Prompt: In the style of Louis Jover: the scene comes to life through characteristic drawings and collage techniques. At dusk, on the shore, in the background of the city, stands a young woman observing the sunset. Her silhouette is outlined against the dark blue sky, while the sun's reflections shimmer on the water.
Her movements are elegant and calm as she plays with her hair, while other people walk in the distance, blurred by silhouettes. On the edge of the horizon, the city is discernible as a place of life and movement, while reflections of light play on the water, creating a magical atmosphere.
In the background, clouds pass through the sky in a soft play of colors, while birds migrate to their homes. There is a sense of peace and harmony in the air as the light descends on the city, promising a new day and new possibilities.
This scene reflects the subtle beauty and emotional depth present in the works of Louis Jover, where every detail carries its own story and emotion. It is a moment of peace and contemplation, inviting the viewer to pause and immerse themselves in the beauty of the world around them.
Prompt: Scene in Mixed Techniques of Gouache and Encaustic
Foreground: The scene opens with a bustling urban street corner at dusk. The buildings are painted in gouache, their details sharp and vivid, showcasing a mix of modern architecture and historic facades. The street, textured with encaustic, has a glossy finish, reflecting the lights from the buildings and street lamps.
Middle Ground: A street vendor's cart, vibrant with colors, stands to the side. The cart and its wares, including fresh flowers and handcrafted items, are rendered in gouache, while encaustic highlights add a tactile texture to the flowers, making them almost lifelike. The vendor, depicted in gouache, is mid-motion, interacting with a customer.
Background: The cityscape stretches out, with tall buildings silhouetted against a darkening sky. The windows of the buildings glow with warm light, created with gouache and accented with encaustic to give them depth and a slight shimmer. The sky transitions from deep blue to inky black, dotted with a few early stars.
Sky: The sky is a gradient of dusk colors, from deep blue to black. Stars, created with small dabs of encaustic wax, add a three-dimensional sparkle. The moon, not yet fully risen, is partially visible, its surface details highlighted with gouache and encaustic for a soft, glowing texture.
Details and Lighting: Street lamps cast a warm, golden light on the scene, their glow created using gouache to capture the vibrant colors and encaustic to give them a radiant presence. Shadows cast by the lamps and buildings play across the street and vendor's cart, creating a dynamic interplay of light and dark.
Emotional Impact: This scene captures the lively and vibrant atmosphere of an urban street corner at dusk. The combination of gouache and encaustic techniques brings a rich, textured quality to the painting, making the details of the buildings, street vendor, and night sky feel vivid and lifelike. The interplay of light and shadow.
Prompt: On a dark, rustic wooden board, an impressive scene is created using the encaustic painting technique. Heated wax, mixed with pigments, is applied in layers and carefully shaped while still warm, creating rich texture and depth.
Foreground: Depicted is a lonely cottage by the lake. The walls of the cottage are crafted from warm brown tones of wax, with golden hues reflecting the light of the setting sun. The roof is covered in darker shades, with carefully shaped tiles giving a sense of age and patina.
Background: In the background, a serene lake stretches out, with reflections of the sky and surroundings gently rippling. The water is represented by cool blue and green tones of wax, with smooth transitions and soft lines illustrating the calm surface. Mountains rise on the horizon, made from darker shades that provide depth and contrast.
Sky: The sky is covered with dramatic clouds, with layers of wax in shades of pink, orange, and purple, creating a spectacular sunset. The clouds are layered, giving them a three-dimensional look extending over the landscape.
