Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Sfumato, and Chiaroscuro Techniques: The Scent of Rain Over the Fields.
Foreground: A single raindrop clings to the straw of a ripe wheat stalk, catching the light of dusk — shaped with thick layers of impasto technique, rich in texture, almost touchable. Below, muddy footprints of a barefoot child in the soil, traces of play and freedom. The child’s face is out of frame — leaving space for imagination, but a wet straw hat lies nearby on the ground, painted with soft sfumato transitions, its edges fading into the earth. Middle ground: On the horizon, the silhouette of a horse and plow, dark lines immersed in a dramatic play of light and shadow through chiaroscuro contrasts. Heavy clouds loom low, and the sun breaks through in narrow beams, selectively illuminating parts of the field — as if light itself is choosing where to linger, and where not. Background: In the distance, mist-covered mountains softly enveloped in sfumato layers, create a sense of silence and vastness. Rain drizzles gently in the background, droplets blur a part of the frame — evoking a sense of transience and fragility of the moment.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Mixing Palette Knife, Impasto, sfumato and chiaroscuro Techniques: Coffee at the Old Square.
Foreground: On an old stone table, placed on a café terrace, sits a cup of coffee, with steam rising from it. In the background, a small wooden teapot shows a subtle green patina, surrounded by sprigs of lavender. Scattered across the table are papers and an old journal, all in a calm, melancholic setting. Mixing Palette Knife and Impasto techniques are used to add texture to the table, the cup, and the paper, enhancing depth and richness. Middle ground: An elderly couple sits on wooden chairs, talking and smiling at each other. The woman wears a simple but elegant dress, while the man is in an old jacket, dressed with care. Their faces are in soft, warm tones, with the use of sfumato technique for smooth transitions between light and shadow on their faces. They are illuminated by the warm sunlight filtering through the green branches of a tree, shining into their eyes. Background: Behind them, the square is bustling with passersby who do not linger. The old town is full of historic buildings, large trees, and flower baskets. The place features Gothic and Baroque elements, with cobblestone streets and colorful windows. These scenes are created through chiaroscuro technique, creating dramatic contrasts between light and dark areas of the image, evoking the atmosphere of an old town square.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: A Summer Afternoon in the Sunflower Field.
Foreground (impasto, rough texture): Her bare feet pressed into the muddy earth, toes dirtied from wandering aimlessly. Her pockets are filled with dry petals she collected along the way. Her hands — gentle, but weathered — hold the leash of a red collie, stretching and sniffing every stone. The dog looks almost golden under the sun.
Middle ground (mixing palette knife, layered strokes): Her ginger hair is tied up in a messy bun unraveling in the wind. She’s wearing an old backless linen dress, frayed and stained with paint — as if she’s part of the canvas herself. She stares straight into the sun, unafraid, and the entire horizon reflects in her eyes. On her lips, something like a smile — not for anyone else, just for herself.
Background (glazing, light transitions): A sea of sunflowers stretches to the edge of the scene, while the sky dissolves into shifting shades of blue, almost watercolor-like. In the distance, an old bicycle leans against a tree. No people, no road — only the endless summer day, in no rush to end.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Street at Night After the Rain”
Composition: layered depth and contrast of warm and cool tones.
Foreground: Wet pavement in hues of dark purple, black, and mossy green. Reflections of neon lights create golden-pink streaks of water — layered with Glazing over a dark base. At the bottom — suede shoes, sprinkled with raindrops.
Midground: A ginger-haired girl in a deep red trench coat holds a transparent umbrella dotted with thick raindrops — rendered in Impasto for texture. Her hair, wet and clinging to her face and neck, glows with the fiery orange shine of streetlights. She carries an old book and a paper bag filled with the scent of freshly baked bread.
