Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto and Mixing Palette Knife Techniques: The Girl with the Sketchpad on the Tram.
Techniques: Impasto (hair and drawing), Glazing (windows and light), Mixing Palette Knife (city in motion). In the foreground, a girl with a golden-brown braid and light freckles across her nose sits by the window of an old tram. On her lap, she holds a small sketchpad—drawing is her therapy. Her Impasto-painted sage-colored jacket, layered thickly, seems to carry the weight of her thoughts. Through the window, the city lights blur as the tram moves—buildings, billboards, car lights—all rendered with brisk Mixing Palette Knife strokes, adding energy and motion to the urban chaos. Glazing light layers dance across her face and the sketchpad as she draws something only she understands—perhaps her own portrait, perhaps a dream. And as the tram glides, she finds silence between the sounds.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Ginger in the Rainlit Glow”
On a street corner in the late afternoon, just before the city lights up.
The rain has only just stopped, and the asphalt still carries the reflections of neon lights.
At the center of the sidewalk stands a young ginger-haired woman, her copper curls shimmering, slightly damp, catching droplets that cling to her hair like tiny crystals.
The scene is built with broad palette knife strokes across the background — sharp, sweeping lines shaping the blurred, wet shine of the city. Buildings rise in impasto texture, thick and vibrant, as if a small golden flame burns behind each window.
She wears a loose mustard-yellow coat, created in soft glazing layers that add depth and a translucent glow.
In her hand, she holds a half-open umbrella, droplets sliding down its edge — rendered with thin streaks of colored ink, bright blue and violet, giving the impression of movement, as if time itself is still dripping.
She steps forward — a subtle motion, but enough to shift the energy of the scene:
from the puddle beneath her boots rises a faint orange neon reflection, acting like her personal spotlight.
In her eyes — a blend of adventure and quiet melancholy.
As if she has just walked out of one story and is ready to fall into another.
Everything is calm, yet vibrating.
As if the city still breathes in the rhythm of her footsteps.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: On the canvas, a young ginger-haired girl stands on a rooftop at sunset. Her fiery orange hair, lit by the last rays of the day, looks as if it’s burning in motion—each strand shaped with bold palette knife strokes, thick layers of paint rising from the surface like flames.
Behind her, the horizon is an endless blend of colors—impasto layers of purple, gold, and deep blue, applied heavily so that the light breaks across them, creating a sense of eternal movement. The city rooftops in the distance are suggested only with rough knife strokes, leaving room for the imagination to complete them.
On her face rests a gentle smile—not of secrecy, but of strength. Her eyes catch and reflect the colors of the sky, enhanced by subtle glazing layers that give them depth and an inner glow. Her figure is not just painted—it is carved in color, as if rising out of the canvas itself.
In her hand, she holds an old red scarf, stretched out like a flag—the scarf’s color mixing and clashing with the sky, creating a dramatic contrast. The fabric’s texture is executed with thick applications of paint, almost sculptural, as if you could reach out and touch it.
The whole scene radiates freedom, defiance, and youthful courage. As if nature itself is competing with her in beauty—the rooftops fading into darkness, the sky ablaze, and she, unwavering and upright, standing as a symbol of eternal youth and inner fire.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: Vinyl & Pancakes.
Foreground: In a bright kitchen with retro blue tiles, the ginger girl is making pancakes—her arm captured mid-motion with bold palette knife swipes, butter melting in thick glossy paint. Her quirky colorful socks slide over the tiled floor.
Middle ground: The Black girl twirls in place to the rhythm of jazz playing from the record player. She holds a spatula like a conductor’s baton, the other end launching a pancake mid-air. Her puff hairstyle gently bounces, frozen in textured motion like a small explosion. Background: A wall lined with vinyl album covers and a window letting in the morning light, softened with impasto and layered glaze. Light and shadow play across the scene like a warm, cinematic glow.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Sfumato, Impasto, glazing and Pallet Knife: Village Road Under Moonlight.