Details: Next to the cottage, a tree in autumn attire stands as a witness to time. The leaves are crafted from tiny spots of wax in shades of red, yellow, and orange, adding warmth and life to the scene. Small details like birds in the sky and reeds by the lake further enrich the scene, creating a sense of peace and stillness.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: I imagine the scene: A young woman fixing her bicycle in front of a small garage. Foreground: The woman kneels in front of the bike, facing the wheel. Her blue jacket is painted in Impasto, with rough, textured layers creating a realistic fabric feel. Her hair, tied into a loose bun, is defined with sharp strokes of Mixing Palette Knife. Her oil-stained hands firmly grip the wrench. Background: Behind her, the garage door is slightly ajar, walls covered with tools. Soft sunlight illuminates the space, giving the scene a warm summer atmosphere, painted in a more muted color palette.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: I imagine a scene of a middle-aged couple's breakup, created with Mixing Palette Knife and Impasto techniques: Foreground: On a dark wooden table, two cups of coffee stand, but one has been pushed to the edge, with spilled coffee creating shimmering reflections on the table. This part of the scene is painted using Impasto technique, with thick strokes emphasizing the gravity of the moment. A half-crumpled napkin lies between the cups, painted with Mixing Palette Knife, capturing its wrinkled edges and the awkward tension hanging in the air. Midground: The couple sits at the table. The man, in a suit with graying hair, looks away, avoiding her gaze. His face, rendered in Impasto, shows lines of weariness and sadness, emphasizing the depth of emotion. The woman, in a black sweater with her arms gently crossed, stares into empty space, clearly distressed. Her eyes, carefully painted, express disappointment, while her hair partially covers her face, created with Mixing Palette Knife to represent her complex inner world. Background: Through the café window, a sunset is visible, with the sky in shades of orange and purple, done in Mixing Palette Knife to highlight the shifting light, symbolizing the end of a chapter in their lives. In the distance, a busy street full of cars and people, but they remain distant, lost in their own world of silence and parting. Light: Soft light from a tall lamp casts muted shadows on their faces, illuminating the space between them, as if highlighting all that remains unsaid. This blend of warm yet cold light tones brings the drama of the scene to the forefront, while reflections from the cups and table merge into subtle hues.
Prompt: Scene in Mixing Palette Knife and Impasto Techniques
Foreground: A steaming cup of herbal tea on a wooden kitchen table, the steam rising in delicate spirals. The table's grain is highlighted with rough, bold strokes, giving it a textured, rustic appearance. The cup, painted with thick impasto, has a subtle shine, with the tea inside reflecting light softly.
Middle Ground: Behind the table, a window with soft, sheer curtains sways slightly from a gentle breeze. The window is partially open, allowing light to filter in, casting a warm, golden glow on the table and cup. The curtain’s fabric is depicted with fine strokes, capturing its light, airy quality.
Background: Through the window, a small, well-tended garden is visible, with a mix of flowers and greenery. The colors are muted but vibrant, with the green of the leaves and the soft colors of the flowers blending seamlessly with the scene inside.
Details: The light breeze makes the curtains flutter gently, and the shadows on the table shift slightly, adding movement to the otherwise still scene. The steam from the tea, combined with the warm light, creates a cozy, inviting atmosphere, making the viewer feel as though they’re in a moment of quiet reflection.
Lighting: The natural light streaming through the window is soft and warm, creating a gentle contrast between light and shadow. The interplay of these elements enhances the textures of the wooden table and the tea cup, adding depth and warmth to the composition.
Prompt: Prompt by jexiq q: Masterpiece: Scene Description in Mixed Palette Knife, Impasto, Glazing Techniques: Morning Hustle at a Modern Gym.
Palette Knife: The gym walls, painted in a bold, industrial gray, are textured with the strokes of the palette knife, giving them a rough yet modern feel. Neon lights slash across the scene, their sharp edges and vibrant colors—electric blue, fuchsia, and lime green—seeming to hum with energy. The floor, a sleek combination of black rubber and reflective chrome panels, reflects distorted glimpses of sneakers and weights. Impasto: In the foreground, a young woman stretches against a mirrored wall. Her vibrant orange workout top and teal leggings seem almost sculpted, the fabric’s folds and creases rendered with thick layers of paint that practically rise off the canvas. Sweat glistens on her forehead, tiny raised dots in impasto capturing the effort. Beside her, a muscular man performs bicep curls, the veins on his arms emphasized with bold, textured strokes. The barbells in his hands are heavy and gleaming, their metallic sheen contrasting the earthy warmth of his skin. Glazing: The large, floor-to-ceiling windows are glazed with a translucent effect, showing a bustling cityscape outside. Skyscrapers blur slightly under the morning sun, the glazing creating a soft, golden glow that spills into the gym. The light refracts on the glass water bottles lined along the counter, casting faint rainbows onto the polished surfaces. A sleek espresso machine in the corner steams gently, its chrome exterior catching the light and reflecting faint silhouettes of the gym-goers. In the background, a row of treadmills lines the far wall. Figures blur in motion, their rapid strides suggesting determination, captured with layered glazes to evoke movement. The mirrored walls reflect an infinity of activity—weights being lifted, yoga poses held, and conversations shared over protein shakes.
