Prompt: In a modern, large city covered in snow, the scene comes alive with the unique charm of winter. In one corner of the park, children are having fun making snowmen and throwing snowballs in their play. Their laughter and joy echo as snow projectiles fly through the air.
Tall skyscrapers dominate the horizon, providing a contrast to the natural whiteness of the snow. Their silhouettes stand as guardians of the city, observing the lively scene of play below. The distant sun illuminates the urban scene, casting a magical light on the white snow slopes.
In the background, modern skyscrapers display windows lit with warm light, creating a sense of warmth and comfort despite the cold winter. The city sounds are muted by the layer of snow, making room for the laughter and joy of children.
This scene represents the perfect blend of urban landscape and the magic of winter joy, highlighting the beauty of togetherness and play amidst a large, modern city.
Prompt: In the heart of the urban metropolis, as the city sleeps, a dramatic scene unfolds under the night sky. The onset of rain adds an extra element of excitement and tension to an already intense situation.
Rain as a curtain of secrets: Raindrops fall like tiny pearls, creating a rhythmic sound on the sidewalks and vehicles. City lights refract on wet surfaces, adding a sparkling effect to the scene.
Rotating police lights: Police cars arrive at the scene with rotating lights shining vividly through raindrops, illuminating the news vehicle and resembling the ambiance of a nighttime thriller.
Journalists under umbrellas: The journalistic team works swiftly under umbrellas, resisting the rain as cameras capture every moment. The rain adds a sense of drama to their effort to broadcast live.
Slippery surfaces and reflections: Wet asphalt becomes slippery under the feet of pedestrians, adding an element of danger to the scene. Light reflections on rainy surfaces create additional visual dynamism.
The city as the backdrop of a mysterious drama: Lighted billboards on nearby buildings are dimly reflected on the cobblestone, creating an image of the city as the stage for a mysterious drama unfolding.
This scene emphasizes the rain as an integral part of the dramatic moment, highlighting tension, danger, and urgency around the news vehicle becoming the focal point under the night sky.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: A young ginger-haired girl leans casually against the railing of a city bridge at dusk. Mixing Palette Knife strokes carve the glow of the sunset into fractured planes of orange and crimson, reflecting on the river below. Her hair, caught in the breeze, is painted in Impasto, every fiery strand raised from the canvas like molten copper.
Behind her, blurred figures of the city move in softer Glazing layers, giving depth without disturbing her quiet presence. The bridge lights just begin to shimmer, tiny dots of gold touched with delicate knife marks. She smiles faintly, holding a sketchbook close to her chest — as if keeping a secret that belongs only to her and the fading sun.
The atmosphere vibrates between solitude and freedom, as though she is suspended between two worlds: the city’s pulse behind her, and the boundless horizon ahead.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: I imagine a scene of a middle-aged couple's breakup, created with Mixing Palette Knife and Impasto techniques: Foreground: On a dark wooden table, two cups of coffee stand, but one has been pushed to the edge, with spilled coffee creating shimmering reflections on the table. This part of the scene is painted using Impasto technique, with thick strokes emphasizing the gravity of the moment. A half-crumpled napkin lies between the cups, painted with Mixing Palette Knife, capturing its wrinkled edges and the awkward tension hanging in the air. Midground: The couple sits at the table. The man, in a suit with graying hair, looks away, avoiding her gaze. His face, rendered in Impasto, shows lines of weariness and sadness, emphasizing the depth of emotion. The woman, in a black sweater with her arms gently crossed, stares into empty space, clearly distressed. Her eyes, carefully painted, express disappointment, while her hair partially covers her face, created with Mixing Palette Knife to represent her complex inner world. Background: Through the café window, a sunset is visible, with the sky in shades of orange and purple, done in Mixing Palette Knife to highlight the shifting light, symbolizing the end of a chapter in their lives. In the distance, a busy street full of cars and people, but they remain distant, lost in their own world of silence and parting. Light: Soft light from a tall lamp casts muted shadows on their faces, illuminating the space between them, as if highlighting all that remains unsaid. This blend of warm yet cold light tones brings the drama of the scene to the forefront, while reflections from the cups and table merge into subtle hues.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto and Mixing Palette Knife Techniques: Break Between Rides.
Mixing Palette Knife (background and lighting contrasts), Impasto (clothing and hair), Pastel (face, shadows, emotion).
In the foreground, a young girl sits on a bench at a tram stop. Her hair is messy, dyed in shades of violet and blue, and she’s wearing a short black tulle skirt, fishnet tights, and an oversized jacket covered in patches and pins—a mix between punk rock and modern artistic expression. On one foot she has a sneaker, on the other a combat boot—as if she hasn’t quite decided who she wants to be. Resting in her lap is a sketchbook, and she’s quietly drawing the passersby with a soft pastel pencil. Her fingers are smudged with chalk and charcoal.