Foreground (Mixing Palette Knife & Impasto): Bold strokes of the palette knife shape the village road, uneven and scattered with pebbles reflecting the pale glow of the moon. On the left side, a wooden fence, thick with layers of paint, highlights the texture of old, cracked wood. The grass beside the path appears rich and vibrant, with thick applications of green and gold, as if dewdrops have captured the light. Middle Ground (Glazing & Impasto): The moonlight gently caresses the wheels of an old wooden cart, abandoned by the roadside. Thin glazing layers give it a mysterious glow, while deep shadows wrap around it. The horse’s legs are barely visible in the mix of light and darkness, painted with swift, expressive strokes. Background (Glazing & Chiaroscuro Effect): Village houses emerge from the darkness, their windows faintly glowing in the distance. The sky is veiled in fine layers of blue and purple, creating depth that emphasizes the chill of the night. Moonlight weaves through the branches of ancient oaks, casting shadows that dance across the ground.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Silk Candy Afternoon”
Foreground: On a warm, dark walnut worktop, under slanted rays of the afternoon sun, lie scattered ribbons of silk in shades of vanilla, strawberry, and mint. Glass jars filled with crystal sugar and fine cocoa powder rest nearby. Thick impasto strokes on the fabric tablecloth reveal a rich texture, while a few sugar grains shimmer with pearl tones thanks to glazing layers.
Middle ground: At the center of the composition — the ginger-haired young woman, her hair lit with golden highlights, tied in a loose bun with strands falling out. A soft smile graces her lips as her silk-gloved fingers shape small, perfectly smooth candies. The palette knife gives a pastose fullness to the silk ribbons curling around the sweets, while glazing layers on her face create a tender play of light and shadow. Her apron carries colorful stains of sugar and syrup — tiny, textured dots that make you feel as if you could reach out and touch them.
Background: In the blurred warmth of the backdrop stands an old-fashioned window, slightly ajar. Through it, diffused light spills in, refracting sugar dust in the air into a magical haze. On the shelf beside the window, softly out of focus, glass bowls hold unshaped silk ribbons, and beyond them, the green tones of a garden subtly filter through the glass — a gentle backdrop that makes the whole scene feel suspended in time.
Prompt: Prompt by jexiq q: Scene Description in Mixed Palette Knife, Impasto, and Ink Techniques: "Echoes of Liberty". The Statue of Liberty stands tall under a shifting twilight sky, its copper glow blending with hues of gold and violet. Mixed palette knife strokes bring the waters of the Hudson River to life, reflecting the towering figure in shimmering streaks of turquoise and amber. The texture of the waves ripples with energy, contrasting the calm grandeur of the statue. Below, on the rocky shore, a street musician plays a saxophone, his silhouette defined with delicate ink lines. The soft melody rises, carried by the breeze, mingling with the distant hum of the city. Impasto techniques create a tactile depiction of his weathered coat and the battered case at his feet, where a few coins glimmer. Nearby, a young couple sits on a bench, their forms gently illuminated by a nearby streetlamp rendered in glowing strokes of impasto yellow and white. They share a quiet moment, sipping coffee from paper cups, their faces turned toward the musician and the statue beyond, as if both are lost in the same unspoken reverie. Above, the sky begins to darken, and the first stars peek through a veil of translucent ink clouds. The scene captures a moment of connection—between history and the present, between strangers and their dreams—etched in textures that speak of resilience, hope, and the city’s eternal rhythm.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: A ginger-haired young woman leans against the balcony railing of an old apartment in a lively city street. Her hair glows like copper fire under the late afternoon sun, strands catching the light with the shimmer of gold leaf. The Mixing Palette Knife strokes carve the texture of the cracked walls behind her, giving them a raw, honest presence, while the Impasto builds her hair in thick, sculpted layers of flame-like curls that seem almost alive.
She holds a sketchbook loosely in her hands, pages fluttering with the breeze. A cup of coffee rests by her side, its steam painted through Glazing, delicate and transparent, as though the warmth itself were rising into the evening air. Below, the city hums in blurred strokes of blue and gray, but her figure is sharp, radiant — the anchor of the canvas.
Her gaze is lifted toward the horizon, where the sky breaks into a symphony of oranges and purples. There’s both longing and freedom in her stance: she doesn’t wait for anyone, she belongs to the moment. The painting captures not just her image, but her inner flame — a quiet rebellion wrapped in beauty.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A highly realistic scene of a ginger-haired young woman standing at a bus stop at dusk, light rain falling.
Techniques: Mixing Palette Knife + Impasto + subtle Glazing, with colored ink accents for rain streaks and reflections.
Her coat is textured with thick impasto strokes, the background city blurred and smeared with a palette knife.
She shifts her weight from one foot to the other, hands in pockets, eyes distant — a quiet, intimate moment of waiting.