Prompt: Scene Mixing Palette Knife and Impasto Techniques
Foreground: A cobblestone street in a quaint village, the individual stones depicted with precise palette knife strokes to show their varied shapes and textures. Flower pots filled with colorful blooms, painted with thick impasto, line the street, their vibrant petals and leaves adding depth and interest.
Middle Ground: A charming café with outdoor seating occupies the center of the scene. The café's awning and chairs are rendered with bold palette knife strokes, while the tables are adorned with thick impasto strokes to show the texture of tablecloths and dishes. Patrons sit at the tables, enjoying their meals and drinks, their figures captured with dynamic, textured strokes.
Background: The village buildings, painted with a mix of impasto and palette knife techniques, rise in the background. The facades are detailed with thick, textured strokes to convey the aged plaster and brick, while windows and doors are highlighted with smooth, precise strokes. Ivy and flowers climb the walls, adding a touch of nature to the scene.
Sky: The sky is a clear blue, transitioning to a warm golden hue as the sun begins to set, applied with broad palette knife strokes. Soft, fluffy clouds, created with thick impasto, drift lazily across the sky, catching the light of the setting sun.
Details and Lighting: The scene is bathed in the warm glow of the setting sun, casting long shadows across the cobblestones and creating a cozy, inviting atmosphere. The sunlight catches on the windows and metal surfaces, creating glints and reflections that add depth and realism. The flowers and ivy are illuminated, their textures enhanced by the impasto technique.
Emotional Impact: This scene captures the serene charm of a village evening. The combination of thick, textured impasto and precise palette knife strokes adds depth and richness. The interplay of light and shadow, the contrast between the lively café and the quiet street.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Listening to the City’s Pulse”
A ginger-haired young woman stands on a rooftop at blue hour, not looking outward, but inward. Her copper hair catches the last light like a quiet flame. The scene is built with Mixing Palette Knife and Impasto, thick strokes shaping the skyline into almost sculptural forms, while Glazing softens the air between buildings, giving the city a breathing, living depth.
Across the surface, colored ink (tus u boji) cuts through the paint in fine, expressive lines—tracing invisible sound waves, heartbeats, and passing thoughts, as if the city itself is speaking and she is listening.
She isn’t painting, photographing, or performing—she is simply present. One hand rests on her chest, the other hangs loose, relaxed. The ink lines subtly echo her posture, suggesting empathy, awareness, and quiet strength. The contrast between the raw, textured paint and the precise ink creates tension: chaos and clarity, noise and meaning.
The whole composition feels like a finished artwork about perception itself—an intimate, modern masterpiece where emotion is not shown loudly, but felt immediately.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “She Is the Surface”
A ginger-haired young woman stands in the center of the composition, not creating art, but existing as the artwork itself. Her copper hair spills freely, catching light like oxidized fire, rendered with thick Impasto strokes applied by a Mixing Palette Knife, giving the hair sculptural weight, almost relief-like.
Her skin is built through soft Glazing layers, translucent and luminous, while colored ink (tus u boji) runs in controlled, expressive lines across her collarbones and arms—like symbols, veins of memory, or half-forgotten constellations. The ink does not decorate her; it reveals her.
She is still, calm, unposed. Eyes slightly lowered, not inviting the viewer—but allowing them. The background is abstract: fractured planes of muted blues, warm ochres, and deep shadows, aggressively shaped with palette knife, contrasting with the delicate ink lines that occasionally escape the background and touch her silhouette.
No tools. No canvas.
Her body is the canvas.
Her presence is the statement.
The texture is alive—paint rises and cracks in places, ink bleeds and pauses elsewhere. The scene feels unfinished on purpose, as if the artwork is still breathing.