In the middle ground, an older woman watches the girl with a mix of wonder and confusion, while beside them a tram passes, its window reflections shimmering across the pavement, captured with Mixing Palette Knife strokes that add motion and tension. In the background, gray buildings fade beneath a pink-blue sunset sky, the light spilling like a pastel haze—warm tones blending with cold, while the wind plays with paper scraps and the hem of the girl’s skirt. The whole scene breathes in the rhythm of the city—soft, but relentless.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto and Mixing Palette Knife Techniques: A Young Man on a Rooftop at Dawn.
Foreground – Mixing Palette Knife: On the edge of an old city rooftop sits a young man in a navy-blue sweater, a barely lit cigarette resting between his fingers. The wind tousles his hair, and beside him stands a small potted plant he’s grown himself — rosemary, still young. A palette knife is used to create expressive texture in his clothes and hair, with short, sharp strokes that capture restlessness and introspection. Middle ground – Impasto: Behind him is a small chair and a wooden crate filled with old books and dried-up markers. On the rooftop floor, the paint is chipped and coarse, with remnants of his earlier chalk drawings — clouds, words, dates. Thick layers of paint depict these life traces like an imprint of his inner struggle and ongoing search. Background – Glazing: The sky panorama behind him is painted in soft, translucent layers — the first rays of sunlight break through grayish clouds, and dawn gently shifts from indigo to gold. The city has not yet awakened, only a few chimneys puff in the distance. The atmosphere radiates quiet strength — a moment between darkness and light, between what was and what is yet to come.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Mixing Palette Knife, Glazing Techniques: A Man in a Suit Roasting Chestnuts at Dawn. (Mixing Palette Knife: background and mood, Impasto: figure and chestnuts, Glazing: light from the shop window): Foreground: A man in an elegant navy suit kneels beside an old metal pan, flames flickering as he carefully roasts chestnuts. His gloves are made of velvet, yet he moves with a ritualistic tenderness. Impasto captures the texture of firelight and the almost tangible scent of roasted nuts. Middle ground: Beside him, an open briefcase leans against the wall—papers spilling out along with a small plush toy. A thin trail of spilled coffee stains the concrete. The color palette is earthy golds with hints of sleepy blue from the dawn. Background: Mixing Palette Knife breathes fog over a quiet boulevard. A bakery's sign glows faintly, while Glazing layers the glass with a soft reflection of morning light not yet claimed by the day.
Prompt: In the light of the full moon, deep in the forest enveloped in mysterious magic, stands an ancient stone circle, where magic meets science. In the center of the circle, a druid dressed in ancient robes stands beside a huge cauldron boiling, emitting thick steam into the night air.
The druid carefully adds rare ingredients to the cauldron, following ancient formulas inscribed on scrolls of papyrus. There is a murmuring in the cauldron, as if nature itself responds to the druid's sorcery. With each added component, the moonlight seems to intensify, and the forest whispers mysterious messages.
Around the circle, small glowing orbs flicker, ancient amulets protecting the ritual from unwanted spirits. Scents of exotic plants fill the air, while the firelight reflects off the forest trees.
As the potion brews, the druid's hand moves in complex motions, imbued with power and magic. His eyes are focused, his facial expressions serious, as he prepares to unleash the potent energy that will animate his intentions.
As the cauldron simmers gently, the nature around them seems to hold its breath, waiting for the outcome of this magical ritual. Everything is poised for the moment when the magical potion will be poured into vessels, bringing with it the strength and power that will alter the course of destiny.
Prompt: scene in the style of Claude Monet:
In the picturesque countryside of Giverny, France, a quaint wooden footbridge stretches gracefully over a serene pond adorned with water lilies. The lush, verdant landscape is dotted with colorful flowers, their vibrant hues reflecting off the tranquil water below.
Along the banks of the pond, weeping willows sway gently in the breeze, their long tendrils trailing in the water. Bees buzz lazily among the blossoms, adding to the symphony of nature's sounds.
On the footbridge, a young woman in a flowing dress stands with a parasol in hand, her silhouette casting a graceful shadow on the sun-dappled path. She gazes out over the tranquil scene with a sense of wonder and serenity, lost in the beauty of her surroundings.
In the distance, a rustic farmhouse peeks out from behind a grove of trees, its stone walls bathed in the warm glow of the afternoon sun. Smoke curls lazily from the chimney, adding to the idyllic charm of the countryside.