The colored ink outlines puddles on the pavement, neon reflections trembling under her feet.
Raw, urban, emotionally restrained, cinematic realism.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Mixing Palette Knife, Glazing Techniques: Winter at the Train Station.
Mixing Palette Knife: Foreground – a snowy bench on the platform, covered with a thin layer of snow. Colors blend in rough strokes – gray, white, and blue. An elderly man in a dark coat sits on the bench, his hands in wool gloves clutching a cup of coffee. His face is detailed with palette knife work, deep wrinkles and eyes tracking the incoming train. Impasto: Middle ground – metal tracks shimmering under thick layers of white oil paint, reflecting the headlights of the train. Passengers in motion, their bodies and luggage shaped with thick paint layers, creating a sense of weight and bustle. Background: Gray clouds, with light in the distance piercing through the fog, hinting at a new day. The sky's texture is rich with impasto and glazed layers, capturing the cold and stillness of a winter dawn.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: "Windowsill Silence"
Foreground: The ginger-haired woman sits on a wide wooden windowsill, her knees drawn to her chest, a book resting loosely in one hand, her gaze unfocused — turned inward more than out. Her flame-colored hair is tied in a soft knot, with loose strands falling around her temples. The texture of her wool sweater is thick, almost sculpted with impasto, capturing the softness and stillness of a cold morning. Her red collie lies curled beside her feet, his head resting on her slippered toes. His fur reflects muted morning light, painted with delicate palette knife strokes — warm russet shades gently mixed into the cool blue-gray of the floorboards. He is utterly still, as if listening to her breath.
Midground: A low table nearby holds a steaming cup of herbal tea, an open journal with slightly smudged ink, and a pencil placed diagonally across the page. The shadows from a half-drawn curtain stretch across the floor — a slow dance of light and textile painted with soft blended knife strokes. The wall behind them carries a faint lavender hue, as if the air itself had soaked in calm. Background: Through the foggy glass window, the world outside is softened — trees without leaves, rooftops dusted with snow, and distant chimneys releasing ribbons of smoke. The entire view is painted using glazing technique, layer over layer, giving the background a ghostly, dreamlike glow. No cars, no people. Just stillness — and the sound of tea cooling.
It’s not sadness, nor joy — just a moment of being.
A woman, a dog, a winter morning, and everything unspoken between them. A portrait of softness, and the kind of silence that heals.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A ginger-haired young woman standing alone in a small kitchen at night. Only one overhead light is on. The room feels quiet and unfinished. Her hair is painted with bold Mixing Palette Knife strokes and thick Impasto texture in copper and burnt orange tones. Her face and skin are softer, partially glazed, calm and introspective.
The background is minimal and abstract, created with transparent Glazing layers and loose colored ink wash in muted blues and warm yellows, with ink bleeding and dripping naturally. The ink does not define objects clearly, it suggests silence and time. Painterly, expressive, imperfect, emotional. Fine art style, no realism, no sharp outlines.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: A ginger-haired woman stands in her dimly lit living room at night. The only light comes from a single floor lamp beside her, casting a warm amber glow. She is seen from behind, her silhouette wrapped in a soft robe. In front of her, a tall mirror reflects her face — calm, distant, slightly softened by the low light. Around her, the shadows of the room melt into the quiet air.
The reflection on the mirror is painted with Mixing Palette Knife technique to create layered, dreamlike texture. The glow of the lamp and the faint shimmer on her hair are emphasized through Impasto technique, adding tactile warmth. The darkness around her is blended with Glazing technique, allowing the scene to breathe softly between light and shadow.
In her reflection, the night feels alive — as if it’s listening to her silence.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: The morning street is cool and pale, and the ginger-haired girl stops at a modest flower stand on the corner. Her copper curls, already glowing through gentle glazing, now have delicate colored ink lines tracing the loose strands — thin, fluid marks that move with a natural rhythm, like real hair catching the breeze.
The flower buckets are outlined with soft washes of colored ink, giving them that slightly messy, urban character — uneven strokes suggesting chipped paint, water streaks, and dents. Over that, the palette knife scrapes in the thicker textures of metal edges and the rough sidewalk.
The flowers themselves bloom in impasto — thick strokes of pigment rising from the canvas — but are accented with tiny ink details: fine lines defining the subtle veins on tulip petals, quick flicks outlining eucalyptus leaves, and a few splashes of faint pink ink where petals have fallen onto the pavement.