This is not a portrait.
This is a manifesto of being.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Writing on Water”
A ginger-haired girl kneels at the edge of a shallow indoor pool, dipping her fingers into the water and tracing invisible words on the surface.
The water is rendered with flowing colored ink wash—turquoise, smoky violet, and pale green—spreading organically beyond the pool’s edges.
Her body is shaped with expressive Palette Knife gestures, while Impasto builds around her knees and shoulders, grounding her in the moment.
Her reflection breaks apart in layered Glazing, creating multiple versions of her face drifting in the water.
What she’s doing is quiet but radical: writing something that cannot stay, accepting that meaning exists even when it disappears.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Listening to a Broken Radio”
A ginger-haired young woman sits on the kitchen floor at night, her back against old cabinets, holding a half-opened vintage radio that no longer works.
The scene is built with Mixing Palette Knife strokes for the walls and floor, rough and uneven, carrying the weight of silence. Impasto thickens around the radio itself, making it feel heavy, almost sacred.
Her hair is painted with loose, fiery knife marks, while her face and hands dissolve into colored ink wash—indigo, rust, and diluted sepia bleeding softly into the background.
Thin Glazing layers float over the scene like forgotten sounds, giving the feeling that she’s not listening to music, but to memories that refuse to tune in.
The action is intimate and strange: she presses the radio to her chest, as if sound might return through touch.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A ginger-haired young woman mid-step while crossing an empty city street at dusk. She is slightly off-balance, caught between movement and stillness. Her hair explodes with palette knife texture, thick Impasto strokes full of motion and energy.
The street, buildings, and sky dissolve into layers of soft Glazing and flowing colored ink wash — deep indigo, dusty rose, and asphalt gray. Ink lines drip vertically, breaking the structure of the scene. The figure is solid at the top and gradually dissolves into ink toward the lower body. Painterly, expressive, emotional, contemporary fine art. No photorealism, visible brush and knife marks.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A ginger-haired young woman standing alone in a small kitchen at night. Only one overhead light is on. The room feels quiet and unfinished. Her hair is painted with bold Mixing Palette Knife strokes and thick Impasto texture in copper and burnt orange tones. Her face and skin are softer, partially glazed, calm and introspective.
The background is minimal and abstract, created with transparent Glazing layers and loose colored ink wash in muted blues and warm yellows, with ink bleeding and dripping naturally. The ink does not define objects clearly, it suggests silence and time. Painterly, expressive, imperfect, emotional. Fine art style, no realism, no sharp outlines.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: The ginger-haired figure is no longer contained by her outline.
Her body begins in paint and ends in ink.
The shoulders exist — built with fragile Impasto — but below the collarbone, the form loosens. Coral ink overtakes the anatomy, not flooding it, but remembering it. The wash drips downward, carrying fragments of what used to be posture.
Her hair remains intact. Palette knife strokes hold it in place, copper and rust tones resisting gravity. Everything else accepts it.
The ink does not fall randomly.
It follows the paths of breath, hesitation, and unspoken sentences.
This is not decay.
It is permission.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: Night Swim in an Abandoned Pool.
An abandoned public pool at night — cracked tiles, faded lane numbers, and shallow water reflecting moonlight like broken glass.
The ginger-haired girl is in the water, shoulders just above the surface, her skin painted with thick, tactile Impasto strokes that contrast sharply with the smooth Glazing of the water.
Her hair floats slightly, spreading in the pool like embers in slow motion. Palette Knife marks carve light into her hair, sharp and confident, unapologetically bright against the deep ultramarine shadows.
The background dissolves into darkness — hints of graffiti walls, barely suggested with loose knife strokes.
The water itself is layered and emotional: transparent blues, greens, and silvers, glazed repeatedly to give depth without clarity.
She looks straight ahead — not at the viewer, not at the past.
This is a moment of reclamation.
A body choosing space.
A soul choosing temperature.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A ginger-haired young woman stands alone on a rooftop laundromat, the city breathing quietly beneath her. Industrial washing machines form a raw, geometric rhythm behind her, painted with thick Impasto strokes — heavy whites, chipped blues, and metallic grays.