Background: The street stretches into the distance, where the streetlights gradually dim. The facades of 19th-century buildings — rough brick texture brought to life with palette knife strokes and faded advertisements. In the distance, a cat crosses the road. The rain has just stopped. Light flickers through a thin veil of mist.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: "Before the Rain, She Stood Still"
Style: Painterly realism with expressive brushwork and cinematic atmosphere
Color Palette: Warm amber, burnt sienna, forest green, muted lavender highlights
Foreground: A young woman with long, fiery ginger hair, caught in a delicate breeze — her hair dances like threads of autumn flame. She stands barefoot on the cobbled edge of an old stone fountain. Her pale skin glows softly under the overcast sky. She's wearing a simple linen dress, cream-colored and loose, tied at the waist with a deep olive-green ribbon. One hand rests lightly on the fountain’s cold surface, the other holds a tattered book pressed against her chest. Her eyes — green-gray and distant — look beyond the frame.
Midground: Behind her, the square is quiet and timeless: ivy-covered facades of worn-out townhouses, their shutters half-closed like sleepy eyes. A vintage bicycle leans against a crooked lamppost. The stones are damp from earlier rain, reflecting the sky in fragmented puddles. The air feels heavy — charged, like a memory just before thunder.
Background: Clouds roll in above the rooftops — violet-blue and layered in glazing technique, creating a cinematic gradient of tension. Birds in soft silhouette cross the sky like brushstrokes from a forgotten thought. A curtain flutters in a distant window, suggesting unseen life inside.
Mood and Emotion: The viewer feels like they’ve intruded on a moment that should have been private: a silent memory suspended in time, full of longing. You can almost hear the wind, the soft creak of the bicycle, and the weight of her thoughts. Everything feels still, yet alive — as if the world is holding its breath.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “The Silence Between Pages”
Foreground (Mixing Palette Knife): A ginger-haired girl sits on a wooden chair in front of an open, old library placed outdoors under a clear sky. Her hair — tousled, glowing like copper at sunset — spills over a soft blue sweater. In her hand, she holds an open book, its pages caught mid-turn by a breeze. Her fingers, strong yet gentle, lightly touch the paper as if reading the silence between the lines. Light reflects off the metal clasps of her boots, adding depth and sharpness to the texture.
Middle Ground (Impasto): Bookshelves are stacked high with worn volumes — some tilted, some left open — all painted with thick, sculptural strokes. Behind her stands a vintage reading lamp, lit even during the day, casting a warm golden aura that drips down the wall like luminous patina. Around her, a few cats lounge on plush pillows and old newspapers, rendered with dense, tactile paint.
Background (Glazing): The sky behind the outdoor library is veiled in soft layers of cerulean, lavender, and pale gold, creating a tranquil, dreamlike contrast. Sunrays gently pierce through nearby branches, filtered through subtle glazing, giving the entire atmosphere a serene, almost sacred stillness.
Color palette: Amber, Verdigris green, Cerulean blue, Ivory white, Dusty rose, Warm umber, Pale gold, Transparent lavender.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques:
In a softly lit artisan workshop, a modern ginger-haired young woman sits at a weathered oak workbench, her freckles glowing under the golden spill of late afternoon sun. She’s repairing an old pocket watch — the kind with intricate gears and a heart that ticks like a secret. Her slender fingers, smudged with oil, hold a magnifying loupe to one eye while the other sparkles with quiet determination.
In the foreground, the workbench is cluttered with tiny screwdrivers, shimmering brass gears, and an open velvet box holding antique watches.
In the middle ground, shelves line the walls with glass jars filled with polished gemstones and rare metals, catching glints of light like stars in a small galaxy.
In the background, a tall window lets in the soft haze of sunset, casting elongated shadows across the room, while faint dust motes float like slow snow in the air.
The scene is painted with thick impasto strokes for the textured wood and sunlight, delicate glazing for the glass and brass reflections, and bold palette knife sweeps for her vibrant copper hair, making it blaze like a living flame against the warm, muted surroundings.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: Sunlit Rhythm
On the canvas, a young ginger-haired girl in a loose white shirt with rolled-up sleeves sits on a tall bar stool in an improvised jazz studio. Her copper hair scatters like flame as sunlight streams through large window panes.
Beside her, a young Black woman in a deep green blazer plays the double bass, her fingers weaving a rhythm that can be felt even through thick layers of paint. Impasto strokes capture the vibration of the strings, while the palette knife cuts into the canvas, shaping metallic reflections and the warmth of the wooden body of the instrument.
On the table between them—two glasses of orange juice, rendered through glazing layers where the light shimmers as if it, too, were playing music. The ginger-haired girl leans back, eyes closed, tapping her foot, smiling into the rhythm, as though her whole body is absorbing the improvisation of the moment.