Her white sweater is sculpted with the palette knife, giving it weight and texture, while ink shading softly defines the folds, making them look casually slouched and very real — the kind of everyday sweater she’d roll out of bed and actually wear.
She lifts a single tulip, turning it toward the light. The glazing makes the petals almost translucent, while a gentle wash of magenta ink adds realism to the shadowed underside. Her nose is slightly red from the cold. Her shoelace is still untied. A cyclist passes behind her, blurred with loose ink strokes suggesting movement.
Nothing is idealized. Everything is alive.
She chooses a small, imperfect bouquet — ink-sketched stems tied with a cheap twine bow — the kind she might place in a jar at home, just because it made her morning feel softer.
Prompt: Scene Mixing Palette Knife and Impasto Techniques
Foreground: A cobblestone street in a quaint village, the individual stones depicted with precise palette knife strokes to show their varied shapes and textures. Flower pots filled with colorful blooms, painted with thick impasto, line the street, their vibrant petals and leaves adding depth and interest.
Middle Ground: A charming café with outdoor seating occupies the center of the scene. The café's awning and chairs are rendered with bold palette knife strokes, while the tables are adorned with thick impasto strokes to show the texture of tablecloths and dishes. Patrons sit at the tables, enjoying their meals and drinks, their figures captured with dynamic, textured strokes.
Background: The village buildings, painted with a mix of impasto and palette knife techniques, rise in the background. The facades are detailed with thick, textured strokes to convey the aged plaster and brick, while windows and doors are highlighted with smooth, precise strokes. Ivy and flowers climb the walls, adding a touch of nature to the scene.
Sky: The sky is a clear blue, transitioning to a warm golden hue as the sun begins to set, applied with broad palette knife strokes. Soft, fluffy clouds, created with thick impasto, drift lazily across the sky, catching the light of the setting sun.
Details and Lighting: The scene is bathed in the warm glow of the setting sun, casting long shadows across the cobblestones and creating a cozy, inviting atmosphere. The sunlight catches on the windows and metal surfaces, creating glints and reflections that add depth and realism. The flowers and ivy are illuminated, their textures enhanced by the impasto technique.
Emotional Impact: This scene captures the serene charm of a village evening. The combination of thick, textured impasto and precise palette knife strokes adds depth and richness. The interplay of light and shadow, the contrast between the lively café and the quiet street.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “After the Applause”
A quiet theater lobby just after a performance. The audience is gone.
A ginger-haired woman stands barefoot on the cold marble floor, her shoes in one hand. Her copper hair is built with Palette Knife, textured and slightly messy, catching the last warm light from the stage doors behind her.
Facing her is a Black woman, still wearing a simple black jacket. Her posture is relaxed but grounded. Her hair and skin are painted in Impasto, rich, tactile, confident.
Between them, a torn program lies on the floor. Across it, a subtle queer symbol drawn in colored ink bleeds into the paper — not loud, but intentional.
Glazing softens the background lights, blurring the space into something intimate and suspended.
They are not touching — yet.
They share a look that says we survived this together.
Mood: post-moment intimacy, pride without spectacle, realism.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: "Light Before the Rain"
Foreground – Impasto: Sitting on a wooden bench by the river, a young woman with long, tousled ginger hair lets the wind sweep strands across her shoulder. Her bare feet gently touch the water’s edge. She's wearing a pale porcelain-colored dress, clinging slightly to her skin as the first drops of rain begin to fall. The impasto technique brings out the texture of the raindrops on her cheek and shoulder, the roughness of the old wood, and the fullness of her lips as she gazes upward toward the sky.
Middle Ground – Mixing Palette Knife: The riverside surrounding her is alive with movement, shaped by the palette knife: blades of wet grass bending in the breeze, ripples in the water from falling rain, and leaves shimmering above her. The strokes are dynamic and full of life, creating a sense of rhythm in a moment of stillness.
Background – Glazing: The sky above is a heavy lead-gray, but a warm orange ribbon of light breaks through the clouds on the horizon. Its reflection spreads across the river, built with soft glazing layers — muted green, gray-blue, and a gentle shimmer of gold just above the waterline. The rain falls quietly, respectfully, as if not to disturb her peace.