Her hair is alive with Palette Knife movement, copper and fire tones scraped boldly across the canvas, catching the last light of dusk.
She wears an oversized hoodie, sleeves slightly rolled, hands resting on the warm surface of a running machine. The vibration is subtle, almost intimate.
The sky is layered in soft Glazing — violet melting into dusty pink, then sinking into night.
Nothing dramatic happens. And that’s the power of it: a private pause above the noise, where motion exists without urgency.
This is not loneliness.
This is ownership of silence.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Crossing the Street”
A realistic street scene at dusk: the same ginger-haired woman mid-step on a pedestrian crossing, coat open, scarf flowing slightly as she moves forward. Traffic lights glow red and amber behind her, blurred by motion.
The street surface and buildings are rendered with bold Palette Knife strokes and heavy Impasto, giving the asphalt a rough, almost vibrating texture.
Glazing softens the city lights and reflections, creating a sense of movement and transition.
Colored ink is used selectively on her outline, shoes, and hair, giving her figure clarity and presence amid the chaos.
She is not looking at the camera — her gaze is fixed ahead, confident, resolved. This is a scene about momentum, choice, and stepping into the next phase.
Highly realistic, dynamic, emotionally symbolic, modern urban life, strong narrative feeling.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques:“Morning Resolve”
A highly realistic scene of a ginger-haired young woman standing barefoot in a small urban kitchen at early morning light. She is leaning against a wooden counter, sleeves rolled up, hands resting firmly on the surface as if grounding herself.
The window behind her lets in pale winter sunlight that cuts across the room in sharp angles.
Painted using Mixing Palette Knife and Impasto techniques for the walls and countertop, creating thick, tactile textures. Glazing is used on the light and shadows, giving the scene depth and emotional weight.
Colored ink technique defines her facial features and hands with expressive, slightly imperfect lines, emphasizing determination rather than beauty.
Her ginger hair is loosely tied, strands escaping, catching the light. The atmosphere is quiet but charged — a moment before action, before a decision.
Ultra-realistic, cinematic, intimate, emotionally grounded, raw everyday realism.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A highly realistic scene of a ginger-haired woman repairing an old bicycle in a small courtyard, sleeves rolled up, grease on her hands, sunlight cutting through hanging laundry. The moment feels grounded and human. Impasto defines her hands, forearms, and the metal of the bike, while Mixing Palette Knife creates raw textures on brick walls and concrete ground. Glazing adds warmth and depth to the light and shadows. Colored ink accents trace mechanical details and subtle motion lines, giving energy and life to the still moment. Honest, tactile, everyday realism.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A realistic, cinematic scene of a ginger-haired woman standing on a rainy tram stop at dusk, adjusting her coat as wind moves through her hair. The city around her feels alive but distant. The painting uses Mixing Palette Knife for the wet pavement and blurred city lights, Impasto for the folds of her coat and hair texture, and soft Glazing to layer reflections and atmosphere. Colored ink technique is subtly applied to accent raindrops, tram cables, and neon signage, giving the scene emotional tension and quiet strength. Highly realistic, intimate urban mood.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A realistic interior scene of the same ginger-haired woman in a small kitchen at night, barefoot on cold tiles.
Techniques: Mixing Palette Knife + Impasto + Glazing, combined with expressive colored ink for sharp details.
She leans against the counter, one hand holding a mug, steam rising softly.
The walls and shadows are built with layered glazing, while the table and floor carry heavy palette knife texture.
Colored ink defines her freckles, the rim of the mug, and the faint crack of light from a half-open window.
Stillness, intimacy, lived-in realism — a moment that feels unobserved and true.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A highly realistic scene of a ginger-haired young woman standing at a bus stop at dusk, light rain falling.
Techniques: Mixing Palette Knife + Impasto + subtle Glazing, with colored ink accents for rain streaks and reflections.
Her coat is textured with thick impasto strokes, the background city blurred and smeared with a palette knife.
She shifts her weight from one foot to the other, hands in pockets, eyes distant — a quiet, intimate moment of waiting.