The atmosphere is intimate yet vibrant, full of colors blending like music—red hair as melody, the dark tones of the double bass as the bass line, and the sunlight through the window as an improvised refrain.
Prompt: This description, in the style of Richard Estes, emphasizes the precision and vividness of reflections on the car's windows, exploring the richness of visual experiences that the city offers. In this visual presentation, the car takes a central position in the heart of urban bustle. The vehicle's windows become a kind of mirror reflecting the pulsating dynamics of urban life. The city is mirrored on these windows like a kaleidoscope of light expressions and shadows. Bright advertisements, traffic signs, and colorful lights provoke a play of reflections, creating an abstract mosaic of the cityscape.
In this landscape of reflections, each building, illuminated showcase, and passerby contributes to a complex vision of the city. The car's windows act as a filter of reality, creating a multidimensional image of urban energy.
Prompt: In a futuristic city of towering skyscrapers and flying cars, there is a laboratory of a futuristic corporation exploring the possibilities of alien technologies. Inside the laboratory, scientists experiment with advanced devices, attempting to decipher the secrets of alien artifacts found on distant planets.
At the heart of the laboratory, a huge holographic display shows complex formulas and diagrams, while robots manipulate samples and instruments with precision. Lights flicker, and audio signals fill the room as researchers delve deeper into the mysterious data they uncover about alien technology.
On the walls, monitors display footage from space exploration missions, where spacecraft explore exotic worlds and discover new forms of life. Excitement fills the air as scientists exchange ideas and theories, hoping that their research will lead to revolutionary discoveries that will change human civilization.
Outside the laboratory, the city is a vibrant scene of light advertisements and futuristic architecture, while flying cars race through the sky. In the distance, the horizon fades into mist as space stations orbit the planet, symbolizing the limitless possibilities of exploration and discovery in the infinite universe.
Prompt: Scene: In the deep of the night, under the disco lights, we see the silhouette of a woman dancing in the middle of the dance floor. Her figure is sensual and captivating, while the spotlight reflects off her skin. Around her are people in eclectic costumes, and the background is filled with colorful patterns that reflect the rhythm of the music. On the walls of the disco, we see paintings of abstract figures and geometric shapes, creating an atmosphere of dynamism and experimentation. In her hand, she holds a brush and paints, symbolizing her artistic passion and creativity. The paintings she creates reflect the liveliness and energy of this moment, blending light, colors, and motion into a unique expression of art.
Prompt: On a white canvas, in just a few simple pencil strokes, three turkeys are drawn. The first turkey stands to the side, its head raised as if it is carefully listening to something in the distance. The second turkey, in the middle, looks straight ahead, while the third turkey stands to the side, with its back turned to the viewer, its head turned over its shoulder as if looking back.
Their shapes are depicted with minimalist lines—curves for the bodies, thin lines for the legs, and a few simple strokes for the wings and tails. The background is empty, which further highlights the simplicity and elegance of the drawing.
The scene is calm and simple, focusing on the natural harmony of these birds, creating a striking contrast with the empty space around them.
Prompt: Scene in Mixed Techniques of Gouache and Encaustic
Foreground: The scene opens with a bustling urban street corner at dusk. The buildings are painted in gouache, their details sharp and vivid, showcasing a mix of modern architecture and historic facades. The street, textured with encaustic, has a glossy finish, reflecting the lights from the buildings and street lamps.
Middle Ground: A street vendor's cart, vibrant with colors, stands to the side. The cart and its wares, including fresh flowers and handcrafted items, are rendered in gouache, while encaustic highlights add a tactile texture to the flowers, making them almost lifelike. The vendor, depicted in gouache, is mid-motion, interacting with a customer.
Background: The cityscape stretches out, with tall buildings silhouetted against a darkening sky. The windows of the buildings glow with warm light, created with gouache and accented with encaustic to give them depth and a slight shimmer. The sky transitions from deep blue to inky black, dotted with a few early stars.
Sky: The sky is a gradient of dusk colors, from deep blue to black. Stars, created with small dabs of encaustic wax, add a three-dimensional sparkle. The moon, not yet fully risen, is partially visible, its surface details highlighted with gouache and encaustic for a soft, glowing texture.