Color Palette:
Copper-red (hair)
Porcelain white, misty gray, lavender hue (skin, dress, raindrops)
Olive green, charcoal gray, steel blue (grass, river)
Warm orange, ochre, pearlescent silver (sky, reflection)
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Imagine a scene: A Quiet Morning in a Café
Foreground: A man sits alone by the window in a small, cozy café, sipping from a ceramic mug filled with steaming coffee. His hand, holding the mug, is painted with sharp, defined strokes from the Palette Knife, highlighting the subtle tension in his fingers and the warmth from the cup. The steam rising from the coffee is brought to life with soft, swirling Impasto strokes, giving a sense of warmth and comfort. The wooden table in front of him, worn with age, is textured with the heavy use of Impasto, each scratch and groove visible, evoking a rustic charm. His coat, casually draped over the chair, is painted with rough Impasto layers, adding texture to the fabric and capturing the sense of weight and relaxation in the scene. Midground: In the middle of the café, a barista stands behind the counter, preparing a fresh cup of coffee. The movement of her hands as she works the espresso machine is painted using the Palette Knife technique, giving a sense of fluidity and precision to her actions. The coffee machine itself is highlighted with metallic glints, created with sharp knife strokes, making the chrome shine in the warm light of the café. The reflection of the overhead lights on the counter is softly blurred with Impasto, adding to the cozy atmosphere of the space. Background:
Through the large window behind the man, the outside world is visible, with morning light just beginning to filter in. The soft, golden glow of the sunlight is created using layers of Impasto, giving a sense of warmth and early-morning quiet. A few people walk by on the street, their figures blurred with soft, wide brush strokes, capturing the calm pace of the city as it slowly wakes up. The trees lining the street are painted with Mixing Palette Knife, giving their leaves a crisp definition against the soft, glowing background, with autumn colors of red and orange.
Digital Dreamscapes: Tech-Savvy Millennials Unleash AI
Model:
AIVision
Size:
1792 X 1024
(1.84 MP)
Used settings:
Prompt: Certainly!
In a vibrant co-working space filled with eclectic artwork and neon lights, a group of tech-savvy millennials gathers around a sleek conference table. Laptops glow with vibrant screens as they eagerly await the latest release of the Google Deep Dream AI Generator, the buzz of anticipation palpable in the air.
One member of the group, clad in trendy streetwear with a futuristic twist, takes the lead, tapping away at their keyboard with practiced precision. With a flourish, they launch the application, unleashing its powerful algorithms to transform mundane images into captivating works of digital art.
As the AI generator works its magic, the room is filled with gasps of awe and excitement. Familiar scenes morph into surreal dreamscapes, with neon cityscapes and glitchy landscapes captivating the senses. Each member of the group offers their input, suggesting tweaks and adjustments to enhance the visual experience further.
Amidst the whirlwind of creativity, discussions range from the latest trends in algorithmic art to the intersection of technology and human expression. With each stroke of the keyboard, they push the boundaries of what is possible, forging new paths in the ever-evolving landscape of digital innovation.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Rainfall in the City.
Techniques: Impasto for rain and urban background, Palette Knife for reflections, Glazing for faces and water movement.
Foreground: Wet cobblestones shine with blurred reflections — red and yellow streetlights ripple across puddles. Bright shoes splash through the rain.
Middle ground: The two friends under one umbrella. The redhead’s hair clings to her cheeks as she laughs, while her friend tries to shelter both of them. Their hands reach for each other, instinctively, naturally.
Background: The city blurred — silhouettes of strangers, café lights, neon signs in shop windows. The rain falls thick and steady, and everything feels like a film frame caught between memory and emotion.