As the day wears on, the colors of the landscape shift and change with the shifting light, casting a soft, ethereal glow over the scene. In this moment, amidst the beauty of nature and the tranquility of the countryside, the young woman finds solace and inspiration, embodying the spirit of Monet's timeless masterpieces.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Mixing Palette Knife, Glazing Techniques: A man making soap in an abandoned cinema.
Foreground – Thick Impasto strokes on an old wooden bench, where a man in a torn coat sits. In his hands, a bowl of melted soap, scented with lavender and ash. His fingers gently stir the liquid — use Mixing Palette Knife to feel the rough texture, like kneading the past. Middle ground – Around him, on the cold cinema tiles, are soap shapes: some dry, some still warm in molds made from film strips. Light from a broken projector casts a soft Glazing glow — like reflections of forgotten stories. Background – Old red seats, half-collapsed, covered in dust. On the still-standing screen, shadows dance — birds that now live there, flying like projections from lost reels. Impasto for the canvas, Glazing for the light coming through a hole in the roof.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: A young ginger-haired woman sits at the edge of a weathered wooden pier, the late afternoon light melting into gold across the horizon. Her copper hair blazes like a flame against the vast mirror of the water, every strand thickly layered with impasto strokes so it almost seems alive, moving with the breeze.
Behind her, the sky is a wild symphony of colors — streaks of rose, amber, and violet, spread with a palette knife, bold and textured, clashing yet harmonizing like unfinished thoughts of the universe. A thin glazing of translucent blue drapes over the scene, softening the sharp edges, giving the air that dreamlike glow of something eternal.
Her gaze drifts into the distance, as if she’s watching the line where the earth dissolves into infinity, her expression poised between serenity and an untold longing. The water around her reflects not only the sunset but fragments of her — the fiery crown of her hair, the pale softness of her cheek, the quiet strength in her shoulders.
It is a portrait not just of a woman, but of a soul suspended in time — where nature, color, and silence merge into a moment too sacred to fade.
Prompt: Prompt by jexiq q: Masterpiece: Scene Description in Mixed Palette Knife, Impasto, Glazing Techniques: Winter Joy on the Snowy Hill.
Foreground: In the foreground, the snow is deep and soft, shaped by children’s footprints and sled tracks. The snow's surface is crafted using Mixing Palette Knife strokes, with sharp, random lines depicting the unevenness and sparkling snow crystals under the winter light. Two red sleds rest at the top of the hill, their wooden edges and metal runners detailed with Impasto technique, giving them a realistic texture. A frozen tree branch on the right enters the frame, its icy crystals carefully rendered with Glazing technique, adding a sense of coldness and transparency. Midground: In the middle ground, several children joyfully slide down the hill. Their figures are dynamic, shaped with Mixing Palette Knife strokes, with layers depicting the movement of the sleds and the swing of arms in brightly colored winter jackets—red, blue, and yellow. The children are laughing, and behind them, snow dust rises into the air, captured with soft transitions using the Glazing technique, adding smoothness and a light transparency to the scene. On the left, a boy in a green jacket pulls his sled uphill while his scarf flutters in the wind, painted in thick Impasto layers, making it stand out against the white surroundings. Background: In the background, a frozen landscape unfolds—a series of white hills and distant evergreen forests. The mountains on the horizon are painted with the Mixing Palette Knife technique, using rough, textured strokes to create a sense of distance and vastness. The sky above transitions from light blue tones to warm orange and pink hues of the sunset, painted with layered Glazing technique. Crows fly above the forest, small black dots contrasting with the softness of the snowy idyll.
Prompt: in Louis Jover's signature style: In the quiet park, bathed in the gentle glow of autumn's sun, an aged bench rests. Upon it, nestled closely together, two contrasting souls find solace. On one end, a young woman, adorned in vibrant hues, her skin a canvas for tales inked in tattoos. Across from her, an elder gentleman, serenity etched upon his countenance, cradling a tome within his weathered hands, spectacles perched upon his nose.
In the backdrop, trees sway in a delicate dance to the whispering breeze, casting dappled shadows upon the earth. Leaves cascade in a symphony of color, painting the ground with the essence of fall. Sunlight filters through the canopy above, weaving intricate patterns upon the ground, like fragments of forgotten dreams. Birds serenade the scene with their melodic tunes, while the distant echo of footsteps adds to the rhythm of life.
As we observe this tableau, rendered in Louis Jover's signature style, we witness the convergence of disparate worlds. Though strangers, they share a moment of silent communion, their stories intermingling in the air. Through their presence, a unique tapestry of existence unfolds, a testament to the beauty found in the collision of lives, each brushstroke a whisper of the human experience.