Details and Lighting: Street lamps cast a warm, golden light on the scene, their glow created using gouache to capture the vibrant colors and encaustic to give them a radiant presence. Shadows cast by the lamps and buildings play across the street and vendor's cart, creating a dynamic interplay of light and dark.
Emotional Impact: This scene captures the lively and vibrant atmosphere of an urban street corner at dusk. The combination of gouache and encaustic techniques brings a rich, textured quality to the painting, making the details of the buildings, street vendor, and night sky feel vivid and lifelike. The interplay of light and shadow.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques
Foreground: A cozy kitchen table with a half-eaten sandwich, a jar of Nutella, and a small glass of milk. The table has a warm, inviting texture, with the Nutella jar showing slight smears of chocolate. The texture of the bread, knife, and Nutella spread is emphasized using Impasto technique, giving a tactile, almost three-dimensional feel.
Midground: A pair of hands holding a knife, spreading Nutella onto a slice of bread. The focus is on the smooth, swirling motion of the knife as it spreads the chocolate, capturing the moment with rich detail. The hands are painted with Mixing Palette Knife technique, showcasing the delicate play of light and shadow on the skin, adding depth and realism.
Background: The kitchen in the background is softly lit by morning sunlight filtering through a window. The light plays a crucial role in creating warmth and comfort, with golden rays illuminating the scene. The walls and other kitchen elements are hinted at with broad strokes using the Mixing Palette Knife technique, allowing the viewer's focus to remain on the central action while maintaining a sense of place.
Light Details: The sunlight streams through the window, casting soft, golden beams across the table. The light interacts with the Nutella spread and the jar, creating subtle reflections and enhancing the glossy texture of the chocolate. The gentle glow adds a serene and peaceful ambiance to the scene, emphasizing the simplicity and joy of a quiet morning moment.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Imagine a scene: Preparing Thanksgiving Day
Foreground: A married couple works together in their cozy kitchen, each deeply focused on preparing dishes for Thanksgiving Day. The husband, wearing a plaid apron, carves a golden-brown turkey on the counter, the texture of the bird’s crispy skin brought to life with thick Impasto strokes that capture the warm, savory richness of the meal. His knife, cutting through the turkey, is painted with sharper Palette Knife strokes, emphasizing the precision and careful effort in each slice. The wife's apron, soft and patterned with fall leaves, is rendered with Mixing Palette Knife strokes, adding fluidity and motion to her figure as she stirs a pot of mashed potatoes, the steam rising in delicate spirals, textured with gentle, swirling Impasto. Midground: On the dining table, dishes of vibrant, autumnal colors are arranged — cranberry sauce, roasted vegetables, and pumpkin pie each dish painted with thick, almost edible-looking strokes of Impasto. The tablecloth, checkered with red and white, is created with a combination of the two techniques: Palette Knife strokes for the crisp edges and folds, and Impasto for the texture of the cloth itself, adding depth to the scene. The glow of the fireplace in the corner reflects off the polished silverware, giving the room a warm, golden ambiance, accentuated by delicate brushwork. Background: A large bay window shows the fading light of the late autumn afternoon outside, the garden barely visible through a soft layer of fog. The golden leaves on the ground outside are rendered with Impasto, blending into the mist with broad, fluid strokes. The faint silhouette of a large oak tree can be seen in the distance, its bare branches reaching toward the sky, painted with Mixing Palette Knife to give the scene both definition and a subtle, ethereal quality. The room’s light fixtures, hanging above the table.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Imagine a scene: Scene: Winter Meal on the Table
On a sturdy wooden table, its surface marked with years of scratches and natural grain, a still life unfolds, exuding the cozy atmosphere of a winter home. Using the Mixing Palette Knife technique, the table's surface is rendered with bold, expressive strokes, emphasizing its rustic and natural character. At the center of the table, in thick impasto layers, lies a platter of pork cracklings – their golden-brown texture depicted with strokes that almost make their crunch audible. Beside them, on a plate, slices of homemade bacon reveal their white and pink layers, painted in contrasting tones that highlight their freshness. A small cluster of garlic rests against the plate, its cloves defined with precise strokes, while a glass jar of pickles stands nearby, painted with translucent and glistening layers that catch the soft winter light streaming through the window. In the corner of the table, a quince fruit shines in warm shades of golden yellow and orange. Its smooth surface is captured with layers of paint that play with light and shadow, adding a delicate touch of nature’s beauty to the scene. The light from the window, soft and wintry, gently illuminates the setting, casting long shadows that emphasize the rustic simplicity. The atmosphere is filled with the essence of a homemade meal and warmth, evoking the tranquil winter serenity of Serbian tradition.