The colored ink outlines puddles on the pavement, neon reflections trembling under her feet.
Raw, urban, emotionally restrained, cinematic realism.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A ginger-haired woman sitting alone at a small kitchen table at night, a single lamp above her casting warm light. An open notebook lies in front of her, coffee cup half full, window behind her showing dark city buildings. She is mid-motion, pushing her hair back with one hand, as if interrupted by a thought. The moment feels intimate and honest, like life paused for one breath.
Art style: Impasto on hair and hands, Mixing Palette Knife for walls and table surface, subtle Glazing for shadows and light transitions. Strong realism, quiet tension, lived-in atmosphere.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A realistic contemporary scene of a ginger-haired young woman standing at a bus stop in the early morning city. She is wearing a worn coat, hands in pockets, breath visible in the cold air. The city around her feels half-awake — blurred cars, wet asphalt reflecting pale light. Her expression is thoughtful, slightly distant, caught between leaving and staying.
Art style: Mixing Palette Knife for the background textures, Impasto on her coat and hair to create depth and movement, soft Glazing layers for light and atmosphere. Highly realistic, emotional, cinematic mood.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: Inside a small kitchen flooded with early morning light, a ginger-haired woman leans against a wooden table, tying her hair into a loose knot. Thick impasto captures the worn surface of the table and the softness of her sweater, while glazing softens the light spilling across the floor. Colored ink lines subtly outline her hands and collarbone, emphasizing movement and vulnerability. A half-filled coffee cup vibrates with warmth in the foreground. The scene captures a fleeting, human moment — unposed, intimate, and deeply real — as if life was caught mid-breath.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A ginger-haired young woman stands barefoot on a rain-wet city balcony at dusk. The city lights blur into soft reflections below, while thick impasto strokes build the texture of concrete, skin, and damp air. Her copper hair is loose, slightly tangled by the wind, painted with bold palette knife movements. Colored ink traces follow the rain drops on the railing, adding delicate emotional tension. Her posture is calm but alert — hands resting on the metal rail, chest lifted, eyes focused forward, as if deciding whether to stay or step into something new. The scene feels intimate, grounded, and alive, with raw texture and quiet strength.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Learning Each Other’s Gravity”
In a narrow kitchen at night, lit by a single warm bulb, the ginger-haired woman stands barefoot on cool tiles while the Black woman moves behind her, guiding her hands as they rinse paint-stained brushes in a sink. The action is simple, almost domestic — but charged with meaning.
The scene is constructed using Palette Knife for the bodies, bold and tactile, while Glazing creates soft reflections on skin and metal. Ink washes in warm reds and ochres flow through the shadows, suggesting warmth, history, and unspoken understanding.
Their movements overlap — one reaches, the other adjusts — a quiet choreography learned over time. The pride flag appears only as a reflection in a window, blurred by ink, part of the space rather than a symbol on display.
There is motion, but no urgency.
This is intimacy without spectacle.
A shared rhythm, learned slowly.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Weight of the Present”
A ginger-haired woman and a Black woman sit on the floor of a sparsely furnished room, backs resting against the same wall, shoulders lightly touching. The space feels temporary — half-unpacked boxes, a single chair, an LGBT pride flag folded and pinned loosely above them, not centered, almost accidental.
The figures are built with Mixing Palette Knife and heavy Impasto, thick strokes shaping their bodies as if carved from resistance itself. Glazing softens their faces, allowing quiet intimacy to surface beneath the weight.
Colored ink bleeds into the background — muted violets and deep blues — suggesting thoughts that spill faster than words.
The ginger woman’s head tilts slightly toward the other, eyes closed, breathing steady. The Black woman looks forward, jaw tense but calm, holding space for both of them. There is no dramatic gesture — only presence.
This is a moment of choosing to stay.
The movement exists in the texture: rough edges against translucent layers, tension dissolving into trust.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Night Bus Stop, 23:47”
A quiet city bus stop at night, slightly wet pavement reflecting streetlights.
The ginger-haired girl stands under the shelter, hands in pockets, shoulders relaxed but alert. Her hair is built with Palette Knife, thick copper strokes catching neon reflections from a nearby sign.