Prompt: Prompt by jexiq q: Masterpiece: Scene Description in Mixed Palette Knife, Impasto, Glazing Techniques: Dinner Under the Stars.
Foreground (Mixing Palette Knife): On a rustic wooden table, perfectly set on a meadow clearing, lies an elegant cream-colored tablecloth, softly wrinkled. Crystal glasses reflect the moonlight, while the wine within shimmers in deep crimson tones. Two candles in ornate brass holders light the table with a warm, flickering glow, their flames swaying gently in the breeze. On the plates is a simple yet perfectly prepared dinner—seasoned fish on a bed of lemon leaves, accompanied by crispy bread. Everything is painted with precise palette knife strokes, adding texture and authenticity to the details. Midground (Impasto): A couple sits across from each other, holding hands over the table. Their smiles are genuine, and their gazes are full of warmth. His white linen shirt and her flowing pastel blue dress catch the subtle reflections of the candlelight. Love and serenity radiate through their movements. Their figures are softly lit by the moonlight, blending gently into the scene with textured brushstrokes, creating a romantic atmosphere. Background (Glazing): The night sky is vast and scattered with millions of stars, sparkling against a velvety dark blue backdrop. A light mist covers the distant mountains, while the treetops sway gently in the rhythm of a quiet breeze. The warmth of the golden-orange candlelight contrasts with the cool tones of the moonlight, which glimmers across the meadow. Everything is painted with layers of glazing, creating depth and an ethereal glow that envelops the scene.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: In the heart of a park, beneath tree canopies breaking into shades of autumn, a ginger-haired girl sits on an old wrought-iron bench. The wind carries leaves in golden, red, and copper tones, while her fiery curls blend with the swirling colors of nature.
Her hair is painted with bold strokes of the palette knife, applied thick and rich, so it seems to burn under the glow of the setting sun. On her face, calm and contemplative, glazing creates transparent layers of light — her eyes glisten, and her lips appear to hold an unspoken story.
Her dress, in hues of green and mustard yellow, is shaped with the impasto technique, so every fold of the fabric has its own shadow and volume. At her feet, leaves are layered in thick textures of paint, almost relief-like, as if they could be lifted from the canvas.
The background is not just a park — it is a whirlwind of strokes, where the treetops shift from gold into red, and the ground shimmers in warm transitions. She sits quietly amid this chaos of colors, a silent figure of autumn who both creates it and belongs to it.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Imagine a scene: A small family dining room comes to life in soft pastel tones. The table, crafted from warm oak wood and textured with Mixing Palette Knife strokes, is adorned with the remains of a shared breakfast. A loaf of freshly baked bread, its crust golden and crumbling in thick impasto layers, rests on a simple white cutting board. Beside it, a half-full jar of strawberry jam glistens under the morning light, its surface reflecting shades of crimson and soft pink through the Ink technique, adding a sharp vibrancy to the otherwise muted tones. The morning sun streams through the window, its light diffused by sheer curtains rendered in delicate Mixing Palette Knife strokes, creating a hazy interplay of pastel peach and lavender. A porcelain cup, decorated with pale blue floral patterns, sits on the table, still steaming with the remnants of coffee. The steam, captured in wisps of Ink detailing, spirals upwards, fading into the ambient warmth of the room. A woven basket brimming with oranges and bananas sits at the table's center, the fruits' textures exaggerated in thick, joyful impasto. Each orange glows in a muted coral tone, while the bananas carry soft yellow gradients, their curves accented with dark Ink outlines for contrast. On a nearby chair, a child’s woolen scarf, rendered in pastel blues and whites, is draped casually, as though forgotten in the rush of breakfast. The scarf’s soft folds and frayed edges are meticulously highlighted with a blend of impasto and precise Ink strokes. Through the window, a narrow alley dusted with snow comes into view, its edges blurred and softened by pale blues and grays. The faint tracks of footprints and a lone bicycle leaning against a wooden fence are sharp and distinct, detailed with Ink technique, drawing the viewer's eye outward.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: "Urban Breath"
Foreground: A ginger-haired girl in an oversized denim jacket sits on a skateboard, hunched over with her elbows resting on her knees. Her eyes are hidden beneath a hood, but her cheeks are flushed from the wind. Strands of copper hair escape the hood, glowing in the breeze. She holds a small, vintage camera in her hands—an old, chewed thread bracelet hangs loosely from her wrist. In front of her, a crushed soda can and the word “Breathe” written in chalk.
Middle ground: The concrete wall behind her is covered in a mural created in palette knife style—abstract shapes, bursts of color, neon accents. A graffiti message reads: “Life is not a filter.” Streetlamp shadows fall diagonally, spilling golden lines across her back and the skateboard’s wheels.