Prompt: Prompt by jexiq q: Scene Description in Mixed Palette Knife, Impasto, and Ink Techniques: "Echoes of the Sea"
Foreground Details (Mixed Palette Knife): The centerpiece is a mural depicting an ocean wave curling mid-motion, rendered in vibrant, undulating blues and whites. The wave seems alive, with palette knife strokes creating layers of foam and spray that almost leap off the wall. Hidden within the wave are subtle motifs—a dolphin, a seashell, and a faint outline of a shipwreck—blended into the textures, inviting closer inspection. The hues transition from deep indigos at the wave's crest to translucent aquamarines at its base, with streaks of golden sunlight glinting on the water’s surface. Midground Details (Impasto): A simple wooden dock stretches out in front of the mural, its weathered planks thickly textured with impasto strokes in gray and tan. A pair of bright yellow rain boots and a small red bucket sit on the dock, hinting at a playful fishing adventure. The impasto technique gives depth to every crack and groove in the planks, while reflections of the mural shimmer faintly in a puddle of water collected on the dock. Background Details (Ink): The urban backdrop is sketched in ink, capturing a coastal city’s charm. Leaning, tilted buildings with tiled roofs and iron balconies rise behind the mural. Lines are fluid and imperfect, suggesting an organic, lived-in feel. Seagulls drawn in quick, sweeping strokes dot the sky, while a faint lighthouse silhouette stands tall in the distance. A few figures stroll along the street, their forms minimal but expressive, contributing to the bustling, seaside energy. Lighting and Atmosphere:
The scene is bathed in soft pastel tones of coral, sky blue, and lavender, evoking the calm of an early morning by the sea. The mural glows with golden accents, as if kissed by the rising sun. The interplay of light and shadow creates a serene yet lively atmosphere, with the ink outlines providing contrast and grounding.
Prompt: Prompt by jexiq q: Scene Description in Mixed Palette Knife, Impasto, and Ink Techniques: Under the Tower Bridge. The Tower Bridge rises majestically, its gothic-style towers illuminated in soft golden light that reflects on the rippling Thames below. In Mixed Palette Knife Technique, the structure of the bridge is rendered with textured precision, highlighting its geometric symmetry and weathered stone. The palette knife brings sharp edges to the railings and cables, emphasizing the intricate architectural details. Below, on the riverbank, a young street artist paints a mural of the bridge itself. In Ink, the mural comes alive with expressive lines and swirling patterns, creating a dynamic contrast to the textured realism of the bridge. The ink’s flowing strokes suggest movement, as if the mural is an interpretation of the bridge’s soul. In the Impasto Technique, the surrounding scene bursts with energy. The water of the Thames is depicted in heavy layers of teal, green, and gray, each wave palpable under the knife strokes. A vibrant red double-decker bus on the bridge stands out, a splash of color in a predominantly pastel evening palette. On the river, a small boat glides by, its reflection shimmering in dabs of silver and white impasto. In the foreground, a couple sits on a wooden bench under a glowing streetlamp. The light casts warm amber tones on their figures, blending into the ink-outlined cobblestones beneath their feet. Their quiet moment contrasts with the lively vibrance of the mural and the bustling energy of the bridge above, making this scene a harmonious balance between stillness and motion.
Prompt: Prompt by jexiq q: Scene Description in Mixed Palette Knife, Impasto, and Ink Techniques: Romantic Rendezvous Beneath the Eiffel Tower. Under the soft glow of the Eiffel Tower, two lovers stand at a wrought-iron lamppost, locked in a tender embrace. The cobblestone street reflects a delicate shimmer of pastel colors, created by the interplay of evening rain and the golden lights above. Foreground (Mixed Palette Knife): The lamppost is rendered with sharp, bold strokes, textured in deep charcoal and muted gold, contrasting with the soft, pastel puddles at its base. The lovers’ silhouettes are delicately shaped, their forms blending into one another with overlapping layers of peach and lavender.
