicate ridges of peach and blue, just enough to let the light play.
(Impasto Technique) — Her hair is painted thick and textured, each strand catching the sunlight like golden copper threads. The soft impasto builds a halo of warmth around her silhouette.
(Glazing Technique) — A subtle layer of translucent white veils the entire scene, as if the air itself is painted — a quiet mist that softens every edge.
On the small table beside her, a cup of tea releases faint steam, blending with the pastel air. Outside, petals drift lazily past the glass, the city still waking.
She gazes outward — not waiting, not thinking — simply being, as if the whole world exists in this still, pastel hush.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: On the rooftop at dusk, the ginger-haired girl leans against a low brick wall, knitting a long scarf that ripples in the evening breeze; the sky behind her burns with layered palette knife streaks of violet and orange, her hair catching the light in fiery impasto swirls, while the soft glow of the city below is veiled in delicate glazing, creating a dreamlike haze, and every thread she pulls seems to stitch her gently into the vast, breathing canvas of the night.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A ginger-haired girl kneels on a small apartment balcony, repairing her bicycle on a warm late-afternoon sun. Her copper hair glows like real flame as the sunlight hits it, with glazing layers adding soft golden reflections.
The metal frame of the bicycle is textured using palette-knife strokes, giving it a slightly rough, realistic shine. Tiny flecks of impasto white highlight the spokes and bolts she’s tightening with a small wrench.
The balcony floor—scattered with a pump, a rag, and a bottle of chain oil—is washed with a thin color ink wash, creating soft shadows that bleed slightly, giving the scene a casual, everyday softness.
She squints one eye, checking if the wheel is straight. A smudge of grease marks her cheek. Her oversized T-shirt hangs loosely, and her bare feet tap rhythmically on the warm tiles.
Behind her, inside the apartment, warm colors blur in a glazing haze, hinting at plants on a shelf and a mug on the kitchen counter—nothing too defined, just atmosphere.
The whole scene feels intimate and real, like a quiet moment of life where she’s fully focused on something simple, ordinary, and hers.
Prompt: In the light of the full moon, deep in the forest enveloped in mysterious magic, stands an ancient stone circle, where magic meets science. In the center of the circle, a druid dressed in ancient robes stands beside a huge cauldron boiling, emitting thick steam into the night air.
The druid carefully adds rare ingredients to the cauldron, following ancient formulas inscribed on scrolls of papyrus. There is a murmuring in the cauldron, as if nature itself responds to the druid's sorcery. With each added component, the moonlight seems to intensify, and the forest whispers mysterious messages.
Around the circle, small glowing orbs flicker, ancient amulets protecting the ritual from unwanted spirits. Scents of exotic plants fill the air, while the firelight reflects off the forest trees.
As the potion brews, the druid's hand moves in complex motions, imbued with power and magic. His eyes are focused, his facial expressions serious, as he prepares to unleash the potent energy that will animate his intentions.
As the cauldron simmers gently, the nature around them seems to hold its breath, waiting for the outcome of this magical ritual. Everything is poised for the moment when the magical potion will be poured into vessels, bringing with it the strength and power that will alter the course of destiny.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: Sour & Sweet – Farmers Market Adventure.
Foreground: At a fruit stand in an open-air market, the ginger-haired girl in a light linen jumpsuit holds a slice of watermelon in one hand and laughs heartily, holding her belly with the other. Her fingers are stained with red juice — painted in vivid detail with the mixing knife technique, making everything look soaked in vibrant flavors.
Midground: The African-American girl in a floral dress and with a basket full of mangoes and avocados leans toward a table with jars of honey. She’s just tasted something surprising — her expression a mix of confusion and delight. Her hairstyle is boldly emphasized with impasto texture — thick, layered strokes that reflect the light and add volume.
Background: The market buzzes with life: people, colors, sounds, and scents. Little flags flutter between the stalls in the breeze. In the distance, passersby stop to watch the two girls sample exotic flavors. Their joy and closeness dominate the color of the scene — two souls seeking something simply beautiful.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: Pixels and Pancakes.
Foreground: The ginger girl sits cross-legged on the living room floor, holding an old-school joystick. Her eyes sparkle as she laughs, trying to win a round of a retro video game. There’s a smudge of flour on her cheek – a clear sign they’ve been making pancakes and playing at the same time. Her messy strands of hair and the fluffy texture of the pancakes beside her are rendered in thick, tactile Impasto strokes. Midground: The Black girl lies on her stomach in front of the TV, feet up in the air, gripping the second joystick. Her dreadlocks are playfully tied in a headscarf, captured with dynamic, expressive strokes using Mixing Palette Knife. Her retro-printed T-shirt reflects the game’s light, and her animated facial expression shows it all – excitement, competition, and pure joy. Background: The walls are covered with polaroid photos and handwritten notes. On the table next to them sits a half-eaten pile of chocolate and fruit-covered pancakes. Light from a lamp filters through a juice bottle, casting warm hues across the room with the help of Glazing technique – layers of light and shadow build a feeling of home, youth, and glowing happiness.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Weight of the Present”
A ginger-haired woman and a Black woman sit on the floor of a sparsely furnished room, backs resting against the same wall, shoulders lightly touching. The space feels temporary — half-unpacked boxes, a single chair, an LGBT pride flag folded and pinned loosely above them, not centered, almost accidental.
The figures are built with Mixing Palette Knife and heavy Impasto, thick strokes shaping their bodies as if carved from resistance itself. Glazing softens their faces, allowing quiet intimacy to surface beneath the weight.
Colored ink bleeds into the background — muted violets and deep blues — suggesting thoughts that spill faster than words.
The ginger woman’s head tilts slightly toward the other, eyes closed, breathing steady. The Black woman looks forward, jaw tense but calm, holding space for both of them. There is no dramatic gesture — only presence.
This is a moment of choosing to stay.
The movement exists in the texture: rough edges against translucent layers, tension dissolving into trust.
Would you like to report this Dream as inappropriate?
15d
115
0
27
jexiq q
Member since 2023
Artist statement
"Dear users,
If you like my prompt and decide to use it, I would greatly appreciate it if you could share the link to your picture. I would love to see how it turned out and appreciate your creativity!
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
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Deep Dream
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Deep Dream
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