Background: The city skyline at dawn—tall buildings catching the first morning light. Through glazing layers, the warmth of the haze and diffused light pulses through windows. A tram crosses a distant bridge. On one rooftop, colorful flags flutter—remnants of a street gathering that still refuses to fade.
Color palette: Muted grays, bluish tones, and rust-orange in the background, with accents of copper, gold, and red on the girl. The impasto texture of the mural contrasts the softness of the morning light, creating rich, emotional depth.
Atmosphere: A silent urban poem. The city pulses quietly, while the girl captures a moment of stillness—like she’s archiving the last breath before something important begins.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Alla Prima, Sfumato and Glazing Technique: The Shadow in the Mountain Wilderness.
Foreground (Impasto & Glazing): Sharp winds lash against the frozen edges of the mountain path, leaving behind layers of hardened snow and ice that glisten under the gray sky (Glazing). Jagged black rocks pierce through the snowy drifts, cracked and weathered, streaked with moss that stubbornly clings to the harsh heights (Impasto). The broken remains of trees jut out from the snow like bones frozen in time, while a lone raven shakes the snow off its wings, perching on a brittle branch. Middle Ground (Sfumato & Chiaroscuro): At the edge of the abyss, the Shadow stands, draped in a long cloak that the wind twists and lifts into chaotic waves of darkness (Sfumato). His face remains hidden beneath the hood, while his hand rests on the hilt of a sword buried in the snow. The sun breaks through the clouds, casting a sharp shadow on the white surface—a fracture of darkness in an expanse of endless light (Chiaroscuro). His gaze is fixed beyond the precipice, where the valley dissolves into a deep, misty void. Background (Alla Prima & Glazing): On the horizon, mountain peaks rise like petrified waves, bathed in cold light reflecting off the eternal snow (Alla Prima). Clouds roll beneath him, as if he is floating on the edge of the world, while in the distance, through a veil of mist, faint lights flicker from an unknown settlement hidden within the rock (Glazing). The silence is absolute, broken only by the occasional howl of the wind carrying distant sounds—perhaps the echo of drums, or just the storm playing tricks in the heights.
Prompt: In a Louis Jover-Inspired Scene: Through the old-fashioned window opening to a picturesque landscape, gentle sunlight filters into the small workspace. In the center of the room stands a wooden easel surrounded by painting supplies - paints, brushes, and a palette.
In front of the easel stands a middle-aged figure, dressed in casual attire, whose hands skillfully manipulate the brush on the canvas. His focus is undivided, and expressions of concentration and passion are evident on his face. What draws attention is that he is painting a self-portrait, and the figure emerging on the canvas is incredibly lifelike, almost as if it were alive.
The face on the painting exudes deep emotions - genuine joy and quiet sadness, weaving a layered narrative about the artist's inner world. The eyes on the self-portrait gaze directly at the observer, giving the sense that the figure is coming out of the painting and attempting to communicate with the real world.
In the background, through the window, stretches a beautiful landscape - green meadows, forests, and mountains fading into the distance. This depiction of nature contrasts with the intensity of the artist's work, adding depth and harmony to the overall scene.
This scene captures the magic of art and creativity, portraying a moment where the boundaries between reality and art blur, giving the feeling that the figure is emerging from the painting, bringing with it a breath of life and emotion.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “At the Edge of Evening and Eyes”
Style: Emotional realism with quiet longing
On the rooftop at dusk, a ginger-haired girl sits right on the edge. Her legs dangle freely over the side, as if the ground below doesn’t concern her. She wears a light beige shirt, sheer like a thought, and faded denim jeans — like someone who walked straight out of a song yet to be written.
In her hands, she turns a lighter — not lighting it, just feeling its shape. The wind plays with her hair — scattered copper strands that, in the sun’s dying light, look like they were layered with a palette knife, stroke by stroke, while the sky kisses the horizon. Her eyes aren’t downcast — they look straight ahead, but not at the city below. She’s looking at the unseen — at what hasn’t happened, but could.
The impasto clouds behind her are more than backdrop — they are mood: pressed thick, dense, like unspoken words. Her shadow on the wall trembles gently, glazed in layers of orange and violet, softly merging with the color of the sky. On her wrist, a small tattoo — a bird in flight. Barely visible. Like a decision not yet made.
And in that moment, everything holds. Even the light.
She is the center of the frame. And she doesn’t move.
Because she knows — if she stands up, something will disappear.
And if she stays, maybe... maybe something might begin.