Next to her stands another woman, darker-skinned, wearing a long coat. Her posture is calm, grounded. Her figure is shaped with Impasto, giving weight and presence.
Behind them, the glass wall of the bus stop is layered with Glazing, showing blurred reflections of passing cars and city lights.
On the glass, someone has drawn abstract symbols using colored ink (tus u boji) — loose lines in cyan and magenta, half washed away by rain.
They are not talking.
They are sharing the wait.
Mood: urban realism, quiet connection, suspended time.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Waiting Room, Late Afternoon”
A public waiting room with worn chairs and large windows.
The ginger-haired girl sits forward, elbows on knees, fingers intertwined. Her hair is painted with restrained Palette Knife, slightly messy, alive.
Beside her sits another person, shoulders relaxed but alert. Their posture mirrors hers without copying — a natural rhythm between two bodies. Their face is modeled with Glazing, subtle layers building emotion without exaggeration.
On the wall behind them, a faded poster marked by colored ink lines — hand-drawn symbols, imperfect and human, partially peeling away.
The floor and shadows are built with Impasto, grounding the scene physically.
They are not speaking — but they are clearly waiting together.
Mood: tension held gently, shared silence, quiet solidarity.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Morning Repair”
A small urban courtyard in early morning light.
A ginger-haired girl kneels beside a scratched bicycle, tightening the chain. Her copper hair is rendered with Palette Knife, energetic, textured strokes catching the sun.
Next to her stands another person, holding the bike steady — their jacket painted in dense Impasto, heavy folds giving the body weight and presence. Their hands show traces of grease, realistic and unpolished.
On the concrete floor, faint colored ink marks appear like accidental splashes — turquoise and burnt orange — blending into cracks and stains.
Glazing softens the background buildings, creating depth and calm air.
No posing. Just cooperation, shared focus, quiet trust.
Mood: everyday connection, realism, movement through hands.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Morning Window”
A small apartment room in early morning light.
The ginger-haired girl sits on a wide windowsill, knees drawn close, looking outside.
Her hair falls freely over her shoulders, rendered with bold Mixing Palette Knife strokes — warm oranges and reds layered thickly. The skin tones are soft, built gradually with Glazing, creating a natural, intimate realism.
Outside the window, the city is abstracted — rooftops and sky dissolve into muted tones. Over the glass surface, faint colored ink marks trace imaginary lines, like thoughts drifting across the window.
The interior is calm: unfinished coffee cup, open curtain moving slightly with air. Everything feels lived-in, unposed.
Mood: introspection, warmth, stillness, realism with emotional depth.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Sunday Morning, Unmade Bed”
A modest bedroom flooded with pale morning light.
The ginger girl sits on the edge of an unmade bed, pulling on socks. Her back is turned slightly toward the viewer. Her hair falls freely, painted with palette knife, softer and lighter than in daylight scenes.
The bed sheets are layered with glazing, whites and warm shadows melting into each other.
Her skin is treated gently, minimal texture — contrast to the thick impasto used for the wooden floor and bedside table.
On the wall above the bed, a faint colored ink stain spreads behind an old poster — not decorative, more like a memory that refuses to disappear.
Nothing dramatic happens.
She simply pauses for a second before standing up.
Mood: intimacy, stillness, lived-in truth.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Bus Stop, Late Afternoon”
A small city bus stop at the edge of town.
The ginger-haired woman stands under a scratched glass shelter, holding a paper bag with groceries. Her hair is rendered with palette knife strokes, thick copper lines catching the light, slightly messy from the wind.
Her coat is painted in impasto, heavy texture, almost sculptural. One sleeve is worn, edges rough.
Behind her, the city fades into soft glazing layers, buildings dissolving into warm greys and muted blues.
On the glass wall of the bus stop, someone has drawn a small symbol in colored ink — a simple heart crossed by a line, colors bleeding slightly downward as if touched by rain.
She shifts her weight from one foot to the other.
Not waiting dramatically — just tired, present, real.
Mood: quiet endurance, everyday strength, realism.
Prompt: Prompt by jexiq q: <<Masterpiece>>: “Early Morning Tram Stop” (Gouache on Paper)
A quiet tram stop just before sunrise.