Prompt: On the white canvas, a few simple pencil strokes create a forest scene. In the foreground, a large oak tree stands with its sprawling branches reaching high towards the sky. Next to the oak, a small rabbit emerges from the bushes, its ears perked up as if listening to something in the distance. In the background, the silhouettes of other trees can be seen, drawn with thin, vertical lines that suggest the depth of the forest. A few birds sit on the branches, their shapes sketched with quick, light strokes. The entire setting exudes tranquility, with the simple pencil lines capturing the essence of nature and the serenity that the forest provides.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Imagine a scene: Foreground: On a stone pavement sits a small café chair and table, covered with an old red tablecloth adorned with small floral patterns. The fabric is painted with Impasto technique, with thicker layers highlighting the creases of the tablecloth, as if gently stirred by a breeze. On the table is a porcelain cup of white coffee, with the bottom rendered in finer Mixing Palette Knife strokes, making the surface of the coffee appear smooth and velvety. Beside the cup lies a single red rose, its petals rich with Impasto strokes, accentuating the flower’s vibrant and lush appearance. Background: In the background, an old facade rises, covered in cracks and dotted with small patches of greenery sprouting between bricks. The wall is painted using Impasto technique, with rough layers creating a texture that speaks of time and history, while thin vines of grape leaves provide contrast with delicate Mixing Palette Knife strokes. The windows on the facade are dark, yet gently illuminated by sunbeams breaking through the clouds, evoking warmth and nostalgia. Additional Elements: A single golden ray of sunlight falls directly on the table and the cup of coffee, illuminating the rose and enhancing its red hues. A soft breeze plays with the rose petals, while the scent of fresh coffee and flowers fills the air, adding a sense of morning tranquility.
Prompt: As the eclipse reaches its zenith, the world is plunged into a surreal twilight. The Sun, once a blazing orb of light, now becomes a mere crescent of brilliance, its edges obscured by the encroaching shadow of the Moon.
In the sudden darkness, the landscape takes on an otherworldly hue. Colors distort and blend, casting strange and eerie shadows across the land. The air grows chill, as if a shroud of mystery has descended upon the earth.
At first, there is a sense of anticipation, of awe at the spectacle unfolding above. But as the darkness deepens, a palpable sense of unease settles over the land. Animals grow silent, their instinctual fear of the unknown echoing through the stillness.
And then, in the blink of an eye, the world is plunged into darkness. The Sun's brilliant corona bursts forth, a ring of fiery light encircling the shadowed disc of the Moon. For a brief, heart-stopping moment, the heavens blaze with an ethereal beauty that defies description.
But even as the world stands in awe of this celestial spectacle, a primal fear grips the hearts of all who witness it. In the midst of such cosmic upheaval, they cannot help but feel the fragility of their own existence, the fleeting nature of their mortal lives.
And yet, amidst the fear and uncertainty, there is also a sense of wonder, of reverence for the vast and unknowable universe that surrounds them. In the darkness of the eclipse, they find a glimpse of something greater than themselves, something that transcends the boundaries of time and space.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Imagine a scene: Foreground: On the riverbank, an old wooden bench with a worn backrest sits under the shade of a huge tree. The bench is painted with Impasto technique, with thick layers highlighting rough cracks and scratches, giving it a weathered character. On the bench lies an old straw hat, with fine Mixing Palette Knife strokes emphasizing the bent edges and signs of wear. Beside the hat, a few small dandelion flowers are scattered on the bench, sparkling under the morning light. Background: In the background, the river flows peacefully, its surface smooth as glass and bathed in golden morning sunlight. The water is painted with a mix of Mixing Palette Knife strokes that create reflections of the sky and trees along the bank, in soft blue and green shades blending into the warm tones of the sun. The trees along the shore are dense and rich, with heavier Impasto layers making the foliage appear lush and strong, while individual branches sway gently in the breeze. Additional Elements: A small blue butterfly lands on the edge of the hat, rendered with thin and detailed Mixing Palette Knife strokes that highlight its delicate wings and contrast with the color of the hat. A light breeze stirs the tops of the grass by the river, adding liveliness to the scene, while the fresh morning air fills the space. Through the entire scene, there’s a sense of nature’s calm and the simple beauty of the moment, as sunbeams gently illuminate every detail.