Prompt: In a laboratory illuminated by gentle white light, two researchers are conducting experiments with focus and precision. At the center of their attention, glassware slides on metal stands as they carefully pour liquids from one vessel to another. Every drop is measured with meticulous care, and every step is accompanied by a concentrated expression on their faces.
Through the window, sunlight streams through the clouds, casting a network of shadows that dance across the laboratory floor. These shifting shadows, following the shape of the sun, create a magical spectacle, resembling a dance of shadows that contributes to maintaining an atmosphere of concentration and wonder.
In the background of the laboratory, behind the researchers, a blue light offers a contrast to the white light, creating a harmonious balance between different hues. This blue light, with its pristine clarity, adds an additional element of mystery and depth to the scene, as the researchers tirelessly continue their work, fully immersed in the world of science and discovery.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Mixing Palette Knife, Glazing Techniques: Winter Morning at the Market.
Foreground (Mixing Palette Knife & Impasto): An elderly woman in a thick wool coat stands behind a wooden stall, her hands, rough from years of work, gripping a cup of hot coffee. Her face, lined with wrinkles, radiates warmth as she watches the passersby. Apples and pears arranged on the table look like small, colorful works of art, with thick layers of paint giving them texture and shine.
Middle ground (Impasto & Glazing): People in woolen coats and scarves move between the stalls, their breath mixing with the scent of roasted chestnuts. Light reflects off the wet cobblestones, creating rippling reflections between warm and cool tones. A forgotten umbrella leans against a wooden crate filled with walnuts, as if someone left it behind in a hurry. Background (Glazing): An old town square, framed by misty outlines of buildings, flickers under the weak winter sun. Snow from the night before slowly melts, leaving glossy traces on rooftops and gutters. The sky is a pale blue with soft peach tones, hinting at another quiet, cold morning.
Prompt: In an attractive and modern close-up scene, the focus is on the hand skillfully creating a digital illustration on a tablet. Fingers move swiftly across the screen as they shape a vivid landscape. The light from the screen illuminates the person's face, revealing an expression of concentration and creativity. Around them, a modern interior filled with minimalist details creates an elegant backdrop for artistic creation. In the background, a window is visible, through which gentle sunlight filters, adding warmth and atmosphere to the picture.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Ginger Girl and the Rainy Window”
A ginger-haired young woman sits by a large window on a rainy evening.
Her curls spill over her shoulders like wet copper threads, painted in bold impasto strokes with palette knife — thick, textured, alive.
Raindrops stream down the glass, each one done with delicate glazing, catching the glow of city lights outside — blurred neon pinks, soft blues, and golden reflections that seem to melt into each other.
She rests her chin on her hand, eyes wide and thoughtful, looking through the watery glass as if trying to read the future written in the drops. Her lips — full and slightly parted — carry a hint of unspoken words.
The room around her is dim, painted with earthy tones in rough textures, so her fiery hair and luminous skin stand out even more — almost like a beacon against the gray night.
In the reflection on the window, her face appears doubled: one real, one blurred — a quiet metaphor of her inner world, painted with glazing so thin that it feels like smoke on glass.
The whole scene balances between solitude and tenderness, as if the rain is keeping her company in silence.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene Description: Encaustic Technique: Foreground: in the foreground depicts an old wooden table with lavender. The texture of the table is achieved through thick, layered application, with prominent knots and brushstrokes that create the feeling of aged wood. On the table, there is a glass vase containing purple lavender branches, carefully applied using the “encaustic glazing” technique, where the colors are layered with transparent coats allowing certain parts of the branches to subtly spill over and reflect light. The lavender on the table is rich in color, and the texture of the flowers is created by gently applying wax and carefully pressing fine lines that mimic the leaves and petals. In the background of the table, smoke rising from a pot is created with wet wax, where dark gray and light white tones are blended to create an elusive, soft effect. Middle Ground: The lavender in the middle ground covers the entire field. The wax technique here utilizes thick application and smearing of color using modeling tools. Through the wax structure, paths of footsteps are shaped with different shades of lavender, creating a subtle light-and-shadow effect. The lavender is depicted in rich purple and golden tones, where the wax is applied in layers and smoothed to give an illusion of depth and texture. Meanwhile, the effect of light and color in the clouds of the sky is achieved through the “encaustic glazing” technique, creating translucent layers of color. Each hue in the sky is applied with precision to achieve a smooth transition and delicate shades that stand out in the light of the lavender. Background: In the background, the horizon is bathed in the golden light of the setting sun. Wax is used in layered applications to create depth and distance. The distant hills are painted with fine transitions from dark grays to light golden tones, all achieved with a larger brush that leaves textured marks on the wax.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: "Reflections After the Rain"
The ginger-haired girl and her dark-skinned friend stand by a large glass window of a boutique, moments after the rain has stopped.