Background (Impasto): The Eiffel Tower rises majestically, its structure brought to life with thick strokes of cream, rose gold, and subtle hints of copper. The impasto technique highlights the intricate ironwork, with areas of thicker paint creating shadows that dance under the warm lights. Details in Ink: Thin ink lines emphasize the smaller, delicate elements: the fine cracks in the cobblestones, the intricate swirls of the lamppost, and the faint outline of scattered rose petals that trail towards the lovers. Ink splashes give texture to the faint rain, with droplets barely clinging to the lovers’ coats. The atmosphere is alive with romance and the gentle murmur of Parisian streets, as a distant violinist’s melody seems to echo the intimacy of the moment. The lovers’ embrace becomes a symbol of timeless love, grounded in the city of light.
Prompt: Prompt by jexiq q: Masterpiece: Scene Description in Mixed Palette Knife, Impasto, Glazing Techniques: The Grace of a White Greyhound.
In Palette Knife technique, the background reveals an expansive meadow at twilight. Broad, deliberate strokes layer soft lilac and periwinkle hues across the sky, while whispers of fading sunlight streak the horizon in warm peach and gold. The meadow, awash with muted greens and yellows, is dotted with clusters of wildflowers painted in dabs of lavender and white, their textures thick and pronounced. At the heart of the scene stands a white greyhound, its elegance captured in the Impasto technique. The dog's sleek, muscular body is rendered with bold, raised strokes, accentuating its poised yet relaxed stance. Its fur gleams like freshly fallen snow, subtly reflecting the twilight hues around it. The greyhound's long legs are planted firmly in the grass, each blade textured and alive, while its slender neck stretches gracefully, its gaze fixed on something unseen in the distance. Using Glazing, the gentle sheen of its eyes is brought to life, deep pools of amber that hold an enigmatic mix of curiosity and calm. A faint, translucent glow highlights the curve of its back and tail, giving the impression of soft, golden light embracing the hound. In the foreground, a lone, weathered wooden bench leans slightly to one side, its surface textured with cracks and splinters from years of exposure, created with Impasto technique. A simple leash lies coiled neatly beside it, suggesting companionship without confinement. The meadow's grasses ripple around the greyhound, the movement implied by the fluid blending of hues and fine detail in the Palette Knife strokes, giving the scene a serene yet dynamic energy. This is a moment of stillness, where nature and nobility converge, the white greyhound embodying both fragility and strength against the backdrop of a fading day.
Prompt: Prompt by jexiq q: Masterpiece: Scene Description in Mixed Palette Knife, Impasto, Glazing Techniques: Reflection in the Rainy Square
Mixing Palette Knife Technique: The cobblestones are created with precise, angular strokes of the palette knife, each square delineated by subtle ridges of paint. The uneven surfaces shimmer with streaks of muted gray, brown, and hints of blue, suggesting the dampness of the rain. The reflection of the cathedral in the puddle is painted with dynamic, broken strokes, the knife creating ripples and distortions that mimic the natural effect of water. The figure with their phone is only partially visible in the reflection, with their outline blurred and fragmented, painted with soft, sweeping motions. Impasto Technique: The puddle itself is brought to life with thick, textured layers of paint. The areas where light catches the water glisten with raised streaks of white and gold, giving the illusion of movement within the stillness. The cathedral’s reflected spires are rendered in bold dabs of warm ochre, cream, and sienna, standing out vividly against the darker hues of the wet ground. The boots of the figure are painted with raised, rounded strokes, giving them a three-dimensional quality, as if they’re emerging from the surface of the canvas. Glazing Technique: The overall scene is enveloped in a soft, translucent glow achieved through glazing. Layers of delicate, transparent colors blend the reflection seamlessly with the cobblestones, creating an interplay of light and shadow. The subtle warm tones of the cathedral are layered over cooler, desaturated grays of the stone, emphasizing the contrast between the solid structure and its ephemeral reflection. The glazing also enhances the sense of depth, making the puddle appear as a portal to another world. Atmosphere
The scene captures a moment of quiet reflection, both literal and metaphorical.