Prompt: Prompt by jexiq q: Masterpiece: Scene Description in Mixed Palette Knife, Impasto, Glazing Techniques: A Street Musician on a Rainy Evening. Palette Knife: The cobblestone street glistens under the golden hue of vintage lampposts, their warm glow slicing through the gentle drizzle. The stones are carved with swift, angular strokes, creating a dynamic interplay of reflections and textures—golden light interspersed with inky shadows. A small wooden stool stands boldly at the center, its legs uneven but sturdy, supporting the weight of an old musician and his acoustic guitar. The musician’s hat, crumpled and weathered, is defined with thick, deliberate strokes, balancing on the edge of the stool, catching a few coins that shimmer like tiny treasures. Impasto: The musician is a vision of texture and depth: his rain-soaked coat, layered in rich navy and charcoal, appears heavy and tactile, each fold of fabric painted thickly, almost tactile to the eye. His hands, gnarled with time and experience, are sculpted in intricate detail, strumming the guitar strings that practically hum with movement. The instrument itself—a deep mahogany body with a golden streak running down its surface—radiates warmth, its varnish catching the flickering light of the lamppost. Raindrops bead on the musician’s gray cap, some caught mid-drip in expressive daubs of white paint. Glazing: The atmosphere is alive with translucent, glazed layers. The rain creates a misty haze that softens the sharp edges of nearby buildings, their red bricks blending seamlessly with the cool blue of the evening sky. Glazed highlights streak through the rain-slick street, making the world shimmer as if viewed through a dreamlike lens. In the distance, passing figures blur into ghostly silhouettes, their umbrellas glowing faintly under the lamplight. The faint glow of a neon café sign—rosy pink and electric blue—casts a gentle reflection on the wet cobblestones, adding a modern contrast to the timeless
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: Night Swim in an Abandoned Pool.
An abandoned public pool at night — cracked tiles, faded lane numbers, and shallow water reflecting moonlight like broken glass.
The ginger-haired girl is in the water, shoulders just above the surface, her skin painted with thick, tactile Impasto strokes that contrast sharply with the smooth Glazing of the water.
Her hair floats slightly, spreading in the pool like embers in slow motion. Palette Knife marks carve light into her hair, sharp and confident, unapologetically bright against the deep ultramarine shadows.
The background dissolves into darkness — hints of graffiti walls, barely suggested with loose knife strokes.
The water itself is layered and emotional: transparent blues, greens, and silvers, glazed repeatedly to give depth without clarity.
She looks straight ahead — not at the viewer, not at the past.
This is a moment of reclamation.
A body choosing space.
A soul choosing temperature.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A ginger-haired young woman stands alone on a rooftop laundromat, the city breathing quietly beneath her. Industrial washing machines form a raw, geometric rhythm behind her, painted with thick Impasto strokes — heavy whites, chipped blues, and metallic grays.
Her hair is alive with Palette Knife movement, copper and fire tones scraped boldly across the canvas, catching the last light of dusk.
She wears an oversized hoodie, sleeves slightly rolled, hands resting on the warm surface of a running machine. The vibration is subtle, almost intimate.
The sky is layered in soft Glazing — violet melting into dusty pink, then sinking into night.
Nothing dramatic happens. And that’s the power of it: a private pause above the noise, where motion exists without urgency.
This is not loneliness.
This is ownership of silence.
Prompt: Scene in Mixed Palette Knife and Impasto Techniques: Jamaican Portrait
Foreground:
The centerpiece of the portrait is a Jamaican man, his rich, dark skin glowing under the sunlight. His dreadlocks cascade over his shoulders, each lock textured with thick impasto strokes, giving them a lifelike, tactile feel. The highlights on his dreads catch the light, showing depth and movement. His face is painted with a palette knife, capturing the contours and lines that tell stories of a life lived under the sun.
Middle Ground:
He wears a knitted tam in the iconic red, green, and yellow of the Jamaican flag. The tam is painted with bold, thick strokes, emphasizing its texture and vibrancy. His eyes, bright and reflective, hint at wisdom and resilience. The details around his eyes and mouth, created with fine palette knife strokes, highlight the expressions and emotions etched into his skin.
Background:
Behind him, a hazy, abstract representation of a Jamaican beach landscape unfolds. The background is kept blurred with broad palette knife strokes to ensure focus remains on the subject. Subtle hints of turquoise and sandy beige suggest the sea and shore, while green tones hint at lush vegetation.
Lighting and Shadows:
The sunlight plays across his features, casting shadows that add depth to his cheekbones and jawline. The impasto technique highlights the texture of his skin, showing the wear from years of sun exposure. His hands, large and calloused, are shown resting on his knees, detailed with precise palette knife work to show the strength and veins in his hands.