The city glows in soft twilight, and raindrops still slide down the window, catching the light like tiny crystals.
Their reflections appear on the glass — half-transparent, half-real — blending with the warm glow from inside the shop.
The reflections are created with Glazing technique, giving the glass a subtle depth, as if layers of air and memory lie between them.
The soft blur of streetlights behind them is rendered in Mixing Palette Knife, creating a shimmering, uneven surface that mimics wet pavement.
Her ginger hair, lit by a golden streetlamp, is painted in Impasto strokes, thick and tactile, glowing with every highlight of light.
They lean closer, smiling at something only they can hear — their laughter caught both in air and in reflection.
Between them and their mirrored selves, the thin veil of glass becomes a story — one painted in pastel lilacs, gentle rose, silver-blue and muted gold tones.
It’s a moment of quiet magic — where two girls, one evening, and a sheet of rain-streaked glass become a living painting.
Prompt: Scene in Mixed Palette Knife and Impasto Techniques: Mountain Village at Dawn
Foreground: The scene begins with a quaint mountain village street, lined with charming stone cottages. The texture of the cobblestone path is rendered using a palette knife, creating a rugged, tactile surface that captures the roughness of the stones. Flower pots brimming with colorful blooms sit on windowsills, their petals crafted with thick impasto strokes, adding a vibrant, three-dimensional effect. A wooden cart, with its weathered planks and iron wheels detailed with a palette knife, rests near a cottage, adding a rustic touch.
Middle Ground: The middle ground showcases the village nestled against the backdrop of rolling hills. The cottages, with their tiled roofs and stone walls, are painted with precise knife strokes, highlighting their structure and charm. Trees with lush foliage, created with thick impasto strokes, surround the houses, their leaves catching the first light of dawn. A narrow, winding path, painted with a smooth gradient using a palette knife, leads up to the hills, inviting the viewer's gaze into the distance.
Background: The majestic mountains rise behind the village, their peaks shrouded in morning mist. The rocky surfaces of the mountains are depicted with bold, textured strokes, giving them a rugged and imposing presence. The sky above transitions from the deep blue of night to the soft pastel hues of dawn, with broad palette knife strokes blending seamlessly. Wisps of clouds, rendered in thick impasto, float across the sky, catching the first rays of sunlight.
Lighting and Shadows: The soft, golden light of dawn casts long shadows across the village, creating a play of light and shadow on the cobblestones and cottages. The warm light highlights the textures and details, bringing the scene to life. The interplay of light and shadow is enhanced by the thick, expressive strokes of impasto, adding depth and drama to the scene.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: Sour & Sweet – Farmers Market Adventure.
Foreground: At a fruit stand in an open-air market, the ginger-haired girl in a light linen jumpsuit holds a slice of watermelon in one hand and laughs heartily, holding her belly with the other. Her fingers are stained with red juice — painted in vivid detail with the mixing knife technique, making everything look soaked in vibrant flavors.
Midground: The African-American girl in a floral dress and with a basket full of mangoes and avocados leans toward a table with jars of honey. She’s just tasted something surprising — her expression a mix of confusion and delight. Her hairstyle is boldly emphasized with impasto texture — thick, layered strokes that reflect the light and add volume.
Background: The market buzzes with life: people, colors, sounds, and scents. Little flags flutter between the stalls in the breeze. In the distance, passersby stop to watch the two girls sample exotic flavors. Their joy and closeness dominate the color of the scene — two souls seeking something simply beautiful.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: Pixels and Pancakes.
Foreground: The ginger girl sits cross-legged on the living room floor, holding an old-school joystick. Her eyes sparkle as she laughs, trying to win a round of a retro video game. There’s a smudge of flour on her cheek – a clear sign they’ve been making pancakes and playing at the same time. Her messy strands of hair and the fluffy texture of the pancakes beside her are rendered in thick, tactile Impasto strokes. Midground: The Black girl lies on her stomach in front of the TV, feet up in the air, gripping the second joystick. Her dreadlocks are playfully tied in a headscarf, captured with dynamic, expressive strokes using Mixing Palette Knife. Her retro-printed T-shirt reflects the game’s light, and her animated facial expression shows it all – excitement, competition, and pure joy. Background: The walls are covered with polaroid photos and handwritten notes. On the table next to them sits a half-eaten pile of chocolate and fruit-covered pancakes. Light from a lamp filters through a juice bottle, casting warm hues across the room with the help of Glazing technique – layers of light and shadow build a feeling of home, youth, and glowing happiness.