The street is still wet from the night rain.
The background is built with flat gouache layers — muted blues and cool grays for the sky, softly blended but clearly matte. Buildings are simplified into geometric shapes, slightly softened at the edges, typical of gouache on textured paper.
In the foreground stands a ginger-haired woman, wrapped in a long coat. Her hair is painted with opaque copper gouache, slightly dry-brushed so the paper grain shows through. The strokes are confident but restrained — no shine, only depth.
She’s holding a folded newspaper under one arm, the red headline rendered in a single bold gouache stroke. Her posture is relaxed, weight shifted to one leg, breath visible in the cold air.
A tram approaches in the distance — suggested, not detailed — just a rectangle of warm yellow light cutting through the cool palette. Windows glow softly, painted with diluted gouache to keep the matte finish.
Shadows are simple, graphic, and intentional.
No fine detail — just shape, color, silence.
Mood: calm, everyday realism, early-morning stillness, perfectly suited for gouache on paper.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques:“Learning Each Other’s Rhythm”
A modest living room at dusk. Music plays softly from an unseen source.
The ginger woman moves first — barefoot, tentative, curious. Her motion is caught mid-step, painted with expressive Palette Knife strokes that follow the line of her body.
The Black woman mirrors her, closer now. Her form is rendered in Impasto, weight and warmth in every gesture. They are not dancing for anyone — they are listening to each other.
On the wall behind them, a faded rainbow mark in colored ink — like a memory, not decoration.
Glazing wraps the room in amber light, making the moment feel private, almost sacred.
They laugh — slightly off-beat — and keep moving anyway.
Mood: shared learning, queer joy, real-life tenderness.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “After the Rain, Still Warm”
A narrow street just after rain. The pavement is dark, reflective.
The ginger-haired woman rolls up her sleeves, water still dripping from her jacket. Her copper hair is shaped with Palette Knife, sharp and luminous against the gray street.
The Black woman steps closer, handing her a scarf. Her presence is solid, grounded — hair and shoulders built with Impasto, thick and confident.
Between their feet, a small puddle catches the light. Inside it, a queer symbol drawn in colored ink has slightly dissolved, bleeding into the water — imperfect, alive.
Glazing softens the background buildings, while the women remain crisp and real.
They don’t speak. One touch of fabric, one shared breath.
Mood: quiet intimacy, trust, movement after a storm.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Morning Window”
Early morning light fills a small apartment.
The Black woman sits on the windowsill, legs folded, wrapped in a loose shirt. The city outside is muted with Glazing, barely there. Her form is painted with Impasto, solid and calm.
Behind her, the ginger-haired woman brushes her teeth absentmindedly, watching her reflection in the glass. Her hair is rendered with Palette Knife, soft strokes this time, almost tender.
On the window glass, condensation forms abstract shapes. A small rainbow line in colored ink appears as if drawn with a fingertip — subtle, imperfect, human.
No posing.
No performance.
Just shared space, shared time.
Mood: everyday queer life, warmth, quiet belonging.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “After the Applause”
A quiet theater lobby just after a performance. The audience is gone.
A ginger-haired woman stands barefoot on the cold marble floor, her shoes in one hand. Her copper hair is built with Palette Knife, textured and slightly messy, catching the last warm light from the stage doors behind her.
Facing her is a Black woman, still wearing a simple black jacket. Her posture is relaxed but grounded. Her hair and skin are painted in Impasto, rich, tactile, confident.
Between them, a torn program lies on the floor. Across it, a subtle queer symbol drawn in colored ink bleeds into the paper — not loud, but intentional.
Glazing softens the background lights, blurring the space into something intimate and suspended.
They are not touching — yet.
They share a look that says we survived this together.
Mood: post-moment intimacy, pride without spectacle, realism.
Would you like to report this Dream as inappropriate?
19d
80
0
23
jexiq q
Member since 2023
Artist statement
"Dear users,
If you like my prompt and decide to use it, I would greatly appreciate it if you could share the link to your picture. I would love to see how it turned out and appreciate your creativity!
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