Prompt: Prompt by jexiq q: Masterpiece: Scene Description in Mixed Palette Knife, Impasto, Glazing Techniques: Dawn in a Mountain Landscape After the Storm. Foreground: Rugged rocks and grass (Palette knife): In the foreground, the palette knife technique brings the rough terrain and stones to life with thick, textured layers of paint. Dark gray and brown rocks feature sharp edges and rugged textures, evoking a sense of weight and permanence. Damp grass growing between the cracks glistens in shades of green, with occasional hints of brown, highlighting the mud left behind by the rain. The palette knife creates a raw, tactile quality, making the rocks and grass feel almost touchable. Middle ground: A serene lake reflecting clouds (Impasto): In the middle ground, the impasto technique dominates the surface of the lake. Thick layers of paint create subtle ripples on the water, as though the wind has just brushed across it. The reflection of dark storm clouds on the lake is dramatized with deep blues and grays, while golden light from the emerging sun creates striking contrast. Tiny, almost three-dimensional peaks of paint on the water resemble droplets that have just fallen. Impasto conveys a sense of movement and depth in the lake, making it appear dynamic and alive. Background: Mountain peaks bathed in golden light (Glazing): In the background, the glazing technique builds atmosphere and light effects. The mountain peaks are coated with thin, translucent layers of paint—rich gold over dark brown and gray—capturing the effect of sunlight touching the summits. The clouds are delicately glazed with hues of pink and orange, adding dramatic depth to the sky and creating a sense of vastness. Glazing plays a crucial role in capturing the atmosphere, seamlessly connecting the distance and light to the rest of the composition. Composition and Effect: Palette knife in the foreground delivers a raw, rugged texture that grounds the viewer in the scene.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene Description: Encaustic Technique: Silence of the Winter Icicle.
Foreground: A frozen birch branch bends under the weight of crystal-clear icicles, shimmering in the winter sun. Thick layers of wax create the texture of ice, with translucent and white shades blending into bluish tones. Occasional golden highlights mimic the play of light on the ice.
Middle ground: Snow covers the ground in gentle waves, with soft shadows in shades of gray and blue. The snow's surface appears almost three-dimensional thanks to layers of wax, with delicate tracks of birds or small forest animals.
Background: A misty forest in the distance, where trees blend into the sky with muted, cool tones. The sky is a soft pink-orange, as if the sun is just rising or setting, with colors gently merging through warm wax layers, adding a touch of warmth to the cold landscape.
Additional detail: A tiny drop of water hangs from one icicle, just about to fall. Wax is used to create the effect of its transparency, capturing a fleeting moment of quiet winter beauty.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Mixing Palette Knife, Glazing Techniques: Street Painter in the Rain.
Foreground (Impasto, Mixing Palette Knife): Under an improvised canvas shelter, an elderly artist with a rain-soaked cap applies colors to his canvas. Thick Impasto layers shape the rooftops of old buildings in his painting, while Mixing Palette Knife leaves sharp strokes, capturing the glow of wet streets. His hands, stained with red and blue paint, skillfully blend shades on the palette. Middle ground (Glazing, Impasto): The wet cobblestone streets reflect the light of street lamps, depicted through Glazing layers. People pass by under umbrellas, leaving blurred reflections on the slick pavement. Raindrops slide down the canvases of his finished works, leaning against the wall beside him.
Background (Glazing, Mixing Palette Knife): The sky is dominated by heavy gray clouds, with warm sunlight peeking through. In the distance, a couple takes shelter under an awning as the sound of a street accordion player echoes through the space. Raindrops clinging to the bakery window create abstract shapes, adding another layer of artistry to this rainy scene.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: Dancing in the Studio.
Foreground: The Black girl, barefoot, in a wide black skirt and crop top, dances to jazz music with her arms raised toward the ceiling. Sunlight pours in through the windows, illuminating the contours of her body. The ginger girl, her hair tied in a bun and hands stained with paint, holds a palette and smiles as she watches her friend from in front of the canvas.