Prompt: Prompt by jexiq q: Masterpiece: Scene Description in Mixed Palette Knife, Impasto, Glazing Techniques: A Neon-Pastel Roller Skate Park at Sunset. Mixing Palette Knife Technique: In the foreground, the smooth concrete of the skate park is rendered in soft pastel tones of lavender and baby blue, with bold, sweeping strokes from the palette knife creating a slightly textured, worn look. The curved ramps shimmer under the setting sun, their edges outlined in buttery peach and mint green. A set of roller skates lies abandoned on the edge of a ramp, the wheels painted with thick streaks of pastel pink and yellow, giving the impression that they’re still spinning from a recent trick. Impasto Technique
The crowd in the background is a blur of energy and pastel color. Teenagers in oversized hoodies and crop tops streaked with peach, lilac, and soft teal are caught mid-motion, their laughter almost audible in the way their figures are painted with thick, raised strokes. One skater is frozen mid-air above the half-pipe, their pastel tie-dye outfit blending into the soft cotton-candy hues of the sky. The impasto technique gives the characters a dynamic, almost alive quality, as though they might roll right off the canvas. Glazing Technique: The sky above is a pastel dreamscape, softly glazed with layers of translucent coral, periwinkle, and pale apricot. These delicate tones blend seamlessly into each other, creating an otherworldly sunset that casts a warm glow over the entire scene. The light reflects off the metallic surfaces of the skate park, giving everything a magical sheen. In the distance, palm trees sway gently, their silhouettes outlined in soft, glowing mint and lemon hues, adding to the dreamy aesthetic. Atmosphere :A boom box sits in one corner, painted with a mix of pastel tones and subtle highlights, while music notes seem to float from it, almost visible in the glowing light of the sunset.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Soft Morning, Still Heart”
The ginger-haired girl sits by the window, wrapped in a light pastel blanket that drapes softly over her knees. The room glows in hues of pale rose, misty lilac, and tender ivory — colors that breathe calm.
(Mixing Palette Knife Technique) — The morning sky is shaped in wide, gentle strokes — clouds melting into one another like half-remembered dreams. The knife leaves delicate ridges of peach and blue, just enough to let the light play.
(Impasto Technique) — Her hair is painted thick and textured, each strand catching the sunlight like golden copper threads. The soft impasto builds a halo of warmth around her silhouette.
(Glazing Technique) — A subtle layer of translucent white veils the entire scene, as if the air itself is painted — a quiet mist that softens every edge.
On the small table beside her, a cup of tea releases faint steam, blending with the pastel air. Outside, petals drift lazily past the glass, the city still waking.
She gazes outward — not waiting, not thinking — simply being, as if the whole world exists in this still, pastel hush.
Prompt: Prompt by jexiq q: Scene Description in Mixed Palette Knife, Impasto, Glazing Techniques: A Serene Winter Evening by the Fireplace.
In the foreground, a vintage armchair upholstered in deep burgundy fabric sits angled toward a crackling stone fireplace. The Mixing Palette Knife technique is used to define the armchair’s textured material, with strokes of crimson and shadowy black creating depth and richness. A cozy woolen blanket draped over the arm of the chair is painted with layered swirls of cream and beige, suggesting its softness and warmth.
The firewood in the hearth glows brightly, with thick, vibrant Impasto strokes of orange, red, and yellow bringing the flames to life. The texture of the stone fireplace is captured with detailed knife work, every rugged groove and crack highlighted in earthy tones of gray, brown, and white. Above the mantel, a single candle flickers, the wax catching the light with delicate, soft strokes. In the background, a large frosted window reveals the snowy landscape outside. The Glazing technique gives the glass a soft, translucent quality, while faint blue-gray streaks suggest the cold winter evening beyond. Icicles hang along the top of the window frame, their crystal-like forms captured with thin, shimmering strokes. A small wooden table sits beside the armchair, holding a steaming mug of hot cocoa topped with whipped cream. The Impasto technique is used to give the cocoa depth, with thick swirls of chocolate brown contrasting the snowy white peaks of the whipped cream. Beside the mug, an open book rests, its pages detailed with faint, precise lines that suggest a well-loved story being read in the warm glow of the fire. The entire room is bathed in the gentle, golden light of the fire, creating a peaceful, intimate atmosphere. Shadows flicker softly across the walls, blending seamlessly with the warm tones of the scene, inviting you into its quiet embrace.
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jexiq q
Member since 2023
Artist statement
"Dear users,
If you like my prompt and decide to use it, I would greatly appreciate it if you could share the link to your picture. I would love to see how it turned out and appreciate your creativity!
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