Details:
In one hand, he holds a joint, the smoke curling upwards in delicate, swirling impasto strokes. The smoke catches the light, creating a contrast with the dark background. The textures in his clothing, simple yet rich in color, are crafted with a mix of palette knife and impasto techniques, adding realism to the fabric.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Imagine the scene: A young couple is sorting through cardboard boxes in their newly rented apartment, filled with excitement but also exhaustion as they begin the process of settling in. Foreground: The large boxes, scattered around the floor, are painted using Impasto, with thick layers of paint giving texture to the cardboard, showing creases and taped edges. Some are partially open, revealing brightly colored household items like a vibrant red blender and a stack of books. The textures are built up to create a tactile quality, as though you could feel the roughness of the boxes and the smooth surfaces of the items inside. Midground: The couple, both casually dressed, are rendered with Mixing Palette Knife. The man is kneeling, looking through one of the boxes, while the woman stands with a roll of bubble wrap in her hand. The palette knife technique captures the dynamic energy in their movements—the way his hands dive into the box, and how her body leans slightly as she prepares to wrap fragile items. Their expressions are a mix of tiredness and contentment, with smiles that suggest they’re happy despite the mess. Background: In the background, the walls of the apartment are painted in warm beige tones using Impasto, with subtle shadows created by the natural light spilling in through a large window. The window, slightly open, lets in a gentle breeze that ruffles the curtains, adding motion and life to the stillness of the room. Through the window, a glimpse of the city skyline is visible, outlined with broad, swift strokes from the Mixing Palette Knife, adding a modern, urban atmosphere to the scene. This scene captures the essence of a fresh beginning, filled with the promise and chaos of a new home.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Where Light Pauses”
Style: Poetic Realism
Atmosphere: Quiet longing wrapped in light
She stands at the edge of a sunlit rooftop, where the sky blushes into the late afternoon. Her ginger hair flares in soft gusts, catching the gold of the setting sun like a flame refusing to die. Wind teases the edges of her linen dress — off-white, weightless — as if even fabric understands reverence in her presence.
Behind her, the skyline is painted in bold palette knife strokes — jagged rooftops, smudged chimneys, thick clouds pushed across the canvas like memory. The city hums below, blurred in a glazing of warm grays and muted ochres, but here, above it all, stillness reigns.
Her face is turned slightly away, eyes half-closed, not in sleep — but in listening. As if the wind tells secrets only she can hear. Freckles scatter across her cheeks like constellations on porcelain. Her expression is not quite joy, not quite sadness — it's something rarer: peace stitched with ache.
She holds a single book, weathered and half-open, against her chest. Its pages lift slightly in the breeze — unread, but not forgotten. Around her, light pools in thick impasto, catching the uneven texture of cracked bricks, a rusty railing, the shimmer in her eyes.
A pigeon lifts off nearby — wings brushing the silence.
In this moment, she is both flame and feather.
She is the pause between two notes of a symphony.
She is the memory you remember wrong — but never forget.
City Crosswalk: A Moment of Unity - Diversity Saturday
Model:
AIVision
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: Two best friends — one ginger girl with light freckles, one Black girl with natural curls — standing at a rainy city intersection during early evening. No posing, no photography theme — just natural realism. They wait next to a broken crosswalk button with exposed wires. A city worker in the background puts up a peeling poster that says “Equality Week — We Hear You!”. Urban realism with Mixing Palette Knife, Impasto texture on pavement and buildings, thin Glazing layers for light reflections. Wet asphalt, reflections of streetlights, diverse people rushing past them. Serious social-political atmosphere, modern European city mood, no glamour, no posing, no romance.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A ginger-haired young woman in a small Balkan-style supermarket, standing in front of the fruit-and-vegetable display. She is holding two tomatoes in her hands, dramatically comparing them like she’s about to make the most important decision of her life.
Her copper-red hair is tied in a messy low bun, with a few strands curling down over her cheek, catching warm overhead light.
The Impasto textures emphasize the glossy surfaces of the tomatoes, the rough plastic crates, and the chipped blue-painted shelves.
Glazing layers soften the fluorescent light bouncing off her freckled face.
Color ink wash (tuš u boji) splashes lightly around the edges — hints of red, green, and orange like watercolor bursts, adding motion and humor as if the moment is exaggerated in a comic-realistic way.
Background shows a blurred grandmother with a shopping cart watching her with amused suspicion.
Expression: the girl looks overly concentrated, eyebrows raised, lips pursed — like choosing the perfect tomato is a life mission.
Atmosphere: warm, lively, everyday-life comedy captured with artistic elegance.
Ultra-realistic textures, natural pose, shallow depth of field, vivid colors
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6w
60
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24
jexiq q
Member since 2023
Artist statement
"Dear users,
If you like my prompt and decide to use it, I would greatly appreciate it if you could share the link to your picture. I would love to see how it turned out and appreciate your creativity!
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