Middle ground: A canvas with the beginnings of a painting showing two women dancing. Palette knife strokes bring the colors to life—shades of purple, blue, and gold play together vividly. The floor is speckled with paint drops and scattered brushes.
Background: Shelves lined with paint tubes, glass jars, and old vinyls. In the corner, a record player plays Ella Fitzgerald. The studio’s rough walls are adorned with old posters and potted plants, brought to life through impasto texture and soft shadows of light.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: "At the Traffic Light of Dreams"
Foreground: A ginger-haired girl stands at a crosswalk, right at the edge of the sidewalk. In her hand, she holds a bouquet of sunflowers and wild lavender, wrapped in an old newspaper page. Her hair is tied in a messy ponytail, blowing in the gusts of wind. On her right cheek, the trace of tears wiped away by the wind. She's wearing headphones, but her gaze is distant — staring straight through the traffic light. On her sneakers, chalk-written: “I’ll be okay.”
Middle ground: The traffic light flickers between red and yellow as cars pass behind her in a blurred streak of motion. The walls of nearby buildings reflect neon ad lights in hues of blue, turquoise, and pink — like glazing layers brushed across a dream. In the shop window behind her: a mannequin in a wedding dress, smiling, unmoving.
Background: A bluish city skyline soaked in morning mist, birds circling above the tram station. In the distance, a neon café sign flickers: “The Dreamer.” On a faraway rooftop, someone is hanging laundry — white sheets swaying like flags of surrender and hope.
Color palette: Warm peach and honey tones on the girl and the bouquet, with cold blue-violet shadows stretching across the asphalt. Red and yellow reflections from the traffic light cross her figure like a painted feeling of being torn — done in impasto technique, with thick, emotional strokes.
Atmosphere: A frozen moment of decision. She knows she has to move — but isn't sure there's still anywhere to go. The flowers in her hands are not a gift, but a reminder. The city breathes — but she stands still, waiting for the green light not on the signal, but within herself.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: A young ginger-haired girl stands by a riverside promenade in the late afternoon sun.
Mixing Palette Knife brings out the shimmering water, fractured into streaks of turquoise and silver. Her hair glows like copper fire, painted with Impasto so that each strand seems to carry the sunlight. The breeze moves gently, captured in quick strokes across her linen dress.
Behind her, the old stone wall of the promenade is softened through Glazing, warm ochres layered over cool grays. She holds a sketchbook close to her chest, as if guarding a secret world inside. The violin case rests at her feet, painted with deep, expressive textures that hint at stories untold.
Her gaze is distant, toward the water and the horizon, but her presence radiates warmth — a quiet longing, a subtle invitation to step into her stillness.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: A streetlamp spills golden-orange light across the wet asphalt. The ginger-haired girl leans against her bicycle, her fiery hair spiraling in waves, catching every reflection and turning it into a glowing halo.
Mixing Palette Knife shapes her profile with sharp, imperfect strokes, while Impasto highlights the texture of raindrops resting on her shoulder, as if the painter himself left them to shimmer in thicker layers of paint.
Through Glazing, the background shows a café window: fogged, blurred, yet glowing with the warmth of flickering lights inside, like promises barely whispered.
She smiles—not an ordinary smile, but the kind that comes when you remember something only yours, something no one else knows. Her eyes, green as glass, lock with yours, and for a moment everything falls silent: the street, the droplets, the hum of the city. Only her, you, and that quiet agreement between two souls who found themselves in the right color of the evening.
Prompt: In Esao Andrews' style, imagine a scene that blends fantastic elements with reality. In the middle of the landscape, let there be a beautiful and mystical forest where magical creatures and beings from imagination come together. The trees should be adorned with shimmering leaves, and the unusual clouds in the sky can have peculiar shapes and colors. At the same time, on the edge of the forest, there is a picturesque village with real people marveling at the magic happening before their eyes. This scene combines the realms of fantasy and reality, creating a unique experience where imagination blurs the boundaries between the real and the fantastical.
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80w
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jexiq q
Member since 2023
Artist statement
"Dear users,
If you like my prompt and decide to use it, I would greatly appreciate it if you could share the link to your picture. I would love to see how it turned out and appreciate your creativity!
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
